It’s Elemental: See Elements at the Loft at Liz’s

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Fire, air, water, earth. At Loft at Liz’s “Elements,” the gallery’s annual nature themed exhibition, six potent artists create this year’s entry in an annual show that focuses on nature. Six artists, Doron Gazit, Michael Giancristiano, Moses Hacmon, Luigia Martelloni, Jeff Frost and Joan Wulf re-create these natural elements as something profound and poetic.

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Environmental artist Doron Gazit has worked with inflatables for thirty years, and his kinetic wind sculptures here potently visualize the unseen. Using nature as his canvas, he has worked with plastic tubes that are hundreds of feet long.

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Writ on a smaller scale here, “Frozen Flow,” take up substantially less space, white and illuminated from within, they channel air currents and pull viewers into a world both haunting and beautiful. It’s not hard to visualize Gazit working on his next upcoming projects in Iceland and in the Amazon forest.

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Artist Luigia Martelloni takes on the element of earth in an installation that fills the smaller exhibition room at the Loft. Luigia’s work involves crystals, earth, organic materials, and paper prints.

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“It’s a very personal journey, that goes back to the vastness of the land that I explored in 1986. I’m translating to the audience not information about finished objects, but about recovering and salvaging materials and translating ideas. The crystals are about a trip I took from the Colorado mines to Utah. There is salt from Salt lake City, dirt from Monument Valley. I prepare my paper in an organic way, and I use papers that are a collection of years and years.”

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Joan Wulf “fell into” her own burning ring of fire – she was painting on wood panels, and found a particularly beautiful wood grain that she did not want to gesso, instead using the panel to burn rather than paint her work.

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Now this pyrographic artist is creating art painted with flame rather than brushes, burning canvasses, crafting images that resemble ancient cave paintings or conversely, modern patterns that just happen to be burned into shape rather than conventionally painted.

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Moses Hacmon uses a liquid film technique to render images of water on aluminum. His eco-friendly project creates images that evoke both the depths of the ocean and the earth from space, watery images that shine over aluminum that could merely be representing the crystal clear waters of a distant cove.

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Michael Giancristiano says his art in this show, featuring air plants, was “inspired by melting ice caps and what’s under them. Scientists have reanimated organisms, a rebirth,” he notes. He wanted to use “organic materials that are alive and growing. The air plants are held onto functional handbags and panels by fasteners. They can be interchanged, removed, and watered.” The air plants he uses here come from the pineapple species.

 

We did not have the opportunity to talk to Jeff Frost, whose images of fire are seductively palpable in his photographic and video art works.

Find the element that moves your spirit through June 20th at the Loft at Liz’s, 453 S. La Brea Ave.

  • Genie Davis; Photos: Jack Burke

Hauser, Wirth & Schimmel: Expanding the Art Scene in DTLA

 

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DTLA’s burgeoning art scene now has a strong international presence with the opening of Hauser, Wirth & Schimmel in what was once the Globe Mills flour factory.

A vast, 10,000-square-foot complex with a beautiful, open outdoor plaza, the gallery includes bookstore ARTBOOK, and will, come summer, feature it’s own restaurant, Manuela.

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Above, Jackie Winsor’s  “30 to 1 Bound Trees,” originally created in Nova Scotia for a contest in the early 1970s and re-created here.

It may be the open public space that is the most appealing aspect of the vast and – pun intended – artfully restored building. The courtyard’s sunshine is entirely Los Angeles in nature, and this space, which links the galleries, plus the soon-to-be-developed public gardens brings back an evocative childhood memory of the skylit courtyard in the National Gallery of Art in Washington, D.C., alive with plants and fountains.

Such a space was a pleasure for a child, and for adults to breathe a little while their eyes, hearts, and minds took in all the art on view.

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A Hauser, Wirth & Schimmel, a dedication to this open and breathable space also has carved out a passageway between 2nd and 3rd streets. The artwork hanging above the public passage is “Forgiving Strands,” by Shinique Smith.

Hauser Wirth & Schimmel was founded in 1992 by Manuela Wirth and her mother Ursula Hauser. The gallery now has locations in Zurich, London, New York, and Somerset, England. The Somerset property is a holistic creation on rural land; the gallery’s Los Angeles incarnation aims for a similar completeness. Iwan Wirth describes the DTLA space as providing “a way to seek to connect art through community, conservation, and discoveries.” Paul Schimmel adds “We want to expand the notion of what a gallery can be and it’s relationship to the artist. It’s our certainty that people will come from all over the world.”

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Ruth Asawa’s delicate suspended sculptures above seem like cocoons for living beings.

The co-curator of the opening exhibition, Jenni Sorkin, notes that the gallery itself is broken into four different spaces, whose openness within each room and their separation from each other works spectacularly well as museum-like space for the opening exhibition, “Revolution in the Making: Abstract Sculpture by Women 1947-2016.” A survey of sculpture by women from  post-World War II to the present, the art on display includes that of seminal French sculptor Louise Bourgeois, German-born Eva Hesse, Brazilian Lygia Pape, Tokyo-based Yayoi Kusama, New York-based Louise Nevelson, Ruth Asawa, and Lee Bontecou, among others.

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Above, Claire Falkenstein, who began her career as a sculptor crafting jewelry.

The towering ceilings of the south gallery features the progenitors of abstract sculptures, dating from a pre-WWII era when sculpture itself was dominated by men making large scale works.  Sorkin explains that there was a gendered division in the public school system in which boys were sent to skilled labor shop classes and girls to home ec. “Women were not given the skill set to build and make,” Sorkin reports, which makes the pieces in this first gallery all the more impressive.

