Tommy Chong Lights Up Mammoth Lakes Film Festival

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The Mammoth Lakes Film Festival opened its third year going Up in Smoke. 

Festival director Shira Dubrovner and programming director Paul Sbrizzi opened the festival with a screening of the first Cheech and Chong movie – seminal in its presentation of Chicano culture and cannabis culture – along with a lively q&a with Tommy Chong.

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The film itself is madcap, silly, perfectly timed fun. Chong’s interview laid it all on the line.

“I was going to write a film called Jack and the Weedstalk,” Chong laughs. “But when we started writing we wanted to show marijuana culture. We also realized we had a great immigration story. ”

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Chong, who spent 9 months in jail in 2003 for selling bongs, aptly describes the demonization of cannabis by politics, the racist nature of depicting cannabis users as crazed killers, and introducing what was then a “Mexican slang word” – marijuana – to the cultural lexicon.  With Up in Smoke, the comedy duo presented cannabis culture with inspired improv Robert Altman-style, and worked to change the negative perspective.

“We shot all over Pacific Coast Highway, all over LA. It was just fun making a movie and getting high – the catering was great, if something broke it’s ok, there’s no violence – we let the actors figure out much of their own dialog.”

The duo’s laconic style clashed with the film’s original director Floyd Mutrix, who was replaced by Lou Adler. Chong himself is uncredited as a co-director, re-shooting the film’s hilarious ending scenes after a disastrous rough cut screening for Paramount execs – in which  the film ended with the action portrayed as “just a dream.”

Chong viewed the film as “like one of our stage shows – but we would also shoot the rehearsal.”

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He notes “Sometimes the first thing you’d say would be the best…actors say dying on screen is easy and comedy is hard because you can’t rehearse spontaneity which is often where the comedy comes up.”

Working with Adler, Chong would add elements to the script, stories the other actors would tell.

“Cheech would tell me stuff he did as a kid like peeing in hamper by mistake and I would say let’s put it in – actress Zane Buzby who plays Jade East,  she told us about this routine her roommate would do, and we put in the fake sex scene in the van based on her story.”

As a director, Chong followed the advice of auteur Terrence Malik: “Its your vision – you direct it.”

Chong says Smoke is still his favorite Cheech and Chong movie
“because it really started the whole Chicano humor movement. Cheech was one of a kind and still is.”

The duo will soon be releasing a documentary created by Chong’s daughter, and continue to perform live on stage.

“We’ve been trying to do another movie since ’03 but some things – those are one of a kind – it only happens once when you’re young. I’d rather live on screen like this – you never get old. You’re always 20.”

He offers this advice for the young:
“Love what you’re doing – if you don’t love what you’re doing, quit doing it whether it’s film making or sweeping sidewalks. It’s all about love.”

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Love is certainly part of the reason for the continued success of MLFF – with intimate discussions like these and a wide range of films ahead this week.

  • Genie Davis; photos: Jack Burke

Skate God – New Super Hero Hojo Shin

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Self-described “Third Culture Kid” Hojo Shin is soon to be a Skate God. The globe-trotting actress, who grew up in South Korea, Italy, Thailand, Singapore, and Israel is poised to hit the American big screen. She started acting as early as second grade, as a way for Shin to cope with all the transitions in her life – and being the new kid in school.

“My background eventually taught me to quickly adapt and for me, the best tool to do that was acting. In every new school, I  always found myself involved in drama classes and productions because that was a way for me to find my identity in new circumstances. My first school play was Jack and the Beanstalk,” she laughs.

“Acting was a part of my childhood growth and played a big part in the journey of my identity – in fact, I am still now constantly learning. Acting teaches you about human beings and our world, and that to me sounded like a fun career.” In high school, Shin says she fell more deeply in love with acting and never looked back. Fluent in Korean, French, and English, that passion led her to the University of Michigan’s prestigious acting program, and the rest is history.

So far, one of her most memorable projects was starring in the short film Still, which played the Cinetopia International Film Festival. “It was a silent noir film with just four actors, who through their emotional portrayal of specific memories allow viewers to experience their own emotional memories,” she relates. The unscripted production was intense and exploratory, with Shin working one-on-one with her director Layne Simescu, creating memory monologues.  

