Magic Muralist: Artist Skye Amber Sweet

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It would be a mistake to think of artist Skye Amber Sweet as only a muralist. A prolific artist of canvas art, Sweet has said “I find that paint and stretched canvas are made for better company.  Paint runs through my veins, across my heart and trails to my fingertips transcribing emotion from brush to canvas.” 

Although what she’s said above is poetic, and she also writes poetry, it would also be a mistake to view Sweet as anything other than what she is: an artist the way that we are all human – she breathes art and gifts it to those around her in a myriad of ways. And recently, one of those ways has been in the form of sweeping murals.

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Sweet has painted 13 murals, including one that will be dedicated this Thursday at 2 p.m. in Holly Park, located in Hawthorne, Calif. The mural was donated, and is the first gift of its kind to the city. 

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As the artist explains “I have been a full time canvas artist  since October 2012 when my company laid me off, and shut down the doors of the business I was doing in the design and building industry.  I started painting again to transcribe emotion into art and started selling my paintings within hours to days that I had completed them.  This allowed me to continue as a full time artist,” Sweet relates.  “I was contacted by my friend Lauren Jones who owns a PR company in Hollywood.  She had a client, Architectural Mailboxes who had four ElephanTrunks to sponsor to me as an artist.  I was given the four parcel boxes to paint on, re-home, and share photos.  This was really exciting to me because I was able to paint mini-murals on three-dimensional pieces.  I loved how they turned out and thought that it was so awesome to be able to share my art publicly on a parcel box around the area in a residential setting. That is when the light bulb clicked in my head that maybe I could actually share art on a larger scale to help beautify the area I lived in and share my love for art with a message of ‘Peace, Love, Hope – Now!'”
To that end, Sweet, who has two children, wanted to give back to the community she lived in. She donates some murals and is paid for others, in an effort, she says, to stay “humble and grounded.”

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Creating large scale murals comes with its own set of challenges.  She describes her process. “Some murals I love to freehand and not think of a plan, just like my canvas art.  I like to be free at painting so there is no over thinking and the flow of art in emotion can shine through.” Working on a canvas, Sweet says she can directly transcribe her feelings and use water and heat as well as paint to creatively manipulate the canvas and textures. “With murals there is planning, and I’m using spray paint which may drip or spray wrong, or I run out – it’s more challenging.” Frequently working with cities and schools, Sweet has also found that she’s had to forego her freehand style on mural projects.

Lately, my murals have had to be approved, and I start by drawing a mock version of the mural after meeting with the client and discussing what their wants and needs are.”

Once a project is approved, a date is set and Sweet begins her work.

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“I always start using brown paint.  It is neutral for my brain and it helps me outline the entire mural before color and details go in.  Once I do that, I start on the background in most cases. Then I paint away and I paint fast.  I try to keep my momentum and energy up to finish as much at one time as possible. Being new to the process I initially started using spray paint without the technical brush tips and less expensive paint.  Many times I will also use a brush and fill in more detail.”

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The artist has relied on a donation and discounts from Home Depot to pursue this work. “I would like to try new types of murals with more expensive paint and tips. I used to air brush and think that in the future I will be able to paint more technically challenging murals with practice,” she asserts.  

She donates the murals and raises money to create them when a project is for a school or a church. “I feel it is important to give to people and the community not for exposure, not for anything except I firmly believe our world needs kindness and more love.  I see so many artists that become successful and forget why they started painting in the first place. I want to always remember where I came from, why I painted and how much hard work it took to be able to become full time.”

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Creating murals is a lot of hard work. “It takes a week of recovery physically so I remember to keep feeling and striving and never forget to share.” But for Sweet, the challenge is worth it. “I like to give murals in places as well that do not have art.  I love working with schools because I love seeing beauty in the eyes of children.  I also do it for my family to remember the world is more than all about us or me.  We must love each other and promote beauty strength in community and growth. That is why I paint trees,” Sweet laughs.

The Holly Park mural took place after Sweet was approached by Hawthorne art commissioner Gloria Plascencia after Plascencia viewed Sweet’s work.

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“I automatically said of course and couldn’t wait to start raising money for the project!   When drawing the mock up I wanted to incorporate my tree which is the tree of strength and growth, along with a heart for the love of the community.  I figured the rolling hills vibrant in color would signify the adventure with the City Council of Gloria bringing art to the community in public spaces,” Sweet says of her work. “It also signifies that in every community there are ups and downs, and being able to work with each other through the process only brings more beauty to the world.  The flowers and hearts signify beauty and love.”

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While working with themes that Sweet has previously explored in her murals, she also wanted to make the mural all about the community than simply her own work.  “I wanted to involve the community, so I planned for community members to put their hands in paint and stamp my mural. That way they know I did this for them and it is theirs – for their children, for the parents and for the community in which they live in.  It was ours to share.”

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It took a year to get approval for this project, but it was finished in two days, March 25 through 26th.

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Above all else, Sweet wants her viewers to feel something from her art. “I want to promote happiness in all things…humans need art and beauty in their lives and by passing a mural, their day may change just by seeing a colorful tree or a silly heart that makes them think of something they love or someone they miss.”

