Staying SLO Brew Style – A Weekend in San Luis Obispo

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You’ve likely heard the expression: slow down, relax? Well there’s no better place to do that these days than in the heart of San Luis Obispo – SLO. Staying SLO style allows you to taste terrific beer at a variety of breweries, stroll Mission Plaza, and enjoy small boutique shops. It also means a stay at SLO Brew and Lofts, where great food, drink, and loft space might just mean you never leave the property.

Let’s start with a look at why many visitors come to SLO and SLO Brew in particular: the beer.

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Brewer Luis Lapostol led us through a tasting of some of the best beers in town. Always a home brewer, Lapostol joined the SLO Brew team three years ago,  working with brewmaster Steve Courier. “I was always a home brewer and always interested in craft beer. I came in and asked Steve if he needed help. His first question was what kind of beer I liked. We were expanding, and craft beer was expanding – I was in the right place at the right time,” he attests.

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SLO Brew was the first purveyor of craft beer in the state. “The people who built the original brew system in 1988 built it outdoors,” Lapostol told us. “When we moved to this location, the tanks were jack-hammered out and rolled down the street.”

We started by tasting a terrific Cali Weisse, the California version of a Hefeweizen, an American Pale Wheat Ale, with a subdued yeast character, a little subtle clove, and dry bright hops. We also tried the Reggae Red, a smooth brew with a bright flavor and a dash of hemp seeds, and the Cascade Pale Ale, which is not a year ’round brew but a rotating flavor. “We do have some pale ale all year round,” Lapostol says.

The Cascade is a single hop beer, but many brews on the menu are not. “We use up to eight different types of hops. It’s an art to create the mixtures, to see what a certain hop tastes and smells like. With the Cascade we are using a very old West Coast variety, one of the most widely used hops, a grapefruit and pine needle flavor that Sierra Nevada also uses,” Lapostol explains. 

Next up: the Stein Slammer Oktoberfest beer, which boasted a malty sweeter taste that’s easily drinkable and not too hoppy. We followed that with Barley Champ.

“Barley Champ is a brown ale, and I always wanted see it added to our selection. We had nothing on that color spectrum of beers between black stout and Reggae Red. Steve didn’t initially want to do an English-style brown, but I finally got the go ahead,” Lapostol laughs. “It’s hoppy for brown ale, but what I wanted. The name is mine, too.”

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Lapostol relates that because this beer worked out well, SLO Brew is considering a smaller pilot system to do more experimental beers, present them to a tasting panel, and get notes. “We hope to look into doing that part of the process before offering a beer on tap,” he says.

The seasonal Holidaze that we tasted was born of a “fun idea to try something new – pumpkin pie porter with graham cracker crust, vanilla, and a fresh pumpkin taste. We brought in pumpkins, put them through our pizza oven, roasted the pumpkin, and mixed it in mash. We also added graham cracker flour to the boil,” Lapostol attests.

The rich Nitro Oatmeal Stout presented well with small bubbles and a creamy mouth- feel redolent of caramelized sugar, espresso, and oatmeal.  “You need a beer with substantial body to nitrogenate successfully,” Lapostal notes.

Calling brewing a “definite balance of art and science,” Lapostol says SLO Brew is still known for it’s first brew, The Original Blonde Ale. “It’s an approachable craft beer that showcases a balance of malts and hops.” The refreshing beer has a mouth-feel that’s not too sweet, a beer that SLO Brew calls their “beach and hiking beer. It’s accessible and light, an ale not a Pilsner, a little crisper than a Pilsner.”

Naturally, along with tasting SLO Brew’s beers, we tasted their food, both for lunch and dinner. The menu is fresh and delicious. From a crisp flatbread pizza to perfect fries, we were impressed.

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The pizzas are varied: above is the pizza of the day, with onions and cilantro on a cheese-rich crust.

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Fried but not greasy, a delicious guilty pleasure, the lightly breaded and seasoned calamari and artichoke hearts above go just great with a beer or two. Served with sliced lemon, Arrabiata sauce and lemon aioli, they’re a don’t miss.

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More great-with-a-beer dishes: macaroni and cheese and fries.

For dinner, we went with more refined choices.

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Above, a sweet farmer’s market soup of the day: corn.

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Above, a really wonderful salad: the Complete Greens is a mix of kale, frisee, arugula, French Feta cheese, quinoa, sliced green apple, red onion, and almonds all in a light herbed vinaigrette.

