Mammoth Lakes Film Festival Celebrates Anniversary of Children of a Lesser God with Star Marlee Matlin

The 2026 iteration of the Mammoth Lakes Film Festival began, as it consistently does, with a powerful and provocative film.

This year, it was a classic: the powerful 1986 romantic drama Children of a Lesser God, which celebrated its 40th anniversary this year.

Marlee Matlin’s Oscar-winning performance as a young deaf woman in love is an enormous highlight in the poignant love story between a woman who communicates solely by signing and a passionate teacher who believes she must learn to read lips and speak phonetically.

Matlin’s performance is brilliantly expressive, and a delight to revisit.

Even more delightful was an extended interview with Matlin conducted by MLFF director Shira Dubrovner. Matlin was also awarded the festival’s Sierra Spirit Award, focusing on her uncompromising commitment to presenting “deaf stories – which are universal stories.”

Dubrovner aptly characterized Matlin’s film performance as being “so raw and vulnerable and layered” despite being just 19 at the time.

Matlin relates that she had a supporting role in the Chicago company of the stage production of Childrenf of a Lesser God – her first paid role – when the film’s director Randa Haines tapped her for the lead.

“Randa is amazing she is an actor’s director, I learned from the best,” Matlin says.

Her first film role had her learning every aspect of filmmaking on the fly but with total commitment.

“I remember every scene we shot, the good days and bad days are all so vivid in my mind after all these years,” Matlin says.

After not having viewed the film in many years, Matlin recently watched it with captions burned in as they were at our MLFF screening. She feels that her role in the pivotal film led to her continued advocacy for the deaf community while the film itself was “a chapter I went through growing up on film.”

While the film was made from a “hearing perspective,” it still provided insight into living a rewarding life without hearing.

Matlin recently came full circle portraying a role as the mother of a young deaf girl in the 2020 award winner Coda.

Today, Matlin stresses the importance of “pushing for your own projects” in the film industry, laughing that “if i werent an actress i would own a candy shop.”

Following the screening and interview, Dubrovner and fest programming director Paul Sbrizzi presided over a lively after party with festival filmmakers featuring local brews and wine.

More outstanding films ahead!

Genie Davis; photos by Davis and Cheryl Henderson

Kaye Freeman’s Visionary Color

Artist Kaye Freeman is a magician of color, precision, and dreamlike artistry. Her voluptuous, vibrant works are visually galvanizing events for the eye. She says that she is inspired “by the majesty of life and the adventure each day brings. I am constantly moved by the incredible colors and patterns of the world around me, as well as by science, physics, and the Bhagavad Gita.”

Her love of color creates alchemic beauty as she thematically focuses on exploring “organic forms and the relationships between colors and shapes. I find great fulfillment in creating movement in 2D work and establishing mood through layering.”

The artist also explores the transformative micro and macro interconnections of the environment, the self, and nature. She works in painting, drawing, performance, and film, as she takes viewers on a passionate magical mystery tour that vibrates with color and surges with light and movement.

Always innovative, Freeman remarks that she has been “drawing and painting my entire life. While I have evolved over my 63 years, I am essentially the same artist at my core. I adapt my medium to my vision rather than letting the medium dictate the work; I’m the boss of my process.” She adds that a recent accident that resulted in a broken leg has changed the scale of her work to become smaller, and more concentrated.

Regardless, she wields her visionary passion using “almost anything as a medium—nothing is safe in my studio. I love oil paint, color pencils, and graphite. I also find editing short films incredibly fulfilling; it’s very similar to painting but much less messy.”

In the artist’s current exhibition as a solo artist in Gateways, now at Diversions Fine Arts Gallery in Manhattan Beach, she explores floral images that resonate with a sense of petal-driven power, work as brilliantly hued as it is delicately perfect. Beyond her current show, Freeman will have an upcoming group show at Band of Vices in June, followed by a collaborative exhibition at Matter Gallery for HibiscusTV in August.

What Freeman most hopes her viewers do is to experience her work “in person and be reminded of life before social media—the miracle of a plant growing or the way sunlight hits a petal. I want them to sit with the work, remember who they are, and recognize how amazing it is to be human. We are truly capable of so much wonder.”

Indeed, the artists’ work exudes a sense of lustrous wonder, something as softly, enormously welcoming and as vivid as a sunrise or sunset, colors that beg the eye to return again and again and take in the miracle of a joy, life, fecundity, and the words of poets.

Gateways will be on display at Diversions Fine Arts, through May 30th, when an artist talk and closing will take place. The gallery is located at 1069 N. Aviation Blvd. in Manhattan Beach, 90266.

  • Genie Davis; images provided by the artist and by Davis.