The Art of Walking: Fall Brewery Art Walk

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Paintings by Kristine Schomaker – contemporary mixed media-  Photo: Jack Burke

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MLA Gallery at Brewery Art Walk – a focus on fine art from Latin America – Photo by Jack Burke

Just east of downtown Los Angeles is the Brewery Art Complex, created in 1982 in what was once the Pabst Blue Ribbon Brewery. Hoist a glass in honor of the artist-in-residence code which allowed artists to rent both living and working space in buildings formerly zoned industrial. Renting only to artists, the Brewery is among the world’s largest complexes. The public gets to explore the sprawling spot and enjoy the opened studios of many artist residences twice a year – in spring and fall.

There’s a real steam punk feel to the cavernous space, where the Brewery smoke stack still towers over loading docks and gardens. The complex has evolved into eighteen acres of working artists perched in the northeast corner of the city. Not only is the area huge, so is it’s creative scope – painters, sculptors, photographers, performance artists, multi-media creators, and fashion designers all reside here.

Why should you visit? To experience the diversity and excitement of the art. Over a hundred residents participate, speaking with browsers and buyers about their work. Like no other art walk, the Brewery gives strollers a glimpse into what it means to be an artist, and the space the artists create in, eat, sleep, and dream in. And as an extra bonus, many beautiful, unique pieces are available for purchase, some well under $100. From plastic purses showcasing colorful neon strands to enormous paper mache drumsticks, perfectly crafted landscapes, textured portraits, and brilliant contemporary photography, there’s a wide range of talent.

This fall’s art walk took place Oct. 3rd and 4th. Each year, we have the pleasure of meeting new and unique artists, and visiting with those whose work we’ve come to admire. Here’s a mix of some of the works on view this fall – artists you should definitely check out when the spring open house commences, or visit their websites, follow their Twitter feeds, see their shows now.

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Kati V. Milano‘s archival pigment prints capture natural elements both animal and mineral from a recent trek to Iceland. Her photography has a visceral, tangible quality that makes you feel the rough wool on the sheep, the delicate trajectory of a feather, the sharp edges of ice and stone.

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In shared studio space with Milano, artist Ryan McIntosh exhibited his photos from the same recent Icelandic trip. Voluptuous ocean waves with the texture of lace, velvet, and satin are alive with motion in pieces such as “Ocean Variants 2014.” McIntosh is also the founder and master-printer of Miscellaneous Press.

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Jane Szabo‘s photographs of dresses are beautifully evocative. The dresses themselves are crafted by Szabo from everyday objects like road maps and coffee filters. “They suggest a persona and become a stand-in for myself, who I am, am not, and who I wish to be.” Her conceptual photography is alive with light, filled with metaphor, playful in its mix of fashion, photography, and the human form as sculpture. Szabo’s photographic work is both vividly representational and otherworldly.

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Victoria Sebanz is an artist who creates exciting mixed media including evocative, poetic photography – images that evoke another of her art forms: dance. The motion of dance, the subtle and curved shapes that are human forms, flowers, neon curves, the limbs of trees, the torsos of women – all captured in her work. Sebanz says “Movement, texture, shape and shadow are the bones for my work…”

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Kristine Schomaker‘s rainbow colors draw the eye, while the provocative social commentary of her collections engage the mind and illuminate the heart. Below, “A Young Girl’s Vanity.”

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Schomaker not only creates her own art, she supports other artists in the Los Angeles community through her company, Shoebox PR.

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“The painted mannequins are inspired by my Avatar in Second Life. In that virtual world, I used one of my paintings as a skin on my Avatar and it became a brand for me and my work. It was a natural progression to bring her into the real world. Painting a mannequin was the best way at the time to make it happen,” Schomaker says.

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Some of Schomaker’s paintings evoke calligraphy. Below: geometric shapes, feathered patterns, and a richness that evokes flight and music notes – a peacock in a painting.

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Below, artist Yvonne Beatty with a beautiful fall-colors piece, that is both realistic and as imaginative and detailed as a fairy-tale. “In my drawings and paintings I apply traditional and contemporary media using unconventional techniques. The challenge is to create works that, while static, gain movement in the viewer’s mind.”

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Below, Cynthia Friedlob once incarnated art aurally as a jazz singer. You can feel the jazzy rhythm in her pieces here. Her works are both brilliantly hued and meditative, and she says she would like to live in an Edward Hopper painting “with Bill Evans music playing softly in the background.”

