Friends of the Los Angeles River Fandango

FoLAR Fandango - Photos: Jack Burke
FoLAR Fandango – Photos: Jack Burke

A fandango is a party, and there was a big party for FoLAR, the Friends of the Los Angeles River, last Saturday night. Where? Along the banks of the river of course, now mired in flood channel concrete and separated from the glowing spires of downtown by train tracks and warehouses.

Lewis McAdams, FoLAR founder
Lewis McAdams, FoLAR founder

Held on the east side of the River in what is becoming a burgeoning arts district,  the event drew 700 plus guests, local politicians, and of course, FoLAR founder, Lewis McAdams. “I want people to be aware of Alternative 20, which the Corps of Engineers has signed off on. It’s going to take 1.35 billion dollars to take out eleven miles of concrete, and if we can do that, we can restore the river, and really get it going,” McAdams says. The issue is funding: the Corps wants the city to pay 80% of this cost, and the city is seeking a 50/50 split. McAdams,  was born in Texas, and he has a vision as big as his home state where the river is concerned. Next year will mark the 30th year for FoLAR, and while the organization has achieved much, their dedication to a renewed and renewable river is unstoppable.

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The evening was dedicated to the celebration of FoLAR’s achievements over the past year, building a pro-river community. Attendees were encouraged to sign FoLAR’s Alternative 20 petition – which can still be signed at www.folar.org/action – to ensure proper funding of the river’s revitalization. FoLAR’s goal is to create a swimmable, fishable, bikeable, boatable Los Angeles River greenway, a vision promoted at the event.

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From a beautifully designed fish sculpture – crafted with river trash – titled “Steelhead, friendly ghost of the LA River” created by FLOD Enterprises to live art documenting river creatures and a vision of the new river itself by Man One, the evening was packed with entertainment.

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Mudpeople
Mudpeople

Also on board: the silent, ballet-like performance art by river-supporters the Mudpeople, whose literally mud-covered, masked bodies move together in an ethereal motion that evokes water and river reeds. Emblematic of the life of the river itself, Mudpeople do not speak, but serve as silent, sinuous witnesses to nature’s resilience.

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The evening included live music, d.j. inspired break dancing, and exhibits representing different architectural visions for the river. Beverages from Austin’s all-natural Deep Eddy vodka and LA’s own Angel City and Firestone Walker breweries were supplemented by a buffet dinner provided by Pink  Elephant. But the fun was accompanied by stellar messages about the ecology of the river.

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Tone in Georgia

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A mobile museum taken to schools to educate students about the plight of the river and its potential for greatness and greenness was exhibited in the vast dining hall, and community educator Ban Luu explained its purpose, as guests walked through. “We take it to schools to educate students about the past, present, and future of the river. We teach them what it looked like, and the floods in the 1930s that led to the concrete, how it looks now, and the future possibilities. There’s a part of the exhibit that allows you to create an interactive design. Students can add trees, fishermen, walkways. They can see what it will look like once the concrete is removed.” Luu stresses the historic significance of the river, a significance too often discounted. “If it wasn’t for the Los Angeles River, there would be no LA. In 1781, people came to live here because of the water source.” Luu points out plans to create reservoirs to conserve water for landscaping, and a seed bomb table. “We want our visitors to plant native plants that are drought tolerant.”

Man One
Man One

Creating art at the event, as well as displaying already-created pieces available for purchase, artist Man One’s live-painting of what the River could look like featured the proposed Piggy Back Yard. “The vision includes an expansion of the artists lofts at The Brewery arts complex, park land, retail shops, green sections that are tiered where there are now only railroad tracks,” he explains.

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Lewis McAdams with Tom LaBonge

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Dr. Carol Armstrong from the Mayor’s Office

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Below, Alejandro Ortiz, FoLAR

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During dinner, speakers such as city councilman Tom LaBonge and FoLAR chairman Alejandro Ortiz thanked generous donors, who offered some $340,000 in pledges. In the last year, LaBonge reports, FoLAR has successfully advocated for Alternative 20, and provided a “terrific education program on urban wildlife and the river that educates students and staff at area schools. I look forward to the next thirty years when the work on our river will be accomplished.”

Ortiz added “FoLAR can be trusted people say, and we’re very proud of that. Your trust is something we plan to earn.” Now that’s worth partying about.

 

  • Genie Davis; All Photos by Jack Burke

Bleep at Stone Malone Gallery

Bleep "Eat" at Stone Malone Gallery - Photos: Jack Burke

Street artist, musician, art poet, Bleep‘s “Eat” exhibition closed Saturday at Stone Malone Gallery in Hollywood.

