Always Exciting – Mammoth Lakes Film Festival Thursday

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The first full day of the Mammoth Lakes Film Festival included meaningful documentary shorts and the always stellar Mojave to Mammoth shorts line up. We saw two innovative features and their accompanying shorts with plenty more to come the next three days!

Starring Jerry as Himself

You know all along there’s a twist – the opening graphics say it’s almost completely true – but what that may be gets superseded by the very real horror of retired Chinese American engineer Jerry being scammed out of his life savings.

He believes he’s under investigation for money laundering at first and must prove innocence; then that he’s being recruited to help catch criminals – as an undercover agent helping police in Shanghai.

Law Chen’s film is billed as a documentary, but it is primarily a reenactment of a true and horrible occurrence starring the real and titular protagonist.

Living in Orlando, elderly, and parsimonious to a fault, despite three adult sons and his friendly but ex-wife being all a part of his life, he doesn’t confide his situation until too late.

And then another situation reveals itself – one I won’t reveal here, which is partially the twist, but ultimately Jerry has chosen to make this true story film both to warn other seniors about the dangers of being scammed and fulfill a lifelong dream of being an actor instead of the engineer he became. The story is a moving one, tensely and entertainingly told. 

The film was accompanied by an experimental short called A Throwing Forth, evoking haunting family memories via a single window, colors, and image.

Unicorn Boy

Animated feature six years in the making chronicles a break-up and a coming into acceptance by a struggling non-binary artist vaulted into saving themselves and a unicorn kingdom. All this unfolds while protagonist Matty survives a break-up, explores how to love and examines the reasons why the world can be a dark place. Lush animation using varied techniques and a vibrant palette of color is well-matched by a sweeping emotional musical score. Varied cameo voice actors includes turns by Maria Bamford and Patton Oswalt as the unicorn kingdom’s king and queen in this tour de force by lead, writer, and director Matt Kiehl. The message: let your freak flag fly through rainbow animation that visually dazzles.

The animated short that accompanied this film, Eclipsed,  is the short story of a world in which eclipses are the norm and the sun coming out is entirely unique. It well conveys anticipation and anxiety in its spaghetti-o’s-consuming and witch-like main figure.. Director Jamie Wolfe creates a bold experimental narrative.

  • Genie Davis; photos: Jack Burke and film stills courtesy of MLFF

Mammoth Lakes Film Festival Opening Night Begins Powerfully and Provocatively

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The setting is galvanizing from the moment the film begins. Queendom, set in the heart of Russia, is a compelling documentary from Agniia Galdanova.  The film profiles transgender artist Gena, as she navigates her life – in which she becomes a living art form and activist, wrapped in fabric, repurposed trash, and painted tape.

The artist moves in a snowy small-town landscape, navigating troughs of predjudice, and the confining love of her grandparents, who cannot accept her art or her rebellious nature, much less her gender transformation. There are conversations with friends, the abandonment of a school of cosmetic study in Moscow due to Gena’s acts of protest, and most of all the growing awareness – as she moves from the village of Magadan to Moscow, and by film’s end, Paris, that she can shine her artistic light on the brutality and cruelty of the Russian regime and its war with Ukraine, exposing both.

The imagery of the film – Gena’s amazingly created costuming, the icy and bleak backdrop of her home village, the harsh lines of Moscow, and the almost palpable sense of relief the viewer and the subject feel as she moves through the more gracious architecture of Paris, is deeply engaging.

If Gena begins the film as a misunderstood misfit in the unyielding winter of Communist Russian culture and politics, viewers watch as her work grows to embrace the power of artists. Artists, after all, are something of the canary in the coal mine, pointing out danger and distress. Artists like Gena can effectively call attention to brutality, inequity, and violent injustice.

The film starts with her building an Instagram following, creating set pieces with her fabulous, sculptural costuming for views, and follows along quietly and decisively as she turns her art into a potent weapon for political activism, at great risk to her own well-being – by birth gender, she might very well be drafted to fight in the war.

Over the course of the film, she moves from a somewhat self-serving personal view to one of force, bravery, and action; discovering that to use her art and truly be herself, she can become the focal point of an important movement that radiates beyond her personal desires.

Visually stunning and yet intimate and quiet in approach, the film makes an excellent opening night salvo in what is sure to be another exciting year at Mammoth Lakes Film Festival.

