Gilena Simons: Artist and Local Leader Joins California Heritage Museum Board

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Assemblage artist, entrepreneur, and local business and community leader Gilena Simons has joined the board of the California Heritage Museum in Santa Monica.

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Photo of Simons above, credit Lisa Margolis

Simons, both a longtime-supporter of the arts and history lover, is  a natural fit for the board. “After founding my vintage shop, TATABA on Main Street and moving to Santa Monica, I joined the board of the Main Street Business Improvement Association to help with its mission of building and nurturing partnerships to improve and enhance the quality of work and life in our neighborhood.  Joining the board of the California Heritage Museum seemed a natural next step, both as a way to help fulfill this mission and direct my passion for art and history,” she attests.  “Plus, I live four blocks from the museum and can walk there,” she laughs.

Simons has been involved in the museum for only a few months as a board member, but says she’s already witnessed “significant steps toward a more vibrant museum.  As a board member, my first priority is raising funds so we can provide more community involvement and more frequent exhibits.  We’ve recruited three new board members so far, and are always looking for more passionate, enthusiastic people to further these goals,” she says.

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Above, John Haley watercolor from a recent museum exhibition.

Asked of plans to raise awareness for the museum, she responds  “This interview is one of the ways to raise awareness…  I can’t tell you how many times in the past few months I’ve encountered locals who didn’t know where the museum is or if it’s still open. By strengthening bonds with community associations (OPA) and the merchants on Main Street, we can make the museum more vibrant and accessible to both tourists and locals.”

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The museum, located on Main Street at Ocean Park Blvd., opened in 1979, and is located in an historic 1894 structure that was originally built as a seaside home.

According to Simons, the museum’s programming includes both contemporary local art and exhibits of the culture of California, including surfers, skaters and tattoo artists.  She notes “I am working closely with longtime executive director Tobi Smith to continue to provide quality exhibits that mine the rich fabric of California. In the future, we hope to have more events at the museum including a book club and dance nights,” she adds.

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And speaking of events, the museum’s annual flea market is a well-known one – a month long occasion that’s running now through the 21st of October. The market serves as a major fundraiser for the museum.

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Simons is enthusiastic about the flea market.  “Oh now, you know I love a great flea market! Ours is the best ever and you never know what you will find.  Because it lasts an entire month, the selection changes as more donations are brought in, and so we frequently have repeat visitors scooping up amazing art, books, clothing, jewelry and more.”

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The fundraiser also makes a great time to to “clean out your or your grandmother’s garage and help a very worthy cause,” Simons suggests. “We always accept donations during business hours, which are Wednesday to Sunday from 11 a.m. to 4 p.m., and we’re a 501c3 organization, making all donations tax deductible.”

Finds at the flea market are varied and unique. “We sold a set of four beautiful stained glass windows to a lovely couple redoing their Craftsman home. We’ve had a unique chess set, great vintage clothes, and doll houses. You never know what you will find – that’s what makes it so much fun.”

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Simons is excited to be on the board, and wants to see the museum grow and thrive. “I want it to be the gathering space it once was, and a true asset to the community.  This all takes time and resources.  Again, we are looking for people passionate about art, history, and, most importantly, fundraising, to make all of this happen,” she says.

Being on the board dovetails with Simons’ own beautiful, evocative dollhouse art. She calls being a part of the museum “a joy.  As an assemblage artist who works with old tiny treasures, I can’t imagine a better fit.  I would love to have a show/sale of them to benefit the museum, so look for that coming soon.”

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Simons relates that “My work deals with history, memory, heritage and not disgarding things. This is all an emotional thing for me in my own personal family drama, the idea that you are treasured then gone. My art is all about providing homes for little things,” she says.

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“We hold onto our little treasures. We may shove them in a drawer but we don’t throw them away. My art is about bringing out those treasures so you can see them and share them. I curate and I edit…to make something beautiful that can be seen every day. That’s where my heart is.”

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Her magical minatures are based on honoring once-treasured vintage items, and her committment to providing new homes for lost or forgotten things.

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Simons recently exhibited some of her work at the Museum of Art and History in Lancaster, and last March held an exhibit at her own shop, TATABA. Currently on hiatus, the highly curated vintage shop will move to its new address at 2914 Main Street in April 2019.

