Metro Dreams at Gabba Gallery

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A powerful opening last weekend at Gabba Gallery brought the exhibition Metro Dreams to the LA art scene through January 30th. Four very different, very riveting artists gave viewers their own dreams, dreams intrinsically tied to the state of the nation, self-image, and inclusiveness. Both artistically and politically important, each of the very different works of these artists form four pieces of a coherent and fascinating whole.

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Above, Moncho1929, whose murals dot LA, works on a smaller scale here, but with a scope of meaning just as large. Using images of freedom and restraint, with colors that delicately highlight his subjects, his pieces illuminate the duality of movement and restriction.

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“I was doing these pieces about motion and constraint, and the narrative started changing. I felt like I was having my own discussion with the works, someone looking at the pieces can also have their own conversation with the series, with the journey. They evolved from color and movement into a social, political commentary. I enjoyed that,” Moncho1929  explains.

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Above, Hero describes his works, whose visceral realism touches on some of the same themes of freedom and limits as Moncho1929. Hero says “When I was putting this show together, the word I had in my mind was ‘inheritance.’ I thought that the next generation is inheriting a lot of social structures, and I wanted to express that, and what they might mean.”

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Above, Hero’s take on the NSA spying on our own citizens. “There’s a slapstick element to it, that someone would actually be listening in on a tin can conversation,” he notes.

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“The girl with the flower basket, the image here is what’s been handed down, and what continues to be handed down and grown,” Hero states.

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His mix of realistic, natural and normal images with weighty subjects and more abstract backgrounds reflects his personal influences. “I have influences from Jackson Pollock to Norman Rockwell.”

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“Fixed,” above, is made with Aerosol on prescription pads and sealed with resin. The medium is, Hero says, a combination between acrylic house paint and spray paint. The subject takes on today’s social and political environment. “Lady Liberty and these prescription pads. I found the pads on eBay, it was easy to get them. The piece shows how easy it is today in this country to be medicated and anesthetized.”

Below, artist Vakseen’s works reveal another all-too-easy capability – to strip away natural imperfections and create plastic images. His work, like Hero’s, also exhibits many influences, including surrealism, cubism, and glossy high fashion.

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“My work revolves around idolizations of beauty. We life in surreal times, where images displayed in print and media are supposed to be trustable but are usually cosmetically enhanced and photo-shopped. We’re teaching our youth, our women, our culture, that you’re not good enough the way you were born,” he notes.

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“After awhile everyone starts to look alike, like a cookie cutter image. In my work, I create a perfect look, I’m like a plastic surgeon. At the end of the day, I want to question the way we look at beauty in our society.” Vakseen notes that at one time he weighed a hundred pounds more than his current weight. “I connect to these ideas of perfection.”

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Amy Smith shares Vakseen’s ideas of the importance of being yourself – unique and empowered. “I want to be empowering and create something rustproof, something that when you see it, you will be inspired.”

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“The words I choose to print in these collages are meant to be a good reminder about how powerful you are as a person,” she says.

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“These pieces are mixed media, using collage, stencil, and acrylics. The collage material comes from old magazines,” Smith explains.

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“I try to inclusive,” Smith adds. “My friends are all ethnicities, I try to bring that diversity to my work. I want to make stuff for everyone, for men and women.”F23C8029

Smith’s art, like that of Hero, Vakseen, and Moncho1929 is all about seeing the world, and life, through new eyes. Come take a look.

Gabba Gallery is located at 3126 Beverly Blvd. in Los Angeles.

  • Genie Davis; All Photos by Jack Burke

 

 

George Porcari at Haphazard

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The solo exhibition of George Porcari’s photographic collages opened last Saturday and runs through February 20th at West LA’s Haphazard. Porcari’s work covers fifty years of photography, a montage of Los Angeles images that conveys the feel, as much as the look, of the city.

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Porcari, above, describes his approach to the exhibition as “non-conceptual. Rather than have a typical kind of exhibit that’s conceptual, I just wanted to have photos that let people look at the city that we all inhabit, that make you start thinking about your place in the city.”

Directly behind Porcari is a photograph taken in Redondo Beach in 1995. “I was using disposable cameras then, I was really into hard diagonals,” he explains. “Disposables really flatten things out. I took that in a gas station. I love taking pictures in gas stations. They’re classic LA places, pit stops, as it were, for people on the move. For five minutes, you have human contact, and you’re not alone on the street. People get out in these little oases before they move on. They’re good places to take photos, because people briefly let their guard down.”

