Catalina Dreamin’ – On Such a Winter’s Day Part 1

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Catalina Dreamin’ – On Such a Winter’s Day Part 1 by Genie Davis

Any time is the right season to visit Catalina, Southern California’s own special island getaway. But while summer’s joys are approaching, bringing bathing suit weather and gentle waves, the quieter months that stretch between November and March are beautiful times to visit.

We had the pleasure of experiencing new and revamped favorite dining spots, our first ever golf-cart-ride into the hills, just-beginning to bloom gardens, a terrific kombucha and beer garden, and fine art exhibitions, still on-going at the Catalina Museum of Art and History.  We also enjoyed a spooky, EMF enhanced ghost tour and of course, no visit is complete without exploring the hauntingly lovely Casino.

Traveling to Catalina is a literal breeze – windswept outdoors or comfortably seated in the Commodore lounge indoors, an experience we enjoyed, Catalina Express is the way go from San Pedro, Long Beach, or Newport Beach to the island.

Founded in 1981 as a commuter service, Catalina Express operates eight vessels today, carying more than one million passengers annually. Four high speed catamarans offer the smooth gliding ride we took, crossing from Long Beach to Avalon in an hour and offering both comfortable indoor and outdoor seating. The Commodore Lounge is on the upper deck, with plush leather-trim airline-like seating, relaxing priority boarding and check-in, and beverage and snack service included. We had the top-of-the-line lounge experience, enjoying delightfully sparkling champagne with our crackers and cookies snacks, watching as our vessel sailed from past the fog shrouded Queen Mary.  As much as we enjoyed the romantically foggy views, when the fog cleared away, bright and sunny was perfect, too.

Once on the island, we checked in to the quiet, comfortable Catalina Island Inn. From our large 3rd floor room, we enjoyed a clear harbor view from our balcony. The step-in rain shower was also a delight, and staff was friendly and accommodating.

The boutique hotel’s mix of nautical and historical decor added to the relaxing ambiance. Also relaxing – the bed, with a terrific mattress, soft linens, and the sound of distant fog horns and gentle waves to lull us, we had a great night’s sleep in our spacious and peaceful room. Well-located just down the street from the Catalina Museum of Art and History, the hotel is convenient and easy to reach while being away from the sounds of nightlife directly along the waterfront. Having a balcony with a view was a special treat, and a fantastic first for us when visiting the island.

For lunch, we visited Descanso Beach Club, with its blissful beachside restaurant and bar – the only beachside restaurant in Avalon. The ocean view patio gave us a stellar view of gulls and pelicans in flight, boats bobbing picturesquely on the water, and of course, the ocean itself. We were seated on the deck, where we enjoyed the California Sushi Bowl with fresh-from-the-sea spicy poke, edamame, and avocado; and the Cilantro Grilled Swordfish sandwich, which came with a crisp but creamy slaw topping featuring red cabbage and pineapple. Fresh fish, a deliciously relaxing vibe, and two of the Descanso Beach Club specialty cocktail, the potent and tasty Descanso Destroyer featuring Sailor Jerry Spiced Rum, Don Q 151, Amaretto, Grenadine, plus orange and pineapple.

While we could’ve lingered all day, it was time for the afternoon Catalina Casino VIP tour. High recommends for those visiting to enjoy the VIP experience. Not only do visitors get to see far more of the casino, including backstage green rooms, dressing rooms, and the Wrigley screening room, you’ll learn the inside story on the casino, which held many firsts over the years, including being constructed to show the then-innovative new film technique – movies with sound. And in the gorgeous upstairs ballroom, replete with cork flooring to insulate sound, you can see the stage where the King of Swing himself, Benny Goodman, once played. Outside the ballroom, the view was superb, even as the fog crept softly in again, and the ornate construction is a true jewel of architecture and California history.

After strolling around town enjoying both window shopping and the purchase of some Catalina-made soaps and candles as souvenirs, we had dinner at another Catalina tradition– The Lobster Trap.

This lively locals-favorite recently expanded its lively dining room, bright with a neon sign or two, and sporting fish-centric decor.  Everything’s fresh here: commercial fisherman Caleb Lins is the owner, and he brings in local fish caught form his own 40-foot boat. Our appetizer was from the land, not sea, however – a perfectly prepared steamed artichoke served with, of course, clarified butter for delightfully decadent dipping. But our main dishes were decidedly fresh from the sea: while I had a special, savory and tender sand dabs paired with asparagus and a baked potato; my dining partner opted for locally caught sea bass, one of his favorite fish, recommended by the venue’s friendly waitstaff.

