PhotoLA – A Snapshot of Time

Posted on by Diversions LA

What the eye sees, what the camera sees, what the eye of the beholder of what the camera sees: that’s PhotoLA.

The art renaissance that is taking place in Los Angeles is coming to a momentous peak this January, with PhotoLA the first in a string of large scale events including the LA Art Show, Fabrik Expo, and Art Los Angeles Contemporary, which are all opening this week.

PhotoLA was held last weekend at The Reef,  the cavernous 2nd floor space at LA Mart in DTLA. The opening night gala, benefiting Best Buddies, was crowded for the event’s tribute to Los Angeles artist James Welling.

The city’s longest-running art fair, PhotoLA ran the gamut of cutting edge pieces, historical photos, stunning landscapes, political art, abstract photos, and pop art. Eclectic panels populated the weekend, too, including provocative subjects such as “The Instagram Effect: How Instagram is Changing the Way We See Photography”; “Robert Mapplethorpe: Beyond Good and Evil”; and “Artists Take Issue: Perspectives and Practices in Activist Photography.”

What was our take? A wide range of exceptional pieces, with a number of standout independent photographers and curated group exhibitions.

Photo LA Welling

The honoree of the opening gala, James Welling. This post-modern photographic artist has a storied career experimenting with a variety of photographic mediums from digital prints to Polaroids.

Photo LA Weller

Some visual highlights: below, the haunting and riveting work of Kathy Curtis Cahill, whose art is dedicated to revealing “how fragile young children are, and how everything matters in the home environment.”

Photo LA 3

Fascinating historical photos – and the  music of David Bowie.

Photo LA Bowie

Photo Pop Art – the striking and amusing work of Marianne Hess.

Photo LA Haas

National Geographic landscape stunners – sometimes a straight forward shot of natural beauty evokes feelings beyond what is seen.

Photo LA landscape

Below: a delightfully different approach to scene: the fine work of Osceola Refetoff, also a panel speaker on activist photography moderated by Shana Nys Dambrot. Refetoff’s work, among other cutting edge pieces, was curated by VICA, the non-profit Venice Institute of Contemporary Art.

photo LA Osceola

Below: the opening night crowd viewing PhotoLA  – reflected in a San Francisco skyline.

photo LA san fran

Artist Jeffry Sklan’s enormous – and enormously beautiful flowers, below. Impressive detail and color.

Photo LA Sklan

Artist Sklan  below – photo by Nina Bonyak

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To sum up: Photo LA presented an international eye on the world, vibrating through the lens of many Los Angeles area curators and artists. What you see is literally what you “get” out of interpreting an artist’s own unique vision of the world.

  • Genie Davis

Shag, Baby: Jungle Drums Collection at Corey Helford Gallery

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Shag at Jungle Drums – photo: Jack Burke 

There he is, Shag, a.k.a. Josh Agle, at the opening of his vibrant Jungle Drums collection in the main gallery of the Corey Helford Gallery last Saturday night. Inspired by vintage 1950s era pin-up decals, and adding the spin that women are always in control, diving into the exciting primitive world he evokes is an incredibly fun plunge to take.

But let’s start with a look at the gallery space itself: a cavernous warehouse just across the river from the Arts District, with 12,000 square feet of space. Bright and spacious, there was plenty of room to feel the immersive quality of Shag’s world, as well as view additional collections in Gallery 2 and 3.

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The packed house was “wild” for Shag’s large scale work.

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“Ever since humans tried to civilize themselves, they’re tried to connect with the past as well. The past being the jungle, the beginning. But they do this in an artificial fashion, they pump up the artificial level. I work with these themes, the jungle origin, consumerism, consumption,” the artist relates.

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“But unlike the original jungle environment, I balance male and female interaction.  And everything in this stylized version of our primitive past is artificial. I use nothing natural,” Shag says.

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“Every material used in these pieces is artificial, there are no natural fibers. On the masks, the hair is extruded plastic rubber polymer.”

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In this exhibition, Shag attests,  women are the Amazonian types in charge. They have tamed their jungle environments, their pets, their men. And the artist’s portrayals are, as he puts it, a good excuse “to paint women in sexy tiger fur outfits.”

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These works are all about 60s moderne style, the vivid saturated colors belie a super cool approach. The viewer is reminded of something a revisionist neo-feminist version of Sean Connery’s James Bond might have in his boudoir; something hanging at a hip art museum that the grown-up Flintstone kids might visit.

