Film

Festival program director Paul Sbrizzi with fest director and founder Shira Dubrovner, above “This year’s festival was a testament to the importance of an event that creates community and support for personal, innovative filmmaking…” Sbrizzi added “We consciously seek out the kind of bold filmmaking that deserves a showcase.”

So, who won? Let’s take a look:

U.S Narravie GRAND JURY PRIZE WINNER – Unicorn Boy (USA) – When a heartbroken young artist is sucked into a unicorn-run alternate dimension, they must help conquer a dark force in order to bring peace to the kingdom and themselves. Directed and written by Matt Kiel.

U.S. Narrative AUDIENCE AWARD WINNER – Love Dump (USA) – Trash-filled love ensues when a quirky antique shop owner searches for her missing father and falls for a determined dog lawyer along the way. Directed by Jason Avezzano and written by Leila Gorstein and Jesse Kendall.  

International Narrative GRAND JURY PRIZE, AND AUDIENCE AWARD WINNER – Where the Road Leads  (Serbia) – A stranger arrives in an isolated village and the locals suspect his involvement in constructing a highway nearby; their intolerance gradually builds to open conflict. Jana falls in love with him and sees the danger; she’s the only one who can save him. Directed and written by Nina Ognjanović.

U.S. Documentary Feature 

GRAND JURY PRIZE WINNER – A Still Small Voice (USA) – An aspiring hospital chaplain begins a yearlong residency in spiritual care, only to discover that to successfully tend to her patients, she must look deep within herself. Directed by Luke Lorentzen. West Coast Premiere 

BRAVERY AWARD WINNER – Mississippi River Styx (USA) – An enigmatic drifter with terminal cancer lives his dream of floating down the Mississippi River on a ramshackle houseboat — until locals start to question his story. Directed by Tim Grant & Andy McMillan.

AUDIENCE AWARD WINNER – Name of the Game (USA) – The untold story of black male exotic dancing in south Los Angeles and how it intersects with the origins of hip hop, gang culture, and kung fu assassins. Directed by William Forbes and Douglas Skinner.

International Feature Documentary 

AUDIENCE AWARD WINNER – Naked Israel (Israel) – Interviewees are exposed both physically and mentally in this irreverent look at Israeli masculinity, through a series of interviews with men from a broad range of ages and backgrounds. Directed by Ines Moldavsky. World Premiere

GRAND JURY PRIZE – To Kill a Tiger (India) – Ranjit takes on the fight of his life when he seeks justice for his 13-year old daughter, the victim of a gang rape. Directed by Nisha Kumari Pahuja.

Screenplay, Shorts, and Music Videos 

Best Screenplay: “Field of Weeds” by Kelly Jean Karam. 

Best Narrative Short: “Play This At My Funeral,” directed by Ray Smiling.

Honorable Mention: “Filling Holes,” directed by Miriam Gabriel and Sophia de Baun.

Best International Narrative Short:

“Sanaa, Seductress of Strangers,” directed by Jan Eilhardt.

Honorable Mention: “Summer Rain,” directed by Shao Lin. 

Best Documentary Short: “A Throwing Forth,” directed by Xiao Zhang.

Honorable Mention: “Let Me Take You Home” directed by Evelyn Hang Yin. 

Best Animation Short: “Our Pain,” directed by Shunsaku Hayashi.

Honorable Mention to “La Última Historia (The Last Story),” directed by Vicente Molina Pardo. 

Best Music Video: “Under No Nation” by Goat, directed by John Mark Lapham.

Honorable Mention to “Funeral Solution” by Osees, directed by Logan Feser.

Special Mention to “Rakiya Su Katamam” by Altin Gün, directed by Sylvain Rusques and Simon Moreaux.

But ultimately the biggest winners are the filmmakers and audience members attending MLFF 2023. 

For information on the 10th annual festival taking place 05/22/2024 – 05/26/2024, visit www.MammothLakesFilmFestival.com.

• Genie Davis; photos courtesy of the festival’s Dori Myers; and photos by Jack Burke

We had a super Saturday indeed at Mammoth Lakes Film Festival, from morning ‘til the lively after party, replete with Tiki drinks.

Shorts Block 4

A strong block of short narrative films offered comedy, whimsy, and the tragic.

Vegeversary

Director Sarah Smith  tested a brightly colored animated story in which on the anniversary of a bunny’s vegeversary she and her friends spend a weekend over indulging in tons of meat. Smith who is a long term vegetarian/pescatarian says she thought it was a fun idea to present a celebration with friends in this way especially as imagined vicariously through pandemic years.