Decamping to our room, the foggy night had cleared, making our balcony at the Catalina Island Inn the perfect spot for some stargazing.

All of this in one day — but we had a second full day on the island, and an additional half day – and we enjoyed even more adventures.  If you’d like to read more, all our second day and night fun will post right here, later this week.

We had a truly beautiful mix of sunshine and fog on our visit – and the end result of our beautiful stay was a refrence to yet another classic mellow rock song “Winter spring summer or fall, all you have to do is…” go visit Catalina, where you’ll always feel like “you’ve got a friend” in nature, fun adventures, and fine dining.

  • Genie Davis; photos: Genie Davis and Jack Burke

Past and Perfect – Exhibitions at Durden and Ray, Wonzimer Gallery, and Persons Unknown

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Sometimes life just gets the best of you. You see great shows, post all the photos, and have no time to write the actual reviews. So here are three recently closed, truly wonderful exhibitions that deserve mention. Look for these galleries and artists in upcoming exhibitions throughout the year.

Wonzimer Gallery – We Insist On Growing – Cheyanne Washington 

Cheyanne Washington’s solo exhibition, We Insist On Growing, combined fiercely textured, exciting and sinuous forms wtih the astonishing use of her own natural pigments. If ever an artist deserved the description “alchemist” it would be Washington. Paintings, banners, and a wonderful sculptural work comprised this beautiful exhibition,  the title of which resonates with what the artist calls “the resilience and persistence found in nature.”

There’s a gravitational pull to these works, a life force that seems to arise from nature itself, embodied by the earth-rendered paints and clay. Washington shapes figurative art that exudes a sentient, sensual connection to the natural world, and transcends both its materials and subject, creating work that is serene and absorbing. Both paintings and ceramic works elevate the viewer’s grasp of nature, and relate to the intrinisic joy of creation itself.

If Washington insists on growing, then viewers everywhere should insist on watching her do so.

Currently at Wonzimer: (above) a solo exhibition by Gary Brewer, Everything is Radiant through May 15th, paintings and sculpture.

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Durden and Ray – Tieze – Group Exhibition

Curated by the powerful trio of Arezoo Bharthania, Dani Dodge, and Hagop Najarian, Tieze was the always-inventive collective gallery’s response to the bedecked halls of the Frieze art fair. Fresh and vibrant, the exhibition featured work by Ismael de Anda III, Carlos Beltran Arechiga, Arezoo Bharthania, Jorin Bossen, Gul Cagin, Sijia Chen, Joe Davidson, Dani Dodge, Vita Eruhimovitz, Jenny Hager, Regina Herod, David Leapman, Atilio Pernisco, Snezana Saraswati Petrovic, Carolyn Mason, Hagop Najarian, Ty Pownall, Max Presneill, Dylan Ricards, Stephanie Sherwood, Curtis Stage, Valerie Wilcox, Alexandra Wiesenfeld, and Steven Wolkoff.

From the swirling movement of figurative abstracts by Najarian to Wolkoff’s paint sculpture, magical video from Petrovic, asonishing sculptural works from Pownall and Davidson to small but mighty sculptures utilizing Monopoly pieces by Dodge, there was a medium and a message to compel the eye of any viewer. It would be hard to pick just one favorite among a myriad of stand outs. Bhartania and Hager showed vibrant, multi-layered paintings while Wilcox showed a delicate looking paper cocoon of a sculpture. A far cooler and more cutting edge group exhibition than was present at any of the commercial art fairs this year, the exhibition artists were all Durden and Ray artist/curators, participating in the only show each year dedicated to highlighting all of the Durden and Ray artists’ work as a group.

Currently at Durden and Ray (above): Smiling in Chaos – Group Show – Co-curated by Gonzalo García Gaitán, Ismael de Anda III, Carlos Beltrán Aréchiga through May 18th,  a collaboration between Columbian collective Si Nos Pagan Boys and Los Angeles based artists, all of whom use humor and levity in their work as a form of resistance.

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Persons Unknown – Into the Hamper’s Belly – Group Show

Into the Hamper’s Belly featured four artists working in sculpture, installation, and painting. The group exhibition was devoted to those who “revel in ongoing processes of accumulation and transmutation…[and] a sense of porous frementation.”

Artists Inga Hendrickson, Rachel Elizabeth Jones, Caitlin Servilio, and Corrine Yonce used a variety of atypical art materials ranging from cardboard, cement, pigment, foam, silicone, wax, plastic, sand, and even clamshells, to create an exhibition of diverse artists and art forms that nonetheless presented as a whole; a mystical and organic installation that merged into one being within the cutting-edge gallery floor.