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Shag’s wonderfully detailed large scale paintings, his towering masks, are pure, unadultrated, imaginative fun. It wasn’t a surprise to find out that Shag was chosen to be the official artist for Disneyland’s 50th back in 2005.

His evocative world now on display at Corey Helford’s new space may not be a fit with Walt’s Magic Kingdom, but he has created a magical kingdom all the same. And for viewers opening night, the exhibition was one of the happiest art scenes on earth.

Meanwhile, in Gallery 2, below, another fine, small exhibition unfolds: Asymmetrical Diptych Party. Here, 20 artists displayed two piece works in a wide range of style, on a wider range of subjects.

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Current exhibitions at Corey Helford Gallery run through February 13 at:

571 S. Anderson Street, Los Angeles.

  • Genie Davis; All Photos: Jack Burke

Let It Rain: LACMA’s Rain Room

Posted on by Diversions LA

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What’s hot and wet? That would be tickets to Random International’s exhibit at LACMA, Rain Room. This immersive environment is currently sold out, but new blocks of tickets to this timed event pop up every few weeks, and member tickets may be available. Just why is a museum exhibit so popular? Well, some of it is just how cool an experience it is to literally walk in the rain without getting wet, some of it is the fact that it’s a visually and physically stunning experience, and some of it is that it’s just plain fun.

However you count the raindrops, it’s definitely NOT all wet that an art exhibit is maybe just as popular as that first home game for the Rams will be when they show up in town.

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So what does the exhibit actually entail? Continual indoor rain in a dark room shimmering with bright light. The water pauses whenever a human body is detected, but watch out – if you’re wearing dark clothing it may not detect you all that well. This isn’t the place for your favorite goth look.  What happens when you walk across the black floor? All in all it’s akin to stepping beneath a waterfall that magically stops whenever you move. The result: an illusion that participants control their environment. Beyond the fascination of stopping and starting little deluges, the falling water itself is lit to suggest an otherworldly experience, the water becoming at certain angles small pin points of light, as if each stream was the tail of a shooting star.

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In short, visitors will feel as if they are entering uncharted territory when they step into the dark, wet room. A dimension in which nature itself is under our control, or at least the art that springs from that nature.

The exhibit runs through March 6th. Check LACMA’s website or box office for tickets.

Rain Room
Los Angeles County Museum of Art
5905 Wilshire Blvd.
www.lacma.org

  • Genie Davis; Photos: Genie Davis and LACMA

 

Big Art: BIG BOX/Little Box – Dwora Fried at LAAA

Posted on by Diversions LA

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Above: Artist Dwora Fried – inside one of her boxes – Photo: Jack Burke

Dwora Fried had created an amazing body of work – wonderfully detailed collages and miniature tableaux that create entire worlds peopled with tiny figures and photographs inside glass-topped wood boxes.

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At her solo show at the Los Angeles Art Association Gallery 825, Fried offers viewers a look at an entirely different kind of box as well as her miniatures – this show isn’t called BIG BOX/Little Box without reason. Yes, there is a box big enough for visitors to sit down inside, and experience an Alice-in-Wonderland-like sensation of being a part of Fried’s art.  “People kept saying ‘I want to be in your world, so I decided to create something large enough in which they could literally be in it,” Fried says.

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Fried’s “Little Box” works continue to rivet and engage. “With the exception of one piece, they were all made in 2015,” she notes. “I was very inspired.”

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Stunningly intricate, each box not only evokes a story but a visceral response in the viewer, who is drawn into the small, intricate world that each box contains. 
Traditional Family Values

“When I decided to do the big box piece, I didn’t want to start buying large objects, so I only used what I had around. I had large Legos, an easel, the photos – those were the elements I decided to use. I started with the small box, and matched the big box to it,” Fried says.

3 Sisters – Version 2

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The most wonderful thing about Fried’s boxes is the feeling that one is looking not just inside a box or an artwork, but into an alternate universe. Mini worlds, mini planets. F23C8122

And below, the writer has a seat inside the Big Box. And yes, it’s delightful. The illusion is perfect – the viewer becomes the viewed, fits in the box, and enters a different world.

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The Los Angeles Art Association Gallery 825 is located at 825 N La Cienega Blvd, Los Angeles, CA 90069; the show runs through February 19th.

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  • Genie Davis; Photos: Jack Burke and (little boxes) Dwora Fried