Stuck

A smart and funny slice of Austin life as  roommates in a large group house make a music video and a pesky mouse gets stuck in a glue trap before compassion prevails. Director Brittany Reeber says she created an existential autobiographical story. Great music by Austin band Neville, too.

Work Life

Brilliant comic gem as office workers discuss – or rather don’t discuss, but remember they’re eventful, and unbeknownst to them, connected weekends. Cambodian American director Kevin Ung says he wanted to make sure the film visual enough to understand by even those for whom English is not their first language. In the process he created a terrific film with both compulsive narrative and viewing appeal. Both he and DP Oscar Ramos created this as a USC grad project.

Baloney Beacon

Balloons as nature documentary in another dimension – that’s how director Max Landman describes this visually fascinating stop action experiment with animating balloons.

Landman works in the Bay Area as a balloon twister, but during the pandemic he created this super fun piece extemporaneously.

Wild Card

Director and co-star Tipper Newton creates lush neo-noir vibes in her second “serious” film short, as she describes it.

A desperate doctor is looking for a girlfriend, and joins a dating service that sends VHS tapes to its subscribers.

Dressed in red, the femme fatale who chooses him comes with plenty of baggage and her own needs for a “date.”

With a tense score and LA-setting, this damsel in distress film has gorgeous art direction and pitch perfect acting.

Wolf

A young Iranian boy follows his grandfathers advice to end the suffering of the lives of ailing animals – in this case the grandfathers own in this sorrowful story of the inevitability of death.

Documentary Shorts 2

Becoming Howard

This is a sweet and thoughtful doc following Howard, an autistic crossing guard in CA, returning to his Indiana high school reunion. There, he reconciles with those who weren’t that nice to him in high school. Today he writes a blog about bullying, and receives former classmates support.

According to thew project’s skilled filmmaker Matt Fuller, Howard came to CA following a passion for arm wrestling, but wonders what life would’ve been like if he stayed in Indiana.

Squid Fleet

Poetic and fascinating film about life on a squid boat in China. As beautiful as it is sorrowful. Ed Ou and Michael Hsu create both a very real and mythological world.

Animal in Ascension

Cocky young Floridian experiences other worldly sensations in another dimension. Director Ian Clark describes his lively film as living DMT in a non-DMT world – and exploring the margins of human experience.

Balloon Boy

Watching Balloon Boy unfold in real time, directors Brian Gersten and Arlin Golden describe their project as an early indicator of negative American emotional behavior.

During the pandemic ,the duo found  and cut footage together of the hoax, from the moment it occurred to today’s current footage of the kids involved making a heavy metal song about it. The result is a lively, fascinating archival doc.

Ukarjo

Exploration of daily life in a pristine jungle habitat living in Indonesia. The message of natural peaceful lives is beautifully done by Cannelle Guhur.

Mississippi River Styx

Director Tim Grant creates a riveting feature film study of a likely con man navigating the Mississippi  River on what were supposedly his final is beautifully done,  but the subject is now living in Slidell, La.

Said to be dying of cancer, Kelly Phillips took his houseboat down the Mississippi from Wisconsin to the river’s end in Venice, La. Originally intended as a short, riding along was hazardous but so compelling an experience that directors Tom Grant and Andrew McMillan turned a four day filming schedule for a short into a feature, Grant’s first.

Is Kelly conning people? The filmmakers fairly present each side in a gorgeously scored, shot, and fascinating character study.

The danger of shooting in the river waters is palpable – Kelly was allowed to go down river only because of his story about his end of life journey, with the coast guard helping him despite standard safety restrictions.

Grant says “We didn’t make it an investigative film about Kelly’s diagnosis – we were more interested in presenting various perspectives and emotional reveals than justice.” The result was an incredible, harrowing film.

Requiem for a Whale proceeded the feature film, an important elegiac short from Ido Weisman, a beautiful rumination on life, death, and ecology.

Also viewed today: a twisted mother and son story in Joey Hirsh’s body horror Pure Gesticulation, which I was unable to view in entirety, and a dark depiction of highly symbolic outcasts in a terrifying Polish forest enclave in the beautifully wrought fable of The Horse Tail.  With the former feature was a sweet gritty take on social anxiety in Zane Stein and Nate Pringle’s Super 8 short Hey Guys, How are You? which combines humor with pathos.

Many terrific films today – Mammoth Lakes Film Festival rocks on as truly a fest for filmmakers, innovative and fresh.

• Genie Davis, photos by Jack Burke

 

It was a fabulous Friday at the Mammoth Lakes Film Festival. The fest runs through Saturday with more great films ahead and the mountains are beautiful, too. Drive on up!