And in the back studio space, the beautiful work of gallerist and artist Ariel Oakley Pelletier.

Currently at Persons Unknown (above): Fumbled Worlds – The Invented People of Alfonse Aletto – through May 20th, a survey of painted works from a prolific self-taught artist.

Look for these galleries and previously exhibited artists as well as current shows ASAP.  Great art is a joy we should all be sharing — especially in today’s precarious world.

  • Genie Davis; photos by Genie Davis and provided by galleries

Fabulous and Photographic – Before You Now at MOAH and Multispectral at Von Lintel Gallery

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Fabulous and Photographic – Before You Now at MOAH and Multispectral at Von Lintel Gallery – by Genie Davis

Just closed at the Museum of Art and History in Lancaster, Before You Now: Photographic Transmutation, dazzled with brilliance of idea, color, and technique. The exhibition was a tour de force of both traditional and more experimental photographic form.

The exhibition featured work in separate solo shows by five outstanding photographic artists: Ellen Friedlander, Naida Osline, Brad Miller, Osceola Refetoff,  Andrew K. Thompson.

In Brad Miller’s Water Shadows, lush black and white patterns are hypnotic and delicate, a beautiful mix of nature’s ability to create the abstract with the photographic eye’s immersion in symmetry.

The images present three different types of water: waves, ice, and bubbles, and makes of them resonant and rich captures of light and its luminous prisms on water that are as exciting and involving as they are filled with a visionary grace.

Rightly named, Botany of Transcendence: Mythic Plants through the Lens of Naida Osline provided a lush merger of intimate images of nature with vivid color in a startlingly heightened palette. The exhibition brings together 51 pieces of the artist’s compelling botanical work from 2007 until the present, each image a revelation of wonder. Within the collection on view were five different series, each layered, mystical, and dream-like.

Her focus is primarily on fungi and plants, presenting a still, almost-sacred beauty. Her use of light makes vibrantly colored images dance. In only one of the exhibited series, Chasing Clouds, do people appear, consuming plants by smoking them, surrounded by haunting and ephemeral patterns of smoke that remind the viewer of human souls exhaled.

Speaking of the soul, The Soul Speaks from Ellen Friedlander turns photography itself into a sculptural form with brilliant, bisected images that use pin hole photography and long exposures, creating intimate and highly personal portraits. The artist then cut and divided the images she shaped, reassembling them as if the emotional puzzle that makes up all our souls was fitting itself together through the revealing eye of a camera lens.

Friedlander’s result is visionary and alchemic, a transformation of self into something graceful, elliptical, and alchemic. Always a dazzling photographic artist, here her work builds an exciting new way of looking at human subjects.

Andrew K. Thompson’s A Sky Full of Holes gives the viewer exactly what his exhibition title describes: holes within images, taken from the artist’s Chemical Landscapes series. The result is both edgy and moving, speaking to climate change, humans’ often futile attempts to change nature, and the creative impulse to both alter what appears unalterable, and press our shapes into the world.

Mysterious and compelling, Thompson’s work vibrates with an intensity enhanced by his use of two-sided, standing frames for some images, each of which are a single, intense hue altered by bleach and thread.

Osceola Refetoff’s work in his Magic and Realism, previously reviewed on this site, blends documentary subjects with surrealistic elements, taking the viewer on the road and into regions as diverse as the Mojave Desert and the Arctic Circle with galvanizing results.

2023 (from the series Chromatopia)





A large collection of Refetoff’s work is now on view at Von Lintel Gallery in Santa Monica’s Bergamot Station. Multispectral runs April 26th through June 7.

From the startling and textural color compositions depicting Palm Springs to the artist’s stunning black and white images of road and desert, Refetoff’s images edge into the surreal and dreamy while creating potent portraits of the environment as seen through a visionary eye. He utilizes a variety of approaches to shape these startling depictions from pinhole photography to infrared photography to the use of non-contemporary analog filters. Multispectral exposures combine infrared and visual spectrum light using filters in front of the lens to control the recorded wavelengths.

One of the most fascinating aspects of his work is the mix of recognizable, relatable subjects with shimmering, surreal technique. The viewer is suspended between the realistic world of architectural forms, everyday objects, wide-open desert skies and roads, and a dream that merges the past and future, a dramatic reshaping of scene into something unexpected, startling, and utterly riveting.

His is a world of shapes, shadows, vibrancy, and empty spaces. With a background in filmmaking, Refetoff’s work always provides a strong narrative vision, making stories from his images, and commanding the viewer to “read” them deeply. His optical, in-camera approach to shaping his work creates a sense of the immediate in each diverse image.

