SoFlo Video Production Studio: Why Standing Sets Make Sense

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Musical artists and bands, filmmakers, producers, and videographers take note: SoFlo, a video production company in Florida is reaching out about their easily available standing sets. Having worked with and written about many indie filmmakers, it’s an interesting concept: sets that are available for controlled production aesthetics at a reasonable rate.

As a rule, most indie filmmakers and musicians use as “sets” the street, a home, or a business they’ve cajoled into allowing them to film there. Often they do this for verisimilitude, but equally often they do so because sets are out of line with their budget.

According to film producer and manager Kim Brown, “In-studio sets are much simpler and cleaner to work on. The problem for many filmmakers outside the studio system is how much it costs to rent a studio space, and then frankly, you’re usually dressing a studio yourself. By the time you’ve done that, the costs really add up. So, you usually go with just hit or miss location scouting, and make do.”

She adds “The quiet, space, and privacy of a studio set would be great, but in most cases it’s simply out of line with what filmmakers can afford.”

SoFlo is something different: the company offers standing sets as well as every prop that you would expect to be in the scene, and lighting equipment – in a controlled and comfortable shooting environment that’s directly aimed at independent film makers, bands, music video directors and the like.

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We took a Skype-tour of the sets and were impressed. The Sunrise, Fla. company has an interrogation room with a two-way mirror; a hospital room that could also be used as a doctor’s office – having finagled my way into doctor’s offices and empty hospital beds for shoots long past, this one looked particularly valuable to me; and a locker room, prison cell, and padded cell among its sets.

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One of the most detailed sets is the company’s police station, that comes with a full prop set, just ready for the guys and gals in blue to show up. And once they’ve locked up the perp? There’s a prison studio set, too. With a highly detailed, old-school classroom set, a fairly elaborate hotel lobby, and a graffiti-covered hallway, the company has plenty of options. And they also have a green screen room, which means you can be anywhere you want to be just about seamlessly.

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Outside the in-house stage sets, SoFlo also owns their own nightclub and restaurant filming location for an authentic look in a controlled environment.

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And then there’s the lighting. As well as being provided in the studio set of a filmmaker’s choice, it’s also deliverable off-site. Set or no set, the company also has a robust prop list available for filmmakers to rent, as well – exotic cars, too.

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“When you add in downtime and re-shoots at random locations due to noise or lighting changes, the cost of permits, transporting gear, and the comfort of the actors, having a studio set option like this available is a great choice,” Brown says.

  • Genie Davis; Photos courtesy of SoFlo

 

 

Feasting on Fish: Awesome Entrees at Killer Shrimp

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With a gorgeous harbor view, spacious seating on the patio, comfortable inside booths, and seafood entrees that live up to the name “killer,” Marina Del Rey’s Killer Shrimp is a delight.

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Best known for their spicy peal n’ eat shrimp, there’s plenty more on the menu to feast on.

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We started with a crisp SLO Brew IPA and a classic cocktail, Pieces of Eight. A revamp of a classic Tiki drink from the 60s that originated in MDR, the flavor-rich mix of housemade passion fruit syrup, fresh pineapple and lime, and Cruzan rum was served in a super fun Tiki glass and garnished with a pineapple leaf.

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Appetizers made a perfect start for our meal. The shrimp cocktail was more than ample to share, with tail-on large shrimp ringing the serving and a mix of the same fresh and delicious shrimp chopped with cucumber heaped inside the bowl. The sauce was zesty without being spicy or overwhelming the flavor of the shrimp.

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We also tried the Ahi Tuna Poke Tacos. Again, the freshness of the poke was terrific, and the crisp, puffy, house-made taco shells nicely contrasted with the silky fish. The tacos were topped with a creamy avocado mousse in an artful presentation.

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As entrees, we enjoyed two very different selections. The Killer Paella was a rich and satisfying dish with a hint of the exotic. Saffron rice,  andouille sausage, chicken, clams, mussels, calamari, and shrimp were bathed in a spicy flavor that accentuated the more delicate saffron. The Blackened Salmon Filet was tender and moist, an ample filet crisp with seasoning that enhanced but did not overwhelm the fish. The filet was centered over a puree of maple-scented brown butter sweet potatoes and wilted spinach that made a pretty magical combination.

 

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The menu also features sandwiches and bowls – the lobster roll served at the next table looked pretty wonderful. Meat dishes such a filet mignon, and pasta choices like lobster ravioli, rounded out a menu that was full of pescatarian choices that encouraged us to plan a return for a taste – perhaps jumbo coconut crusted shrimp or the Fisherman’s Stew in a spiced tomato sauce.

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And naturally, the restaurant’s signature peel n’ eat shrimp is available in a zesty, spicy simmer in a variety of permutations that include the original, a shelled choice, with pasta, and a mix of shrimp, lobster, and crab with sweet corn.

A variety of tasty sides also are offered, from a “loaded” baked potato to fries, broccoli, and asparagus.

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Desserts – which we were too full to sample – include a sweet potato pecan pie and a Guiness Chocolate Bread Pudding, as well as giant, warm, fresh-baked chocolate chip cookies or brownies.