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Fish tacos, above, featuring grilled, marinated mahi-mahi with tomatillo salsa, lime cabbage slaw, pickled red onion, and avocado crema. On the side is hearty serving of peruano beans and a fried jalapeno.

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One has to save room for dessert: in this case, the decadent Beer on Beer Brownie Sundae, a stout chocolate brownie with SLO Brew beer gelato and IPA caramel sauce. Yes, you want that.

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Last but not least, it doesn’t have to always be beer at SLO Brew’s bar. Above, SLO Fashion with Brew Rye Whiskey, house simple, and orange peel on the rocks.

So after a good meal or two and some beer, it might be time to listen to some music – SLO Brew often hosts live acts.

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And then – it’s time to chill out in one of the property’s six luxurious, sleek lofts upstairs.

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Beautifully designed spaces are stylishly modern with urban touches. We were in the one bedroom Castaway, with a record player, classic tunes, a fireplace, and a gorgeous kitchen, with a fridge stocked with SLO Brew cans.

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Our stay was on a rainy weekend, and while we took advantage of the central location to check out the art museum, the Mission, and take a stroll along the swollen, pretty creek, we also just stayed in. Spacious, with hardwood floors and bright colors, the Lofts make a great hideaway.

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Other loft spaces are great for families, and there’s a common room, above, that’s just waiting for a party.

So SLO down – SLO Brew is waiting.

  • Genie Davis; Photos: Jack Burke, additional photo SLO Brew

 

Tommy Chong Lights Up Mammoth Lakes Film Festival

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The Mammoth Lakes Film Festival opened its third year going Up in Smoke. 

Festival director Shira Dubrovner and programming director Paul Sbrizzi opened the festival with a screening of the first Cheech and Chong movie – seminal in its presentation of Chicano culture and cannabis culture – along with a lively q&a with Tommy Chong.

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The film itself is madcap, silly, perfectly timed fun. Chong’s interview laid it all on the line.

“I was going to write a film called Jack and the Weedstalk,” Chong laughs. “But when we started writing we wanted to show marijuana culture. We also realized we had a great immigration story. ”

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Chong, who spent 9 months in jail in 2003 for selling bongs, aptly describes the demonization of cannabis by politics, the racist nature of depicting cannabis users as crazed killers, and introducing what was then a “Mexican slang word” – marijuana – to the cultural lexicon.  With Up in Smoke, the comedy duo presented cannabis culture with inspired improv Robert Altman-style, and worked to change the negative perspective.

“We shot all over Pacific Coast Highway, all over LA. It was just fun making a movie and getting high – the catering was great, if something broke it’s ok, there’s no violence – we let the actors figure out much of their own dialog.”

The duo’s laconic style clashed with the film’s original director Floyd Mutrix, who was replaced by Lou Adler. Chong himself is uncredited as a co-director, re-shooting the film’s hilarious ending scenes after a disastrous rough cut screening for Paramount execs – in which  the film ended with the action portrayed as “just a dream.”

Chong viewed the film as “like one of our stage shows – but we would also shoot the rehearsal.”

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He notes “Sometimes the first thing you’d say would be the best…actors say dying on screen is easy and comedy is hard because you can’t rehearse spontaneity which is often where the comedy comes up.”

Working with Adler, Chong would add elements to the script, stories the other actors would tell.

“Cheech would tell me stuff he did as a kid like peeing in hamper by mistake and I would say let’s put it in – actress Zane Buzby who plays Jade East,  she told us about this routine her roommate would do, and we put in the fake sex scene in the van based on her story.”

As a director, Chong followed the advice of auteur Terrence Malik: “Its your vision – you direct it.”

Chong says Smoke is still his favorite Cheech and Chong movie
“because it really started the whole Chicano humor movement. Cheech was one of a kind and still is.”

The duo will soon be releasing a documentary created by Chong’s daughter, and continue to perform live on stage.

“We’ve been trying to do another movie since ’03 but some things – those are one of a kind – it only happens once when you’re young. I’d rather live on screen like this – you never get old. You’re always 20.”

He offers this advice for the young:
“Love what you’re doing – if you don’t love what you’re doing, quit doing it whether it’s film making or sweeping sidewalks. It’s all about love.”

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Love is certainly part of the reason for the continued success of MLFF – with intimate discussions like these and a wide range of films ahead this week.

