Mammoth Lakes Film Festival Starts 10th Season with Powerful Film

Celebrating its 10th year of stellar cinema, Mammoth Lakes Film Festival opened tonight with a visceral, important film.

Lucy Lawless of Xena:Warrior Princess fame directs a compelling documentary which has justifiably wowed audiences at a cadre of film festivals this year.

Never Look Away is a wild ride, telling the story of a woman who commanded so many to view the human story of war, involving and riveting her viewers as she skewered expectations as a gutsy CNN camerawoman traversing the globe in perilous times.

Both the stories she revealed and her own personal story are passionate and haunted.

Margaret Moth grew up in an abusive New Zealand home, immigrated to Houston, Texas. There she embraced a punk/Bohemian lifestyle, dropping acid, playing music, and taking lovers, including a 17 year old high school dropout, a relationship essential to both of them for decades.

Grabbing a camera on her many global travels, Moth covered the Middle East for CNN in the turbulent 80s and 90s, putting her life on the line, partying hard, and developing new friendships and loves that were as essential to her life as water.

Her penchant for putting her life on the line to depict horrifying scenes of war with compassion eventually caught up with her. Covering the siege of Sarajevo in the early 90s, she was shot in the face by a sniper.

While the tragic injury severely disfigured her, she endured 25 surgeries to regain as much normalcy as possible – and went back to work.

Lifelong friends admired her, lovers helped or distanced themselves, and her visual stories awakened many to the horrors of war and loss. Her bravery and empathy were only halted by cancer, leading to her death at age 59.

The persistence of a CNN colleague in telling her story and the wistful recollections of her lovers through the years inform the film with personal footage that round out the story of this consummate visual journalist.


Presenting this film as an opening night Spotlight event, MLFF appropriately gifted viewers with a fine film about the power of the moving image, something this festival is well-known for.

Helmed as always by festival director Shira Dubrovner and director of programming Paul Sbrizzi, 2024 looks to be an incredible year of cinematic storytelling.

Rounding out the night, the festival’s opening party presented a tasty spread of hors d’oeuvres and local craft beers, wine, and Yerba Matte along with its signature conviviality in introducing new and accomplished filmmakers to an eager audience – all in the beauty of snowy California mountains.

What are you waiting for? It’s Memorial Weekend, spend it taking in super films amid the pines. For more information and to purchase tickets or passes, click here. 

–  written by Genie Davis, photos by Jack Burke 

 

 

 

 

 

 

 

And the Winner Is…Mammoth Lakes Film Festival 2023

Festival program director Paul Sbrizzi with fest director and founder Shira Dubrovner, above “This year’s festival was a testament to the importance of an event that creates community and support for personal, innovative filmmaking…” Sbrizzi added “We consciously seek out the kind of bold filmmaking that deserves a showcase.”

So, who won? Let’s take a look:

U.S Narravie GRAND JURY PRIZE WINNER – Unicorn Boy (USA)– When a heartbroken young artist is sucked into a unicorn-run alternate dimension, they must help conquer a dark force in order to bring peace to the kingdom and themselves. Directed and written by Matt Kiel.

U.S. Narrative AUDIENCE AWARD WINNER – Love Dump(USA)– Trash-filled love ensues when a quirky antique shop owner searches for her missing father and falls for a determined dog lawyer along the way. Directed by Jason Avezzano and written by Leila Gorstein and Jesse Kendall.  

International Narrative GRAND JURY PRIZE, AND AUDIENCE AWARD WINNERWhere the Road Leads  (Serbia) – A stranger arrives in an isolated village and the locals suspect his involvement in constructing a highway nearby; their intolerance gradually builds to open conflict. Jana falls in love with him and sees the danger; she’s the only one who can save him. Directed and written by Nina Ognjanović.

U.S. Documentary Feature 

GRAND JURY PRIZE WINNER – A Still Small Voice(USA) – An aspiring hospital chaplain begins a yearlong residency in spiritual care, only to discover that to successfully tend to her patients, she must look deep within herself. Directed by Luke Lorentzen. West Coast Premiere 

BRAVERY AWARD WINNERMississippi River Styx (USA) – An enigmatic drifter with terminal cancer lives his dream of floating down the Mississippi River on a ramshackle houseboat — until locals start to question his story. Directed by Tim Grant & Andy McMillan.

AUDIENCE AWARD WINNERName of the Game (USA) – The untold story of black male exotic dancing in south Los Angeles and how it intersects with the origins of hip hop, gang culture, and kung fu assassins. Directed by William Forbes and Douglas Skinner.