 

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Below, Chuka Susan Chesney exhibits at FRESH, a contemporary art exhibition at Lamperouge Gallery, jurored by Jane Szabo, and assembled by the Pasadena Society of Artists. Chesney’s piece “Sister Cancer” proclaims that the disease will not defeat when smothered with love.

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Fine art photographer Lissa Hahn, below.

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Hahn’s images are created with no digital manipulation. The electric feel of her photography unfolds like a spin-art take on the world. She captures her subjects with one exposure, stretching out depth and colors into a complex visual pattern that illuminates and intrigues. Below, she shows off a beautiful creation of an entirely different nature.

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Below, artist Chenhung Chen, with pieces in a variety of different media.

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Chen focuses her art on the formation of line in drawings, sculptures, and 3D installations. Regardless of medium, her pieces are vibrating with motion, whether wire and metal sculptures, pristine line drawings, or hand-crocheted copper wire. Her work evokes the sea, the ceaseless rhythm of water, air, and life itself.

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Chen’s work exudes motion and life. Can inanimate objects be this animate?

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Want to walk for yourself? The Brewery art walk will be back in full bloom, come spring.

  • Genie Davis; all photos by Jack Burke

Magical Night at Gallery H of Phantom Galleries: “Where the Magic Happens”

Curated by Kristine Schomaker, the incredible collection of art on display at Gallery H of Phantom Galleries in Hawthorne was ablaze with magic Saturday night. The opening saw many of the 30-plus artists present.

Kristine Schomaker, left; Dwora Fried right
Kristine Schomaker, left; Dwora Fried right – Photos: Jack Burke

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Margaret Ouchida

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Works by Susan Melly

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Margaret Ouchida presents detailed, intimate pieces in “The Battle” and “T’ode to Klimt.”

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The exhibition’s theme, of getting out of one’s comfort zone to that special place where magic can indeed occur – or zen, or power, or enlightenment, however you want to look at it – was fully realized in virtually every piece. This group show has the feeling of celebration, and both in terms of the art created and the means by which it was created and displayed, the feeling was genuine. The exhibit included a wide variety of contemporary Los Angeles artists who go beyond conventional artistic boundaries  – the standard gallery system – to establish a vibrant presence in the art community. Presented by Schomaker’s company, Shoebox PR, the artists and their art have created an exciting body of work, and are each showing that work in independent, outside-the-system ways from artist-run galleries to online magazines like this .

From beautifully detailed small scale dioramas to large scale canvases and sculptures crafted from found-materials, there’s something for everyone in this exhibit. Perhaps its the freshness of approach or the freshness of the “we can do it” attitude by these artists, but this is a special show that unfolds the passion of art like the petals of a Georgia O’Keeffe flower.

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Terry Arena’s graphite on mixed media piece.

Artists exhibiting include:

Susan Amorde, Terry Arena, JT Burke, Jennifer Celio, Chenhung Chen, Jeanne Dunn, Dwora Fried, Rob Grad, Carlos Grasso, Cie Gumucio, Carla Jay Harris, Teale Hatheway, Cindy Jackson, Echo Lew, Erika Lizée, Susan Lizotte, Dave Lovejoy, Susan Melly, Freyda Miller, Mike M. Mollett, Andrea Monroe, Stacey Moore, Malka Nedivi, Margaret Ouchida, Lori Pond, Linda Sue Price, Lindsey Price, Isabella Kelly-Ramirez, Katherine Rohrbacher, Jane Szabo, Christine Weir

Here’s a closer look at some of the stellar pieces on display.

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Cindy Jackson’s “7 Deadly Sins” are crafted from wood, aluminum, urethane, paint, iPods, and fluorescent lights. And with these materials come seven heads, all the same but painted in a rainbow spectrum. “Because these sins are in each of us, the heads are all the same, with pride standing tall above the rest – anger, lust, greed, pride, envy – envy is always looking elsewhere, gluttony, and sloth,” Jackson says.

 

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Suzanne Lizotte blends the classical and contemporary, using aerosol spray and traditional oil-on-canvas painting in her rich “Seeking Treasure.”

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Mixed media artist Lindsey Price is a photographer with a vision, here “A Clockwork Orange” offers a stunning digital photo montage.

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Andrea Monroe’s stylized “The Harlot” and “The Oiran and Her Pussy” use acrylic on canvas to create full dimensional figures that pulse with life.

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Cie Gumicio’s “Fragile” uses mint glass and light to create a wispy, beautiful vision of the planet earth. “It reflects where we are now with our fragility as a planet,” she says. This delicate image shapes not just a planet but the construction of a leaf-like image when viewed from a certain angle – mother nature meets mother earth in a shadow box. “Art, at its best, reminds us that we are human,”  Gumucio says.

