Graceful Watercolors: The Art of Claudia Kazachinsky

Claudia Kazachinsky primarily works in watercolor, painting delicately nuanced beauty inspired by everyday life. Everything this prolific and passionate artist sees becomes an image she cherishes and often paints.

She says “from a flower I photograph on one of my walks to an interesting face or scene I happen to notice in a restaurant, museum, or while traveling… I think artists are always observing the world around them, and I’m no exception. I am an avid urban sketcher and almost always carry a sketchbook, a pen, and a small watercolor palette with me because I never know when I’ll come across something I want to capture. I consider myself primarily an observational artist, painting what I see, but I also love to let my imagination take over. ”

According to Kazachinsky, she often adds “whimsical elements, rich textures, expressive backgrounds, and handmade printed paper collages that bring another layer of interest and storytelling to my work. While my paintings begin with real-life observations, they often evolve into something that reflects not just what I saw, but how I experienced the moment.”

She began painting when she was a small child and never stopped. “Art has always been a part of my life,” she attests. “I can honestly say that my style has continually involved.”

When she began to paint regularly ten years ago, she relates that she worked “almost entirely from observation,” describing herself as more timid with her art. While today she still begins her work by painting what she sees, now she is more willing to “let my imagination take over” and introduce “unexpected elements, textures, and patterns that make each painting uniquely my own.”

The artist describes herself as a “fast, loose painter” and notes that her current challenge is learning to “slow down and pay closer attention to detail. I especially love painting portraits and the human figure, although it took me a long time to become confident with them. As the saying goes, it’s ‘all about the miles on the brush. Every painting has taught me something.”

While she says that her first love is and always will be watercolor, she also enjoys working in mixed media. In regard to watercolor, she explains that “Most people don’t realize that it’s actually one of the most difficult mediums to master. I love its
spontaneity, its fluidity, and the luminosity of its colors. There is something magical about watching the paint move across the paper, creating effects that can’t be completely controlled.”

When it comes to mixed media she says that she jokes about throwing “everything at the canvas but the kitchen sink. I enjoy experimenting with texture, collage, handmade printed papers, and anything else that adds depth and interest to the work.”

Kazachinsky has even returned to a past love of oil painting, rediscovering her enjoyment of the medium. ” Unlike watercolor, oil forces me to slow down. The longer drying time gives me the opportunity to step back, rethink, and refine my paintings,
something that has been an important part of my growth as an artist.”

Over the years, her work has changed most dramatically in terms of thematic focus, having initially spent many years painting portraits. “In 2019, while visiting Washington, D.C., we happened to stumble upon the Outwin Boochever Portrait Competition exhibition at the Smithsonian National Portrait Gallery. Standing in those galleries, I made a promise to myself that one day I would submit my own work to the competition…it has motivated me to keep learning, growing, and becoming a better portrait painter with every brushstroke.”

That said, Kazachinsky creates dynamic floral works and delightful images of animals as well.  And while she describes portraiture as her “greatest passion” she also enjoys plein air painting that allows her to “observe light, atmosphere, and color in a way that continues to influence all of my work.”

Her current exhibition at Diversions Fine Arts Gallery in Manhattan Beach represents “the largest body of work I have had
the opportunity to showcase,” but the artist continues to be an integral part of multiple group exhibitions around greater Los Angeles.

Kazachinksy spent nearly 35 years as an interior designer while continuing to paint throughout her career. That experience gave her “a unique perspective on how art transforms a space and how the right piece can completely change the feeling of a home.”

She loves to assist collectors and designers in sourcing artwork and placing it. “Choosing art isn’t simply about finding something that matches the sofa—it’s about selecting pieces that speak to you emotionally while also considering scale, proportion, placement, and how the artwork interacts with the architecture and furnishings around it.”

She feels that some people are intimated by the act of buying original art simply because they don’t know enough about it. “My goal is to make that process enjoyable and approachable. Art should move you first and foremost, but when it is thoughtfully
chosen and beautifully displayed, it has the power to elevate not only a room but the way you experience your home every day.”

