The Perfect Place to Bend an Elbow: Elbow Room

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Looking for a place to relax, quaff a delicious drink or cold brew, and eat something simple but beautifully made? Then bend an elbow at the Elbow Room.

There are flat screen TVs, sports, an open front room, a view into the kitchen, and a patio in back. The bar is white marble, and reminiscent of a bar top you’d see at a Paris cafe, or an iconic hangout in New York City that’s been around for years. That’s no accident: the bar has purposely gone for a look that’s more east coast than west:  a local’s spot that even calls itself #TheNewLocals.

Hash tag all you want: it’s a fun, friendly spot with attentive bartenders and a chef who knows his way around a pizza.

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We enjoyed an entire afternoon trying drinks such as the Frose – essentially an adult slurpee with rose wine and finely crushed ice, or what the menu terms “God’s gift to your mouth.”  We were indulging on a hot day in Hollywood, and have to agree the tag line is pretty accurate.

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My partner tried the Tropic Thunder, mescal, pineapple honey, simple syrup and basil oil.  Sweet without being cloying and strong without being overpowering: it was a hit, too.

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The Big Texan made with bourbon, grapefuit juice and simple syrup was my choice, a lovely mix that had just the right citrus edge.

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Spice lovers will absolutely enjoy the Angry Ginger,  japapeno-infused vodka exudes hot, but is tempered well with strawberries, agave and ginger beer. For those in search of a lighter drink, the Aperol Spritz might be the key,  aperol, club soda, and an orange twist.

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Bartender Justin Paul couldn’t have done better: great choices to taste, fast and friendly service,  and clearly a great fan of other guests, too.

Beer-lovers can find choices on draft and in bottles and cans.

So what did we eat with our drinks? — do note that the reverse could apply; while the look of Elbow Room is comfortable bar with food, it could easily be described as a gastropub with exceptional drinks.

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Possibly my favorite item on the menu were the Veggie Balls. Quinoa “meatballs” with goat cheese in a perfectly balanced marinara. We could’ve definitely consumed more than one bowl of these “bites.”

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The Argula salad was a terrific mix of arugula, pine nuts, diced tomato, and a lemon vinaigrette topped with shaved Romano. Prosciutto is a standard part of the dish that we opted out of, either way its a wonderful mix of flavors and freshness.

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The Lee-siana Shrimp – named for Elbow Room co-owner Lee Walker – is succulent shrimp sautted in Lousiana Lemon Rosemary Butter. Not entirely sure where the Lousiana monnicker comes from, but origin is beside the point – it’s great.

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Elbow Room may be best known for their pizza – we had the perfectly crisp thin crust cheese –  but there are plenty of other pies to choose from, whether it’s the OG cheesy pepperoni or the Caicio Pepe, a wonderfully gooey mix of ricotta, Bechamel, mozzarella cheese, black pepper, topped with romano cheese. There is a gluten-free cheese pizza, too.

Best of all, you can order pizzas whole or by the slice, the latter being a great option if you’re stopping in for a quick drink and snack after work or catching a film.

While we were delighted with our choices, you don’t have to follow our lead. Try garlic fries, paninis – a.k.a. “Sandies” such as the A Train made with marinated chicken, red onion, feta, arugula, sundried tomatoes, pesto spread and aioli – which looked appealing on another diner’s table; or go for the rich  truffle mac n’ cheese, roasted shishito peppers, a selection of flatbreads, or smoked mozzarella. 

And if you have any room left, go for the Peanut Butter Pie a desert that morphs a must-be-shared combination of peanut butter cups, crushed peanuts, and peanut butter on an oreo crust.

And if you’re looking for an excuse to stop on by, a generous happy hour happens 7 days a week with specials like $4 select beers, $7 well drinks, and $8 specialty cocktails, or winning combos like an $8 Peroni with a slice, or a $10 Mule or Aperol Spritz with a slice.

In short, if you’re a Hollywood local – or you just want to feel like one – get your elbows ready.

 

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1634 Cahuenga Blvd.
(323) 645-7119

Dine in/take out/delivery options

  • Genie Davis; photos: Jack Burke, supplemental evening shots provided by Elbow Room

 

Tape Artist Chiho Harazaki in 3-Day Pop-Up

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Coming to Venice August 17-19,  SOVO// Magazine offers viewers a chance to witness – and participate in – the creation of a ceiling-to-floor wall mural from LA-based contemporary tape-artist Chiho Harazaki.

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What is a tape artist? Like a maker of mosaics, Harazaki, who was born and raised in Japan, shapes delicate work from fragments of electrical tape. Wielding scissors and precision knives, she creates fascinating, dynamic works that combine elements of cultural, historical, architectural, and lifestyle elements into elaborate depictions of scenes set in both Japan and LA.

