Whether creating lush landscapes en plein air or in her studio, Doyle shapes a visceral yet graceful experience, one awash in light and impressionistic color. Both delicate and daring, her works vibrate with the hum of sea, sky, forest, and desert alike, each brush stroke offering a rich luminosity.
According to Doyle, her passion comes from “The ochre hills of California, the dark green pines, the purple lavender fields of the Pacific Northwest, the ocean. When I am outdoors in nature, I soak up the colors, sounds, the breeze, and take it all in. I paint on location (en plein air) or from the many photos I take in an attempt to capture my the beauty I see. The landscape inspires me, but I do not wish to represent it directly. I heighten color, abstract what I see, and paint the impression and the feeling I get from the being in the landscape.”
In short, her work not only gives landscape imagery life, to her, the scenes she creates are life itself. In fact, she says that her earliest memory is of drawing. “I began learning traditional, representational oil painting and pastels at age 13, and continued painting and drawing in college. Later, in a post-baccalaureate program in Oregon, I was introduced to painting abstractly, with acrylic and encaustic mediums. Even when painting non-representationally, my work always came out looking like a landscape. This looseness and freedom impacted my oil paintings, and my landscapes in oil became more colorful, more intuitive, more abstract. That is what I love today – to interpret and abstract the landscape in oil.”
She worked in IT for Nike in Oregon before relocating to Southern California three years ago, where she was laid off and embraced her painting practice as well as teaching and volunteering in the arts full time. Just a few days after the layoff occurred she “booked a 5-day workshop in Scottsdale taught by member of the Plein Air Painters of America. I increased my volunteer engagement in the Palos Verdes Art Center (PVCA) and joined the board. I started attending an Open Studio painting group which led to being invited to join the Experimental Artists South Bay (EASB) group and getting involved with Destination: Art in Torrance. Fast forward to today, and I am the President of Destination: Art, teaching art classes, painting, showing and selling my work, and hanging out with artist friends. It has been a fabulous transition!”
Her primary medium is oil “solvent free, on canvas or panels. I have incorporated cold wax or encaustic (hot wax) when oil painting, too. I also use acrylics to create photocollage paintings, make monotypes using a gel plate, or experiment with plaster or linocut printmaking. The latter are all a lot of fun. Oil painting is my ‘serious’ medium,” she laughs.
Since moving to SoCal in 2023, she has focused on painting the beaches in Laguna, Newport and Rat Beach. A most recent move to the hills of Rancho Palos Verdes, has her planning to paint more at Point Vicente, Abalone Cove, and Terranea Cove Beach. I also have a lot of inspiring photos from a road trip down the coast, and want to do some paintings of the Redwood forests, Monterey, and Pt. Lobos.”
Her involvement with several different nonprofit arts groups has led to having work in several exhibitions currently, including two images at the Peninsula Center Library in Rolling Hills with The Pacific Arts Group, in Springtime on the Peninsula, up through June 18. “After that, the Associate Artists Exhibition will be hung at Destination: Art in Torrance. I expect to have a painting in that group show. I’m crossing my fingers that I will also be juried into The Summer Show 2026 at the Palos Verdes Art Center (PVAC), which is a very competitive juried group show. And of course, she has a solo show featuring some 20 works currently on view in Picnic Days at Diversions Fine Arts Gallery.
But more than exhibiting, simply painting is key for Doyle. “I paint for the joy of trying to capture that feeling of the landscape. Sometimes it is very hard work, and other times it just comes to me. I start with a vision, but then the painting takes on a life of it’s own. I do not plan my paintings – I do not draw them out first. I paint alla prima, all in one go, wet on wet, as much as possible, returning again and again as needed on larger works until they are finished,” she relates, adding, “I hope that my paintings inspire you!”
On June 13th, Diversions Fine Arts will be conducting curatorial walk throughs between 12-4, in conjunction with a tea service reception at the Manhattan Beach Arts Center, and there will be a closing reception and artists talk at DFA on June 28th from 1 -3 p.m. Don’t miss the chance to see the shimmering landscapes that Doyle creates.
Diversions Fine Arts is located at 1069 N. Aviation Blvd. in Manhattan Beach.
- Genie Davis; images: Davis, and as provided by the artist