Zero Down Equals 1000% Art

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It’s time to get down with Zero Down. Coming up this Saturday, June 4th from 5-9 p.m., it’s a multi-media art experience at  the 1019WEST Art Studios in Inglewood, a cool, re-purposed workspace where over 30 artists have their studios in what was once a former Volkswagon dealership.

Stuart Marcus

The third year for this multi-media art exhibit, the evening promises a combination party and art experience, with open studios, a group show, and performance art. This single night event is a festive occasion featuring a variety of artists’ work from the 1019 Artists Studio Complex and the nearby Beacon Arts Building. Live music, installations, and stellar group exhibitions join over 20 open artist studios. Installations and group presentations will take place in hallways and common space around the site. Food and drink will be available, too – we hear there will be tacos.

Participating artists from 1019WEST are: Mira Alibek, Susan Amorde, Michee Asselin, Nina Chin, Clerio Demoraes, Jeanne Dunn, Claire Jackel, Rachel Kaster, Henry Kitchen, Stuart Marcus, Jesus Max, David Newcombe, Melanie Newcombe, David Peters, Tony de los Reyes, David Spanbock, Ernie Steiner, Lacey Stoffer, Liza Vosbigian, Pontus Wilfors, Ashley Wilson.

Spanbock

Artist David Spanbock, work shown above,  is the co-founder of BLAM, a new Brooklyn/Los Angeles arts collective. Spanbock uses prismatic shapes to refract both light and color. All of my work is about the politics of transformation, the politics of human physics. I had the insight that a city is a collection of events and figures, creating a larger structure, and that’s what I’m working with.”

Installation photos by SDK Photo & Design
Installation photos by SDK Photo & Design

Above, Susan Amorde explores the human form and emotions navigating the challenges of life. Her expressionistic works are created in clay, wax, plaster, and bronze, as well as mixed media. Her recent series “Baggage” engages a highly personal theme of how the literal and figurative baggage we carry with us becomes an emblem of our lives in the emotional and metaphysical sense.  

jesus max

Above, Jesus Max creates light filled still-lifes that vibrate with meaning, poetic settings that translate into beautifully hyper realistic pieces created in often-pastel colors with rigorous attention to detail in a fantastic world.

Participating artists from Beacon Arts Building are: Brian Biedul, Darel Carey, Matthew Carey, Dosshaus, Bibi Davidson, Sue Francis, Nancy Jo Haselbacher, Shelley Heffler, Deborah Lambert, Tahnee Lonsdale, Michael Massenburg, Jen Meyer, Alexis Murray, Calida Garcia Rawles, Dawn Rosenquist, Katie Sinnott, Ginger Van Hook.

Bibi Davidson

Bibi Davidson says she wants her viewers to see the humor in life, humor necessary to existence, or “we would all die of sorrow.” Her paintings provide intense, amusing, and delightfully whimsical views of the world, as if seen through the eyes of a wise child, as sensitive as she is brilliant. Often utilizing her self-proclaimed favorite color, red, her works are different than anything you’ve ever seen, and entirely engaging.

ShellyHeffler

Artist Shelly Heffler describes her art as a “roadmap. I paint a topography that doesn’t always represent an actual location.” Heffler also works extensively in ceramics but her acrylic on canvas pieces are her primary medium at the moment, each with a 3D depth that creates a path beyond maps, grids and lines. “It goes into and beyond surface, layers, strata, land forms, time, and age. But at its core, at its inception, it evokes a sense of place,” she attests.

LA Mudpeople

Performance art by Kayla Tange, L.A. Mudpeople, Vittoria Colonna, and Elizabeth Tobias will also be a part of the evening.

The founder of L.A. Mudpeople is artist Mike Mollet, who sculpts large scale pieces created from found art, shaped into balls and bundles. Mollet’s work offers a look into a different reality, one in which what look like clay statues live and breathe, and bundles of wires move in the wind and become animated themselves.  Mollet considers his troupe of L.A. Mudpeople to function as “essentially living sculptures.” Mudpeople don’t speak, and move slowly and deliberately, as if lumps of clay had shaped themselves into human beings and literally come to life.

Kayla Tange terms her passion “in meaningful dialog, creative problem solving, collaborative projects and facilitating a unique relationship between art and audience.” To experience her vibrant yet darkly intense performance art is to become immersed in her own inner vision.