Always searching for interesting subjects, he doesn’t rely on a single setting or project, but rather moves between interrelated images that provide viewers with a fresh, new approach to seeing the world around us, from ice flows to the human form.

The Von Lintel exhibition offers a rare treat for LA-area viewers, as only one of the works has ever been exhibited in Los Angeles. It will be on view through June 7th.

  • Genie Davis; photos by Genie Davis and provided by the artists

Artist Kate Kelton Survives, Thrives, and Makes Art

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As an artist, Kate Kelton has a wide and varied practice from paintings and drawings to photography and performance. Her wide ranging genres are based not not just on restless talent, but also she says, “It’s just about what is physically, tangibly possible for me to accomplish. Photography is a lot easier on my hands than painting, but that of course varies from shoot to shoot.”  

Her favorite medium however remains the painted canvas. “I think acrylic paint will always be my first love, but I’ve run out of storage and lack ‘the spoons’ to sell off all my beloved old stock that’s currently mostly hanging in my lake house.”
The prolific artist has been through many battles, both in terms of health and her purpose-driven actions “We tried having another gallery show, with Gallery 30 South, a couple years ago but Instagram nearly shut down their account… Elevating survivors comes at a cost in almost every political climate, I’ve found.”
Over the years, her work has changed directions, if not entirely by choice, she notes. “Learning to adjust to market demand while recalibrating expectations according to limitations my body sets has definitely presented a hell of a learning curve. Maintaining the illusion that all is well is a holdover from my acting career, but moving from painting to producing photo shoots and magazines and video content has been a nice throw back to the art and film school days of my youth,” she explains. With this mind, she most recently created a stunning new magazine – eponymously called kelton.
She has a simple explanation for what drew her to make what is truly a compelling new publication. “It will shock no one reading this who knows me that my disabilities led me to be what was endearingly known as, ‘extremely online,’ over the past few decades,” she relates. “And since social media has been weaponized so brutally by the oligarchy class, I’ve resorted to connecting with folks I’m shadow-banned from reaching online via old school email lists and physical throwback media, like this ACTUAL paper and ink magazine. I loved pinning photography I’d torn out of magazines to my walls as a kid, and it became the driving force behind deciding to leave most words out of it.”
For the artist, her magazines origins are a natural progression.
“ When I was growing up I’d send photos abroad to my family and order them very specifically to tell a visual story… the advent of the social media photo carousels elevated this skillset further, culminating in this present day ordering and grouping of visuals for the magazine. I named it not after myself, but my dear late father whose signature makes up my logo. He loved anything aesthetically pleasing from abstract art to the way a wall socket met a corner, say,” she explains. “So the themes tend to find me organically, and mostly show a running commentary of what I’ve been up to lately, be it reacting to the political climate, or simply visiting the deserts, mountains, forests, lakes, ocean or hot springs around me to soothe and fix all the broken down bits currently ailing because of it.”  The latest issue of kelton Magazine, Volume 9 is available here.
Kelton notes that the magazine features “my favorite paper artist from Ukraine, Asya Kozina. It also includes work from Swedish installation artists, Anonyouse, as well as from the absolute punk rock visual baddass icon that is Donna Bates, and then the very first immersive womb-like piece of Laurie Shapiro’s I ever walked through!”
Laurie Shapiro, above
She also mentions another recent issue of kelton, Number 8, also still available online. “I’m thrilled to finally showcase your exceptional photography, which I’ve always been such a die hard fan of, for Volume 8, which also showcases a haunting starry sky shot from the days after the Los Angeles fires by artist Steven Wolkoff,  recently a part of Mexico’s Clavo art fair. Those images are alongside an incredible moon capture from Canadian artist and photographer Johanne Levesque,  from the 13 year old online space, the Cochrane Visual Art Gallery,  as well as a sunset dazzler from Toronto artist and crafter Sara Ballantyne.”
With the magazine in full bloom, Kelton says she’s recently “been asked to mull around some ideas for potential comic book covers for Hard Case Crime’s Heat Seeker series. They’re the same publisher who put out, The Colorado Kid, that Stephen King short story my Syfy tv show, Haven, was based on, as well as it’s re-issue, for which I provided inner cover illustrations. I’m excited to branch out into this badass art form as I love their representation of strong women who take no shit… especially right now,” she asserts.

Don’t miss the next step in Kate Kelton’s evolving career or the next issue of her beautiful magazine.

– Genie Davis; photos provided by Kate Kelton