  • Genie Davis; images provided by the festival 

It’s Mountain Movie Time — Memorial Weekend Brings the 9th Annual Mammoth Lakes Film Festival to Screen

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What a great way to spend Memorial Weekend! May 24th through 28th, the Mammoth Lakes Film Festival will be debuting it’s 9th annual event.  Known for its eclectic and often cutting-edge mix of films, the fest offers a wide range of documentary and narrative features both domestic and international this year.

Held at three venues in the town of Mammoth Lakes, Calif., the festival is always warm and welcoming, offering inclusive and illuminative Q & A discussions, panels, and prizes. As always helmed by founder and festival director Shira Dubrovner, with programming director Paul Sbrizzi, subject matter on feature length films – the extensive shorts line-up has yet to be released – is both fresh and prescient.

According to Dubrovner, “It’s the artist’s responsibility to create change by holding up a mirror to society, inspiring audiences to self-reflection and taking action to better the world around us…”

Narrative features include a range of suspense, comedy, and dramas:

U.S. films include Free Time, focusing on a young man’s efforts to embrace life and actually find a life along the way; Pure Gesticulation, a mother/son story involving a mysterious new business begun by the son instructing strangers over the phone;   I Said Daddy I Said, which tells the story of LaLa, whoses plan to leave her abusive boyfriend Daddy crumbles when she realizes someone is watching her every move; and Love Dump, a quirky rom/com about an antique shop owner’s search for her
missing father, who falls for a determined dog lawyer along the way.  Viewers will also enjoy a highly inventive animated film, Unicorn Boy, in which a heartbroken young artist is sucked into a unicorn-run alternate dimension, and a mission to conquer a dark force in order to bring peace to the kingdom.

International Narrative Features include The Horse Tail (Poland), which details an aging sex worker’s return to a small and secretive town; Mad Cats (Japan), the story of a shiftless young man, his quirky new friend and an edgy, mysterious young girl, searching for his brother,  kidnapped by a pack of vicious monster cats determined to execute unscrupulous pet shop owners.  Nut Jobs (Canada), unfolds a far-fetched-sounding story told by a man to his ex-girlfriend about joining a leftist terrorist cell to
avenge her from being fired by an awful right-wing talk radio station.  The Serbian film Where the Road Leads, tells the story of a stranger’s arrival in an isolated village, the girl who falls in love with him, and her commitment to saving him when he is endangered by townspeople who suspect his involvement in constructing a nearby highway.

Starring Jerry as Himself, above; Mississippi River Styx, below

North American Documentary Features include A Still Small Voice, the story of an aspiring hospital chaplain’s yearlong residency in spiritual care; Mississippi River Styx, which depicts an enigmatic drifter with terminal cancer living his dream of
floating down the Mississippi River on a ramshackle houseboat — until locals start to question his story; and Name of the Game, which reveals the untold story of black male exotic dancing in south Los Angeles. In Starring Jerry as Himself , a family re-enacts the unbelievable, twisting true story of how their immigrant father Jerry, a recently divorced and retired Florida man, was unexpectedly recruited by the Chinese police as an undercover agent in an international money laundering investigation.

International feature docs include Destiny (Iran), which offers a poignant profile of a smart and gifted teenage girl who desperately wants to go to college but has to face hard choices in the wake of her mother’s death and her
father’s need for daily assistance;  Naked Israel (Israel), which offers an insightful look at Israeli masculinity through a series of interviews; and No Place For You In Our Town (Bulgaria), which depicts a soccer team’s success in a decaying ex-mining city in a changing world. From India, To Kill A Tiger presents the story of Ranjit, who takes on the fight of his life seeking justice for his 13-year old daughter, the victim of a gang rape.

Queendom, above

There are also three Spotlight presentation films which are not eligible for festival competition awards. The opening night film is from Russia: in Queendom, a queer Russian artist, stages radical performances in public that become a new form of art and activism—and put her life in danger. The festival’s closing film is Kokomo City , a U.S film in which four outspoken Black transgender sex workers explore the dichotomy between the Black community and themselves. The third spotlight presentation is a decidedly unconventional approach to musical film. In Burning Stone (U.S.), an ensemble of hypnotic instruments and choir weave together, intersect, and thread sonic and visual information.

The festival will also feature a Short Films Program of 38 Narrative Shorts, 24 documentary shorts and 17 animation shorts, as well as a program of music videos and a screenplay competition.

Having attended MLFF many times since its inception, one thing is sure: viewers will experience unique, exciting film at its best, in a wonderful environment where audience members can interact with filmmakers and explore ideas that will enrich, confound, involve and celebrate the human condition.

Get your tickets and passes here!

