Gabba Gallery Wishlist 5 – Art Wishes Granted


Gabba Wishlist

Opening this Saturday, November 18th, Wishlist 5 at Gabba Gallery is a holiday cash and carry show that promises its annual eclectic mix of amazing local artists. There’s a sentence you’d best not say too quickly, but what should be done quickly is go to the opener. The show runs through December 16th, but you won’t want to miss the hot-on-the-walls works of artists curated by gallerists Jason Ostro and Elena Jacobson. Including the work of over 70 local to international artists, works are all priced under $1000, and buyers can take the art home immediately – something new and artistically amazing will appear in its place.

IMG_6504 IMG_6505 IMG_6506 IMG_6507The evolving exhibition includes works by:

8333, ÷–x+, Alex Achaval, Douglas Alvarez, Balloonski, Allison Bamcat, Cody Bayne, Terri Berman, BIOWORKZ, Nicholas Bonamy, Clinton Bopp, Nicole Bruckman, CANTSTOPGOODBOY, Kate Carvellas, J. Scott Chapman, M. Christy, L. Croskey, Bibi Davidson, Dcypher, Keith Dugas, Carly Ealey, Joey Feldman, Jaq Frost, Rene Gagnon, Anyes, Galleani, Peter Greco, Mike Habs, Patrick Haemmerlein, Cloe Hakakian, Mary Hanson, Hero, Cyrus Howlett, Warren Jacobson, Jspot Jr., Nagisa Kamae, Kate Kelton, Leah Knecht, Jennifer Korsen, Andrea LaHue, Leba, Stephen Levey, Lauren Mendelsohn-Bass, Moncho1929, Morley, Mr. Melty, Max Neutra, Henry Niller, Jeremy Novy, NvrAlone, Jason Ostro, Judy Ostro, Phobik, Valerie Pobjoy, Olga Ponomarenko, Patrick Quinn, Christina Ramos, Christine Rasmussen, Red Dahlia, George Rivera, Roaming Elephant, Phil Santos, Septerhed, Shawn Sexton, Jeffrey Sklan, Amy Smith, Bisco Smith, Mable Song, Spacegoth, Hannah Streety, Skye Amber Sweet, Matthew Steidley, Ten Hundred, Tatiana Tensen, Toshee, Gilberto Ulloa, Vakseen, Em Wafer, Sebastien Walker, Christine Webb, Pastey Whyte, wrdsmth, Mimi Yoon, Erin Yoshi, Meg Zany, Essi Zimm, among others.

We know this work will be mind-blowingly cool – we’ve attended all four previous iterations of Wishlist. And, we were thrilled by the exciting, visceral work in the gallery’s October-November four-solo show exhibition, which is now closing, featuring Hero, Collin Salazar, Lucas Raynaud, and Dcypher. 

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Above, Lucas Raynaud

Raynaud described his dimensional work, Growing Up, as an escape from today’s social and political reality. “My last show was very political, but I felt like this could be an escape, something fun, something that brought back memories of a better time, when I was a kid in the 80s. It’s my way to escape what’s going on right now.”

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Above, Hero

Casey Courey-Pickering, who goes by the artist name, Hero says, that in the last eight years of political “hope,” shadows have come to the surface “much like how forging steel brings the metal’s imperfections out.”  Here, he is melding those shadows against hope for the future. Hero’s thoughts on his street-art exhibition of stenciled paintings, Shadows of Hope: “When I created these pieces, for a long time I knew the images but not the messages. The title of the show highlights my own personal experience. The shadows have always existed, but particularly now, I wanted to have inspiration.”

Hero will also have work in the upcoming Wishlist 5.

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Above, Collin Salazar

Collin Salazar’s Outer offers a visual equivalent of lucid dreaming – semi-psychedelic images in lush dripping colors, as in “Electric Feel.” He is looking to create “an expression of self-awareness…impactful abstract portraits.”

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Above, Dcypher

Dcypher’s Fiction City 2 gives viewers a beautifully detailed rendering of a dystopia that is both delicate and tragic. Influenced by both graffiti and architecture, the artists notes “This is a series of work built from the understanding that nothing lasts forever. From destruction comes creation… everything comes full circle.”

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Gabba Gallery also recently released their first print in collaboration with Judy Ostro and Sugar Press. In short: Gabba is growing.