Jeanne Dunn Come Up and See Mee Sometime Michael Massenburg

To learn more and experience the work of these and other artists, visit this single night’s artistic adventure. The event is sponsored by 1019WEST/Beacon Arts Building management, Shoebox PR and Kristine Schomaker, and 1019WEST/Beacon Arts Building artists, including: Susan Amorde, Jeanne Dunn, and Deborah Lambert.

1019WEST is a dynamic complex of creative workspaces where 30 multi-disciplinary artists maintain studios.

Zero Down is located at 1019 west Manchester Blvd. in Inglewood. Walk-in entrance only on West Manchester and Hindry Avenue. Get on down.

  • Genie Davis; Photos: Shoebox PR

 

Valerie Green Devises “Devices”

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Valerie Green’s “Left to My Own Devices” now at Moskowitz Bayse utilizes digital processing to create a unique and translucently layered series of dimensions based on photographs of photographs on computer screens, tablets, and smart phones.

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Using a liquid lens cleaner, Green devices prismatic rainbows; re-photographing her own printed images, slicing and chopping them, she makes surreal and shredded images that appear fragmented and dreamlike.

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Green uses a grey computer screen, Photoshop editing processes, photographs of photographs, and tiny pieces of photographs to create her images, which are all about the layers.  Both surreal and abstract, these rainbow droplets and opaque and translucent surfaces reflect the technology of today in the soul eternal.

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“My pieces are about the translation from virtual space to 3D. I’ve made lots of different projects that led to this, but in this exhibition, the inspiration was with our hands and our devices, how interconnected they are, and how interconnected what we see in real life and what we see on a screen could be,” the artist relates.

  • Genie Davis, all photos: Jack Burke

Mammoth Lakes Film Festival Day Two: Mountain High

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Beautiful day in the snow dusted mountains, and of course a stop at Schatt’s bakery is mandatory. Try the English toffee. But don’t stop there: try the fresh baked, often warm from the oven chocolate chip cookies for sale at the Edison, one of the ML Film Fest’s venues.

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Now let’s get to the films.

Shorts Block 2 began our film programming, with another eclectic mix of 8 films. The incredible animation matched the Elmore Leonard-esque v/o on the animated The Lingerie Show, a fresh cinematic short story well worth noting. Next up was the delightful comic tale of almost-adultery, The Truck. Below, the film’s charming screenwriter and producer Maryse Latendresse explained that the dryly comic near-sexual-liason was produced as part of a Canadian 72-hour filmmaking challenge project, and that the story line came out of her desire to, as a writer “write about the things we’d like to do but don’t do ourselves.”

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Below, Zach Strum and Micah Vassau director and writers of The Panty Symphonic, along with their music director and co-producer, explained the zany, anti-film-school approach to cinema in their surreal film – where a pair of magical panties creates a semi-feminist ideal, and involves a cellist, a last will and testament, and a man in a tutu in  a child’s swimming pool. The piece was shot on VHS, which was an interesting artistic choice. Speaking personally, while recognizing the element of craft the buzzy video medium added to the surrealist vibe,  the VHS medium was a bit of a distraction from an otherwise mysterious fairy tale set to music.

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A standout: A Night in Tokoriki,  a Romanian love triangle with a twist, offered a fresh take on a 21st birthday celebration.  Lots of buzz around this one, which took awards at the Berlin film fest earlier this year.

Next up, the feature Baby Bump.  How to describe:  a Polish Pedro Almadovar-esque chronicle of the tribulations facing an 11 year old boy whose mom doesn’t want him to grow up, but puberty is happening all the same.  Visually arresting, somewhat surreal, and a universal insight into the mind of an 11 year old boy.

Playing with this film was the short Infinite Water, a delicious animation of pastel-drawn art created by CalArts grad Sunn Liang, below.

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Last but not least, Beware the Slenderman from acclaimed doc director Irene Taylor Brodsky, below, with festival programmer Paul Sbrizzi.

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Brodsky chronicles the horrific attempted murder of a 12-year-old girl by her two best friends who lured her into the woods to appease the demonic Slenderman, an internet myth. While the film postulates the internet as a possible cause for the crime, a source of psychological terror for two impressionable girls, the more interesting story is that one of the two perpetrators is schizophrenic, the other, who tested completely normal, an outlier who may or may not have sociopathic tendencies. A cautionary tale of urban myth, impressionable youth, and a judicial system intent on punitive consequences regardless of age, this is a compelling doc that is well worth a view.

