Rise Soars and Spins

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With live music, a lush sunset, and a desolate but lovely desert setting just outside Jean, Nev., the Rise Festival captivated from the moment the music began.

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Above, the Zack Gray band performs music that fit the site – a bit ethereal, a bit Coldplay-esque, the songs seemed perfectly timed to match the darkening of the sky. Other musical acts included Agina, Exes, and Ry X, taking the stage before the sun went down with lovely sets of their own.

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While the event describes itself as a music festival that also includes the release, at three timed intervals, of biodegradable lanterns, it is the lantern release itself that creates the true sense of magic, and draws the crowds. We attended Sunday night – the other two nights featured fireworks and a crowd of up to 10,000; Sunday was a smaller group of attendees – a little over half 10,000 – but nonetheless a truly spectacular release.

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The initial release was also a learning process: lighting the igniteable square in the center of the lantern and keeping the delicate paper that shapes it from also igniting while it inflates, is a two-person experience – even three; which makes it all the more delightful once mastering the technique is accomplished.

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Once dusk fell, and crowds gravitated away from the tasty collection of food trucks and craft brew purveyors…

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…once the sunset photos by the iconic “Rise” sign and colored moons and translucent colored columns were taken, attendees were asked to assist in lighting the rows of tiki torches laid out by sections — ticket holders were assigned to a section in  a circular grid from Northwest to Southeast.

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Following the torch lighting, and time to write any messages on the paper lanterns, there was a countdown to the actual lantern launch – and they were aloft. Some skittered too low, needed to be recaptured and reheated; others had first-time-mishaps as ours did; but in the end, they all went soaring into the sky, some seeming to pass in front of the moon.

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It was glorious. It was beyond worth the drive from LA into the desert. The visual spectacle, the sheer art of the event was terrific, but it was the spiritual element of release, fire, prayers and wishes and names on lanterns, the ephemeral nature of the lanterns as they transition to ash, sink, and fade into the desert sand that made the Rise Festival as special as it was.

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We saw participants of all ages – from children to the elderly, enjoying the event.

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Side note: the lanterns are biodegradeable, but even as we were leaving, the Rise Festival staff was waiting on horseback, foot, and cart to collect lantern detritus when the flames burnt out and gravity did its thing.

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Before it did, thousands looked up, enjoying the light, flight, and spiritual flames — Rise Festival is both a participatory performance art event and a meditative experience rolled into one.

  • Genie Davis; photos by Jack Burke

 

 

Center for the Arts Eagle Rock: A Wide Range of Culturally Inclusive Programming Includes Participation in Upcoming Current LA: Food

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Above, in red, Melinda Ann Farrell with Kin program artists

Center for the Arts Eagle Rock (CFAER) is a multidisciplinary arts organization location in a classic Mission Revival and Spanish Colonial Revival building with a Northeast-LA community focus. Executive director Melinda Ann Farrell calls the building itself “a community treasure,” but much the same could be said about the organization itself.

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“Our mission is to provide access to transformative art experiences and arts education. We provide free after-school arts programs throughout Northeast Los Andeles Title 1 middle and elementary schools with our after-school Imagine Studio. As a part of that program, we hold Little Masters, a salon-style exhibition in December every year in our dedicated gallery here. The kids get to see their artwork in a professional setting and share their journey of creativity with their family.”

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Farrell says the exhibition was an idea she had to make “the connection between classroom and gallery” to empower the children, and contribute to their confidence. She terms the exhibition “beautiful to see.”

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Little Masters is one of seven art exhibitions CFAER holds annually, along with multiple concerts, film screenings, and all-ages, multi-disciplinary arts workshops ranging from painting to textile designs, writing graphic novels, creature making, sculpting, and music. “Above all, we want to make sure our programming is accessible to everyone,” Farrell asserts.

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The center also hosts the 30-week Cal Arts Animation Program, offering free animation lessons; and 10-week comic arts workshops to help young people develop their own comic book characters, the culmination of which is an actual comic book.