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Wishlist opening night reception: Saturday, November 18th from 7-11pm. DJ Jonathan Williams spinning. Bar sponsored by Original New York Seltzer. Free parking at 3000 Beverly Blvd (enter off Reno) or street parking or Uber/Lyft. Gabba Gallery is located at 3126 Beverly Blvd. Wishlist 5 will be on view through December 16.

Ernie Holzman: Life ReFocused

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This Sunday, November 12th, join Ernie and Terry Holzman in an exhibition of sculptures, assemblages, collages and more – in the presentation Ernie Holzman: Life ReFocused. The art show offers a completely different look – a deconstructed one – into the phrase “lights, camera, action.”

The beautifully curated exhibition celebrates film cameras and lenses from the 20th century. Presented by writer-director Matt Reeves (War for the Planet of the Apes, Dawn of the Planet of the Apes, Cloverfield), Oscar®-nominated cinematographer Jeff Cronenweth, ASC (The Girl with the Dragon Tattoo, The Social Network), and cinematographer Ernie Holzman, ASC (Without a Trace, Cora Unashamed, Thirtysomething), the event offers assemblages and sculptures created by Holzman, as well as a rare print of the iconic set of Alfred Hitchcock’s Rear Window. All proceeds benefit cancer research at City of Hope.

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When cinematographer Ernie Holzman was diagnosed with Non-Hodgkins Lymphoma, he had to retire from making movies and television. He put his creative energy into deconstructing vintage motion picture cameras a friend had given him and re-assembling the pieces into abstract sculpture.  In order to give back to the cancer community that saved his life and put him into remission, Holzman is presenting 75 Life Refocused works for sale to benefit the City of Hope Cancer Center.

Holzman relates “The opportunity to create art, and ultimately have this showing, has not only been enormously healing for me, but has given my life greater meaning than I have ever known.”

His wife Terry Holzman made sure none of the exquisite memorabilia went to waste. 

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“My part of the show is I took all the extra bits—thousands of extra motion picture camera parts, from large lenses to tiny screws, and created 150 6×6” collages. It’s called Splice Here: Collages by Terry Holzman,” she relates. “I used the word “Splice” not only because it’s a film term, to join together photographic film segments, but also as a general term to “join together or unite” which is what Ernie and I are doing. Uniting to raise money to benefit cancer research at City of Hope.”

Enjoy the art, live music, food, and drink and help support the Holzmans this Sunday from 4-7 p.m. at RED Studios Hollywood, 864 N. Cahuenga Blvd, Los Angeles, 90038. An RSVP is not necessary to attend.

  • Genie Davis

 

Beautiful Parts

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Above, Nurit Avesar’s “Pre-Existing Condition,” an elegiac look inside the body and into the spirit.

Beautiful Parts, closing tomorrow at the CSUN gallery in Northridge, is an incisive sum of those parts, featuring works from Marlena Guzman, Catherine Bennation, Jessika Edgar, Zeina Baltagi, David Estrada, Kristine Schomaker, Rain Lucien Matheke, Nurit Avesar, Alexsandra Papoban, Kimberly Morris, Michelle Nunes, John Zarcone, Monica Sandoval,  Mona Karsa, and Kellan Barneby King. Juried by artist Kim Abeles, and organized by the curatorial collective, Rough Play, the exhibition is also the first annual exhibition hosted by the CSUN Alumni Association Art Chapter and CSUN Art Galleries.

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Above, David Estrada crosses two time periods – what these Renaissance men conceive of as beautiful appears different than ours.

The exhibition takes a look at the malleable concept of beauty that changes with time, trends, and cultures; the artists were asked to consider society’s messages about what beauty is today, and how they personally absorb those messages. It’s a provocative question and a prescient one today. With social media creating a global forum in which to connect and to criticize – body shaming trolls, anyone? – what does beauty have to do with it? 

The exhibition features works that deal with body image, and with an artist’s portrayal of the body. Abeles has chosen works that in an exhilarating way often present the body – and beauty – as distinct elements. 

If beauty is in the eye of the beholder, then there is much here that is beautiful, some of it abstract or distorted, some mysterious, as if an artist as alchemist had created an installation.

 

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Viewers can take in the detailed watercolor by Zeina Baltagi, “Becoming,” which presents the artist’s underwear as if it were a delicate mosaic. A beautiful garment used for a prosaic purpose is presented on a visual pedestal as it were, the fine covering of a part of the body that may or may not be considered a beautiful one.