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From his massive collection, Porcari choose what he felt were good photos, and, as he puts it “a hybrid of my best work that said something about the city, that spoke to the city in some way.”

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Many of Porcari’s images have a quality that freezes a moment in time, makes it immortal.F23C7891

Evocative rather than explanatory, Porcari’s work is a must-see look at the City of Angels that once was, never was, and always will be.

  • Genie Davis; all photos by Jack Burke

Welcome Winged Things: Bird at Muzeumm

Benefiting the Audubon Center at Debs Park, winged creativity soared around the opening of BIRD this past Saturday at MuzeuMM, in a show curated by Mishelle Moross, left, that included works by artist Lena Moross, right, her mother.

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Many of the artists created works especially for the show, whose theme, naturally enough, is birds. Contributing artists include:

Noah Saterstrom, Eve Wood, Lena Wolek, Joe Wolek, Anna Stump,Cherie Benner Davis, Cynthia Minet, Greg Rose, Siobhan McClure, Lena Moross, Becky Stafford, Collin Stafford, Bibi Davidson, Christian Kasperovitz, Lori Pond, Eva Ryan, Sam Smith, Malka Nedivi, Sylviana Gallini, and Sabina Rose Derick.

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According to curator Mishelle Moross,  the show’s inspiration came from artist Anna Stump.  Stump relates “Artist Lena Moross saw my ‘Bird Terrarium’ paintings at the Brewery Artwalk last fall, which inspired her and curator Mishelle to produce a bird-themed exhibition at Muzeumm.” Stump’s work, above, creates a three-dimensional impression of birds barely contained, freedom and constraint, and a pull to motion.

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Artist Malka Nedivi, above, gives viewers a wild and wonderful mythological bird. A painter, sculptor, and collage artist, Nedivi says that all of her work is inspired by her mother, and both her parents’ previously unknown past as Holocaust survivors. Nedivi’s work uses a great deal of wood and fabric.

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Collin and Becky Stafford’s monumental bird costume above also appeared in a video installation accompanying it. See the video at:  https://vimeo.com/album/3660210

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The rich, warm colors of Bibi Davidson’s works, above heightened the whimsical, fairy-tale quality of the artist’s contributions to the show.

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Born in Tel Aviv, Davidson creates not just compelling color, but an entire world with recurring characters, amusing narratives, and mysterious glimpses of the interlocking worlds of childhood wonder and adult insight.

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Curator Mishelle Moross contributed her own piece to the exhibition, the towering gold Birdhouse, above.

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Eva Ryan’s riveting and haunting pieces above are examples of the artist’s blissful obsession with birds. In many cases, birds appear as a stand-in for human longing, emotion, and self-recognition in Ryan’s work.

Below, Lena Wolek’s exquisitely detailed ceramic installation City Bird- in Life, can be disassembled for purchase, with each stunning cup a steal at $40 each.

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Lena Moross created the pieces below solely for this exhibition, inspired by her own somewhat chaotic feelings about being a young grandmother as well as a wife, mother, and artist. “I sometimes feel like a headless burning chicken, so that is what I created in my art for this show.” She was also inspired by the twinned ideas of birds and rebirth from Russian folk tales and the writings of Vladimir Nabokov, she attests. F23C7859

Below, curator Mishelle Moross with her mother, artist Lena Moross, looking not in the least like a headless chicken.

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Lena Moross took us on a tour of her studio adjacent to the gallery, for a look at a new series of works. Here, the influence of bird imagery still stands – there is the feeling that the woman could, if only she had wings, fly from the wall.F23C7864

Lena Moross with her vibrant birds.F23C7866

A darker look at creatures of flight rises from Lori Pond’s photograph of a taxidermied bird. Pond uses both the camera itself and her post-processing tools to paint a full range of images and emotions through color, light, movement, and texture.F23C7868

Above, Cynthia Minet’s soaring eagles dance. Below, the work of Noah Saterstrom, which creates its own avian mythology.

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Artist Eve Wood, below, is an inveterate bird lover, and her birds appear to share space with their humans through grace.F23C7872

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Below, Cherie Benner Davis stands beside painting she created for the show. “It was nice to have someone give me an assignment and I could get creative with it,” Davis says. Primarily an oil painter who combines flat abstraction with highly representational imagery, Davis’s bright birds appear to be in conversation with the viewer. F23C7884 The show runs through January 31st, and 40% of the exhibition’s proceeds will be donated to the Audubon Society at Debs Park. Go to support flights of all kinds – from that of feathered friends to the flights of fancy and wonder depicted in this terrific gallery.

