Why You Should Go to Vernon, California – DABSMYLA Before and Further

 

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DABSMYLA's Before and Further - All Photos: Jack Burke
DABSMYLA’s Before and Further – All Photos: Jack Burke

Just south east of downtown LA’s arts district lies the industrial enclave of Vernon. A tiny town with political corruption battles, a few fast food eateries, and lots and lots of warehouses and factories. So why do you want to go there?

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Photo: You might just be able to own chairs kind of like those – Modernica is producing some limited edition recreations.

For DABSMYLA’s astonishing installation art takeover of a factory workplace at the  Modernica furniture factory.

Blacklight room
Blacklight room

What is DABSMYLA? It’s a who, or rather two who’s, a thoroughly blended duo of married artists. A true creative partnership, the couple has melded not just their names but their artwork, and created among other works this 4,000-square-foot installation that looks like something you might’ve dreamed as a movie set.

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And it’s only there until November 15th, so don’t hesitate to grab your significant other, friends, family, and camera to go see it.

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Don’t worry about things like parking and admission costs: there’s plenty of the former in a guarded lot adjacent to the structure, and none of the latter: it’s free. Less crowded than the Broad and a super-fresh interpretation of modern art.

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“Before and Further” is the title of what could be the home of the Cat in the Hat if he was hip and kind of into the 60s.

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Paintings, sculptures, ceramics, and furnishings that include limited-edition fiberglass shell chairs available for purchase through Modernica are all a part of the artists’ collaboration with Modernica.

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Inspired by DABSMYLA’s own shared process of creation, Before and Further is a house that has modern asethetics, pop art, giant cat faces, binoculars trained on a tiny elf figure perched on the roof of an opposite structure, a black light room with glowing cartoon faces, a black and white television running video art, a hi-fi portable stereo you can listen to, a secret movable clock and peep hole through which you can view the artists’ workshop.

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Look behind the clock and peek inside: we did!
Look behind the clock and peek inside: we did!

The duo call the piece an “adventure in modern living and artistic partnership,” for visitors it’s a wonderful mash-up of the surreal and the real. It’s the Modernist movement, its a gentle promo for original Modernica furniture creations, its a transformation that Alice in Wonderland would appreciate after going through the looking glass.

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What would you do if you could completely gut and revitalize a creaky 1930s era Spanish Revival house perched on the lot of a factory where the furniture is made one piece at a time?

Chances are, you might have thought of something like this. If you’re DABSMYLA of course.

If not: visit 2901 Saco Street in Los Angeles Thursday through Sunday from noon til 7 pm UNTIL NOVEMBER 15th.  Yes, it’s lit up at night. No, you can’t live there, no matter how much you want to. Besides, do you really, really want to live in Vernon?

 

Time to Get Scared: Universal Studios’ Halloween Horror Nights

The Walking Dead Wolves Not Far maze begins at Terminus - Photo: Jack Burke
The Walking Dead Wolves Not Far maze begins at Terminus – Photo: Jack Burke

Remember the magic you used to feel on Halloween? The sense of excitement to go out trick or treating? The spooky but fun dread that maybe there really was something lurking behind the tree in the neighbor’s yard – that wasn’t the neighbor’s cat? Dark rooms, zombie flicks on TV, things that go bump in the night?

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Well you can experience it again, albeit with a fairly substantial price tag, at Universal Studios Hollywood Halloween Horror Nights. Not just any old haunted attraction, this one features movie-quality recreations of set pieces from frighteningly famous franchises like Halloween and The Walking Dead.

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Great sets, fantastic animatronic figures, eerie lighting, and of course, what really makes the event take off, the “scareactors,” some 500 talented performers stalking, scaring, and jumping out at guests, gruesomely attacking each other, and each creating an astonishingly well-choreographed live performance on average once every six seconds.

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So is it worth it to “haunt” Universal Studios after dark? Absolutely. From the kitschy 3D horror humor based on the film This is the End to the longest and arguably scariest maze this year, The Walking Dead Wolves Not Far,  to the supernatural Insidious Return to the Further, these live performance scares are worth every penny.  Also not to be missed: this year’s Terror Tram offering based on The Purge films takes over the back lot, and in a break from all the horror, a live stage show starring the hip hop energy and special effects of Jabbawockeez. Of course there’s scare zones scattered throughout the park – from the evil elves of Dark Christmas to the giant bugs of Exterminatorz you’ll get your screams on. Strolling through the recreation of Homer Simpson’s Springfield or jumping on the Jurassic Park ride are also somehow a lot more fun after dark, when you know just outside the rides’ perimeters lurks – a shadowy menacing monster or two.

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This was our third year experiencing Halloween Horror Nights, and it’s an absolutely horrific delight. Go early – early admission allows guests into the park an hour before HHN officially opens and access to several lower lot mazes before the lines get too deep. And stay late – don’t rush the scares. Savor the midnight magic.

  • Genie Davis; all photos Jack Burke (copyright Jack Burke)

 

Stars Over Moab

Stars over Sand Dune Arch Photo by Jack Burke

Stars over Sand Dune Arch
Photo by Jack Burke

It’s midnight in Arches National Park. Open twenty-four hours, the red rock arches, towers, and spindles are a lot less crowded in the dark than they were at eight o’clock this morning when we joined other tourists in short hikes beneath, around, and within iconic formations called Windows, Park Avenue, and Skyline Arch.

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Arches National Park
Arches National Park

Now we’re standing in soft, ankle deep sand beneath the dark and sinuous curves of Sandstone Arch. Above the arch is a sky full of stars, speckled with the last of the streaking Perseids. Directly next to me, my partner and photographer is doing mysterious lighting adjustments to create the ultimate portrait of us illuminated beneath the stars, beneath the arch, somehow magically visible, carved into radiance out of the darkness.