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A more alien image is presented in Alexandra Papoban’s work, above,  a serenely intimate image of a human torso.

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Kristine Schomaker’s “An Uncomfortable Skin” is one piece that evokes a mysterious lab, the aforementioned alchemist’s work, or a candy-maker’s workplace. The analogy isn’t entirely out of place. Always a bravely revealing artist, Schomaker allows viewers a look at her own personal navigation of an eating disorder, as well as a magical accumulation of reconfigured past works, fragments of wigs, plastic spoons. The large scale piece seems to posit the idea that we are who we are, whether we are in bits and pieces, whether we are “whole,” whether we feel as beautiful as we “should” look. 

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John Zarcone’s “Information Theory” presents realistic, intense images of a young man and woman, created on loose canvas. Below them are the words “El Significado es irrelevante,” translated as “the meaning is irrelevant.” The image is emblematic of the exhibition: here we are, love us or leave us.

Beauty, like life itself, is fluid. We are here, time passes, and we are gone in a heartbeat. The beauty of a smile, a face, a gesture, a touch – what we see and what we remember are highly subjective.

Take a look at the all-too-fleeting exhibition that reminds us of just that, before it closes.

CSUN Art Gallery is located at 18111 Nordhoff Street in Northridge.

  • Genie Davis; Photos courtesy of the gallery

 

Artmonious: Synergy Between Apps and Art

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There’s a new way to find art in town, and that’s Artmonious, a mobile art app that launched in a very meta way last week – with a live Venice pop-up displaying some of the art available through the company’s technology.  The Abbot Kinney event drew a crowd to see works by LA-based artists such as Alex Gross, Timothy White, and Jean-Christophe Dick.
With an ambition to create the worlds biggest social media art network, this mobile app has an algorithm for art taste, as Pandora does for music. One piece is shown to a collector at a time, with the collector having the option swipe left if they don’t find it appealing and right if they do. The more a user swipes right, the more the system will learn the collector’s taste in art.
Artmonious co-creator Casey Fannin discusses how the app came about. “My fiancee Alex and I saw there was something missing from the online art world. A few things stood out to us. First, there wasn’t any mobile art app that everyone was using. Second, we felt every online art gallery website looked the same. There was a lack of personalization when you looked to find art.  And also the experience felt overwhelming because of how many choices you are presented with.”
Seeking to create a different experience for people, one that was simpler and more personalized, they focused on a mobile experience because they felt that was the direction the art world is heading.
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“So we thought of swiping left or right to one artwork at a time as an easy way for someone to discover art, but also if we build an algorithm that could learn peoples taste as they swiped, that would personalize it more because we would know what artworks we should present as each person continued to use the app.”
Fannin is excited by the idea of giving artists a new and innovative outlet to reach the right collectors for their work.
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“Our technology and the data our app can learn through swiping is very exciting and will be extremely useful. We want our app to not only be a marketplace to buy art, but a fun app you can use to discover new artists and artwork,” she attests.
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Fannin has a degree in printmaking and graphic design, and after school she was hired  Park West Gallery, one of the largest auction houses in the world. “I lived aboard cruise ships for 2 years conducting live art auctions. I really learned a lot about the sales side in the art world working for this company,” she reports. After she left the high seas, she packed up and moved west, and is currently gallery director at the Morrison Hotel Gallery which specializes in music photography.
Fannin’s partner and fiancee, Alex Kaplan, moved from New York to Los Angeles to write screenplays, but was drawn into the tech world, becoming a senior account executive for two technology startups, Main Street Hub and ZipRecruiter.
“After watching ZipRecruiter grow from startup to receive a $63 million dollar investment, Alex was inspired to start his own company,” Fannin says.
Asked what artists she finds most inspiring, Fannin demurs from picking favorites.
“I particularly like discovering emerging artists. There are so many incredible artists in each city, especially right here in Los Angeles! Most people looking to buy art have no idea that they can find an original piece of art by an artist right in their city that is extremely affordable,” she relates. “And even better, they can find something unique that speaks to them that isn’t the same print your neighbor bought from Ikea.”
Take a look at how Artmonious works right here.
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– Genie Davis; photos: provided by Artmonious