And note, this year, there will be an as-yet-unscheduled Best of the Fest series of screenings here in LA. But why wait? MLFF offers what just may be your best Memorial Weekend yet, movie-style.

  • Genie Davis; images courtesy filmmakers and MLFF

 

 

It’s Always Tiki Time Somewhere at the Catalina Museum for Art and History

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Serving as a truly beautiful adjunct to the Catalina Museum for Art and History’s permanent collection, now through September 3rd, visitors to Catalina Island can enjoy the transporting exhibition Tall Tiki Tales. Curated by author, tiki scholar, and cinematographer Sven Kirsten, the widely encompassing show includes artifacts from films shot on the island, dining spots, and resorts, as well as and original books and artwork that enhance the understanding of a cultural phenomenae that shaped tastes and traditions – as well as wildly fun beverages – both on and off Catalina.

Frequently serving as a film set that helped to popularize tiki as an art form, Catalina has a rich history in the development of America’s happy obsession with all things tiki, including the bars and restaurants that grew nationwide during the 1930s.

A highlight of the well-curated exhibition is an interactive one – visitors can sit down at a cozy table in a replica tiki bar to experience a unique design by master tiki bar designer Bamboo Ben. Viewers are transported to a blissful paradise with the sound of pattering rain upon sitting down. The only thing missing is a classic beverage.

According to Johnny Sampson, the museum’s Deputy Director and Chief Curator, Catalina Island served as a major film set for movie adaptations of works such as Nordhoff and Hall’s Bounty Trilogy and The Hurricane, W. Somerset Maugham’s short story “Rain” and The Ebb Tide by Robert Louis Stephenson. “Hollywood quickly adapted these and other stories into movies, using Catalina Island as an accessible backlot for far away South Seas locales…we had Christian’s Hut from the set of Mutiny on the Bounty, the Chi Chi Club at the Isthmus and in Avalon, Hotel Waikiki, and Hurricane Cove—which even had lighting effects and fans to recreate the thrill of Hurricane for its patrons.”

The fascinating mix of photographs, original art, and collector’s items – as well as the one-of-a-kind tiki hut immersive experience, beautifully support another look at the island’s past, a stellar permanent historical collection touching on other areas of Catalina life, including other film shoots, Chicago Cubs memorabilia, a wide ranging survey of Catalina pottery and tile, and a collection of photographs, negatives, and films documenting island life from the early 1880s to the present.

Viewers will also observe early phone switchboards, the evolution of transportation from the mainland, sport fishing items, and a wonderful collection of Tongva and Gabrielino artifacts. The fine art collection includes photography, plein air painting, contemporary sculpture, and examples of architectural and graphic design.

Combined with Tiki Tales, viewers will find an absolute treasure trove of art and history, as the museum continues to live up to its name with deep dives into island life and vibrant, intelligent art exhibitions.

And, if Tiki Tales made you thirsty or hungry, there’s a quick solution for that. Walk on down Crescent street to Luau Larry’s. The indoor  thatched roof hut and bamboo walls and delightfully kitschy ocean-themed paintings and murals here are even joined by an historic tiki wood carving, hanging above the booth we choose to sit in, a happy coincidence.

We enjoyed  vibrantly colored Polynesian- style cocktails – a bright Blue Hawaiian and the bar’s signature tiki drink, a Wiki Wacker with Cruzan aged light rum, Parrott brand, pineapple/orange juice and grenadine. The latter comes with imbibers’ choice of straw hat or bumper sticker. The food was fine too –  fresh, savory popcorn scallops and shrimp, a well-seasoned, fresh poke, and a first-rate seared ahi platter served with ginger, wasabi, soy sauce, and a nicely sweet, crisp cole slaw.

Currently, the Catalina Island Company is offering a terrific getaway – the Tall Tiki Tales package, that combines a hotel stay at the beautifully updated Hotel Atwater and a boat ride to Catalina – we had the pleasure of traveling from Long Beach via Catalina Express,  a safe, swift, and beautiful passage across the blue Pacific, arriving with a great view of the historic Casino building upon arrival in Avalon Harbor. We experienced the journey two ways – indoors in the comfortable Commodore Lounge, replete with a glass of Brut Chandon, and outdoors, with the wind whipping our hair and an eye trained on pelicans on a long flight.

In an upcoming article, our stay at the Hotel Atwater, a look at the in-depth Behind the Scenes casino tour, and additional dining experiences. For now, go experience a few Tiki Tales at the Catalina Museum for Art and History – and then raise a toast to the exhibition at Luau Larry’s.

  • Genie Davis; photos by Genie Davis and provided from the museum’s collection