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Skate God, currently in pre-production, depicts a skateboarder who discovers he has super powers – and must fight those who want to use his power for evil. “My character fits somewhere between those two extremes, I guess you’ll have to wait to see just where,” Shin says. The story is set in a dystopian future, and riffs on Greek gods, shamans, and political power struggles all at once. The actress is excited to work with director Alexander Garcia, who is something of a skate god himself, and was inducted into the Freestyle Skateboarding Hall of Fame. The film will be distributed by Lionsgate.

Shin continues her super power performances with a role on the upcoming Hulu Originals series from Marvel, Runaways.  “That project is about kids who discover they have super powers, and their parents extort those powers for evil. But the kids attempt to do just the opposite.”

How does Shin feel about creating two super-power performances? “Excited,” she says simply, asserting that both projects “are a lot of fun” both for herself as a performer and for the audience.

Her breakthrough film, the drama All at Once, made the rounds at the recent, well-regarded Traverse City Film Festival in Michigan. The character of Ella was a challenging one, requiring a different kind of superpower for the actress to encompass the dark role. “She has two different identities – one when she’s in front of others, and one when she ‘s alone. She’s a very complicated, layered character. ”

Preparation for the role was intense, she reports. “I had to go to these deep dark places both in the preparation and setting. I was drawn to Ella because she shows us the consequences of living under constant pressure, which a lot of teenagers deal with. Having an incredible team of crew and mentors really helped me throughout the process.”

The project was mentored by Academy Award winning writer Peter Hedges, who helped the cast “create and understand the texture of these characters and their world. It was challenging but in the best way possible.” However there was one negative “It was winter, and snowstorms didn’t sit well with anyone when we were shooting outdoors,” she smiles.

Shin has also recently completed a short, Don’t Be A Hero with Pete Lee, featuring Missi Pyle, and is working on a pilot produced by Keshet with director Maggie Kiley, who helmed Scream Queens and Guidance. “It’s based on the book Dead Girls Detective Agency, about Upper East side high school girls involved with Purgatory, a murder mystery, and of course their relationships with each other.” Last but not least, Shin is also performing in a play scripted by National Youth writers, currently on track for production in Los Angeles.

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As an Asian actress, Shin is delighted to see Hollywood opening up in terms of diversity. “For me, I’ve been lucky to have been considered for a lot of roles that used to be open only for Caucasian actors.” She believes real change is coming in regard to the “old school Hollywood mindset” on diverse casting. Perhaps, Shin can put her newly discovered “super powers”  – as well as her acting chops – to bear on just that.

  • Genie Davis; Photos courtesy of Hojo Shin

 

Mountains of Movies: The Mammoth Lakes Film Festival Returns

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Just in time to help film fans celebrate Memorial Day, the third annual Mammoth Lakes Film Festival runs May 24-28th. The fest screens narrative and documentary features and shorts.  MLFF was named one of the “Top 50 Festivals Worth Your Entry Fee” by Movie Maker Magazine in 2016. Having attended last year, we look forward to another full schedule of eclectic entries which we’ll be covering daily during the festival run.

Festival founder Shira Dubrovner notes that the third year brings expanded programming to the festival, doubling the number of filmmakers attending the festival and bringing more spotlight events and featured artists to the festival.