A Still Small Voice

An absolutely riveting, superb documentary following the residency of Mati, a hospital chaplain; her supervisor; and the courage and sorrows of the patients at Mt. Sinai Hospital. Such a strong and deeply moving film, it’s rare to see such a beautiful evocation of faith, loss, life, death, and personal struggle presented on screen.

Along with ministering baptisms, emotionally supporting suicidal relatives, and those dying of illnesses and age, Mati must deal with her own personal grief experience and a disconnect with her supervisor.

Glowingly photographed, incredibly intimate, and thoroughly absorbing, it’s a soaring, passionate, and at times devastating work.

Luke Lorentzen is a brilliant filmmaker who has made a compelling film touching on profound topics, and this is a must-see film.

The film was accompanied by a dreamy, gracious doc short about life in a small Southern grocery store, From Fish to Moon directed by Kevin Contento. 

Shorts Block 2

A mixed bag of experimental and more narrative delights. Highlights:

Chiaroscuro – Clair Obscura

Director Elias Djemil-Matassov works mainly with dance subjects, but was approached to work with a contemporary puppet theater for this beautifully shot film. Creating the  all music film involved puppeteers and a professional dancer to create the movements for this elliptical piece about the memories contained in each part of the body – including the life in the hands of the puppeteers.

The Actress

Filmmaker Steve Collins created an amusing story about a manic actress, her put-upon brother and his chef girlfriend. The sister’s surprise visit triggers an upheaval in the sparkly three-person cast, who clearly shared in the fun of their production.

Filling Holes

A Flatbush slice of life between two roommates, an a/c, and a boyfriend. Triangle? Dynamics of moving in and friendship and surviving romantic loss? All of these plus best friends supporting each other, finding family, a go-pro camera depiction of moving chaos,  and parental relationships in the mix.

Juice (Saft)

Viscerally animated slug-like creatures ooze green goo and absorb red bugs. Visually stunning look at acceptance.

Other shorts  screened included a statement of faith and race relations, Blind Color, and a wildly visual Fellini-esque film about two women and their relationship to a violent male photographer, I Love Pictures, awash in reds, blacks, and noir

I Said Daddy I Said

Filmed at Bombay Beach by the Salton Sea, (but passing for Texas) there’s a mysterious object in the water that might just cause time travel.  Living near it, there’s LaLa, who wants to leave her abusive drug-dealer lover, the massive hammer-wielding Daddy, but is hampered by the fact that someone’s watching her every move.

A tense, fresh score and smart direction  – both by Sebastian Karantonis, create the terrific vibe of this gritty thriller, where the frightening elements of being trapped in a terrifying relationship meets sci fi, and psychological horror.

Nut Jobs

Artfully shot in black and white, this French- Canadian film is both a noir comedy and a reconciliation love story.  In it,  a motley crew of “nice terrorists” try to take down a right-wing radio station using mind control to destroy the world. The reconciliation is the framework for relating the twisted tale of the attempted radio station takedown, which sounds like a crazy fantasy, but is definitely not. There’s a gorgeous cat named Harriet and a hypnotizing record involved in Alexandre Leblanc’s film, too.

The feature was paired with a comedy short, Carol & Janet.

Set at a jewelry warehouse, work friends Carol and Janet receive a truly surprising delivery from the UPS man who can’t tell them apart. The result is a bright nine minutes of friendship and laughs from Andrea Rosen.

Short film Mahogany Drive is an absolutely hilarious comedy about three Black men on a comedy tour who awaken in an Air B &B and discover an apparently dead white woman. As bodies pile up and one of the trio assumes the house must be cursed, the perfection of the comedy tension builds to a terrific surprise ending.

Originally a part of a network pitch for a comedic Twilight Zone, the three stars including director and co-writer Jerah Milligan  also have a podcast live in LA titled Black Men Can’t Jump. Los Angeles – do go see them at UCB Franklin June 4th, or the first Sunday of any month this year –  they’re brilliantly funny.

Love Dump

Parodying  Hallmark movies, this is a quirky and absurd romp about Jessica Dump, a junk shop owner, and Todd Barkley, a canine lawyer, who fall in love. The Chicago-set romantic comedy also include a dump owner who is Jessica’s long-lost dad. Along with bursts of dancing, dogs – that per the star and co-writer Jesse Kendall were a bit of a challenge for him and director Jason Avezzano – love gets played with crazy absurdist glee. 

A great day at the cinema and more to come tomorrow!

– Genie Davis; photos: Jack Burke and provided by the filmmakers and festival