For a Beery Good Time Call: SLO

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There are so many good things to say about San Luis Obispo — a.k.a. SLO – that you’d almost have to sit down and discuss them over a cold brew or two. Lucky for you, SLO is the perfect place to do just that. The home of several annual beer festivals – including the glorious October SLO Brew Week – this central coast town is a beery fun place to visit any time of year.  With beer tours, stellar accommodations, great meals, and top of the line breweries, it’s easy to spend a week or a weekend here.

Above and below, a look at Hop On Beer Tours.  Owner Brant Myers knows his brews and takes guests to the region on a well-curated tour of some of the best breweries in SLO.

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Myers is brewing expert having entered the craft beer industry with a partner, appeared on Shark Tank, sold his business, and bought a bus. A comfortable bus that he hand designed on which SLO-goers can ride and listen to Myers’ insights into beers and the brewing process. “We are still kind of in the Wild West,” he attests. “Every brewery is doing their own thing. These brewers are celebrating their craft. ”

Myers took our group to Tap It, Central Coast, Libertine, and SLO Brew, four fine examples of the regions brewing.

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The largest brewery in SLO and the third largest in the country, Tap It served up ample tasters of 7 different beers. Their IPA, amber, American pale ale, and blonde are their year ’round brews, but seasonals were also on tap for tastings. Among others, we tried the light, refreshing Bierre de table; a Chardonnay-barrel-aged wheat, with a light, fruity character; and the Three on the Tree, a triple IPA with an ABV of 11% and a delightfully hoppy flavor.

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Above, brewmaster Ryan Aikens says “We do so many styles here, why block yourself into a single beer? It’s all about good times with friends and family.”

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Before moving on to the next tasting, we made a lunch stop at Luna Red. This charming restaurant is sleek and modern, with globally inspired food that includes tapas and paella.

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Located in the heart of town at the edge of Mission Plaza, the stylish restaurant offers live music in the evening.

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Appetite sated, it was back to tasting: next up, Central Coast Brewing.

Despite a smaller brew system,  brewmaster Brendan Gough says CCB usually has 15 beers on tap, and produces a variety of fresh, hoppy ales, stouts, barrel-aged beers and lagers. A stint by Gough at Firestone Walker led to a friendly relationship with the larger brewer, located just up the road in Paso Robles, one which allows Central Coast, which calls itself “your neighborhood brewery,” access to a variety of hops.  The brewery propagates their own yeast in-house, and harvests and dries its hops once a year. “Most of the brewing uses hops as pellets to help preserve them,” he says. Freshness is key at the brewery, which has ten barrels and twenty tanks.

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Above, Brendan Gough, below – brewery owner George Peterson offers a taste of the brewery’s GABF Gold medal award winner Monterey Street Pale Ale.

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Sours have never been better than at our next stop, Libertine. Using local organic produce – such as a recent purchase of 800 pounds of persimmons – and an open brewing technique in big stainless steel open tubs, their beer gets flavors from the air and is barrel aged before adding fruit to the brew. Libertine also has small brewery outposts in Santa Maria and Morro Bay as well as in SLO.

“You need good beers to stay in business,” Libertine founder and head brewer Tyler Clark says. “We started five years ago in Morro Bay, and we use hot rocks that retain heat for two to three days for natural fermentation in insulated tanks.”

The SLO brewery now includes a flagship restaurant in a 9000-square-foot facility with 76 taps and a full menu that takes full advantage of the brewery’s relationship with local farms and creameries.

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Above and below, Tyler Clark.

Open fermentation, wild yeast, a charcoal filter for water all add to the intense flavors here. We tasted two awesome sours: the Central Coast Saison with lemony flavor, and Casa de Newton, so called because the grapefruit added came from Clark’s partners’ home.

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Below, SLO Brew, our final Beer Tour stop.

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SLO Brew has been a part of the San Luis Obispo beer scene for 21 years. The brewery and restaurant features a variety of crisp, delicious beers from their original blonde ale, the refreshingly light and hoppy IPA Wave Wrangler, and their popular Reggae Red hemp seed beer.

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Tasty flat bread pizzas and a wide range of appetizers are on the menu here, and the brewery features live musical acts many evenings.

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Below, brewer Luis Lapostol.

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The brewery and restaurant also has another perk: beer lovers need not worry about a drive home. Six stunning, modern loft sites are located above the brewery.

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During the festival, we stayed at the iconic Apple Farm Inn. With canopy bed and elegant, old-fashioned style, this is the spot to relax and enjoy capacious grounds, evening cookies, and warm, friendly service. True to their name, guests can also much on crunchy apples; bottles of crisp cider await in the room.

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One of the signature events of the beer festival is the Somm vs. Cicerone Dinner. Held at the San Luis Obispo Mission Plaza, this was a dining experience to be reckoned with, with beer and wine battling it out for a flavor pairing with a four-course meal. Each dish comes paired with both a wine and a beer, the choices curated by a both a master sommelier and a master cicerone.