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From murals to canvas, Sweet says her art is primarily emotional. “Sometimes I  am not quite sure where my unintended thought process took me. I do know that in my lightest and darkest moments something in my heart triggered the expressive flow of paint and tears, happiness, and smiles that somehow came together without thought.”

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Sweet is as much activist as artist. “I want to change the world.  I have since I was eight. I want people to see the very inner core of their being and maybe learn of open hearts, forgiveness and kindness through color and art.  I am not sure how to do so, but in my art I know that the thought is there and I hope that in looking close enough, you might feel enough of the world to stand at the doors of the bright colors, understand its flow and make a difference in the real world.”

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In recent weeks, along with the Holly Park project, Sweet has created a mural for St. Theresa’s of Avila in Silver Lake. and one for Clifford Street Elementary.

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Whether on a vast wall or on a small canvas, Sweet’s distinctive, swirling, dream-like style is captivating. Like the trees she’s painted, there is growth and scope in her works, and like the hearts she also favors, there is a pervasive sense of love and happiness in her subjects and her patterns.

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Above, artist Sweet; below, commissioner Plascencia.

DSC_2671iLook for Sweet’s work on buildings and in exhibitions all over town – and join the artist on the 20th as her Holly Park mural is dedicated and the city holds a ribbon cutting for the impressive work.

  • Genie Davis; photos: Gloria Plascencia and courtesy of the artist

Spring Art Week Blooms with Global Variety

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Like spring flowers, art is blooming in Los Angeles – with a terrific art week at The Reef April 18th through 23rd. The DTLA location will feature three major art shows produced by Fabrik Media: Photo Independent Fair, The Los Angeles Festival of Photography, and EXPO Contemporary Fair.  Opening night festivities for all three events will take place Friday, April 21st from 6 to 10 p.m.

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Here’s a look at all three shows.

Photo Independent

In it’s fourth year, Photo Independent, which runs from the 21st to the 23rd, offers a stellar platform for independent photographic artists. These exceptional works are presented by artists who have not yet participated in gallery-based fairs or reached a global audience. As a part of the exhibition, attendees have the opportunity to view the work of internationally renowned photographer Roger Ballen.

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The South African-based artist will be presenting Ballenesque, four decades of work as well as pieces from his new series, The Theatre of Apparitions. Ballen will also be conducting a three-day Fine Art Photography workshop, as well as delivering the exhibition’s keynote speech, and holding a book signing. Working in black and white photography for over fifty years, Ballen believes that this medium as an “abstract way to interpret and transform what one might refer to as reality.”

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Ballen’s most recent series marks a departure from his already challenging oeuvre, inspired by hand-drawn carving on blacked-out windows in an abandoned women’s prison. Here his work is layered and experimental, merging painting, drawing, and photography using spray paints on glass, then removing the paint with a sharp object. We are looking at images which evoke pre-historic cave paintings. The series title refers to the theatrical mentality of life itself, dreams, imagination, and memories, as acted out on a mental and emotional stage.

In addition to Ballen’s work and that of other exhibitors, Paul Martineau, associate curator at the J. Paul Getty Museum will be reviewing photographers and their booths at Photo Independent, honoring one artist as Best of Show 2017. The winner will be awarded a solo exhibition in the 2018 fair.

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The Los Angeles Festival of Photography

This weeklong festival begins April 18th, and has as its goal the encouragement and celebration of photographic images and their creators. Lectures, workshops, gallery tours, networking, and of course, exhibitions are all a part of a festival that draws leading photographers.

Featured events include Keynotes from curator and writer Charlotte Cotton, and Roger Ballen, also leading a workshop on Fine Art Photography.  Other workshops will be presented by award winning photographers including Susan Burnstine, Karin Apollonia Müller, and Julia Dean.  Mobile Photography Workshops including David Ingraham: The iPhone Darkroom; Bob Weil: Creating Conceptual Art on Mobile Devices; and Nicki Fitz-Gerald: Life in Layers – Creative iPhone Artistry, will also be presented. The wide array of photographic exhibitions draws art lovers and photographers worldwide.

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EXPO Contemporary

Looking for something different? Attendees will find exciting contemporary art here, in an annual exhibition that goes beyond the standard art fair experience, exposing audiences to a wide variety of artists, media, and practices. Both traditional and non-traditional media and materials will be presented from painters, printmakers, book and graphic artists, sculptors, assemblage and mixed media artists, muralists, installation artists, and high concept designers. The exhibition will also examine public art, experimental architecture, and environmental, social, and collaborative projects.

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As Chris Davies, director of Fabrik Media, explains having three different art fairs in Los Angeles at one time is an exciting prospect. “With so many options, there will be a show for every type of art patron.”

All three exhibitions will be held at The Reef, 1933 S. Broadway, in DTLA.

For more information on each fair, and to purchase weekend, day passes, and opening night tickets see fair websites:

Round Too: Durden and Ray Gets It Right – Again

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Curated by Max Presneill, Round Too – the second half of Durden and Ray’s opening – is strong, sensual, and smart.