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She’s jubilant to have just received her permit to historically restore renovate her new location. Having purchased the building, she’s excited to create a space that she hopes will have a friendly and communal vibe that fits the community. Once renovations are complete, her new location will house an art gallery featuring underrepresented and local artists – with an emphasis on assemblage art – and a rotating selection of vintage home décor and fashion.

In the meantime, Simons is throwing herself into her new role at the California Heritage Museum, where there’s little doubt she’ll find more historic treasures to cherish and display.

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Above photo, Tim Bomba

The California Heritage Museum is located at 2612 Main Street in Santa Monica. For more information about the museum and its flea market fundraiser, visit www.californiaheritagemuseum.org 

  • Genie Davis; photos provided by artist or credited above

 

 

 

Gay Summer Rick: Transporting Viewers in Beauty

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Gay Summer Rick is a quintessentially Los Angeles artist. It is in her color palettes, in her images, in the innate glow of her work. Even when she is not creating works that epitomize Southern California, her LA-state-of-mind fuses her images with something recognizable, wonderful, and soulfully West Coast.

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She says “The work will likely transport the viewer to a very calm and quiet place. My paintings are impressions from moments on my journey. I have discovered an unexpected beauty in commonplace elements within the urban landscape.” She adds “Once I took the time to really see and experience that, the tension associated with being stuck in the middle of the freeway, or circling over a city for landing, endless delays, noise, etcetera, the positive elements outweighed those stressors and beauty won.”

Rick says that her color palette changes depending on where she hopes to take the viewer and the feelings she wants to share.

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“I have a thousand images running through my head that I know I will paint. They are the impressions I have taken with me of moments in time in places I’ve been, primarily throughout Los Angeles and New York.”

Sometimes the paintings are saturated in color, and warm, and sometimes they are muted with light, and cool, she relates. “It just depends on what feeling I was left with from that moment in time, and what I would like to share with the viewer from that experience.”

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Rick says she’s always lived on one coast or another, east or west. “There’s something about the moisture in the air where cities meet the sea, the diffusion of light through mist that, for me, has a calming effect. Being at the ocean gives me the ability to tune everything else out, breathe, and focus.” 

This sense of simply breathing and being is intangible and yet present, a thread of communion with the viewer through her work.

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“Perhaps it has something to do with the scientific phenomenon of the ‘Blue Space’ effect and the change in negative ions from open water. The coast has always had this effect on me, and this carries into my work. From my studio I can see the bay, and even in my cityscapes that quality is definitely present in my work.”

She embraces a sense of peace in her process and her creation.  “As loud as the city or the ocean may be, the light and atmosphere that comes through in my work is always quiet and calm. There’s something about the water. I’m drawn to it.”

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Rick has a new body of work opening October 13th at bG Gallery’s new location on Ocean Park Blvd. at 30th in Santa Monica. Titled Skyways and Highways, her new body of work includes her well-known urban and coastal atmospheric land and cityscapes, but includes images culled from “the sky with a window-seat view over the landscape. The view is gorgeous up there,” she enthuses.

Her inspiration for this body of work came in part from a change in flight patterns over the past year that found her looking up at air traffic and shaking her head, initially.

“I’d be sitting in a friend’s backyard in Los Angeles and we would have to stop talking because jets were flying low in this new concentrated pattern overhead. But then I thought about how my view of highway traffic changed as I began to notice just how beautiful the view from the highway really was, with headlights and tail lights, the colors of road signage, and the silhouettes of palms, power lines, and light poles against the sky…So, I thought about my most memorable trips, looked back through many photos and video from flights I had taken, and I even rerouted some planned travel, carefully choosing which side of the plane on which to sit, to ensure that I had the best window-seat views over places I thought I might like to paint.”

She adds “When I look at these paintings I feel like I am traveling. For me it is almost Zen-like.”

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Along with this upcoming show, Rick currently has paintings of fireworks and surfers in a group exhibition, Love in Color 2 at Art Project Paia on Maui in Hawaii, which runs through November. She’ll also be a part of a group exhibition, Out and About, opening this coming weekend, September 22nd at Rebecca Molayem Gallery on Fairfax in Los Angeles. 