We pose, smile, freeze, hold it until the flash goes off. Then darkness and silence returns. I’d worried about snakes or scorpions, almost missed this adventure of quiet. I almost missed looking up at the Milky Way, the sliver of a moon, the North Star burning bright. After an hour or so, we’re done, and driving back to our tent.

Not an ordinary tent set up around a fire ring, but our deluxe safari tent, a part of Moab Under Canvas, the ultimate Utah glamping experience.

Moab Under Canvas Photo by Jack Burke
Moab Under Canvas
Photo by Jack Burke

What’s glamping? Well, think of it as a superior camping experience. Tents are already set up for you, some have their own en-suite bathrooms – ours did – and those that do not, have access to privately sectioned luxury bathhouses. Located on 40 acres just 7 miles from Arches National Park and practically across the road from the entrance to Canyonlands National Park’s Island in the Sky section, the site consists of canvas tents and small canvas tipis. Some tents sit on raised wooden platforms and have porches. We were lucky enough to have one of these, which commanded a sweeping view across a scrubby desert plain to picturesque red rock cliffs. Tents with porches and bathrooms are the deluxe variety, with some even including a sitting area with a sofa bed.

Deluxe Safari Tent Photo by Jack Burke
Deluxe Safari Tent
Photos by Jack Burke

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Ours had a king bed, a wood-burning stove that we didn’t use in August, and that coveted in-tent bathroom equipped with a sink, flush toilet, and a shower operated with a pull chain. Heated by propane, we had plenty of hot water to wash off the midnight red rock dust.

We also had that porch, and two deck chairs, the perfect excuse to bundle up – even though it was August, on this night the temperature dropped to a cool fifty-nine degrees – and continue to stargaze.

Night at Moab Under Canvas - Photo by Jack Burke
Night at Moab Under Canvas – Photo by Jack Burke

The deluxe tents are positioned along a gravel road away from the tighter cluster of tipis, safari tents, and private group bathhouses. Closer to the center of camp, the staff – who are available 24-hours, as is access to the Moab Under Canvas office for hot beverages, cold water, and electronic device charging – sets up a bonfire each night.

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Moab Under Canvas encampment – Photos by Jack Burke

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Tipis have cots, plush sleeping bags, tables and chairs, and are just about as cost effective as pitching your own tent. Safari tents are large and comfortable, the Deluxe tent cabins like ours have the same features as the safari – bed, coat rack, dresser, rug, table and chairs, plus the bathroom and porch. 20 plus tents and 14 tipis make up the encampment. Families or groups can have a tipi moved next to any type of tent, adding extra sleeping room and privacy.

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Tipi time - Photos by Jack Burke
Tipi time – Photos by Jack Burke

But I wasn’t thinking of tipis. I was obsessed with our porch. It was the perfect spot to eat a bagel with cream cheese and sprouts, ordered from a local café and delivered to the site’s office for breakfast. It was a good bagel, but it went better with distant cliffs reddening in early morning light. Between hikes, the porch was the place to kick back and relax with a beer. And at night, that night, to keep watching the sky spiral on and on, stars sprinkled like sugar across a black velvet cloth.

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The porch, the porch
The porch, the porch

Moab Under Canvas isn’t the only glamping site owned by Sarah and Jake Dusek. Yellowstone and Glacier are two other outposts, both of which I’m hoping to see. Moab was the last to open in 2014. The Dusek’s goal was to provide an authentic, close-to-the-land experience, without the headaches of setting up a tent, finding a chemical toilet in the dark, or forgoing showers and organic shampoo. They succeeded in all these things, and in something more: establishing a feast of a vacation spot with a side of adventure and a topping of starlight. Midnight wanderings in nearby national parks, optional.

Moab Under Canvas
13784 US-191, Moab, UT 84532
(801) 895-3213

  • Genie Davis, Photos by Jack Burke (Copyright Jack Burke)

Gypsy Trails Gallery – Museum on Wheels

 

Osceola Refetoff, Uri Koll, Hayley Colston at Gypsy Trails Gallery outside Torrance Museum of Art - all photos - Jack Burke
Osceola Refetoff, Uri Koll, Hayley Colston at Gypsy Trails Gallery outside Torrance Museum of Art – all photos – Jack Burke

A collaboration of Hayley Colston and Juri Koll, the Gypsy Trails Gallery is rolling up to museums throughout the Southland, featuring different, “museum grade” artists at each stop. “Each artist is chosen specifically to be a part of a museum, to best fit each museum’s atmosphere,” Colston says.  With eleven different artists and eleven different museum stops running through March of 2016, Gypsy trails is, Colston says, “more accepted now that other museums have worked with us.  It’s a concept that takes leg work, but the result is creating a travelnig gallery that offers the same treatment for its artists as a museum. We think it will steam roll from here.”

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Koll, the director of the Venice Institute of Contemporary Art is working to promote the idea of a museum in Venice, while honoring other museums, and recognizing their importance within their respective communities.

Saturday night, the gallery displayed the work of photographer Osceola Refetoff in a solo show outside the Torrance Museum of Art. Refetoff’s work reveals the harsh and beautiful spirit of the desert, and casts a spell of awe for the landscape and the people who have lived in it. His evocative photos are mysterious and magical – decay as transformation; loss and loneliness baked in the sun and suffused with love  – these are his subjects.

To see where Gypsy Trails is headed next, go to www.gypsytrailsgallery.com to download their schedule.

  • Genie Davis, all photos by Jack Burke