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And for those of you hankering for delicious fish 24/7, the adjoining Killer Shrimp Cafe can provide just that, and is even open on Christmas.

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In short: Killer Shrimp isn’t all about spicy shrimp, although that’s pretty terrific, too. It’s about beautiful seafood served with a “killer” marina view, friendly and knowledgeable service, and best of all – a wide variety of entrees with choices sure to please any palette. Keep it casual or make it elegant, seafood here is quite a “catch.”

  • Genie Davis; tasting/dining room photos: Genie Davis; additional photos: courtesy of Killer Shrimp 

Shades of Water is Liquid Beauty at the Montalban

 

 

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At the Montalban Mezz Gallery through January 31st, Shades of Water, curated by Baha H. Danesh is both liquid lovliness and a highly prescient exhibition that underscores the urgency of modern environmental challenges from climate change to pollution of our oceans.

The exhibition, presented by We Choose Art, includes paintings, sculpture, photography, fiber work, and installation art.

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The group show documents images of water and its importance, expanding upon and encouraging conversation on both climate change and sustainable energy. Featured artists include Amabelle Aguiluz, Barbara A. Thomason, CanLove, Chenhung Chen, Daggi Wallace, Eric Minh Swenson, Felís Stella, Joan Scheibel, Joelle Cooperrider, Karen Hochman Brown, Kellie Walker, Kristine Schomaker, Margaret Hyde, Rebecca Laws, Scott Froschauer, Susan Poms Amorde, and Winston M. Secrest.

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Featured works include Joan Scheibel’s contemporary abstracts, the contemporary realism of pastel artist Daggi Wallace, and the delightful sculptural work of Scott Froschauer. Chenhung Chen’s found and mixed media sculptures and wall art are a delicate yet visceral standout. Her copper wire work is as delicate and ephemeral as waves in the wind.

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Working in video and photography, Eric Minh Swenson’s art seeks to immerse viewers in powerful images.  Kristine Schomaker displays lush abstract painting that takes on the shapes and sinuous quality of water droplets and mysterious pools.

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Mixed media work from Susan Poms Amorde and the swirling kaleidoscopic patterns of Karen Hochman Brown add fresh dimensions to the topic.

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Also on display are the clever and cool eco-friendly art by the students of Birmingham Community Charter High School in Van Nuys, displaying their entries in the Green Bottle Design Challenge.

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The collaborative community of We Choose Art has once again offered a vibrant exhibition infused with the spirit of activism. Come thirsty for art, and drink deep.

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  • Genie Davis; Photos: Kristine Schomaker

Keystone Open Studios: New Faces, New Works

This was a weekend of open studios: artists throughout Inglewood to the west, and to the east, this exciting and joyful evening celebration at Keystone Open Studios. Keystone’s fall event is located in one single- story space; there were many open spaces to explore beautiful, cutting edge art. From the lenticular wonders of Heather Lowe to the glittering virus-shaped mandalas of Louise Donegan, the diversity of medium and  technique was exciting in range and depth.

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Above,  Corrine Carey’s work has a modern Art Deco vibe.

Below, Lindsey Warren gives us vibrant SoCal realism.

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To truly see some of Heather Lowe’s newest fine art lenticular work, you need to hold up those glasses. Fascinating work you won’t see anywhere else.

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Beautiful work by Krista Machovina below. Monochromatic palette, evocative images that riff on heritage and landscape.

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Mixed media sculptures by Josephine Wister Faure, are trenchant and witty; below.

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Chelsea Dean’s mixed media paintings are deep in structure and as a thoughtful look at what and where we call home.

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Below, Michelle Robinson offers her fascinating photographic interpretations of land and home.

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Below, Ciarra Moore creates complex sculptural work using fire-damaged wood.

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Below, Henry Bell is as lively to talk to about his process as his car-culture-centric work is to see. Some of his sculptural forms are intensely visceral and abstract.

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Below, Melissa Kobe and Robin Mcguire offered attendees a chance to participate in their art experience of respectively beautiful painting and photography.

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Christine Rasmussen’s almost-architectural paintings are a crisp, smart, sharp delight.

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Nicole Kutz created a vision of the “wild blue yonder” to celebrate her grandmother’s life and one of the last songs she could sing.

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Haunting and ethereal work.

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Below, Louise Donegan literally dazzles with her Swarovski-crystal mosaics of viruses.

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Sara Marlowe’s work is layered thick; abstracts that are highly dimensional.

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Below, Lynn Robb’s photographs,  are spare and richly enigmatic.

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And, Micke Tong, below, shapes eclectic installations and sculptures that are exploratory and fun.

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Intriguing and eclectic work by Melanie Mandl, below and above.

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Above, the ultimate SoCal series of images, as vibrant as LA itself by Toshee Art; exciting and varied sculptural textile work below by Liz Robb.

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Kim Marra’s work explodes with color and pattern below.

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Missed Keystone this weekend? Look for another open house come spring…and in the meantime, visit these artists, and others below, to discover exciting and diverse new work in one of the most welcoming spaces in Lincoln Heights. And through December 10th, Keystone’s gallery space houses a group show of participating studio artists’ work. It’s a terrific introduction.

Genie Davis; photos: Genie Davis; close up lenticular image provided by Heather Lowe.