Why You Should Go to Vernon, California – DABSMYLA Before and Further

 

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DABSMYLA's Before and Further - All Photos: Jack Burke
DABSMYLA’s Before and Further – All Photos: Jack Burke

Just south east of downtown LA’s arts district lies the industrial enclave of Vernon. A tiny town with political corruption battles, a few fast food eateries, and lots and lots of warehouses and factories. So why do you want to go there?

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Photo: You might just be able to own chairs kind of like those – Modernica is producing some limited edition recreations.

For DABSMYLA’s astonishing installation art takeover of a factory workplace at the  Modernica furniture factory.

Blacklight room
Blacklight room

What is DABSMYLA? It’s a who, or rather two who’s, a thoroughly blended duo of married artists. A true creative partnership, the couple has melded not just their names but their artwork, and created among other works this 4,000-square-foot installation that looks like something you might’ve dreamed as a movie set.

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And it’s only there until November 15th, so don’t hesitate to grab your significant other, friends, family, and camera to go see it.

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Don’t worry about things like parking and admission costs: there’s plenty of the former in a guarded lot adjacent to the structure, and none of the latter: it’s free. Less crowded than the Broad and a super-fresh interpretation of modern art.

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“Before and Further” is the title of what could be the home of the Cat in the Hat if he was hip and kind of into the 60s.

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Paintings, sculptures, ceramics, and furnishings that include limited-edition fiberglass shell chairs available for purchase through Modernica are all a part of the artists’ collaboration with Modernica.

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Inspired by DABSMYLA’s own shared process of creation, Before and Further is a house that has modern asethetics, pop art, giant cat faces, binoculars trained on a tiny elf figure perched on the roof of an opposite structure, a black light room with glowing cartoon faces, a black and white television running video art, a hi-fi portable stereo you can listen to, a secret movable clock and peep hole through which you can view the artists’ workshop.

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Look behind the clock and peek inside: we did!
Look behind the clock and peek inside: we did!

The duo call the piece an “adventure in modern living and artistic partnership,” for visitors it’s a wonderful mash-up of the surreal and the real. It’s the Modernist movement, its a gentle promo for original Modernica furniture creations, its a transformation that Alice in Wonderland would appreciate after going through the looking glass.

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What would you do if you could completely gut and revitalize a creaky 1930s era Spanish Revival house perched on the lot of a factory where the furniture is made one piece at a time?

Chances are, you might have thought of something like this. If you’re DABSMYLA of course.

If not: visit 2901 Saco Street in Los Angeles Thursday through Sunday from noon til 7 pm UNTIL NOVEMBER 15th.  Yes, it’s lit up at night. No, you can’t live there, no matter how much you want to. Besides, do you really, really want to live in Vernon?

 

Invertigo Dance Theater: Reeling

Reeling - Invertigo Dance Theatre - Photo and all photos by Jack Burke
Reeling is dance theater at it’s finest. Inventive, sensual, hilarious, and interactive, you just plain haven’t seen this before. Missed it at the Moss Theater in Santa Monica? Then head to San Diego this weekend October 17-18 to see it at White Box in San Diego, or the weekend of Nov. 7-8 in Santa Barbara.
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Choreographed and directed by artistic director Laura Karlin, the intense 70-minute  Invertigo Dance Theatre production is entirely unique.
Choreographer and director Laura Karlin
According to Karlin: “The show is set in a dive bar, and  is inspired by the double meaning of the word reeling:  first, to be off-kilter from drinking, getting punched, falling in love at first sight,  and second, to try to pull someone into you, which is why a lot of people go to bars.  I like multiple meanings, different angles to a story and whimsical imagery,” she says. “Underneath all of my work, the deepest inspiration is human connection.  The dive bar is a great context in which to see characters interact with the underlying, driving desire to connect.”