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Gobble this one up – Bleep devours American food, pop culture, and that quintessentially American vacation, the road trip. The result: a poignant, even childlike mash-up of images, words, and emotion.

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“I watched and listented to cartoons and music, and just sporadically splat right on paper and canvas, there were the images. I used media paper, which is very strong, as my canvas,” Bleep says.

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The show features recipes acquired through travels around America, among other tasty cultural icons. “There’s bourbon baked beans from Texas. the Trinity’s Italian fare from Chicago. I even met Priscilla Presley, who gave me Elvis’ banana peanut butter sandwich and bacon recipe. It includes butter and cinnamon,” Bleep relates.

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But beyond food, “Eat” offers a perspective on American culture. “Gurus, junk, Homer Simpson, King of the Hill. It all characterizes my own experience, its fragments of our culture, heightened points. Like free jazz, I just run with it,” Bleep says.

Watch for more Bleep, collaborative and solo – soon.

 

Invertigo Dance Theater: Reeling

Reeling - Invertigo Dance Theatre - Photo and all photos by Jack Burke
Reeling is dance theater at it’s finest. Inventive, sensual, hilarious, and interactive, you just plain haven’t seen this before. Missed it at the Moss Theater in Santa Monica? Then head to San Diego this weekend October 17-18 to see it at White Box in San Diego, or the weekend of Nov. 7-8 in Santa Barbara.
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Choreographed and directed by artistic director Laura Karlin, the intense 70-minute  Invertigo Dance Theatre production is entirely unique.
Choreographer and director Laura Karlin
According to Karlin: “The show is set in a dive bar, and  is inspired by the double meaning of the word reeling:  first, to be off-kilter from drinking, getting punched, falling in love at first sight,  and second, to try to pull someone into you, which is why a lot of people go to bars.  I like multiple meanings, different angles to a story and whimsical imagery,” she says. “Underneath all of my work, the deepest inspiration is human connection.  The dive bar is a great context in which to see characters interact with the underlying, driving desire to connect.”

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Featuring eight stellar dancers, the piece shows them literally fishing for partners with rod and reel, flirting, texting, fighting, falling in love, diving off the bar. As Karlin says “These are recognizable stories, but always with a twist. The dancers never leave the stage once they enter, because the whole show takes place over the course of one evening in the bar.  This show is the equivalent of a television “bottle episode.”  Which of course plays into my love of word play, because. . . bar!  bottle!”
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The dancers are onstage, in character the entire performance, which, Karlin notes, requires a huge amount of stamina.
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According to Karlin, Invertigo’s philosophy is that dance should be compelling, thought-provoking, fun and accessible. “I believe in beautiful, highly kinetic movement, bold theatricality, and striking imagery.  I want to tell stories that matter, to crack open different subjects and examine them from many different angles.  I want people who have never watched a dance show before to be able to connect with what we’re doing, even as people who are ‘dance aficionados’ find many layers as well.”
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Invertigo does more than provide stunning performances. “We bring the same philosophy to our engagement programs: Invert/ED youth education and Dancing Through Parkinson’s.  We believe in empowering people through the creative process and the idea that dance is for everybody and every body,” Karlin stresses.
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A piece this demanding might seem difficult to cast, but Karlin demurs. “I have worked with 7 of the 8 dancers before, and our the newest member Jonathan Bryant, integrated seamlessly into the company.  It feels like he’s worked with us for years already.  Invertigo holds auditions when we need new company members, and we have a fairly low turn-over rate.  I look for dancers with gorgeous technique, intriguing originality, creativity, and a kindness and generosity to their manner.  As a choreographer, I work so collaboratively, and we need people in the room who are excited to be a part of that and who will support one another in the creative process.”
Go, go, go – to see Invertigo. 

The Art of Walking: Fall Brewery Art Walk

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Paintings by Kristine Schomaker – contemporary mixed media-  Photo: Jack Burke

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MLA Gallery at Brewery Art Walk – a focus on fine art from Latin America – Photo by Jack Burke

Just east of downtown Los Angeles is the Brewery Art Complex, created in 1982 in what was once the Pabst Blue Ribbon Brewery. Hoist a glass in honor of the artist-in-residence code which allowed artists to rent both living and working space in buildings formerly zoned industrial. Renting only to artists, the Brewery is among the world’s largest complexes. The public gets to explore the sprawling spot and enjoy the opened studios of many artist residences twice a year – in spring and fall.

There’s a real steam punk feel to the cavernous space, where the Brewery smoke stack still towers over loading docks and gardens. The complex has evolved into eighteen acres of working artists perched in the northeast corner of the city. Not only is the area huge, so is it’s creative scope – painters, sculptors, photographers, performance artists, multi-media creators, and fashion designers all reside here.