 

 

 

 

Women needed, Sorkin notes, not a room of one’s own as Virginia Wolf expressed, but a studio of their own.

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Moving into the north gallery, seminal pieces such as “Wheel With Rope,” by Polish artist Magdalena Abakanowicz were created in the 70s, as were New York-based Ursula von Rydingsvard’s “Untitled (Nine Cones),” above. These cedar pieces were hand-tooled in her studio. Like many other pieces in the exhibition, including a pair of sculptures by Lynda Benglis made from aluminum, below, there is a living quality to the pieces, as if they housed creatures now born.

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Below, work by Liz Larner.

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The east gallery houses the most contemporary works, and also the largest installations. Not a coincidence: now, as we approach more current work, women sculptors finally have the space to think big.  They also have the permission to create in vibrant color. Here are the works of Abigail Deville, and Rachel Khedoori who used craft techniques in her creations;  large scale pom-poms that could be massive cat toys are the work of Phyllida Barlow. Knee high pantyhose, chopsticks, discarded couches – found art elements, recycled materials are key here.

 

 

 

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The exuberant and all too rare female-driven opening exhibition is a don’t miss; and then you’ll want to see and experience the gallery space itself.

Press was lucky enough to score a delightful brunch – we look forward to seeing what summer’s addition of a dining space will provide.

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Hauser, Wirth & Schimmel is located at 901 E 3rd St. in DTLA.

 

http://www.hauserwirthschimmel.com/

 

EcoLuxe Lounge Benefiting Shriners Hospital

Oscars 2016 week marked the annual arrival of producer Debbie Durkin’s EcoLuxe lounge. Held in the penthouse at the Beverly Hilton, the event helped to promote the new Shriners Hospital for Children medical center that will launch in Pasadena in 2017.

One of the fun things about living in Los Angeles are the award seasons, and with them the bevy of gifting suites, parties, and benefits. The EcoLuxe Lounge event is always packed with interesting products, tasty eats, and of course there were plenty of celebrity guests on hand from True Blood‘s Adina Porter to Lou “The Hulk” Ferrigno, Frank Stallone, and Claudia Wells, the Back to the Future actress who now owns a unique menswear boutique which was a part of the gifting suite.

Tasty hors d’oeuvres? Check. Fun eco-friendly finds? Check again. Terrific cause – yes, that, too.

Attendees enjoyed LaCroix Sparking Water as well as the beautiful Fete Today wine, whose Sirah is worthy of a fete in and of itself.

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My Fete reason was among the notes depicted above – guess which one and you’ll get a…mention in this blog.

Other gifters included IT Cosmetics, whose under-eye collagen enhancing cover-up really works.

eco luxe ITChariot Travelware luggage, Burnetie Shoes, and the beautiful unique and eco-friendly jewelry of Amy Radzik were also gifted. Radzik’s jewelry incorporates many recycled elements in unique pieces that help define the wearer’s personality. Radzik is a true craftswoman and jewelry artist.

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One of my favorite items was the Solar Puff, an inflatable solar light designed to benefit the Ten Million Rays of Light campaign while also providing a super cool white square that accents any room – and lights it in an eco-friendly way. Yes, I have one and I love the super bright very white light. High recommends.

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Celebrity sweet teeth were not forgotten: Candy Vixen dished out tasty treats like chocolate covered pretzels and chocolate covered organic apples.   candy vixen

Fun, fun, fun – celebrity sightings, tasty treats, cool products to check out, and – recognition for quality care for children at Shriner’s Hospital. Now that’s award-worthy.

  • Genie Davis, Photos provided by Debbie Durkin and product retailers

 

Closer than Ever – Musical Perfection at ICT Long Beach

 

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The International City Theatre in Long Beach is hosting a powerhouse of a musical through March 6th. And by musical, we mean all music, all the time.

There’s not a word of spoken dialog here, instead audiences find some twenty five story-songs composed by lyricist Richard Maltby Jr., with lush music by David Shire.  This off-Broadway classic is extremely well served by its vibrant and versatile cast members who combine strong voice with often heartbreaking emotion.

The stories these songs tell are of love – of life, of relationships -boyfriend/girlfriend/husband/wife, love lost, found, illicit, sexual, platonic, desired, and abandoned.

With no spoken dialog how does it work? Think vignettes, musical vignettes, think clear voices, spirited delivery, and a mix of the comic and the tragic. Highlights include the absolutely riveting tale of the loss of a marriage and the life of a liberated woman sung by Valerie Perri, “Life Story,” and the rageful, hilarious “You Wanna Be My Friend” sung by Katheryne Penny when she discovers her boyfriend just wants to be friends.

On the distaff side, the men in the cast are no musical slouches either. Kevin Bailey’s loving father/son tribute “If I Sing,” is also a heart-melter. Adam von Almen’s “One Of The Good Guys,” a tribute to fidelity and lost chances both, is also deeply moving.

And let’s not forget the music supporting these stand-out, indefatigable singers. Theater music director Gerald Sternbach on grand piano and Brad Babinski on bass.

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When viewing this production, we had no idea that the play was not an original production for ICT. The fact that it’s a classic piece of theater makes it no less vital – this “Closer than Ever” is “Fresher than Ever” thanks to its incredible cast and simply great score.

The International City Theatre is located in the Long Beach Performing Arts Center, 300 E. Ocean Blvd., Long Beach

  • Genie Davis; Photos by Tracey Roman