International Feature Documentary 

AUDIENCE AWARD WINNERNaked Israel (Israel) – Interviewees are exposed both physically and mentally in this irreverent look at Israeli masculinity, through a series of interviews with men from a broad range of ages and backgrounds. Directed by Ines Moldavsky. World Premiere

GRAND JURY PRIZETo Kill a Tiger (India) – Ranjit takes on the fight of his life when he seeks justice for his 13-year old daughter, the victim of a gang rape. Directed by Nisha Kumari Pahuja.

Screenplay, Shorts, and Music Videos 

Best Screenplay: “Field of Weeds” by Kelly Jean Karam. 

Best Narrative Short: “Play This At My Funeral,” directed by Ray Smiling.

Honorable Mention: “Filling Holes,” directed by Miriam Gabriel and Sophia de Baun.

Best International Narrative Short:

“Sanaa, Seductress of Strangers,” directed by Jan Eilhardt.

Honorable Mention: “Summer Rain,” directed by Shao Lin. 

Best Documentary Short: “A Throwing Forth,” directed by Xiao Zhang.

Honorable Mention: “Let Me Take You Home” directed by Evelyn Hang Yin. 

Best Animation Short: “Our Pain,” directed by Shunsaku Hayashi.

Honorable Mention to “La Última Historia (The Last Story),” directed by Vicente Molina Pardo. 

Best Music Video: “Under No Nation” by Goat, directed by John Mark Lapham.

Honorable Mention to “Funeral Solution” by Osees, directed by Logan Feser.

Special Mention to “Rakiya Su Katamam” by Altin Gün, directed by Sylvain Rusques and Simon Moreaux.

But ultimately the biggest winners are the filmmakers and audience members attending MLFF 2023. 

For information on the 10th annual festival taking place 05/22/2024 – 05/26/2024, visit www.MammothLakesFilmFestival.com.

  • Genie Davis; photos courtesy of the festival’s Dori Myers; and photos by Jack Burke

Closing Day at Mammoth Lakes Film Fest

The final day of the Mammoth Lakes Film Festival brought many gems, as the countdown to awards night begins. Here’s a look at a few of them.

Mad Cats

Offering a wildly inventive mix of martial arts, cat trivia, and a message about the importance of caring for cats, this kinetic Japanese language film is entirely unique. The actresses playing the felines possessed by long-buried Bastet catnip were terrific – director Reiki Tsuno captured a totally believable vibe of vengeful cat warrior goddesses. Think John Wick meets an actually well done non-cgi version of Tom Hooper’s Cats – the film was great fun.

Before the feature we saw the second of three short films by director Stephen Collins here at the festival, Sentimental Journey. A seriously depressed musician and Compu-City employee is revived by his friends and the purchase of a battered piano. An outdoor performance of Rachmaninov literally sends depression away in flames while the pianist’s mind leads him through a sparkling ruby red wormhole. Director Collins says these sections were difficult to shoot as they took place under water. The challenge was both technically and because the actor was uncomfortable being submerged. Despite the struggles, the result is a sweet and imagistic film about personal revival.

Kokomo City

Richly engaging, this smart, sharp documentary feature depicts the lives of Black trans sex workers in both New York and Atlanta. Director D. Smith is a force to be reckoned with as she lets these women speak for themselves uninhibitedly. One of the four participants, Koll Da Doll was violently killed since the making of the film and its initial showings earlier this year.

The poignant intensity of this powerful first time directorial work is galvanizing, as the subjects discuss everything  from rejection by family, violence against them, and struggles with survival in a world rigidly committed to long-held gender beliefs. Defiant and lively, the film is a testimonial to the high cost of being oneself.

Also viewed today, the absorbing and lovingly wrought documentary short, Carl Runs the Paper from directors Joey Horan & Manish Khanal.  The new newspaper editor of California’s oldest newspaper saves more than the struggling paper – he saves himself from deeply felt grief in this quiet, lovely film. 

The intimate and engaging portrait of 73-year-old Carl Butz depicts him bearing the weight of the struggling Sierra Gold Country newspaper, The Mountain Messenger, which was set to close in 2019.

Butz purchased it, and became editor, despite having no journalism experience. His purchase was in part his own way forward following the death of his wife from cancer. Carl describes his goal for the paper as simply keeping it alive, but in the process he’s given it and himself a new lease on life.

That’s all our film reviews for now…

If you didn’t make it to Mammoth Lakes this year, be sure to come next time – you’ll find films to cherish, and the most innovative programming around.

See our coverage of festival award winners tomorrow.

– Genie Davis; Photos: Jack Burke and provided by the festival 

Super Saturday at Mammoth Lakes Film Festival

We had a super Saturday indeed at Mammoth Lakes Film Festival, from morning ‘til the lively after party, replete with Tiki drinks.

Shorts Block 4

A strong block of short narrative films offered comedy, whimsy, and the tragic.