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Above, Nica Aquino

Then there’s Balay/Bahay, “a year-long project for which we received a grant from the California Arts Council and a Creative California Communities grant. It’s an outgrowth of an exhibition we curated by the photographic artist Nica Aquino. Basically, we wanted to create a place where the Phillipine community could gather. There is a large cross-section of people here looking for that type of cultural programming,” she explains.

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The original exhibition featured percussionist Gingee. “After the exhibition, we were hoping to do monthly events like this, and now with Balay/Bahay, we’re doing them for a year.”

Coming up in November will be Other Space, featuring musical performance, food, music and art, culminating in a lecture or workshop. The multi-disciplinary approach extends beyond Balay/Bahay to all aspects of CFAER’s programming. This weekend, CFAER is creating an art care package workshop at Eagle Rock Plaza. “We try to bring our programming out in the community as well as in our location.”

 

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Farrell says she’s extremely proud of a community mural-making workshop series with Ismael de Anda III in English and Spanish, a collaborative project in which participants were given a 28” x 28” panel to paint together. The panels were then compiled into a large mural at Eagle Rock High School. Student participants collaborated with professional artists and worked to the prompts of “where is your home, who is your family?” The project was completed earlier this year.

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“Our philosophy is to provide arts experiences. When we do an exhibition, there is always a companion workshop or concert, there is always thematic programming that goes with the exhibition, so people can have a richer experience that brings the community together. There is a lot of cultural discovery and collaboration that comes from that,” Farrell relates.

Her background in filmmaking is a part of this process for her. “I have always loved bringing people together, seeing what ideas work and come out of that. Filmmaking is such a collaborative process. I feel very grateful to be the director of this organization, because wonderful things happen with unexpected parings of people.” She feels that her background has helped her to communicate “the story of all these talented artists and all these people in the community.” Her focus has also led to including more filmmaking at CFAER, from showing a documentary on what was going on in Northeast LA to her support of Jorge Alarcon-swaby who provides photography of center events.

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Farrell has brought together a total of 14 grants for CFAER recently, including those for Balay/Bahay. Others include a general operating grant from the Annenberg Foundation; a National Workshop of the Arts grant for the community ink program building on Comics of Color; and a grant from the Ahmanson Foundation for documentary camera equipment which Farrell describes as “near and dear to my heart.” There is also an exhibition grant from the Los Angeles Arts Commission and the DCA for community arts programs; an international concert grant that allows CFAER to bring in an act from New Zealand; and the Dwight Stuart Youth Fund Grant, which provided a grant youth arts programming for Imagine Studio. Then, there is the grant for Current: LA Food, LA’s public art triennial.

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According to the City of Los Angeles Department of Cultural Fairs general manager Danielle Brazell, “There are over 75 commissioned events during the month-long triennial taking place across the city for residents and visitors.” The events begin October 5th; artists and community organizations were paired together to encourage conversations and provide engaging experiences in each location, and encourage audiences to think about food and issues surrounding food in new ways through art.

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Farrell describes CFAER’s Current: LA Food interaction as taking place November 3rd in the Exhibition Park Rose Garden. “We’re turning it into a site for culinary and artistic discovery. People will discover all these wonderful tableaus we set up. We’re doing an enchanted picnic with model Tara Zorthian. Sascha Stannard, a fantastic whimsical painter, is leading a painting and drawing scenario with a wonderful scavenger hunt tableau experience in the gazebo, themed to Alice in Wonderland.”

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Also on tap: Nica Aquino will lead a vegetable print-making workshop, vintage cookbooks will be used to reveal reveal poems in a workshop from the Los Angeles Poet Society, and a community recipe book will also be produced. “We also have an artisan chocolate maker, Zoila Newton, making Zapotec-heritage chocolate recipes from cacao,” Farrell notes, adding “I am the curator of our Current: LA project, and I’m really proud of the CFAER programming for the event. I’m really proud of  all the programming CFAER is creating.”

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  • Genie Davis; photos provided by CFAER

Kate Carvellas Uses Found Objects to Create Lyrical Art

Kate C 1Working in a wide range of sculptures and mixed media wall art, artist Kate Carvellas uses found objects to create art that hums with energy, color, and fun. It’s both poetic and edgily whimsical, it tells stories that resonate and sing with substance, history, and the simple joy of creating “something” significant from “nothing” much.