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Dancingly nuanced neon is served up by Linda Sue Price with her pieces “Joy Ride” and “Cynthia Rose.”

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Jennifer Cielo’s “Astral Travelers” is an example of the artist’s work which “expresses the effects of human disconnection with the natural world.”

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Malka Nedivi’s large scale “Woman in a Box,” evokes her singular style using wood with paper, fabric, acrylic, and glue to create an image of poignant beauty. A painter, sculptor, and collage artist, Nedivi says that all of her work is inspired by her mother, and both her parents’ previously unknown past as Holocaust survivors.

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Katherine Rohrbacher’s glittering canvasses “Early One Morning” and “Arcadia” are bright, sparkling, and brilliantly moving all at once. “I  draw everything on like a pattern, then comes the glue, and glittle applied with a paint brush. With only a few colors did I have to put paint beneath the glitter itself.” Her “Arcadia” relates the passing of her cat. “She’s entering a glittery cat Heaven,” the artist explains. “Early One Morning signifies the ending of a relationship, but also the passing of a small bird found on a balcony.”

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Chenhung Chen continues to amaze with her ever evolving art, crocheted copper with its amoeba like, sinuous shapes, a viewer-participation piece “Connect the Dots” that allows guests to literally do that with colored pencils, and free standing wire sculptures. Her works are fluid, like electronically charged water. Delicate and ephemeral are not often the words associated with recycled materials such as copper wires and components, but Chen’s work provides both. She describes her work as being “about the driving force for inner fulfilment, balance, meditative process…and experiencing the inner power.”

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Erika Lizee’s curved and haunting hanging piece is an example of the artist’s propensity to create installations that work as journeys, drawing the viewer down mysterious paths on a pursuit of nature and rebirth.

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Mike M. Mollett is the sculptor of large scale pieces created from found art, shaped into balls and bundles. His work provides an outside-in look into a different reality, in which balls and bundles of wires appear animate, hold secrets within secrets.

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Dwora Fried creates miniature tableaux, using tiny figures and photographs to create detailed worlds inside glass-topped wood boxes. “I keep re-creating the feeling of what it was like growing up,” the artist says, “the box captures the claustrophobic feeling a painting can’t,” she says.

With so many other artists to admire, grab a hold of the magic now. The show rums through October 17th. Gallery H is located at 12619 Hawthorne Blvd. in Hawthorne.

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  • Genie Davis; all photos Jack Burke

Gabba Gabba Do: Four View Solo Shows

Gabba Gallery's "Four View" solo exhibitions - All photos: Jack Burke
Gabba Gallery’s “Four View” solo exhibitions – All photos: Jack Burke

Saturday night marked the opening of another stand-out show at The Gabba Gallery, “Four View,” four separate solo shows, one roof. The Westlake district gallery is fast becoming a hot spot for cutting edge art with a strong emphasis on street talent. Curated by Jason Ostro, artists Michael Christy, Phobik, Jeffrey Gillette, and CANTSTOPGOODBOY were the four views on display.  Music: DJ Ale of dublab.

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Michael Christy’s exhibition, “Genre Paintings” takes viewers into a surreal world, vivid colors pulling into scenes whose depth have a 3D feel. The worlds depicted may be imaginary, but the lifeforms present are real and grounded. The juxtaposition of heightened reality and different time-frames and realms keeps eyes riveted to the details on every inch of canvas.

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Michael Christy

“I work in multiple directions at the same time, revealing the past, present, future. I like this type of color palette. When I switched from oil to acrylic paints, I wanted an artificial looking landscape that was still reflective of the world. I created a sense of happiness and hope in the colors and smiling figures, even though the landscapes are strange.”

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Michael Christy, right

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“The images can be construed as people ignoring crises of bio-diversity, or that overall, perhaps we are happy in the greater scheme of things, despite the crises,” Christy explains. “I use a figurative mythology that’s very allegorical, even though it suggests specific scenes.” His illustration is a kind of visual poetry.

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Jeffrey Gillette

Jeffrey Gilette

Jeffrey Gillette, one of Banksy’s DISMALAND artists, also depicts another world: this one featuring detailed slums and iconic ruins, both as paintings and sculpted forms. “Dread” is an exhibition intertwining these intense visions of loss with pop culture icons from Goofy to the Minions. This isn’t your four-year-old’s cartoon world.

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“I travel to India every year, the houses here are based on what I observe there. I also lived in Nepal which is a strong influence. My wife said the work would be too oppressive, harsh, too real – without an avenue for access for the viewer. That’s where the iconic figures like Mickey, and other characters come in,” Gillette says.