The second full day of the fest leaves this impression: eclectic, cutting edge, interesting works that shape a persona for this still-new festival as the place to be to see cinema that is thought provoking and unique.  Viewing all the films on tap results in an experience unlike other festivals – a mix of genres and unusual and often surprisingly wonderful cinema that you won’t see anywhere else. Slenderman’s director said she looks forward to saying her film was at this well-curated festival when it was still small – and to participating again as it grows. So do we.

 

 

 

Garage Art:  West Hollywood Premieres Automated Garage and Community Plaza Artwork

Auto garage exterior

On Tuesday the 24th,  the city of West Hollywood held a Grand Opening celebration commemorating the completion of a new form of public art: a beautiful community plaza and an automated parking garage, both showcasing not only stellar space but site-specific art. Sleek, modern, and airy, the Automated Garage and Community Plaza represent the first municipal project of its kind on the west coast. The structure offers a 200-space parking garage and a 7,000-square-foot plaza – with stunning hand-painted murals located at four parking bays.

The murals were created by artists Art of Chase, MONCHO1929, Bronwyn Lundberg, and Kim West. Each piece is unique and vibrant. 

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In Parking Bay 1, Moncho 1929’s “Flight Plan” features soaring birds that are meant to represent the innovative tech and wonder of the automated garage itself;  his poetic murals have previously been archived with the Los Angeles Mural Conservancy.

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Parking Bay 2 features Kim West’s pastel “Untitled,” exquisitely floral, evoking butterlies, translucent sunsets, and abstract trees. Other works by west include a four story artwork graces the exterior of the new Huaster, Wirth, & Schimmel Gallery in DTLA.

auto garage The Art of Chase

Parking Bay 3 features the witty work of The Art of Chase, “We Are All One,” a pop art cluster of eyeballs meant to represent diverse energies moving together. On the opposing wall is a merged symbol that represents the peace and love in West Hollywood’s inclusive history.

auto garage Bron

And in Parking Bay 4, Bron’s “Business Park” visualizes colorful pop raptors wearing wigs and talking on cell phones, a delightful riff on business and culture. Adjoining is a Pterodactyl nicknamed Lizadactyl after Liza Minnelli. Both pieces reflect the roots of LA artist Bron, who is the co-founder of the pop art studio YoMeryl.

West Hollywood mayor Lauren Meister is justifiably excited by the art and the technology of the parking structure, located in an area that has long needed additional parking resources. “The technology is amazing,” she notes.

Councilman John D’Amico adds “It’s a clean, green, parking machine.”

The Automated Garage was designed by sustainable design architecture firm  LPA; the mechanical vehicle storage and retrieval system by Unitronics, and actual construction undertaken by T.B. Penick & Sons, Inc.

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Automated parking is an innovative solution to parking challenges, requiring a smaller physical footprint than a conventional parking structure with the same capacity. That space savings resulted in the ability to create the community plaza, and helps to support reduced CO2 emissions with less time idling or circling for parking spots – the equivalent of taking 92 cars off the road every year.  On the garage roof are photovoltaic solar panels that utilize sustainable material crafted from recycled grocery bags.

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But environmental friendliness isn’t the only cool thing about this garage. It features a large glass wall on the east side that allows those on the street below to watch the mechanical shuttles ferry vehicles in and out of parking bays. There’s also a fixed-art installation here created by artist Ned Kahn.  Kahn’s work, the beautiful “Net of Indra” is a grid of crystal spheres which reflect the moving mechanisms in the garage. It’s a perfect fusion of art and technology, and while a completely different piece, shares a common subject with Chris Burden’s mechanical car sculpture Metropolis II at LACMA in its reference to automotive culture and mechanical manipulation.

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The Community Plaza has a park-like feel with trees and benches. A stage provides a setting for community events and concerts. The plaza is home to a beautiful triptych art banner which is a collaboration by street artist MONCHO1929 and West Hollywood’s current City Poet, Steven Reigns. The project consists of three vinyl banners that are designed to express freedom and motion, both captured in a single moment in time. The fluid nature of the artwork includes the incorporation of Reigns’ poem “Morning, West Hollywood” in the background of the piece, with the poems’ lines “Everyday we wake up, a brilliant and creative people in a beautiful city, our past and present intersecting, illuminated, full of promise and possibility.” Images include vibrant birds symbolizing hope and freedom – hummingbird, parakeet, sparrow – each expressing the diversity of people and the freedom of choice in the community’s culture.

Both garage and plaza make wonderful showcases for West Hollywood’s commitment to sustainable living and their ongoing community-focused cultural planning. They’ll be on display at the plaza’s first concert event on June 26th, a performance by jazz musician Jennifer Leitham – not to be missed.