ArtBarLA is Just Where You Want to Be

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Welcome to ArtBarLA, the creative, comfortable, hip spot to quaff a craft beer or kombucha, experience some highly original and witty décor, and view LA-based artists’ work in a bright, contemporary space. It’s also the spot to hear live music and D.J.s or see performance art of all kinds.

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Warm, eclectic, and just plain fun, the idea of an art bar was the brain child of artist Lauren Mendelsohn Bass and L Croskey, a.k.a. LC, gallerist, artist, and D.J. Joined by partners Demetrios Mavromichalis and Pete Panos, the four have conceptualized and opened what Mendelsohn-Bass calls “a cool way for all kinds of artists to show the work they do.”

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Croskey is head preparatory and co-owner of Thinkspace in Culver City, and has long supported local artists in the most inclusive ways possible, Mendelsohn-Bass explains. “He did portfolio views and gallery shows under the name Cannibal Flower, and I was one of his artists. At one show, we were speaking about how I would like to do something interesting in LA for artists and for Cannibal Flower, and how I wanted to create a space where we could show any kind of art, a place for visual artists and performers. And he said, whatever you do, I’m on board.”

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After a six-month hunt to find space, Mendelsohn-Bass was about to give up when Mavromichalis told Croskey he’d just leased a bar in Mar Vista that had enough room for a gallery and stage. Mavromichalis owns the Mar Vista Restaurant and the Wood among other properties and knows the restaurant and bar business well. He, too, was on board to create a space for art.

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The advantage of being able to sell beer and hard kombucha – and likely coming soon,  wine – is, as Mendelsohn-Bass notes, a way to relieve the pressure to sell more art. “We can sell drinks whenever we are open, instead of having to provide them at an opening which costs the gallery space.”

Panos, who owns a mixed martial arts studio next to Art Bar LA also wanted in; his hyper-local support has assisted in the bar’s creation and operation.

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Above, left to right, Mavromichalis, Mendelsohn-Bass, Croskey, Panos

“LC and I are the most hands-on about creating the space, based on ideas we’ve been throwing around for a year that became part of the décor, like the fun house mirrors and the patchwork sofa design,” she explains. Croskey will handle booking gallery shows and performing talent; Mavromichalis handles the bar aspect, bringing in LA-based craft beers, and dealing with licensing, ordering, and staffing. Panos is also involved in staffing and many business aspects of the operation.

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As for Mendelsohn-Bass, “My role is kind of everything. I assist LC all around, and I contributed to décor down to the light bulbs selected by LC and I together.” She adds “People say this place looks like it was made for me, but the reason it does is because LC and I have had the same vision, and we really created what we set out to do.”

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Above, current exhibited work includes this piece from Robert Nelson; below, a variety of other works from the current exhibition

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New gallery shows will appear once a month, and for now, focus on group shows. “For now, our criteria is just good art. LC has many people who want to be a part of exhibiting here, who just want their work to be seen.” Upcoming is an exhibition titled Made You Look, opening October 6th.

Performing talent will include Saturday night D.J.-ing from LC, a burlesque show, live body painting, and a wide range of musical acts. The bar’s regular operating days are Thursday through Saturday for now; gallery openings are reserved for Sunday afternoons. Hours may be added in the days to come.

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The bar will also soon offer some small bites for purchase at the bar; for events like gallery openings, ArtBarLA will have food trailers set up beyond the patio space. On October 6th the trucks will focus on BBQ.

“The food and the beer and other beverages will all be from LA makers,” Mendelsohn-Bass attests. “There’s so much local talent here in all ways to draw from.”

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The bar is geared toward the art world, but it is also very much a part of the neighborhood itself, with local residents, artists, and nightlife-seekers all a part of a mix that ranges in age from 21 to 95, she reports.

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From the gorgeous murals Mendelsohn-Bass has painted on the walls, to bicycle bar stools, outdoor sculpture, and even the most fun bathroom signage you’ll ever see, this is a bar where you’ll definitely want everyone to know your name.

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ArtBarLA is open Thursday-Saturday 7 p.m. to 2 a.m., with more hours planned ahead. It is located at 12017 Venice Blvd. in the Mar Vista neighborhood of Los Angeles – where else but LA?

  • Genie Davis; photos: Genie Davis, Kristine Schomaker, Cheryl Henderson, and Lauren Mendelsohn-Bass

What Rocks and Rolls and Sings the Blues? It’s the Johnny Rich Band

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The Johnny Rich band, pictured above, is ready to burn down the house – or bar, as the case may be – with a heady, professional mix of rock n’ roll, blues, and even a bit of a jazz riff.