  • Genie Davis; photos: Jack Burke

Ethan Sultry – Jazz with a Twist

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The jazz is smooth and vibrantly flamenco flourished – and the club is chill tonight. Listening to The Ethan Sultry Band at the Blue Whale in DTLA is a sensory jolt. Deliciously fluid vocals joined to a hybrid jazz sound five-person band feature:
guitarist/composer/vocalist Ethan Sultry (Margolis. Fresh from Spain performing his iTunes featured album, Sonikete Blues, the blend of Adalucian rhythms with blues and jazz creates a stirring fusion that’s as graceful as it is assertive.IMG_6641

Along with Sultry the stage was shared by Reggie Hamilton on bass; Katisse Buckingham on flute, keys, and sax; Munyungo Jackson on percussion; and Donald Barrett on drums. IMG_6643

Born in Santa Cruz, Sultry lived in Spain for more than a decade before moving to Los Angeles, bringing his exciting fusion sound like the best kind of baggage.

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Opening with the song “Butterflies and the Moon,” from his new album Sultry moved into playing a compulsively cool Robert Johnson tune “Malted Milk” played in “E flat” as Sultry noted. The music flowed like a rhythmic waterfall, with Suitry pausing only to justifiably praise the ambiance and acoustics of the club – who could help but love a space with a Rumi quote on the ceiling and a stellar cheese plate available at the bar.

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This is a rare and delightful mix of Gypsy roots, Delta Blues, and sleek jazz. Vocals are compelling and the percussion wills you to move along with the music. Buckingham even added a side of hip hop lyricism to a music mix that was seamlessly blended.

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Sultry offers an intriguing take on a jazz path that evokes Miles Davis and a bit of Les McCann. His take on the traditional spiritual “Go Down Moses” defies comparison – and indeed most all of the ensemble’s pulsing and yet delicate musicianship is entirely unique.

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I’m sure I wasn’t the only audience member involved enough to want to dance – and at the same time listen and contemplate.
However the music makes you feel,the important thing is that it truly makes you FEEL.

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Missed them live? Then check out Sonikete Blues on iTunes now and get ready to move and feel and find yourself in some alternative and wonderfully eclectic place between Spain and Mississippi and jazz Heaven.

  • Genie Davis; photos by Jack Burke

Continue reading Ethan Sultry – Jazz with a Twist

Roaring Good Fun Lights Up the LA Zoo

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Now through January 8th, join the roar and wonder of lights at L.A. Zoo Lights. The Los Angeles Zoo’s now-traditional, always dazzling holiday offering is a justifiably popular replacement for the DWP Holiday Light Festival, a drive through that once called Griffith Park home.

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The Zoo display is a delightful crowd pleaser, with a cheerful color palette, a rain forest canopy, recycled water bottles recreated as illuminated frogs – all fantastic fun for all ages. Adults, babies in strollers – grab a churro or a hot chocolate or cocktail and enjoy.

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Silver birds soar through one of our favorite sections, all purple lights and shimmering mirrored disco balls.

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Flamingos as lithe as pink musical notes hop; neon meerkats dazzle.

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Entering along a path lit by large glowing holiday ornaments sets the stage for what’s to come, an animal-centric, whimsical display of illuminated critters.

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In a new and more easily viewable location this year are crowd-favorites like elephant statues illuminated with a changing pattern of designs from Christmas sweaters to sparkling lights to tribal markings. Santa and his live reindeer continue to charm children.

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Below, LAIR

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The now-open LAIR reptile house makes a fascinating stop and a good way to step out of chilly night air. Friendly docents explain what these nocturnal critters do.

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Around the corner an even more spectacular water and light show this year runs in fifteen minute intervals, creating glowing surreal images out of the mist.

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Palm trees become multi-colored and fanciful, a parade of Christmas trees vies for attention with alligators and rhinos, and there are tunnels of lights leading into and out of the Hollywood scene that concludes the exhibit, with a Hollywood-premiere red carpet, and illuminated images of the Hollywood Bowl, freeways, and Capitol records.

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Two hours allows for a leisurely look and a quick cup of cocoa, stay longer to visit Santa.

L.A. Zoo Lights runs 7 days a week through January 8th, from 6 to 10 p.m. , closed December 24 and 25. Don’t miss the Family New Year’s Eve celebration, with express entry to L.A. Zoo Lights, a dinner buffet with soft drinks and dessert, a carousel ride, games, DJ dance party, and live broadcast of the Times Square ball drop.

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More details and tickets can be found here. The L.A. Zoo is located at 5333 Zoo Dr. in Los Angeles.

  • Genie Davis; photos Genie Davis, Jack Burke