MuzeuMM is located at 4817 West Adams Blvd. in Los Angeles, and is open from 11-5 M/F or by appointment on the weekend. Contact Name: Mishelle Moross, curator at 323-979-3136. www.muzeumm.com

  • Genie Davis; ALL PHOTOS – Jack Burke; Anna Stump courtesy of ShoeboxPR

Daryl Bibicoff: Always “In Motion”

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Daryl Bibicoff is always on the move. At least, his art is. All of his pieces focus on motion and what it means, both visually and figuratively. His “personal passion for speed” rushes at viewers, compelling them into emotional action. Bibicoff’s work evokes time, space, and the flowering of seconds into something eternal. As an artist, years of creating a variety of images in a wide range of media have coalesced into his current “In Motion” series.

“My passion for art began at early when I was 8 years old. When my family watched TV, I often opted to draw characters from my imagination. In junior high and high school most of my elective choices were visual art courses which included drawing, painting, cartooning, photography, and calligraphy,” the Los Angeles artist explains.

When Bibicoff reached his senior year of high school he was offered a chance to enter the commercial art world through a trade school for graphic design and illustration.

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Since then, his art work has evolved considerably, as he’s explored both two and three dimensional mediums including abstract expressionistic oil paintings, assemblages, “Sam Gilliam type multi-layered paintings” with overlapping geometric and organic shapes, ceramic works, and textural mixed media paintings created with acrylics, plaster, gravel and gauze. “In Motion is a progression from these works.

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A recent solo show at Antenna Studio in Eagle Rock as part of the Northeast Los Angeles Artwalk fully displayed Bibicoff’s focus on motion. “The series evolved from painting cyclists on the move and sculpting devastated rocks and the juxtaposition of their environments,” he explains.

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“It all began because I was constantly aware that everything I did routinely was always at a high speed. And, there was my personal passion for speed and endurance as a former athlete, plus the challenges I continue to experience as an artist, educator, and family man. Each of these autobiographical areas make me feel like I am always in motion. It’s bittersweet,” he notes.

Bibicoff discusses the idea of motion affecting life through his art, sharing a vision of the impact of high speed in everything around us. He believes blend of the powerful business community and techies are at the forefront of an incredibly high speed world. And the artist feels that the speed is taking over, immersing everyone.

 

“I believe people’s lives are being displaced. I feel what many of us call home is being taken over by the supreme powers of big business, technology, and commercialism. I have tremendous concern for the artistic losses we may face,” he says.

Bibicoff says his ideas spring from deep-rooted values that cherish the quality of life. “I am and always will be a passionate supporter of human interest that is not about bigger, wealthier, and faster progress.”

Working in a large, high ceilinged visual arts classroom as his studio, Bibicoff admires the work of other current artists such as Sam Gilliam, Anish Kapoor, Kristine Schomaker, Chenhung Chen, Bryan Ida, and Jeff Iorillo.

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But his work is singularly his own, multi-media images that include motion-centered paintings, images of devastated rocks that represent both speed and neglect to the artist, motion digital images, and video.

His series expresses and expands the ideas of contemporary high speed. His vibrantly colored digital images evoke “warp speed” space travel images, stars, water, or light soaring beyond the possibility of human acknowledgment. They also evoke a spiritual quality, as if the motion he is depicting has pulled human viewers beyond their conventional existence. These images could be the patterns the soul makes as it is lifted from the body.

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Other pieces are abstractions of outdoor scenes, a highway that the viewer hurtles along, an inspiration taken from a city-wide walk that shows DTLA’s South Spring Street, or bicyclists appearing to spin along the curvature of the earth. His riders wheel on, possibly oblivious to the human beings and grand scenery in a blur beside them. Abstract images of the view from a bike riders perspective “seduce viewers into seeing what I see while riding 25 miles an hour on my road bike,” Bibicoff says.

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A photo taken while in line at the Saban Theater results in a white, exploding-star-like image, which the artist reveals reinforces his belief that even while waiting in line, life is moving too fast. Other kaleidoscopic images posit the same experience: there is great beauty in motion, there is a link perhaps through speed into someplace human beings have never traveled before. But the motion itself is a threat to our very existence and heritage.

Quick, before you hurtle off the planet, explore some of Bibicoff’s work. For more information see http://www.darylbibicoff.com/