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As to the dreamlike nature of her work that many viewers note, she says “Because it is all about capturing the feeling of a particular moment from some place I’ve been, I include elements that make a place recognizable, sometimes by only a small detail. It is never an exact representation, but it is exactly my impression of a moment in time.”

In regard to her process, Rick stresses that her work makes use of an environmentally responsible process. “I use oil paint and palette knives to create my paintings. No brushes, no toxic solvents. This process not only helps me tell a visual story through layers of paint that create a history and a certain vibration in the juxtaposition of colors, it also helps me achieve a goal of being a good steward of the environment.” It takes the artist one to three months to complete a painting.

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Asked for a few words that describes her work best, Rick considers before replying “Calm. Quiet. Mnemonic. And, I’ll throw another in because I keep hearing it from people when standing in front of the work: luminous.”

Come feel the glow.

  • Genie Davis; photos provided by the artist and by Genie Davis

 

Cansu Bulgu: A New Gallery for a Celestial Spirit

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Artist Cansu Bulgu has opened Cansu Art, a unique fine art gallery located in Malibu, Calif.  The new space held it’s grand opening September 8th, featuring Bulgu’s original, intuitively inspired work, which offers a graceful, insightful look at the human spirit. She welcomes viewers into an intriguing, powerful, gentle journey, an immersive experience in which art, to quote the Hafiz, “offers an opening for the heart.”

Her contemporary fine art is created through meditation with the elements, following her own signature multi-layered creative flow, shaping individual, highly spiritual works. Her calling to the creation of sand art began in 2010 in Kauai, when she says she “touched the sand and the first drawing came.”

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Creating both as an artist and spiritual guide, Bulgu shapes emotionally potent and personally aligned work that’s both meditative and ethereal – an enlightening and delightful experience for participants. She calls this experience just “being…drawing just happens and through that, something bigger than both of us smiles on us all.” Bulgu describes her work as a portal to inner wisdom, knowing, heart, center, and self.

In short, what she creates goes beyond the physical into what she calls an experience that “the mind cannot understand, verbalize and explain, but all agree something beyond their imagination happened and it feels wonderful,” she enthuses.

Visitors to the gallery can participate in live intuitive sand drawings in the gallery by appointment, in a blissful sand space Bulgu calls the Space of Stillness, or on the beach itself.  She created this space by borrowing sand from the beaches of Malibu, which will be returned to the beach during a special ceremony on the 24th.

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“Come in and experience the gallery,” she says. “It is best experienced rather than described, and my work is an invitation.” Through it, she reveals “You’ll find a shift in awareness, and transformation happens effortlessly.”

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Bulgu is a true original with compelling work, offering a way for the mind to relax, and for the viewer to “come into their heart, into presence as presence, where all thought disappears and only truth speaks gently in stillness… A gentle shift in perception offers effortless transformation.”

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Bulgu’s says that her decision to open her 2100-square-foot gallery presented itself to her – the space’s availability seemed like the perfect spot for visitors to intimately experience her work.

 

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The gallery is located in the Malibu Lumberyard at 3939 Cross Creek Rd #C110 in Malibu.  For more information, visit www.cansuart.com

Genie Davis; Photos provided by the artist; photos of artist by Ian Bailey 

 

Four Artists: One Opening Night at Gabba Gallery

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above, Nicholas Bonamy 

MIKE HABS | OLGA PONOMARENKO | CANTSTOPGOODBOY | NICHOLAS BONAMY

Opening September 8 at Gabba Gallery, artists Mike Habs, Olga Ponomarenko, CANTSTOPGOODBOY, and Nicholas Bonamy offer four solo exhibitions curated by gallerists Jason Ostro and Elena Jaboson.

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above, Olga Ponomarkeno

Each artist offers a unique perspective on modern life, from Habs themes of fantasy, luxury, and death to Ponomarkeno’s blissfully angelic woodland creatures; the layered mixed media pop culture of CANTSTOPGOODBOY; and Bonamy’s surprisingly serene take on life in Los Angeles. Whether they are taking on the fantastical or the realistic in terms of subject matter, these solo shows are entirely original and vibrantly adept at navigating the emotional waters of human existence. Lost In Hollywood - Mike Habs

Habs’ past work has followed a strong expressionist bent, but with his exhibition here, (gas)Lit, he relies on a collection of small Zip Lock bags, the type used to sell drugs, and shapes them into mosaic-like work that has both a dreamy sensibility and a precise, graceful style. Chicago born, Habs now works in Los Angeles; his work here evokes the pattern and flow of urban life, its vicissitudes and turbulence.