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The artist has worked in this medium since 2014, and its uniqueness enhances her cool, clean, and visceral style. She says that her life in Japan and now in the U.S. both inform her subjects and her art. Indeed, the meticulous nature of the work, and the lyrical aspects of her composition seem to have arisen from her heritage; while the boldness of meaning and many of her physical settings are pure Los Angeles.

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Harazaki’s work offers a fresh take on iconic LA locations such as Union Station and Sunset Junction, as well as a poignant depiction of children at play in her “String Game,”  salary men dining in Japan, and in a piece commissioned by SOVO, “Bookends,” she depicts busts of former President Obama and Trump at either end of a row of books, with titles between them depicting each man’s philosophy of life.

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“The refuse of tape: tiny, useless, leftover scraps; can become perfect components of an artwork. I found the beauty of imperfection in tape art,” Harazaki says.

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Her hand-cut shapes and lines resemble traditional Japanese arts such as woodcut and paper cutting, but are themselves  fascinating and entirely unique mixed-media works.

The 3-day pop-up art installation and music event commemorates the magazines second half-issue, ​[ Issue 2.5 ] and is planned to help attendees interact, break routine, and manifest understanding through art.

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Harazaki, who will be present throughout the exhibition dates, says “Let’s focus on growing love. Play together. Know each other.”

She will be working live on a large-scale artwork, offering a rare chance to see her unique, process in action. And, in addition to viewing Harazaki’s original works, a limited edition T-shirt, designed by the artist and produced by SOVO//, will be available for sale. When worn in front of each of the murals Harazaki makes, the shirt creates the illusion that participants are standing within the artwork itself – Instagram ready. Art prints of three of the scenes from the exhibition will also be available to view and purchase by special order.

The immersive event unfolds at 214 Lincoln Blvd., in Venice, August 17-19. Hours are 5-11 p.m. Friday, 12 noon to 11 p.m. Saturday, and 12 noon to 5 p.m. on Sunday.  A variety of live performances including music, DJs, hula hoop, and more will take place over the 3-day period.

SOVO// is a new quarterly, high-concept print magazine produced in a limited edition; art-and-music-oriented events launch each issue and half-issue.

  • Genie Davis; photos: provided by the artist 

 

 

 

 

Street Food Cinema Serves Up Tasty Film Line-Up

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Street Food Cinema is offering a full line-up of summer fun, focusing – of course – on an eclectic batch of great outdoor movies. While film is the focus, these events are not only about what’s up on the giant outdoor screen.

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The season includes well-curated food trucks, lively audience games, live music, and even talks from film stars and directors. The full 27 week season runs at eleven different locations with over 50 film events projected on a crisp, 50-foot screen.

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The event was founded in 2012 by husband and wife team Steve Allison and Heather Hope-Allison, who’ve dedicated themselves to projecting classics, cult favorites, and cutting edge cinematic treats as well as offering a venue for emerging musical artists in a variety of musical genres.

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Food favorites are also well-selected, and viewers will notice LA-area favorites like Cousins Maine Lobster and Churro Stix in the gustatory mix. The Allison’s offer not just a movie screening but a complete al fresco evening out, which makes watching a movie outdoors an event.

This season opened appropriately enough with La La Land – shown to the venue’s largest crowd to date – over 5,000 film fans. Street Food Cinema offers screening events in LA, San Diego, and Phoenix, but you’ll want the local run down, with screenings, games, live music, and food trucks held at a variety of iconic Los Angeles locations including Beverly Hills, Manhattan Beach, the Pacific Palisades, the Los Angeles State Historic Park near Chinatown, Griffith Park, and Glendale.

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Coming up this weekend is The Big Lebowski in DTLA at the LA State Historic Park,  an event we’ll be reviewing. Not into the Dude? Then how about Dirty Dancing, screening in Victory Park just up the 110 freeway in Pasadena.

The 25th Anniversary of Mrs. Doubtfire screens June 16th at Griffith Park, next to the Autry; The Greatest Showman, a Hugh Jackman-starrer rapidly becoming a cult classic will be at Will Rogers State Historic Park in Pacific Palisades on the same date.

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Finish out June with Goonies taking over Glendale’s Central Park June 23rd, or Back to the Future zooming into King Gillette Ranch in Malibu on the same date, or the Oscar-winning I Tonya at Poinsettia Recreation Park in West Hollywood. Just in time for Independence Day, Top Gun offers a soaring good time in Culver City’s Veteran’s Memorial Park June 30th; the all-American comedy of The Sandlot, in its 25th anniversary presentation is at Victory Park in Pasadena on the 30th as well.

The season runs into the fall, with other highlights such as Grease on July 21stCasablanca on August 25th, Twilight and the original cult classic Halloween on October 13th. And don’t miss Street Food Cinema’s first double-feature pajama party – a September 15th pairing of The Craft and Teen Witch. 

