Too Hot in the Kitchen? Three Great LA Eats to Stay Cool

LA’s been getting a little sticky. A little hot.  A little humid. If you’ve been resorting to Ben & Jerry’s ice cream or leftover cold pasta for dinner, maybe it’s time to check out one of these three stellar dining experiences.

Head to the Beach and Go Fishing with Dynamite

Photos by Jack Burke
Photos by Jack Burke

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Small, sleek, and stunning cuisine more or less sums up this Manhattan Beach eatery from David LeFevre, who also owns the inventive restaurant next door, Manhattan Beach Post. Slip inside this light, bright, welcoming space and cool off with the tastes and textures of the sea just steps from the Pacific Ocean.

On the menu: perfectly presented raw bar offerings, “old school,” “new school,” and “after school” dishes, plus exceptional craft cocktails. In short: it’s the ultimate in pescatarian delights.

Highlights: The Raw Bar, bar none. Beautifully presented platters feature options like chilled Littleneck clams, Peruvian scallops, PEI mussels, jumbo shrimp, Atlantic lobster, and a variety of oysters on the half shell. Try the revelatory scallops accompanied by dabs of grapefruit, citrus pesto, and sea salt. Other must tries: Go old school with crisp Maryland crab cake, or the hearty Po Boy with breaded soft shell crab, Cajun remoulade, and house-made pickles. New school menu highlights include delicate Hamachi served sashimi style, a sweet, fresh yellow tail plus avocado, thin-sliced red radish, chilies, and apple ponzo.

Extras: Try the Key Lime Pie, a light, individual tart, resting on a bed of thinly sliced limes for dessert. Cooling cocktails like The Sub Rosa – a Collins in a sunset pink shade, made with lemon balm, kumquats, lemon, and oola, or the Moor of St. Petersburg, a fresh twist on a Black Russian made with cacao nibs.

Check out the Downtown Scene at Faith and Flower

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Photos by Jack Burke
Photos by Jack Burke

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A stunning setting from opulent chandelier to a romantic bar scene is just half the story here – the other is Chef Michael Hung’s mind-expanding global fusion. He’s woven together just about every part of LA’s vast cultural mix of cuisine, seamlessly in an elegant space in the heart of the city.

On the menu: Brilliant multi-cultural flavors from a delicate spring pea salad to hand made pastas. Experience a multi-course meal or innovative appetizers and cocktails including the restaurant’s renowned Milk Punch, which takes over 24 hours to craft.

Highlights: Kanpachi ceviche, diced, served with house-made potato chips. Daily oyster selection. The signature spring pea salad with fresh ricotta that’s light as a cloud. Thick Cavatelli with roasted shitake musthrooms in a rich Parmesean broth, that’s worth the indulgence. Warm new potatoes  with trout roe and creamy grain mustard; seared petrale sole with radishes and fava beans.

Extras: Dessert looks like an artist’s palette with a board of house-made chocolates including delicate hazlenut chocolate feulleitine. Don’t forget that Milk Punch:  Bacardi 8 rum, Bulliet bourbon, Pernod absinthe, sencha green tea, and clarified milk.

Here Comes the Summer Sun: Sun Cafe

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Photos by Jack Burke
Photos by Jack Burke

Vegan delights abound in Studio City’s Sun Cafe, where a pleasant patio and lovely craftsman interior never fail to charm, and the food is so good even the most hardcore carnivore will drool for more. Confession: this may just be my favorite restaurant in Los Angeles.

On the Menu: Quintessentially SoCal treats like tacos are redesigned with lettuce leaves instead of a heavy tortilla shell, the perfect wrap for a mix of cashew cheese, pico de gallo, avocado, and raw basil Ranch dressing, along with “chorizo,” made from sunflower seeds; mushroom quinoa risotto with spinach, and house macaroni and cheese crafted from a sunflower seed based nacho cheese are completely fulfilling without weighing you down, credit the no-dairy recipes so good you won’t remember it’s vegan.

Extras: Vegan cheesecake that’s mouth wateringly rich yet fluffy. Mint chocolate cheesecake may be the winner, but try any of co-owner Rebecca Smith’s fab and amazingly light deserts. Of course there’s a great bar program too: awesome beer and wine cocktails include the Carosello Cooler made from Cynar, lemon, and refreshing spearmint; or try the perfect-for-summer Zurra Blanca Sangria, featuring wine infused with coriander, peach, orange, and lemon.

  • Genie Davis, Photos: Jack Burke

CA 101 2015

Photo by Jack Burke
Photo by Jack Burke

Friday night marked the opening reception of CA 101 2015, a fantastic exhibition at “The Industrial Cathedral” a.k.a. the AES Power Plant in Redondo Beach. From site specific installations to immersive 3D video to evocative photography, don’t miss this show, on view again next weekend, Friday 8/7 to Sunday 8/9.

A Comfortable Skin - Kristine Schomaker Photo by Jack Burke
A Comfortable Skin – Kristine Schomaker
Photo by Jack Burke

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Photos by Jack Burke
Photos by Jack Burke

This is the fourth year for what has become an annual exhibition including a wide variety of cutting edge visual artists from throughout California. Over 126 artists are exhibiting 157 works. It’s hard to say what’s most compelling here. There’s Mike Saijo’s brilliant immersive images, One and Three Parallax Views? Put on your 3D glasses and check it out. Explore Kristine Schomaker’s  kaleidoscopic mixed media Bloom, Cie Gumucio’s intense tributes to writers including her Shadows and Light Within spotlighting Emily Dickinson. Listen to the wild caw of peacocks emanating from the doorbell at Patty Grau’s “crime scene,” Peacock Blues.  Get dazzled by the raiment displayed by Diane Strack’s Vestament: Reflections on Religion. Yes, there are also stunning, LA-evocative paintings like Lena Moross’ Red Couch #1 and Scott A. Trimble’s Two More in the Bonding Sea. Photography as wide open as the desert it depicts in Cameron Mcintyre’s Out on the Flats. The semi-apocalyptic daydream that is Ariel Swartley’s Beach Town.