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In this exhibition, which closes July 27th at SoLA Gallery in South LA, the forms she shapes – whether sculptural or in her vibrant montages of found materials – are filled with energy. There is a real sensibility at work here, offering images that, as the title of this piece below suggests, serve simply and profoundly as an “Ode to Joy.”

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Curated by SoLA gallerist Peggy Sivert Zask, each of the artist’s works were created within the last year, with many being shown for the first time.

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Many of the pieces use objects Carvellas finds on the ground, at yard sales, in thrift stores and flea markets.

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Connecting these disparate elements she creates sculptural forms from them, revitalizing them and reimagining their contexts. She combines these objects with painted work, forming dimensional wall art and sculptures that pull the viewer into a completely new and wonderfully startling visual landscape. The free-standing sculptural works displayed here are equally filled with a compelling worldview. There is an element of the fantastical, of having fallen down a delightful rabbit hole into another dimension – one where art itself is theatrical, fun, and spontaneous.

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Not that these works aren’t carefully and masterfully shaped, but they have a feel of having risen fully formed from the artist’s rich imagination. Calling her work “both intuitive and material based,” Carvellas says she loves using materials that are unexpected, “especially objects that others might consider unusable, and by incorporating them in my work, I elevate them from their original state, giving them new life and meaning.”

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The pieces feel alive, and exciting, almost as if Carevllas has has literally as well as figuratively brought them to life. The works evoke both modern sculptural form and folk art, steam punk and fairy tales. In short, they are truly and honestly entertaining, fascinating, and open-hearted. The works are generous, giving both beauty, visual wit – she offers a play on objects, rather than a play on words; and a redemptive look at how the everyday object can be in a certain artist’s eye, profound, and stimulatingly surreal.

 

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Come take a look at this richly rewarding exhibition in its closing moments, July 27th starting at 2 p.m. at SoLA Gallery, located at 3718 Slauson Ave.

And, in the front gallery, be sure to take in the Pulse of LA 2019, the second annual juried exhibit showcasing the work of Los Angeles women artists, juried by Holly Tempo, offers a look at a wide range of works from paintings to photography.

  • Genie Davis; photos: Genie Davis, Kate Carvellas

Lyme Away 4: Heading to Germany for Treatment

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Featured image, Nurit Avesar; image above, by artist Dani Dodge

We are sponsoring this event along with fabulous folks at TAG Gallery with the help of artist and gallerist Rakeem Cunningham and neon artist Linda Sue Price – whose exhibition will be reviewed here next week – and will be on display during this event!

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Above, artist L. Aviva Diamond

And what is the event?
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Above, from artist Dwora Fried
At TAG Gallery in mid-city, Sunday, July 21, 3-6 p.m., enjoy an afternoon of food, drink, and of course, ART at Lyme Away 4: Heading to Germany for Treatment – Help Nicole Saari Win the Fight Against Late Stage and Congenital Lyme Disease. It includes a silent auction and raffle featuring dozens of AMAZING art works donated by prominent Los Angeles area artists to raise funds for Nicole‘s medical care for chronic tick-borne disease.
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Above by artist Francisco Alvarado
Live music by Adam Even and enough great art and other auction goodies to help you knock off your entire holiday shopping list – in July.
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Above, artist Glenn Waggner
There will be over 80 pieces of art, plus gift certificates for everything from massage to beautiful home decor components from Liz’s Hardware.
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Above, artist Cynthia Friedlob
Despite an ongoing epidemic in the U.S., late stage Lyme disease is not recognized as a condition by the Center for Disease Control (CDC), so little to none of the complex treatments – which can cost $1,000 a week – is covered by insurance; with Nicole unable to work, this family still NEEDS HELP. The St. Georg Klinik in Germany, which her doctors find promising, alone is a whopping $35,000 for the three-week program.
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Above, artist Diane Cockerill
Fundraiser event
Sunday, July 21st, 2019 at TAG Gallery from 3 p.m. to 6 p.m. located at 5458 Wilshire near LACMA. Street and lot parking!
Don’t miss it!
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Above, Jodi Bonassi