“This exhibition features some of my previous abstract expressionist work, as well as a new conceptual collection. The conceptual collection … will make commentary on some of the good and bad trends I am seeing in today’s modern art culture.” Habs adds  “I would describe the newest works as combining the intensity of the LA Graffiti writers with the LA ‘finish fetish’/minimalist movement, which became a staple of the Los Angeles fine art world.  The new work, though presented in a luxury aesthetic, carries with it a sense of impending danger and confusion. The intention is that the work will enable the viewer to question their own ideas of luxury and value in our increasingly instant gratification environment,” he says. Habs has an early-arrival alert for attendees: “100 free t-shirts will be given away to the first people in attendance.”

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above, Olga Ponomarenko

Also Los Angeles-based, Olga Ponomarenko’s work is infused with a sense of whimsy and delight. Riffing on Colette Miller’s Global Angel Wings Project as well as Renaissance-era painter Fra Angelico’s angels, here woodland creatures from bear to mouse stand before a wall of graffiti angel wings, personifying innocence, the angelic, the bliss that humans too could achieve if they recognized the paradise of earth and took a breather to revel in the truest aspects of life — its spiritual core — rather than corrupting the environment. Titled Angelos, Ponomarenko’s exhibition playfully considers both angels and the angelic right here in us as Angelenos.

Her careful attention to detail in creating these beautiful and humor-infused portraits and the soulfulness of her subjects adds to the viewing pleasure. Below, Ponomarenko adds some finishing touches to a bear’s claws.

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Ponomarenko gives us beautiful, amusing, and perfectly crafted work that is entirely unique,  and rivetingly alive. Her work is the epitome of magical realism, a true and touching look into the artist’s heart and city’s soul.

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A frequent exhibitor at Gabba, CANTSTOPGOODBOY’s Eleven is a vibrant, layered collection of mixed media pop art. From depictions of rock stars like Bowie and John Lennon to a Native American chief, he combines precisely detailed acrylic grayscale painting with the bright primary colors of a splattered background, colorful collages,  and the soft glitter of diamond dust. Take the feathered headdress of his native chief: the feathers bloom in searingly bright technicolor shades, a bursting flower garden of life and meaning. Along with larger scale canvas works, CANTSTOPGOODBOY shows a smaller series of paper works here, equally irreverent and blossoming with color.

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It is to some extent the absence of color as much as its riveting presence that most fascinates Nicholas Bonamy. With his mixed media landscapes quintessentially about Los Angeles, Bonamy establishes an alternative universe, one both recognizable yet delicately different in Gray. The exhibition’s title is rather misleading: his work is layered both visually and emotionally: each piece begins with a resonant image that is taken from the freeway or the Hollywood Hills; beyond these iconic images he layers paint and collage images, creating serene, mysterious views of LA that are dream-like, awash in the color of an LA sunset, edging carefully between surrealism and the hyper-realistic.

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Bonamy relates “I would describe my current work as cityscapes of unremarkable views of Los Angeles.  I try to create a sense of time passing using layering and collage. Some of the things I paint, I see almost every day, and every day they are as much the same as they are different. I want my work to be something that you can look at for years and always find new surprises.” According to the artist, “I make paintings because I like to make things that are interesting, or pretty, or both, but once they are finished, my fun is pretty much over. I send them out into the world and hope people will see them, and maybe connect, and feel some of the pleasure I experienced while making them.”  And for viewers, the experience is truly pleasureable and insightful indeed.

All four shows open September 8 from 7-11 p.m., and run through the 28th. 

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Olga Ponomarenko, above; CANTSTOPGOODBOY, below.

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The gallery is located at 3126 Beverly Blvd. in Westlake; free parking is available across the street behind 3125 Beverly Blvd. off Dillon. Regular gallery hours are Wednesday-Saturday form 1203, or by appointment.

  • Genie Davis; photos provided by Gabba Gallery and courtesy of the artists.