Lena Moross - Red Couch #1 - Photo by Jack Burke
Lena Moross – Red Couch #1 – Photo by Jack Burke

But truly, this isn’t about one or even several artists. This is a seminal collective exhibition. The space itself, with it’s surreal, industrial green heights creates an aura half-way between factory and submarine. The mix of art forms, from watercolor to sculpture is simply too good to miss.

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All photos by Jack Burke
All photos by Jack Burke

So what are you waiting for? Take off for a day at the beach coupled with great art, or ruminate on what you’ll see here with an after-art stroll on the sand. For once, driving to DTLA isn’t necessary to experience some of the finest art and artists California has to offer. One caveat: it’s not actually accessible from the 101. You’ll need to take the 405.

  • Genie Davis; Photos: Jack Burke

“Art Fusion” Juried Exhibition at Phantom Galleries Los Angeles Gallery H

Photo by Jack Burke
Photo by Jack Burke

All Photos by Jack Burke

Saturday, August 22, is the closing reception for Gallery H, a part of Phantom Galleries Los Angeles, “Art Fusion,” a juried exhibition. Over fifty artists are participating in the exhibit curated by fine art photographer, independent art curator, and photojournalist Gloria Plascencia. Among the cutting edge artists showcased are renowned guest artist Scott Canty, director of the Los Angeles Municipal Art Gallery; Chenhung Chen, whose art focuses on the formation of line in drawing, Chinese calligraphy, and American Abstract Expressionism; Richard Gould, a spiritual artist working in mediums including painting, sculpture, illustration, architecture and graphics; photographer and mixed media artist Janet Milhomme; and landscape and sketch artist Roger S. Thomas. Harpist and vocalist Gracie Sprout performed live at the July opening reception.

Photo by Jack Burke
Photo by Jack Burke
Photo by Jack Burke
Photo by Jack Burke
Photo by Jack Burke
Photo by Jack Burke

Located at 12619 Hawthorne Blvd. in Hawthorne, Calif., just off the 405 freeway, Gallery H recently hosted “This into That: Art from Found Objects” in May 2015, featuring Palos Verdes artist Ben Zask.

The “Art Fusion” Juried Exhibition is the first of a planned yearly juried exhibit, designed to showcase Los Angeles-based artists. Along with the opening reception, Gallery H will offer live art demonstrations on 8/8, as well as providing three-hour art classes on 8/8.

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Photo by Jack Burke
Photo by Jack Burke
Photo by Jack Burke
Photo by Jack Burke

Scott Canty selected best in show and assisted with the selection of 1st, 2nd, and 3rd place award winners. Phantom Galleries Los Angeles (PGLA) has a mission to revitalize and transform unoccupied properties in Los Angeles County through public art presentations. Converting vacant storefronts into temporary galleries and vibrant cultural centerpieces, PGLA offers accessible exhibits and programs, and hands-on, on-going support for the arts. Serving as a conduit for collaboration between local artists, the artistic community, and the general public, PGLA is a platform for artistic growth and experimentation outside traditional gallery or museum settings. The goal: establishing a sustainable cultural community.

Photo by Jack Burke
Photo by Jack Burke

Curator Gloria Plascencia with Scott Canty

For more information visit www.phantomgalleriesla.com

  • Genie Davis, All exhibit photos by Jack Burke

Automata: Light in the Dark

Photo by Jack Burke
Photo by Jack Burke

At Chinatown’s Automata, a fascinating steam-punk meets high tech vibe has long been an earmark of the exhibits displayed. With “Light in the Dark,” a single night exhibition, curator and artist Alexis Macnab may have created the ultimate combination.

“It’s a mechanical and metaphoric exploration of the camera in al its forms,” Macnab said of her jam-packed show. “The goal was to make something informative but also fictional. I really want people to learn something about how a camera works by walking in the door, and at the same time, experience the magical qualities of it.”

Photo by Jack Burke
Photo by Jack Burke

Eleven different artists and four live performers contributed to the show, which was presented with detailed notes about the individual pieces and subjects. “I’m really interested in museums. In the idea that you’re supposed to learn something in a designed event. I feel very strongly that we should, in gallery shows, be working in that model, creating a specific learning event,” Macnab explained.

Artist Thadeus Frazier-Reed co-curated and exhibited at Automata as well. His “Make Your Own Zoetrope” allowed guests to create a spinning animation piece from construction paper and digital images which they could keep. “I’m personally interested in combining the digital with the antique. We did that a lot in many pieces here, using a lot of technology, but allowing those attending to bring home a physical artifact that harkens back to early ideas in motion pictures.”

Frazier-Reed noted that the gallery often uses “crafts tables so people can create something they can walk away with. We want people to learn something kinesthetically.”

Photo by Jack Burke
Photo by Jack Burke

However the knowledge is imparted, the projected images, antique cameras, crafting of animation, and pin-hole viewing provided an illuminating look at not just the workings and origins of cameras, but that of human imagination as well.

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