Viewers can let Kazachinsky’s art elevate their lives at Diversions Fine Arts Gallery through August 30th. The gallery is located at 1069 N. Aviation Blvd. in Manhattan Beach. A gallery hop with other area galleries will take place August 22nd 12-3; the exhibition will have a closing reception and artist talk on the 30th from 1-3 p.m. along with fellow exhibiting artists Jeffrey Sklan and Angelica Sotiriou.

  • Genie Davis; photos provided by the artist and by Davis 

Chromatic Wonder and Pitch Perfect Composition: Photographic Artist Jeffrey Sklan

From faces to flowers,  Jeffrey Sklan is a photographic artist who makes his visions bloom. The artist says that implausible or not, “almost everything inspires me at this point. I have set it up that way. First, the obvious: unique light and beauty surrounds us in Los Angeles. I watch almost every sunrise and every sunset. There is an endless cascade of interesting faces and talented people to observe and create portraiture with.”
Sklan notes that past perceptions are coming to the forefront for him as an artist today. “Increasingly, ideas that had their roots in a moment or season years ago have been providing inspiration. It is not nostalgia, it is perspective. And that can only come with time and distance. Revisiting the work of  artists who contributed to my aesthetic is a bottomless well. Likewise, the young artists with whom I collaborate or envy– so many talented people are doing beautiful and thoughtful work.”
On the same subject, it is no accident that his work seems to provide an almost musical catharsis for the viewer. It’s a visual soundtrack to joy and existence. “Music is my wellspring for emotional content,” Sklan attests.
The artist’s work has gone through many changes over the years. “For the past ten years or so, I deliberately have tried new things, new techniques, and reworked the classical portraiture styles that are my foundation. My preference is still simple, unaffected portraiture or botanicals. But, I consciously take different roads to get there and to avoid getting stale,” he explains. “Stasis is death for creativity.”
According to Sklan, he works in medium format cameras. “Mostly they are digital but film is still important for certain instances. I don’t care about the gear or the technology – the priority is actualizing my intuition.”
He is deeply involved in many upcoming projects. “I’m very excited about the next few books that are in varying stages of layout – and sharing them with a (hopefully) wide audience. Restarting my artists’ portrait project is a priority, also. Later in autumn, I will be returning to a botanical project and building out a dedicated space for it. I need to find a representative that can keep up with me,” he stresses.
Sklan describes his work as “originating in my heart, which is is my north star. Hopefully, it both resonates with others and finds new homes. Art is like a favorite meal: best when shared, not when hoarded.”
Come feast and share the artist’s stunning botanicals at Diversions Fine Arts Gallery August 1st through 30th. Opening reception is the 1st from 4-7; regular gallery hours are 12-4 Sunday-Thursday, and the closing reception will be held August 30th from 1-3. Stay tuned for information about a book sale and signng for the artist as well.
– Genie Davis; images provided by the artist