Why should you visit? To experience the diversity and excitement of the art. Over a hundred residents participate, speaking with browsers and buyers about their work. Like no other art walk, the Brewery gives strollers a glimpse into what it means to be an artist, and the space the artists create in, eat, sleep, and dream in. And as an extra bonus, many beautiful, unique pieces are available for purchase, some well under $100. From plastic purses showcasing colorful neon strands to enormous paper mache drumsticks, perfectly crafted landscapes, textured portraits, and brilliant contemporary photography, there’s a wide range of talent.

This fall’s art walk took place Oct. 3rd and 4th. Each year, we have the pleasure of meeting new and unique artists, and visiting with those whose work we’ve come to admire. Here’s a mix of some of the works on view this fall – artists you should definitely check out when the spring open house commences, or visit their websites, follow their Twitter feeds, see their shows now.

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Kati V. Milano‘s archival pigment prints capture natural elements both animal and mineral from a recent trek to Iceland. Her photography has a visceral, tangible quality that makes you feel the rough wool on the sheep, the delicate trajectory of a feather, the sharp edges of ice and stone.

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In shared studio space with Milano, artist Ryan McIntosh exhibited his photos from the same recent Icelandic trip. Voluptuous ocean waves with the texture of lace, velvet, and satin are alive with motion in pieces such as “Ocean Variants 2014.” McIntosh is also the founder and master-printer of Miscellaneous Press.

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Jane Szabo‘s photographs of dresses are beautifully evocative. The dresses themselves are crafted by Szabo from everyday objects like road maps and coffee filters. “They suggest a persona and become a stand-in for myself, who I am, am not, and who I wish to be.” Her conceptual photography is alive with light, filled with metaphor, playful in its mix of fashion, photography, and the human form as sculpture. Szabo’s photographic work is both vividly representational and otherworldly.

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Victoria Sebanz is an artist who creates exciting mixed media including evocative, poetic photography – images that evoke another of her art forms: dance. The motion of dance, the subtle and curved shapes that are human forms, flowers, neon curves, the limbs of trees, the torsos of women – all captured in her work. Sebanz says “Movement, texture, shape and shadow are the bones for my work…”

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Kristine Schomaker‘s rainbow colors draw the eye, while the provocative social commentary of her collections engage the mind and illuminate the heart. Below, “A Young Girl’s Vanity.”

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Schomaker not only creates her own art, she supports other artists in the Los Angeles community through her company, Shoebox PR.

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“The painted mannequins are inspired by my Avatar in Second Life. In that virtual world, I used one of my paintings as a skin on my Avatar and it became a brand for me and my work. It was a natural progression to bring her into the real world. Painting a mannequin was the best way at the time to make it happen,” Schomaker says.

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Some of Schomaker’s paintings evoke calligraphy. Below: geometric shapes, feathered patterns, and a richness that evokes flight and music notes – a peacock in a painting.

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Below, artist Yvonne Beatty with a beautiful fall-colors piece, that is both realistic and as imaginative and detailed as a fairy-tale. “In my drawings and paintings I apply traditional and contemporary media using unconventional techniques. The challenge is to create works that, while static, gain movement in the viewer’s mind.”

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Below, Cynthia Friedlob once incarnated art aurally as a jazz singer. You can feel the jazzy rhythm in her pieces here. Her works are both brilliantly hued and meditative, and she says she would like to live in an Edward Hopper painting “with Bill Evans music playing softly in the background.”

 

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Below, Chuka Susan Chesney exhibits at FRESH, a contemporary art exhibition at Lamperouge Gallery, jurored by Jane Szabo, and assembled by the Pasadena Society of Artists. Chesney’s piece “Sister Cancer” proclaims that the disease will not defeat when smothered with love.

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Fine art photographer Lissa Hahn, below.

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Hahn’s images are created with no digital manipulation. The electric feel of her photography unfolds like a spin-art take on the world. She captures her subjects with one exposure, stretching out depth and colors into a complex visual pattern that illuminates and intrigues. Below, she shows off a beautiful creation of an entirely different nature.

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Below, artist Chenhung Chen, with pieces in a variety of different media.

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Chen focuses her art on the formation of line in drawings, sculptures, and 3D installations. Regardless of medium, her pieces are vibrating with motion, whether wire and metal sculptures, pristine line drawings, or hand-crocheted copper wire. Her work evokes the sea, the ceaseless rhythm of water, air, and life itself.

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Chen’s work exudes motion and life. Can inanimate objects be this animate?

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Want to walk for yourself? The Brewery art walk will be back in full bloom, come spring.

  • Genie Davis; all photos by Jack Burke