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Featuring eight stellar dancers, the piece shows them literally fishing for partners with rod and reel, flirting, texting, fighting, falling in love, diving off the bar. As Karlin says “These are recognizable stories, but always with a twist. The dancers never leave the stage once they enter, because the whole show takes place over the course of one evening in the bar.  This show is the equivalent of a television “bottle episode.”  Which of course plays into my love of word play, because. . . bar!  bottle!”
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The dancers are onstage, in character the entire performance, which, Karlin notes, requires a huge amount of stamina.
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According to Karlin, Invertigo’s philosophy is that dance should be compelling, thought-provoking, fun and accessible. “I believe in beautiful, highly kinetic movement, bold theatricality, and striking imagery.  I want to tell stories that matter, to crack open different subjects and examine them from many different angles.  I want people who have never watched a dance show before to be able to connect with what we’re doing, even as people who are ‘dance aficionados’ find many layers as well.”
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Invertigo does more than provide stunning performances. “We bring the same philosophy to our engagement programs: Invert/ED youth education and Dancing Through Parkinson’s.  We believe in empowering people through the creative process and the idea that dance is for everybody and every body,” Karlin stresses.
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A piece this demanding might seem difficult to cast, but Karlin demurs. “I have worked with 7 of the 8 dancers before, and our the newest member Jonathan Bryant, integrated seamlessly into the company.  It feels like he’s worked with us for years already.  Invertigo holds auditions when we need new company members, and we have a fairly low turn-over rate.  I look for dancers with gorgeous technique, intriguing originality, creativity, and a kindness and generosity to their manner.  As a choreographer, I work so collaboratively, and we need people in the room who are excited to be a part of that and who will support one another in the creative process.”
Go, go, go – to see Invertigo. 

Merry Karnowsky Gallery – Mark Whalen – Trapezoid

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What do you see? Rubik’s Cube, geometry class, chess boards, hundreds of cameras trained on hundreds of people, one person, no people at all – the observed and the observer, entwined and alone.

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Geometric forms shape a world of immense order. Patterns create beauty, create conformity. All chaos is about to break loose in this Trapezoid life.

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The Merry Karnowsky Gallery is often a hot-bed of emerging artists, and the exhibition of Mark Whalen’s latest works, “Trapezoid” is no exception. From hand-painted glazed ceramics to acrylic, ink, and gouache on panels, Whalen has constructed a series of personal, intricate worlds.

Meticulously detailed, his ceramics and paintings feel intense,  pristine but pointed introductions to something other-worldly that Whalen is asking the viewer to explore.

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E.T. – take a picture and text it home.  The rest of us can explore this strange and stellar world through October 12th at  170 S. La Brea in Los Angeles.

  • Genie Davis; Photos – Jack Burke

Gypsy Trails Gallery – Museum on Wheels

 

Osceola Refetoff, Uri Koll, Hayley Colston at Gypsy Trails Gallery outside Torrance Museum of Art - all photos - Jack Burke
Osceola Refetoff, Uri Koll, Hayley Colston at Gypsy Trails Gallery outside Torrance Museum of Art – all photos – Jack Burke

A collaboration of Hayley Colston and Juri Koll, the Gypsy Trails Gallery is rolling up to museums throughout the Southland, featuring different, “museum grade” artists at each stop. “Each artist is chosen specifically to be a part of a museum, to best fit each museum’s atmosphere,” Colston says.  With eleven different artists and eleven different museum stops running through March of 2016, Gypsy trails is, Colston says, “more accepted now that other museums have worked with us.  It’s a concept that takes leg work, but the result is creating a travelnig gallery that offers the same treatment for its artists as a museum. We think it will steam roll from here.”

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Koll, the director of the Venice Institute of Contemporary Art is working to promote the idea of a museum in Venice, while honoring other museums, and recognizing their importance within their respective communities.

Saturday night, the gallery displayed the work of photographer Osceola Refetoff in a solo show outside the Torrance Museum of Art. Refetoff’s work reveals the harsh and beautiful spirit of the desert, and casts a spell of awe for the landscape and the people who have lived in it. His evocative photos are mysterious and magical – decay as transformation; loss and loneliness baked in the sun and suffused with love  – these are his subjects.

To see where Gypsy Trails is headed next, go to www.gypsytrailsgallery.com to download their schedule.

  • Genie Davis, all photos by Jack Burke