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“This year our opening night screening is Up In Smoke with Tommy Chong in person; later in the festival we will honor John Sayles with the Sierra Spirit Award, presented to him by Vincent Spano; and for our Saturday Morning Indie Cartoons event, the Bum Family will fly in from Calgary, Canada to give a presentation to kids on how to make paper cut-out animation,” Dubrovner notes.
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Above, festival founder Dubrovner, center, at the closing awards ceremonies in 2016.
While the festival continues to expand, the intimate nature of the festival will not change, Dubrovner attests. “We will always keep our commitment to filmmakers by making Mammoth Lakes a filmmakers-first festival. That has been our vision and commitment since day one. We continue to help each filmmaker with the expense of attending the festival by offering travel stipends and housing. We create a fun, intimate and accessible experience for everyone that attends—filmmakers, audiences, industry professionals, press and our local volunteers.”
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The festival is very different from others throughout California, and different too than well-known behemoths like Sundance and Telluride. We found attending the event last year to be a special experience, one in which we could spend time with filmmakers, and uncover international as well as local films that were extremely fresh in terms of subject and style. From smart comedies to awe inspiring documentaries, the festival doesn’t hold back when it comes to presenting intimate stories.
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“We take our time to create a program with a specific vision; we champion personal, innovative storytelling. We showcase filmmakers who are unafraid to dig deep into themselves and bring their work to life with sensitivity, playfulness and a depth of vision,” Dubrovner attests.
Of course the beauty of the fest’s Sierra setting is also first class.
“We give a platform to these artists in a nurturing and awe-inspiring setting in the Eastern Sierra. Our primary commitment is to the talented, maverick artists that we bring together every year in May.”
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And to creating a stellar line-up of films that will have audience’s talking for the rest of 2017.
– Genie Davis; Photos: Courtesy of MLFF and Jack Burke
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Sacred Landscapes: The art of Hung Viet Nguyen

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Tish Laemmle’s Art in the Arthouse series places beautifully curated art exhibits in Laemmle theater space. Running through December at the Laemmle Monica Film Center, her current exhibition, Sacred Landscapes is a visionary gallery show that’s simply not to be missed.

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Artist Hung Viet Nguyen‘s mosaic-like paintings play like a precise and beautiful series of dreams. Each work has a hush about them, a reverence for nature and beauty that makes the show’s title all the more true – this is a spiritual, sacred experience. The works shine like jewels as they reach into the depth of Nguyen’s experience, which becomes a piece of each viewer’s experience, too.

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Born in Vietnam, the Los Angeles-based Nguyen once studied biology in Saigon, but moving to the U.S., he worked as an illustrator, graphic artist, and designer before following his muse full time into a world that’s magical, mythical, and mysterious. His finely textured oil works evoke Japanese woodblock prints, Chinese scroll paintings, and perhaps a touch of Van Gogh fused with David Hockney.

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But the overall these masterful works are uniquely Nguyen’s, as complex as they are beautiful, as lyrical and light-seeped as they are deep.

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“Mostly nature draws me to create art. I don’t do plein-air painting anymore, what I do is I go hiking to an area and I try to feel what I see. Then, I try to bring my feeling from hiking into the picture. I sometimes take a photograph and bring that home, but mostly I paint from my memory or my imagination,” Nguyen relates.

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As to his process, he notes “I do planning for a little control, but during the process of painting things happen that I can’t control. There is a certain edge of mystery to it even for myself. There is something out of control in my art; my art work has its own life.”

That it does, a life that soars with color, a life that leads viewers into a world that’s rich and nuanced, moving, elegaic. You may have been there before, you may have been there in another life, or within a dream. The paintings carry you along on a journey to a place that is beyond the ordinary, beyond the defined.

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“My skies used to be simpler, with more pastel colors, but the color has become darker recently. I was thinking perhaps I’ve spent more time and put more layers into the color and my technique got better,” he says modestly. “The way that I work is almost like sculpting the piece. I have to wait for each of many layers to dry. ”

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As to his subjects, Nguyen explains “I travel a lot. I don’t pick a particular place in my paintings, I let it all come back to me, I combine them, the places that I’ve been.”

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Whether we are looking at beautifully created images of an “Ancient Pine” – based on trees Nguyen has come to know and love in the Bristle Cone Pine Forest – or spectacular seascapes, landscapes, or his wonderful images of birth, death, and the life cycle in his “Cruelly-Go-Round” series, the overriding sensation of seeing Nguyen’s work is of discovering treasures. Sacred treasures. It is, without being overly religious, a blessing to see these works, a benediction riven with the vital sweep of a karmic life force.

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Sacred Landscapes is an exhibition to savor and enjoy, and it is appropriate to see the works in the gallery space at the Monica Film Center. Each piece is its own, highly cinematic world. And if, while at the gallery space, you’re moved to take in a film, you’ll find another glimpse at Nguyen’s work, in the form of a short trailer the artist created. The trailer plays before each feature selection.

 

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The Laemmle Monica Film Center is located at 1332 2nd St, Santa Monica,  and there’s free city parking directly across the street.

  • Genie Davis; Photos: Genie Davis