Lamar Little, to the left in the photo, is the kamakazi drummer, who blows listeners away with the intensity of his beat.  Bass player Derrick Murdock, far right, was in the house band for the Tonight Show and the Jay Leno show, and is a powerful player. And rounding out the dynamic trio, middle position, is John Richardson, singer, guitarist, songwriter, and leader of the band.  

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We took in a stellar performance on the west side at Trip in Santa Monica; the band can often be found at the Silverlake Lounge on the east side and the Old Town Pub in Pasadena, as well as in DTLA at a variety of spots.

We heard a set that included a terrific instrumental, “50 Years,” which Richardson describes as “trying to be pretty.” It doesn’t just try though, it succeeds, and has the distinction of many gigs past being the first piece that he ever played in public. Just definitely not the last.

Playing on the irony and ugliness of our times with a driving beat was “Comrade Bonespur Boogie,” which features a lyric that Richardson quotes as “All that’s left is whiskey and regret” intoned by a viewer “watching DJT and the GOP on TV and being amazed as things keep going lower.”

Richardson’s “Demon Rum” tells the story of “A poor wretch in love with the Sports Illustrated swimsuit model from 2003 pasted on the wall at the bar he goes to every day after work. ‘I love how you come to life after a drink or two …'” The photo image might’ve started dancing had she heard the song written in her honor. 

Also on the play list were non-originals such as Johnny Smith’s “Walk Don’t Run,” popularized by The Ventures originally, and the perfect song to showcase Little’s drumming skills. 

Richardson describes “Sleepwalk/Sleepwalk on the Radio” as a mix of creative efforts. “I’ve never gotten sick of playing Santo & Johnny’s Sleepwalk. It’s the front end to one of mine about Sleepwalk and the good old days which weren’t all that swell after all.”

 And one of our favorites was the evocative original instrumental “Renfield,” described as telling the story of “Dracula meeting Little Red Riding Hood and getting his ass kicked.” He notes that song evokes “ever-increasing levels of evilness, like those Lon Chaney werewolf movies that start with the beautiful moon full of foreboding.” Indeed. 

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A poignant piece, “Betty’s Waltz” honors a dear friend and mother with fatal breast cancer. “Right near the end she was at home in a coma with the morphine drip running. I sat up all night and played her every song I knew,” Richardson relates.

And corporate ethics – if there is such a thing – got their due in another original, “Karl Marx Boogie,” which includes the biting lyric depicting Wall Street greed,  “Down and down you go and you sink into the mire. Soon you’re just like all the rest, you don’t give a damn.”

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While most of Richardson’s vast collection of originals focuses on true life stories or the fiction that grabs him, the band’s non-original numbers run the range from Thelonius Monk songs like “In Walked Bud,” selected in part because of what Richardson calls “fun chord changes,” to classics from Keith Richards, Chuck Berry, Jimi Hendrix, Charlie Christian, and Miles Davis.

“I started out playing the drums as a kid, which led to wearing weird-ass wool suits marching around the football field at halftime. Picked up the guitar early in ’69, got hooked when I could recognize myself playing No Expectations by the Stones, and never turned back,” he says. 

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The band got its name thanks to “a hipster 20-year-old I played a gig with in Berkeley,” Richardson laughs.

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But there’s nothing funny about the music – it’s seriously great stuff. Don’t miss the band’s upcoming gigs. For more information, visit www.johnnyrichband.com

  • Genie Davis; photos: Genie Davis, and provided by the artist

Bronco Billy: Jubilant and Joyous

At Skylight Theater in Los Feilz through July 21, Bronco Billy is an absolutely joyous, brilliantly compact musical. This intimate theater is the perfect space for this inventively staged, perfectly performed, and jubilant show. What a treat to see a show this strong in a theater small enough that cast members passed us some popcorn after intermission.

You’d have to be a true curmudgeon not to love this story about finding a home, finding your tribe, finding your delight – and in the bargain, finding true love.

 

The music and lyrics by Chip Rosenbloom and John Torres, with additional lyrics from Michele Bourman are terrific: memorable, melodic, and fun.

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Dennis Hackin wrote the film version and the book here, paying homage to his parents who wanted to be cowboys and moved their city slicker family from Chicago to Arizona to live out their dreams. That passion and sense of fun and adventure are evident in every minute of this fast-moving, truly winning musical.

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Expertly directed at a perfectly paced clip by director Hunter Bird, with choreography from Janet Roston, from the first minute, this is pure entertainment – and both smart and poignant (pun intended) to boot.

Bronco Billy’s Wild West Show is introduced in an upbeat, engaging opening song, but coffers for this traveling show are approaching empty, and Bronco Billy – played with contagious charm by Eric B. Anthony – works hard to convince his troupe to carry on to Hollywood and audition for a new TV show.