Cinema fans, welcome to your summer feast.

  • Genie Davis; photos provided by Street Food Cinema

 

 

Art at the Rendon: Checking In to Check It Out

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From outdoor art shrine to indoor glitter, the Rendon Hotel became the pop-up art spot to beat all pop-ups in LA this past weekend.

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You might not want to book at stay at the Rendon, a former single occupancy hotel just off 7th in DTLA. But if you checked out the first in a series of Art at the Rendon events this past weekend, it was all the same a terrific place to spend the night.

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Over 40 artists took over the hotel, creating immersive, individual rooms, some featuring performance art, some unspooling video images, some with the artists holding court, explaining the genesis of their work. Astonishingly beautiful, Hidden Rooms, curated by Cindy Schwarzstein of Cartwheel Art (below), brought DTLA-affiliated artists together to conceptualize all three floors of the building.

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Guests climbed the slightly-shaky metal fire escapes to access each floor, and wandered narrow halls to view the rooms.

Artists had just around 3 weeks to complete their works – and the results were stunning.

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Above, Davia King and Lisa Schulte, artists.

From magical neon to sheer, diaphanous fabric with haunting images of the city; light and the use of light was one key element that recurred in the rooms.

Below, artist Teale Hatheway lets the wind carry her work.

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Below, purple light infuses artist Jeff Ho’s room.

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Texture was also a key element of installations: below, Guerin Swing gives us a silver room with the walls of a celestial, alien cave.

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Faux fur on the bed, beaded lamp dangles above.

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The Baker’s Son conjured up outsize, tasty, tactile treats, below.

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Constructs of wood redefine space in the work of Susan Feldman Tucker, who bisected her room with wood and small sparkling lights, below.

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And what is the texture of money? As Warren Zevon once sang, “bring lawyers, guns, and money…” the lawyers were temporarily missing.

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The weapon worship of America was touched upon in several spaces, including this haunting installation by Clinton Bopp, below, referencing Arthurian times.

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From evoking ocean breezes to calling up something much darker, rooms also shaped distinct notions of place and time.

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Other images were harsher.

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Or haunted…as with filmed images from the hotel by Natasa Prosenc Stearns, below.

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Marcel “SEL” Blanco, below, gracefully took flight.

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Joseph Manuel Montalvo (NUKE) created the room of a Zoot-suited dancer, who interacted with hotel guests. Performance, below, by Pachuco Chino.

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Politics came in many forms – butterflies were one, emblematic of migration, below, from Maria Greenshields Ziman.

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A White House built of sand in the jungle… it is all a bit Apocalypse Now these days… from INDECLINE.

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Street artist Paradox gives us predictions of the future and a look at cool Sacrosanct Society clothing.

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Whatever door viewers stepped through, there was a transformation.

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Participating artists included:  ABCNT, Abel Alejandre Studio, AISEBORN – Visual Artist, Atlas, Kofie, Baker’s Son, Big Sleeps, Beau Stanton, Bisco Smith, Calder Greenwood, California Locos, Cassie Zhang, Christina Angelina (aka Starfighter), Clinton Bopp, Chaz Bojorquez, Darcy Yates, Dave Lovejoy, Dave Tourjé, Davia King, Dytch66, CBS, Emmeric Konrad, Francesca Quintano, Gabriella Fash, Gary Wong, Guerin Swing, INDECLINE, James P. Scott, Jacqueline Palafox, Jeff Ho, Johnny Cubert White, John Van Hamersveld, Joseph Manuel Montalvo (NUKE), Joe Prime Reza (K2S), Josh Everhorn, Josh Webb (aka Joex2), Kelcey Fisher (aka KFiSH), Kelly Graval (RISK), Keya Tama, Lisa Schulte, Man One, Marcel “SEL” Blanco, Maria Greenshields-Ziman, Mark Dean Veca, Michael Torquato DeNicola, MYMO (aka Mimo Ilie Mali), Moncho 1929, Deejay Trixter, Nataša Prosenc Stearns, Nicholas Bonamy, Norton Wisdom, Ralph Ziman (aka Afrika47), Restitution Press, RETNA, RhoXRose, Robert Sticky Shaw, Sarah K. Walsh, Shrine (Brent Allen Spears), Sma Litzsinger, Stephen Seemayer, Susan Feldman Tucker, Tanner Goldbeck, Teale Hatheway, VALTD, Vanessa Chow.

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On the ground level, music rocked the dive-bar, while sculptures, an art car, and food truck took over the courtyard. 

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Hidden Rooms was the first event in the Art at the Rendon series, which is planned to bring both art and music to the vacant hotel before it is renovated — and after the renovation. The idea is to  continue art programming and offer artist residencies.

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We wished there was an extended checkout, but unfortunately, this was just a weekend staycation.

  • Genie Davis; Photos: Genie Davis