After It Happened – Invertigo Dance Theatre Thrills

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Los Angeles contemporary dance company Invertigo Dance Theatre is awe-inspiring. With sinuous movements that seem to defy gravity and the human body, an enthralling flow of dance and a testament to the human spirit ignites audiences in After It Happened.

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Choreographed and directed by artistic director Laura Karlin, the beautiful, poignant story of the aftermath of a natural disaster is a vibrant and involving 90 minute performance that’s truly a must-see. Playing at the newly re-opened Ford Theaters on Cahuenga September 30th only,  After It Happened will also be performed in Santa Barbara October 22 and 23 and is well worth the drive.  We saw the dress rehearsal tonight, and were as blown away as if a hurricane or tidal wave had carried us.

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Originally sold out when performed in 2014 (see photo directly above), the production chronicles what occurs in a community as it rebuilds following an unspecified natural disaster. The community is near the sea – awash in blue light, with fishing, boating, and triumphant performer/waves appearing at certain points in the production.

Even during light-heartened moments there is a tinge of deep seated sorrow underpinning the often-ecstatic choreography, as this isolated community turns to its own members for the strength to rise again.

Artistic director Karlin wrote the story as well as creating the dances through which its told – in what she describes as “an intensely collaborative” effort.

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The piece opens with the occurrence of the disaster, moves through clean-up, disaster-porn tourism, robbery out of hunger, the rise – and fall – of dictatorship, rebuilding, illness, and the memories nearly lost in the terrible destruction of a place that was once home. Ending with a spirit of renewal and rebirth for the devastated community, the performance is nothing if not redemptive; both story and choreography are transformative.

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This is the second piece I’ve seen from Invertigo, the first being last year’s relationship story,  Reeling. Like Reeling, the production is an incredibly intense, truly jaw-dropping spectacle of human movement, one that wrings emotion from viewers and serves up inspiration to compensate. To create the living sculptural art that are these dancers bodies is no small feat, to infuse this performance art of the highest order with such heartfelt, political and emotional substance is rare indeed.

But above all, Invertigo offers pure pleasure: through modern, eclectic dance, contemporary live music and song, imaginative costumes and set design. As a side note,  John Burton, the company’s set designer worked with the community at large and CAFAM in the creation of collaborative set pieces such as a tree that grows and blossoms in the back of the stage.

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And beyond the wonder that Invertigo shapes, there is the fact that the company supports such terrific causes. Invertigo offers engagement programs such as Invert/ED youth education and Dancing Through Parkinson’s. “We believe in empowering people through the creative process ,and the idea that dance is for everybody and every body,” Karlin has said.

As to After It Happened, the performance is an experience – of heart and soul, mind and body. The compact, rehabilitated Ford amphitheater setting adds to the vibrance of the production, but frankly it could be performed in a parking lot and lose none of its wonder.

Fan of performance art? Dance? Fine music? Subtle but seductive stage design? Then hurry to the Ford Theaters or plan a late October drive north to Santa Barbara – you won’t want to miss the visceral impact and adrenaline-rich excitement of After It Happened – get there before, not after, the show.

  • Genie Davis; Photos: Invertigo and Genie Davis

 

 

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West Hollywood Arts Plan

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West Hollywood has always had a strong commitment to and interest in the arts. And now, as the city enters its 30th year, West Hollywood has now announced the next step in that commitment – establishing a formal arts plan. This extensive planning process bears the name “WEHO Arts: The Plan.”

Designed to explore the future of the arts, culture, and creativity in West Hollywood, the program is a community-focused cultural planning process. This inclusive program will be led by social practice artists Alyse Emdur and Rosten Woo, who are developing what the city terms “imaginative pathways for engagement.”

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It’s hardly a surprise that the city would want to create such a plan. Although WeHo is a diminutive 1.9 square miles in size, the city packs a mighty punch, conceivably providing more art per square mile than any other city in the U.S.

The plan to be developed will guide the work of the city’s Arts and Cultural Affairs Commission (ACAC) and Arts and Economic Development Division (AEDD) over the course of the next five to ten years. The goal? To celebrate the city’s artistic and cultural identity, acknowledge the city’s support of the arts, and present a shared future vision that firmly secures the position of arts and culture in the city.

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It’s fitting that West Hollywood should come up with such a plan, as the city’s support of the arts has long been a vital force in the community. This year alone, the city has supported the massive, 40-day arts program One City One Pride, held live dance and music performances, poetry readings, art exhibits, and established poetry installations. And the city is now fielding applications for the position of its second poet laureate.