Featuring artists  Jorin Bossen, Gul Cagin, Sijia Chen, Lana Duong, Ed Gomez, Brian Thomas Jones, Chris Mercier, Ty Pownall, Nano Rubio, Curtis Stage, Valerie Wilcox, and Steven Wolkoff, the exhibition has a cool, clean look from its colors to its spacing.  Both the style of the cohesive exhibition and that of the artists’ represented is innately different from the first half of gallery’s inaugural, Round Won.

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Christopher Mercier’s “In Proximity” describes his work as “an art conservator’s disaster.” Using frames to build new space, Mercier works with “Just paint. No rubber, no plastic, it’s just painting and the frame, latex, enamel, oil, water based ink,” he explains. By refolding the frames, Mercier has expanded the space in his wall sculpture to bring the painting into a three-dimensional space.

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The incredibly thick paint and even the artist’s unique use of space evokes the Excessivist movement. The piece is an encompassing 24 x 96 x 18 inches.

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Equally fascinating is the very different work by Nano Rubio, “Anti Flag.”

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Oil, acrylic, and spray paint on canvas, the work employs techniques Rubio often used in customizing cars. “There are lots of pin striping tools that I use, and I like to build up layers. I like the idea of trickery, that things can change your perception. Yes, the piece can be ready as very political,” he asserts.

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“Things are getting grittier to deal with politics in the California landscape.”

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Ty Pownall created his “Untitled (single fade out)” right on site. Comprised of steel, sand, and spray paint, the work needs to be created from scratch whenever Pownall exhibits it.

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“It’s loose sand raised on a steel sheet. The pigment is sifted on with a screen, you essentially tap it on in order to put the particulate on top. I do it all on site.” The piece seems to fade off into infinity at one end, creating an image that is both one of perfection and incompletion.

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Valerie Wilcox’ “Passage” is a mixed media work in cool whites, off-whites, grey and green. It’s both bold and ghostly; both all angular lines and soft colors.

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Steven Wolkoff, who curated the first half of Durden & Ray’s opening, here offers “High Adventure (a pile of gummy behrs).”

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Using Behr acrylic house paint to create his miniature paint bears, Wolkoff’s deliciously tactile work is available at a crazy-reasonable cost: $5 per bear. Good enough to eat, but don’t.

The impressionist abstract of Sijia Chen’s “Stray;” the photo diptych of Brian Thomas-Jones “Untitled (Green/Tan),” which fits visually with Wilcox’ “Passage” like they were destined to be shown together; and Gul Gain’s “To Look Aimlessly,” an abstract that looks as if a head was literally exploding other shadowy forms around it – are among the other standouts in a strong exhibition.

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Above, Durden and Ray’s Dani Dodge with curator Max Presneill.

The Durden and Ray collective continues to hit their art out of the ballpark – rarely has a gallery’s “opening season” looked so good.

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Durden and Ray is located at 1923 S. Santa Fe Avenue in a building now brimming with art galleries, including CB1.

  • Genie Davis; photos: Genie Davis

 

 

 

Ethan Sultry – Jazz with a Twist

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The jazz is smooth and vibrantly flamenco flourished – and the club is chill tonight. Listening to The Ethan Sultry Band at the Blue Whale in DTLA is a sensory jolt. Deliciously fluid vocals joined to a hybrid jazz sound five-person band feature:
guitarist/composer/vocalist Ethan Sultry (Margolis. Fresh from Spain performing his iTunes featured album, Sonikete Blues, the blend of Adalucian rhythms with blues and jazz creates a stirring fusion that’s as graceful as it is assertive.IMG_6641

Along with Sultry the stage was shared by Reggie Hamilton on bass; Katisse Buckingham on flute, keys, and sax; Munyungo Jackson on percussion; and Donald Barrett on drums. IMG_6643

Born in Santa Cruz, Sultry lived in Spain for more than a decade before moving to Los Angeles, bringing his exciting fusion sound like the best kind of baggage.

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Opening with the song “Butterflies and the Moon,” from his new album Sultry moved into playing a compulsively cool Robert Johnson tune “Malted Milk” played in “E flat” as Sultry noted. The music flowed like a rhythmic waterfall, with Suitry pausing only to justifiably praise the ambiance and acoustics of the club – who could help but love a space with a Rumi quote on the ceiling and a stellar cheese plate available at the bar.

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This is a rare and delightful mix of Gypsy roots, Delta Blues, and sleek jazz. Vocals are compelling and the percussion wills you to move along with the music. Buckingham even added a side of hip hop lyricism to a music mix that was seamlessly blended.

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Sultry offers an intriguing take on a jazz path that evokes Miles Davis and a bit of Les McCann. His take on the traditional spiritual “Go Down Moses” defies comparison – and indeed most all of the ensemble’s pulsing and yet delicate musicianship is entirely unique.

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I’m sure I wasn’t the only audience member involved enough to want to dance – and at the same time listen and contemplate.
However the music makes you feel,the important thing is that it truly makes you FEEL.

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Missed them live? Then check out Sonikete Blues on iTunes now and get ready to move and feel and find yourself in some alternative and wonderfully eclectic place between Spain and Mississippi and jazz Heaven.

  • Genie Davis; photos by Jack Burke

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