Angelica Sotiriou Creates Spiritual Wonder in Deeply Layered Art

Deeply wondrous, luminous with light, and shimmering with meaning, Angelica Sotiriou’s art touches the eye, heart, and soul of the viewer. Her work embodies a sense of spiritual presence, generating a collective awe in those witnessing her paintings, drawings, and mixed media pieces.
According to Sotiriou, “My work has always come from the deepest place of my prayer life. Be it finding beauty in the world or the darkness that invades our good intentions, my works take the sacred and secular and use them to create my abstract narratives.”
Her sense of purpose and meaning has not changed over the years, even as her techniques or mediums shift. “My works have not deviated from my internal focus of one’s life journey. I started out painting, using other-worldly, intensely brilliant color transparencies on canvas. I continued with creating bigger than life handmade paper bas-reliefs, dealing with the  plight of young womanhood and the spiritual journey of transfiguration,” she says. And in the meantime, she notes that she’s “always loved [the] energetic movement of soft graphite on large sheets of rag paper. Early in my career, they were autobiographical abstracts. These works eventually evolved into spiritual landscapes with the focus on the visceral search for Light.”
Today,  the artist has combined these techniques and mediums, shaping thematically imagined landscapes. She relates that she is “still searching for Light…still energetic…still [creating] larger than life narratives.  Thematically, I have attempted to meld the secular and the sacred in each new work using mixed media.”
Asked which mediums she prefers, Sotiriou says that she loves “the energetic line work of soft graphite, acrylic brushwork, interference pigments, transparencies and I have incorporated the line work into my subtle mixed media painterly abstract narratives.” She wants viewers to “look long enough to see the multiple layers of dark to light pigment, water soluble graphite, and interference pigments” that make up individual works.
Sotiriou’s newest works “deal with the notion of longing for home and the familiar, our earth as home, stewardship, the sacred, the secular and the ache that comes from wanting to go home to a place that may not have ever existed.”
As profound as it is beautiful and involving, Sotiriou’s stunning art will be on view at Diversions Fine Arts Gallery in Manhattan Beach,  August 1st. In September, she will be sharing another large body of her work at Kipos Gallery/Trinity San Pedro, as well as several works at the Pacific Unitarian Gallery in Palos Verdes. In November, she’ll be showing some work at “Art At Dark”,  St. Katherine GOC, Redondo Beach.
The artist has been creating her powerful work for 56 years, and for each of those years, she says that her images have asked “my viewer to sit with them for more than a few moments and to explore the layers of marks and pigments, to tap into the energy of the compositions and to explore where their own sensibilities reside in each work.” She adds that “There is a narrative in each work; if you listen close enough you will find your answer.”
For all those seeking answers, or simply the beauty of life itself, visit the artist’s exhibition of both large scale and small works at Diversions Fine Arts Gallery, 1069 N. Aviation Blvd. in Manhattan Beach. Opening reception is 4-7, August 1st; regular gallery hours are 12-4, Thursday-Sunday.
– Genie Davis; photos provided by the artist

Michael Stearns Creates Contemporary Color Dazzle

Michael Stearns is a contemporary artist whose practice explores fundamental questions of existence, origin, and the forces that animate being.  His rich work operates at the intersection of metaphysical exploration and aesthetic investigation, seeking not only to articulate these universal, eternally relevant questions but also to implicate the viewer in their contemplation.

Stearns says that he employes a painterly language that consists of both organic forms and vibrant, saturated color. The artist constructs visual fields that oscillate between abstraction and figuration, amplifying the phenomenological impact of these thematic concerns.

Whether creating entirely abstract, lush and brilliantly colored canvases or more precise maps, roads, grids…or a mix of recognizable, impressionist and abstract landscape, Stearns work is a riveting fairytale, a narrative ripe for the eye to take in and the heart to feel.

In his sculptural works, he often employs the most prosaic of found materials, from cereal boxes to bits of colored cardboard and wire. What he makes from these humble textures does not just elevate the material but transforms it, making it something almost ethereal, an accordian of light and color. His natural and industrial materials are synthesized, generating a dialectic between the primal and the constructed, transforming dissonance into a harmonious duality.

Color shimmers, shape mutates, image mesmerizes. Galvanizing is one way to describe the layered luster of Michael Stearns’ art. Filled with a glowing joy, his work explores questions of profound meaning with dazzling aesthetic forces that fill the viewer with a profond sense of wonder amid its heightened chromatic intensity.

Stearns’ work is reverant in its respect for nature, form, the miracle of life, and the fecundity of nature. Moon shapes, seascapes, rose colored trees, orange mountains, purple coastlines and blue roads dissect, diverse, and blossom. His work is both intelligently precise and voluptuously open, images of land, sea, sky, and the universe itself, all fragrant with color, steeped in memory, imagination, and an inveterate belief in the miraculous.

Whether painting mystical shapes, congruent maps, highly textured landscape, or sculpting with cardboard and newspaper to bring both nature and urban society together, Stearns is a force to be reckoned with.

To view his work is to be immersed in it; the pulse of life and the power of his art run through each image like a current. Stearns’ radiance and accessible yet deeply resonant work is a slice of both California life and magical light. Of course, maybe that is one and the same.

Stearns’ work is currently on exhibit at Diversions Fine Arts Gallery in Manhattan Beach through July 26th., as well as at his own studio and gallery in the Los Angeles Harbor Arts building in San Pedro. DFA Gallery is open 12-4 Thursdays-Sundays, with special open house programming from 12-4 July 25th and an artist’s talk and closing reception on July 26th from 1-3.

  • Genie Davis; photos by Genie Davis and as provided by Michael Stearns Studio.