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Phobik and his alternative universe.

Phobik

Phobik has painted a mind bending, comic-book-centric exhibition of pieces centered around The Phobik God. Titled “Figments and Particles,” the dimensions he depicts are not of this planet – at least not yet.

“Each piece is a part of a story I’m trying to tell in my own comic book that I’m creating. From murals to canvases, each piece tells a story like a panel in a comic book,” Phobik relates. “My own icon is a monocle, representing thoughts, different dimensions or portals between dimensions, and it appears repeatedly in the works.”

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CANTSTOPGOODBOY

CANTSTOPGOODBOY presents “realfake: UNKNOWN” a world of superheroes, All-American icons, and repeated images that pulse with intensity. “Overall this room, this show, is designed in museum-style, with minimal pieces. Jason (Jason Ostro, curator) and I collaborated on redoing the room with new lights, paint, and floor.” The artist described several of the pieces included in the show.

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The striking piece “Color into Thin Air: Inside Out” is an example of one of the artist’s repeated images. 60 x 17 here, there is a more massive version of the image in the painting at the San Francisco museum Mu Mu.  “While the images are similar – I repeat images a lot – each one has unique attributes,” he says. “I repeat images throughout my work, but with slight variations of color or layers.”

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CANTSTOPGOODBOY’s color pallet is vivid. “The colors are inspired by the Malibu mountains outside my studio. They’re the colors of nature and flowers.”

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“Realfake is the name of my design studio. Here I’m illustrating it in neon.”

Missed the opening? Catch this exhibition through October 24th. The Gabba Gallery is located at 3126 Beverly Blvd LA, CA 90057

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  • Genie Davis, all photos:  Jack Burke

UCB Theater Goes Film

Cast of A Better You
Cast of A Better You – All Photos: Jack Burke

Brian Huskey star/co-writer "A Better You" - Photo - Jack Burke

Brian Huskey star/co-writer “A Better You”

Sunday night at the new UCB Sunset theater in Los Angeles, the comedy wasn’t on stage, as it usually is – it was on screen. And in the red carpet line and at the after-party. The occasion: the premiere of “A Better You,” directed by UCB co-founder Matt Walsh, co-written by Walsh and star Brian Huskey. A full review is also up on this blog: bottom line, yes, it was  hilarious. How could it not be, with a cast that included Andy Daly (Review), Joe Lo Truglio (Brooklyn Nine Nine), Erin Hayes (Children’s Hospital), Morgan Walsh (Hotwives of Orlando) — plus the improv-sketch-comedy scripting UCB has long championed. Co-producer Anthony D’Alessandro kept the press line and interviews moving, aptly describing the film as “A comedy about alternative therapy, Matt Walsh’s second directorial effort. He’s like Altman, he puts a cast together fast, no waiting around, says everyone let’s show up, and shoots it in a week.” The film may well have viewers laughing longer than it took to film the project.

The stars weigh in on the film, film-making and life in LA.

Director, co-writer, and co-star - and UCB co-founder, Matt Walsh
Director, co-writer, and co-star – and UCB co-founder, Matt Walsh

Matt Walsh

“I hope people laugh and enjoy it,” Walsh said simply of the film, which opens Friday on VOD and in Los Angeles at the Laemmle Music Hall.

Inspiration? “I live in Los Angeles, but I grew up in Chicago, where if there’s something troubling you, you see the psychiatrist or the doctor. Here you might see your trainer or your acupuncturist. There’s a whole list of choices,” he notes. “I was a psych major in college which was also a factor. Brian and I created the character of Dr. Ron – a hypnotherapist with a self-published book and a mom and pop business. We spent a lot of time researching alternative therapy in Los Angeles.”

Casting? “Pretty much everyone from Brian to Horatio Sanz, we’ve all been friends for years. Seth Morris, Mo Gaffney – she’s the godmother to two of my children. I was kind of like The Godfather. I told people to do this movie or else, and they complied. So that’s how we got our cast together. Brian and I wrote the project with him in most of the scenes, so he could make a lot of the improv choices, and really keep the film together. Once we got on set, we’d rehearse the instructions and improvised story, and then we’d film.”

Sum up the story? “It’s a simple story of a man whose life has collapsed, trying to save himself.”

A new project in the works? “Maybe my third movie will be about that guy in Colorado whose cattle were grazing on federal land.” Walsh is also working on Veep, and the new Ghostbusters film, but is planning to get to work on another script next year.