So just what is the city’s new art plan? Throughout the year, interested individuals – including both residents and visitors – are invited to participate in an interactive series of formal and informal conversations, surveys, and artist-led activities, all designed to gain insight into the city’s continuing arts programs, and formulate a vision for the future.

West Hollywood’s government, the ACAC and AEDD are after something special: an arts plan that nurtures the energy and creative vitality of the city. Artists Emdur and Woo will join the ACAC commissioners, AEDD staff, and a cultural planning consultant through December, to create and define activities and experiences throughout the community that encourage contributions to the arts plan.

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Emdur and Woo are uniquely qualified to interact with the topics of artistic and cultural practice in West Hollywood. Emdur is an LA-based photographer who has created works of large format photography, video, and drawings. Her personal aesthetic is to search for deeper connections within her subjects. Exhibited nationally and internationally, Emdur’s 2013 book, Prison Landscapes, is all about connection.

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In it, there are photographs of prison inmates positioned before painted visiting room backdrops depicting ideal landscapes – in front of which they can pretend, however briefly, to be elsewhere.

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A designer, artist, and educator, Woo is co-founder of the Center for Urban Pedagogy, a New York-based non-profit that uses art and design to foster civic participation. He also teaches art and design at the California Institute of the Arts, Pomona College, and Art Center College of Design. Woo creates artistic engagements that help people understand complex systems, re-orient themselves to places, and participate in group decision-making.

The participatory projects Emdur and Woo will be presenting throughout the next six months are just one aspect of West Hollywood’s arts planning. Residents can also be involved online at www.weho.org/theplan and take The Plan’s quick online survey.

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In-person participation opportunities will be announced in the next few weeks, and will include arts and culture pop-ups, discussion series, and the WeHo Talks series. Just as the arts plan to be established will take into consideration the entire community, the planning process is meant to involve residents and visitors alike. Join in, as the city formulates its plan to remain a bastion of cultural support and programs.

It’s Elemental: See Elements at the Loft at Liz’s

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Fire, air, water, earth. At Loft at Liz’s “Elements,” the gallery’s annual nature themed exhibition, six potent artists create this year’s entry in an annual show that focuses on nature. Six artists, Doron Gazit, Michael Giancristiano, Moses Hacmon, Luigia Martelloni, Jeff Frost and Joan Wulf re-create these natural elements as something profound and poetic.

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Environmental artist Doron Gazit has worked with inflatables for thirty years, and his kinetic wind sculptures here potently visualize the unseen. Using nature as his canvas, he has worked with plastic tubes that are hundreds of feet long.

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Writ on a smaller scale here, “Frozen Flow,” take up substantially less space, white and illuminated from within, they channel air currents and pull viewers into a world both haunting and beautiful. It’s not hard to visualize Gazit working on his next upcoming projects in Iceland and in the Amazon forest.

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Artist Luigia Martelloni takes on the element of earth in an installation that fills the smaller exhibition room at the Loft. Luigia’s work involves crystals, earth, organic materials, and paper prints.

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“It’s a very personal journey, that goes back to the vastness of the land that I explored in 1986. I’m translating to the audience not information about finished objects, but about recovering and salvaging materials and translating ideas. The crystals are about a trip I took from the Colorado mines to Utah. There is salt from Salt lake City, dirt from Monument Valley. I prepare my paper in an organic way, and I use papers that are a collection of years and years.”

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Joan Wulf “fell into” her own burning ring of fire – she was painting on wood panels, and found a particularly beautiful wood grain that she did not want to gesso, instead using the panel to burn rather than paint her work.

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Now this pyrographic artist is creating art painted with flame rather than brushes, burning canvasses, crafting images that resemble ancient cave paintings or conversely, modern patterns that just happen to be burned into shape rather than conventionally painted.

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Moses Hacmon uses a liquid film technique to render images of water on aluminum. His eco-friendly project creates images that evoke both the depths of the ocean and the earth from space, watery images that shine over aluminum that could merely be representing the crystal clear waters of a distant cove.

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Michael Giancristiano says his art in this show, featuring air plants, was “inspired by melting ice caps and what’s under them. Scientists have reanimated organisms, a rebirth,” he notes. He wanted to use “organic materials that are alive and growing. The air plants are held onto functional handbags and panels by fasteners. They can be interchanged, removed, and watered.” The air plants he uses here come from the pineapple species.

 

We did not have the opportunity to talk to Jeff Frost, whose images of fire are seductively palpable in his photographic and video art works.

Find the element that moves your spirit through June 20th at the Loft at Liz’s, 453 S. La Brea Ave.

  • Genie Davis; Photos: Jack Burke