En route, he meets one Antoinette Lily (the terrific Amanda Leigh Jerry), an heiress in peril and in hiding, who reinvents herself as co-star and business manager “Miss Lily” without revealing her real identity. While they clash a little, the chemistry is there from the start between them, and any audience member with a beating heart is rooting for these two to find their passion together. 

The entire cast is simply terrific: great voices, great heart. Performed with a five piece live band – also simply super – theater just doesn’t get better than this, frankly. Not even on Broadway.

 

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Below, the zany and fun villians – detective/hitman, evil stepmother, and her paramour.

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Disco lives again, too, when the troupe gets a night on the town between shows. But though the action is set in 1979, it’s heart, inclusiveness, and hope are just as relevant today.

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They can sing, and oh yes, this cast can sure dance, too.

 

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There’s wooing and romance and even a slapstick-perfect chase scene, but always the show must go on — because ultimately, as Bronco Billy himself asserts, the show is all about making people happy. And indeed it does.

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Bronco Billy is, in short, an exhilerating rush. Don’t miss – what else are you doing this upcoming holiday weekend that’s better than reveling in human goodness, compassion, and fun?

 

Bronco Billy – The Musical runs 8:30 p.m. Fridays and Saturdays, 2:00 p.m. Saturdays and Sundays through July 21, 2019. No 2:00 p.m. matinee on July 6 & 20. Added: 8:00 p.m. performances on Thursdays July 11 & 18. Skylight Theatre is located at 1816 1/2 N. Vermont Ave, LA, 90027. Tickets start at $29. Children under 6 years old are not admitted. Information and reservations: (213) 761-7061 or (866) 811-4111. Online ticketing: http://SkylightTix.org

SABROSO Craft Beer, Taco & Music Festival

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Described by the band Face to Face as “a backyard BBQ with thousands of people at the beach,” the annual SABROSO Craft Beer, Taco & Music Festival rocked out at Dana Point earlier this month.
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Generous performances were the order of the two-day fest, by bands including Flogging Molly, Bad Religion, Lagwagon, Strung Out, The Suicide Machines, Adolescents and D.I. on Saturday and The Offspring, Descendents, Black Flag, Face To Face, Plague Vendor, Red City Radio and Orange Blossom Special, on Sunday.
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It was the 6th annual festival, and drew 20,000 fans to the beach-front location at Doheny State Beach. Along with the music, there was craft beer sampling, gourmet tacos, Lucha Libre wrestling, and a taco-eating contest.  At the latter, world record holder Takeru Kobayashi won again, in a close contest with Molly Schuyler. He ate a stomach-churning 157 tacos in 10 minutes.
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Without consuming this many tasty tacos, attendees were able to indulge on the Sabroso Best Of Show winning taco from Pink Taco – poached octopus  with chorizo, potatoes, onion, and peppers, as well as vegan jack fruit tacos, Baja-style tacos, and the popular Fiesta Gourmet fried beer battered shrimp on pickled cabbage.
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All could be topped with Gringo Bandito – an award-winning hot sauce from Dexter Holland of The Offspring. To wash it all down, yes, there was beer. 150 craft brews in fact, served up each day until 4 p.m.
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Favorites included Russian River Brewing, locals  Artifex Brewing Company, Burgeon Beer Co., and Wild Barrel, and newcomers to the craft beer scene including he Shop Beer Co. and Papa Marce’s Cerveceria.
And there was cider…
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Among the musical highlights was a Saturday performance by Adolescents, with a tribute to founding member Steve Soto, who passed away last June at age 54.

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Opening band The Suicide Machines and lead singer Jason Navaro got the crowd going; fans body surfed to head-banging sounds from Strung Out and Lagwagon on Saturday; on Sunday,  Plague Vendor was a tough act to follow, but follow they did. The punk scene doesn’t tire easily.Punk is definitely alive and well…so what if there were enough grey hairs on stage to start a small retirement facility.

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Punk classic acts like The Offspring, Bad Religion, Black Flag, Descendants, and Flogging Molly proved their mettle, turning in strong sets, as the crowd on the packed lawn danced, cheered, and vibed long after dark.

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SABROSO Craft Beer, Taco & Music Festival is produced by music festival production company Synergy Global Entertainment, Inc. (SGE) and California’s craft beer festival producer Brew Ha Ha Productions. There was a charitable twist, too: a portion of the proceeds from the fest will be donated to the Doheny State Beach Interpretive Association (DSBIA), and Big Brothers Big Sisters.
By Lizzy Gonzalez
Genie Davis; general festival photos: Jack Burke; The Offspring band photos by Anthony Duty; photo above by Lizzy Gonzalez.