Andy Daly - Dr. Ron's nemesis neighbor
Andy Daly – Dr. Ron’s nemesis neighbor

Andy Daly

Daly plays the role of hilariously obnoxious neighbor Joel in the film, and is the star and creator of Comedy Central’s Review.

How was making A Better You? “Matt Walsh honestly creates an incredible environment to improvise.  I think the movie reflects that comfort level and spirit.”

What’s new for Review? “All of Season Two has aired on Comedy Central now, and we’re waiting to hear if we get to make a third season. I couldn’t be more proud of it, whatever happens.”

Brian Huskey, star and co-writer
Brian Huskey, star and co-writer

Brian Huskey

The co-writer/star of A Better You carries the film, it’s tough to take your eyes off of him as he pushes the limits of comedy to the edge of tragedy and back, giving us loneliness, heartbreak, and inept, self-involved wannabe-guru all at once.

How did the project get started? “Well, Matt had an idea about a guru, who thinks he can heal others but can’t heal himself. The film grew out of that idea, with my character, Dr. Ron completely in denial.”

Shoot length? “12 days. Which was long enough in the wig.” Huskey’s character wears an obvious toupee through most of the film. “Wearing the wig was hot and it was sweaty. It more or less gave me a different dimension for the character though; costuming is really about changing yourself.”

Personal epiphany? “I was going through a divorce myself when we shot the film, so it was a pretty meta experience. As I was doing it, seeing this guy not dealing with himself, it was intense. But it was good for me to have that personal access to the character, even if it wasn’t entirely easy. During the time we were shooting,  my daughter would stay with my ex while I was working. I really got into a frame of mind where it was all about the work. You focus on that. ”

Working with Matt Walsh? “Matt did an amazing job, editor Jay Daniels did, too. He did a great job of restructuring and balancing the film, giving it the right rhythm.”

What do you think happened to Dr. Ron after the movie ended? “After the film ended, he went out with his (former patient) Lindsey for awhile, then she got more confident, and the relationship changed, and Dr. Ron had to change himself again. His changing on screen – that’s not the last time he has to go through that kind of alteration.”

Morgan Walsh, Dr. Ron's wife, Margo
Morgan Walsh, Dr. Ron’s wife, Margo

Morgan Walsh

Walsh plays Dr. Ron’s restless and ready-to-move-on wife, Margo. She’s essentially the straight-man here, leading Dr. Ron, their marriage counselor, and their children, onto more serious and stable territory.

How was it working with your husband as director? “We’re all friends, we’re all team players. It was a small budget film, with a big, fun, creative environment. I’ve been acting a long time, and I don’t always feel super comfortable in a role. Matt has such a gift, he’s a great director and great at improv. I knew Matt and the cast would take care of me in the more difficult scenes.”

What happened to Margo after the film ended? “I think she was very happy moving on with her life and her career. I think she was very happy as a single mom, sharing co-parenting with Dr. Ron but living her own life. Maybe she writes her own self-help book and goes on a book tour.”

Also at the premiere:

Kirk Roos

Kirk Roos, Producer (High Road, The Brass Teapot)

Tony Hale

Tony Hale (Veep)

Gary Cole

Gary Cole (Veep) “I had to come see this venture. I haven’t been to a crazy therapist. I can only imagine.”

David Wain

David Wain (Wanderlust)

Mo Gaffney - the verbost patient, and Walsh family friend
Mo Gaffney – the verbose patient, and Walsh family friend

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Mo Gaffney (Dr. Ron’s unstoppable-talker patient, Veep) goofing around with Morgan Walsh

Kevin Weisman
Kevin Weisman (Scorpion)

Nate Corddry

Nate Corddry (Ghostbusters)

Owen Burke

Owen Burke (Handyman Hugo’s friend)

Riki Lindholme

Riki Lindhome  (Obnoxious neighbor Joel’s wife, Another Period)

Therapist to the therapist
Therapist to the therapist

Joe Lo Truglio  (Dr. Ron and wife’s marriage counselor/psych, Brooklyn Nine Nine)

Seth Morris
Seth Morris (Children’s Hospital, Kroll Show)

Nick Kroll

Nick Kroll (Stuttering patient, Kroll Show, The League)

Paul Scheer

Paul Scheer (The League)

Jason Mantzoukas

Jason Mantzoukas (The League)

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After Party - Photos: Jack Burke
After Party – Photos: Jack Burke

You won’t get to try the delicious macaroni and cheese on hand at the after-party, but you should see the film anyway. And laugh.

  • Genie Davis; ALL PHOTOS copyright Jack Burke