Vegeversary

Director Sarah Smith  tested a brightly colored animated story in which on the anniversary of a bunny’s vegeversary she and her friends spend a weekend over indulging in tons of meat. Smith who is a long term vegetarian/pescatarian says she thought it was a fun idea to present a celebration with friends in this way especially as imagined vicariously through pandemic years.

Stuck

A smart and funny slice of Austin life as  roommates in a large group house make a music video and a pesky mouse gets stuck in a glue trap before compassion prevails. Director Brittany Reeber says she created an existential autobiographical story. Great music by Austin band Neville, too.

Work Life

Brilliant comic gem as office workers discuss – or rather don’t discuss, but remember they’re eventful, and unbeknownst to them, connected weekends. Cambodian American director Kevin Ung says he wanted to make sure the film visual enough to understand by even those for whom English is not their first language. In the process he created a terrific film with both compulsive narrative and viewing appeal. Both he and DP Oscar Ramos created this as a USC grad project.

Baloney Beacon

Balloons as nature documentary in another dimension – that’s how director Max Landman describes this visually fascinating stop action experiment with animating balloons.

Landman works in the Bay Area as a balloon twister, but during the pandemic he created this super fun piece extemporaneously.

Wild Card

Director and co-star Tipper Newton creates lush neo-noir vibes in her second “serious” film short, as she describes it.

A desperate doctor is looking for a girlfriend, and joins a dating service that sends VHS tapes to its subscribers.

Dressed in red, the femme fatale who chooses him comes with plenty of baggage and her own needs for a “date.”

With a tense score and LA-setting, this damsel in distress film has gorgeous art direction and pitch perfect acting.

Wolf

A young Iranian boy follows his grandfathers advice to end the suffering of the lives of ailing animals – in this case the grandfathers own in this sorrowful story of the inevitability of death.

Documentary Shorts 2

Becoming Howard

This is a sweet and thoughtful doc following Howard, an autistic crossing guard in CA, returning to his Indiana high school reunion. There, he reconciles with those who weren’t that nice to him in high school. Today he writes a blog about bullying, and receives former classmates support.

According to thew project’s skilled filmmaker Matt Fuller, Howard came to CA following a passion for arm wrestling, but wonders what life would’ve been like if he stayed in Indiana.

Squid Fleet

Poetic and fascinating film about life on a squid boat in China. As beautiful as it is sorrowful. Ed Ou and Michael Hsu create both a very real and mythological world.

Animal in Ascension

Cocky young Floridian experiences other worldly sensations in another dimension. Director Ian Clark describes his lively film as living DMT in a non-DMT world – and exploring the margins of human experience.

Balloon Boy

Watching Balloon Boy unfold in real time, directors Brian Gersten and Arlin Golden describe their project as an early indicator of negative American emotional behavior.

During the pandemic ,the duo found  and cut footage together of the hoax, from the moment it occurred to today’s current footage of the kids involved making a heavy metal song about it. The result is a lively, fascinating archival doc.

Ukarjo

Exploration of daily life in a pristine jungle habitat living in Indonesia. The message of natural peaceful lives is beautifully done by Cannelle Guhur.

Mississippi River Styx

Director Tim Grant creates a riveting feature film study of a likely con man navigating the Mississippi  River on what were supposedly his final is beautifully done,  but the subject is now living in Slidell, La.

Said to be dying of cancer, Kelly Phillips took his houseboat down the Mississippi from Wisconsin to the river’s end in Venice, La. Originally intended as a short, riding along was hazardous but so compelling an experience that directors Tom Grant and Andrew McMillan turned a four day filming schedule for a short into a feature, Grant’s first.

Is Kelly conning people? The filmmakers fairly present each side in a gorgeously scored, shot, and fascinating character study.

The danger of shooting in the river waters is palpable – Kelly was allowed to go down river only because of his story about his end of life journey, with the coast guard helping him despite standard safety restrictions.

Grant says “We didn’t make it an investigative film about Kelly’s diagnosis – we were more interested in presenting various perspectives and emotional reveals than justice.” The result was an incredible, harrowing film.

Requiem for a Whale proceeded the feature film, an important elegiac short from Ido Weisman, a beautiful rumination on life, death, and ecology.

Also viewed today: a twisted mother and son story in Joey Hirsh’s body horror Pure Gesticulation, which I was unable to view in entirety, and a dark depiction of highly symbolic outcasts in a terrifying Polish forest enclave in the beautifully wrought fable of The Horse Tail.  With the former feature was a sweet gritty take on social anxiety in Zane Stein and Nate Pringle’s Super 8 short Hey Guys, How are You? which combines humor with pathos.

Many terrific films today – Mammoth Lakes Film Festival rocks on as truly a fest for filmmakers, innovative and fresh.

  • Genie Davis, photos by Jack Burke