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Pours were generous and the food, featuring farm fresh local ingredients, was delicious.

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Above, butternut squash soup, one of the many fresh regional flavors highlighted by exceptional beer and wine.

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Carnivores and vegetarians alike had a host of flavors from the farms of the Central Valley to enjoy.

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Mark Stern of Pomar Junction and Bill Sysak of Stone Brewing did a masterful job of curating as sommelier and cicerone, respectively.

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As a closing event, Holly Holliday offered a terrific selection of breweries to taste from at Best of the Fest on Madonna Field.

 

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Lagunitas offered bottles of Aunt Sally and their refreshing Pils. And of course, there was music.

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The Breury offered a sour blonde pale ale, as well as their awesome Dodie, named after the brewer’s grandmother, whose passion for the classic Manhattan cocktail is paid tribute.  The barrel-aged beer was rich and flavorful, evoking memories of distant urban cocktail bars past in the most pleasant of ways.

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Tap It, Heretic, SLO Brew, and Central Coast Brewing served more stellar brews.

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And the girls from Figueroa Mountain were breezy but unbowed, serving a potent strong Belgian C’est La Viogner.

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Hard to resist: Karl Strauss Brewing’s Peanut Butter Cup. Chocolatey.

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Central Coast’s Peach Krush IPA featured peach pulp infusion and dry hops for an amazing flavor bomb.

The week ended with a beautiful dinner in the romantic patio space at the Granada Hotel Bistro. The only thing left? A strong recommendation not to miss SLO Brew Week 2017.

  • Genie Davis; Photos: Jack Burke

 

 

Go West: Utopian Vision for One City One Pride LGBTQ Arts Festival

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The city of West Hollywood’s One City, One Pride LGBTQ Arts Festival offers a wide range of programs and a utopian vision for 2017. Running through June 30th, the fest’s theme of “Go West,” references movement toward a utopian promised land, dreams of gay liberation, and the freedom to live openly in West Coast communities such as San Francisco, Los Angeles, and West Hollywood. Featuring interactive, performance, visual arts, and education events, this year’s programming explores LGBTQ history, culture, and art.

Dubbed a “Day of History,” on Saturday June 3rd, One City One Pride offers multiple events that will take place throughout the city.

At 11 a.m., Radar Productions presents Drag Queen Storytime in the West Hollywood Library Community Meeting Room. The free event includes children’s stories and crafts. Radar brought the same acclaimed program to the San Francisco Public Library. The meeting room is located at 625 N. San Vicente Blvd., 90069.

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Also starting at 11 a.m., the Stuart Timmons LGTBQ History Tour combines an urban hike with an entirely original performance art piece. Written by author and historian Stuart Timmons and directed by Jason Jenn, the tour leads participants to a variety of locations.

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They’ll encounter over a dozen costumed characters, bringing the history of West Hollywood to vibrant life.  The experience includes a brief shuttle ride that drops passengers on Sunset Blvd.  Each tour lasts between 90 and 120 minutes, with departures scheduled every fifteen minutes between 11 and 1 p.m. Live music will be performed while participants wait to board. This is the third year for the charming tour, presented in a final staging to celebrate the legacy of the recently deceased Timmons. Timmons is the author of The Trouble with Harry Hay and GAY L.A., among other works.

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ADA accessible throughout,  colorful parasols will be provided during the tour, offering shade from the sun and enhancing the lively interactive atmosphere. This unique event starts at the West Hollywood City Council Chambers at 625 N. San Vicente Blvd., 90069.

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From 11 a.m. to 3 p.m., trans artist Yozmit, the first artist to receive a Trans Initiative Grant from the City of West Hollywood, presents the interactive performance installation “Totem Building.” Yozmit will create transformative visual wearable art pieces to be used as a ritual object or totem. The audience will be invited to create prayers and intentions which she will collect for part of a future performance.

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The artist will stitch a ribbon or bead onto her Pyramid Dress, as a symbol of exchange for those intentions and prayers. This interactive, transformative performance will be held on Santa Monica Boulevard near San Vicente Boulevard.

At 5 p.m., there will be a screening of Reel in the Closet, a feature-length documentary. The film connects viewers with queer people from the past, utilizing rare home movie footage that dates back as far as the 1930s. Filmmaker Stu Maddux also discovered recorded news stories and community productions, and regularly updates the documentary, encouraging audience members to share movies of their own pasts. Maddux notes that he embarked upon the project when he was searching “for a way to really understand the people who came before me, not just read about them.”  The film will be screened at the West Hollywood City Council Chambers, located at 625 N. San Vicente Blvd. 90069

Also at the City Council Chambers, throughout the day the film LA: A Queer History will be shown in a continuous loop; ONE Archives LGBTQ History Exhibits will be displayed in West Hollywood Park.

Later in June, One City, One Pride highlights include:

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“Out There,” a group art exhibition at the Los Angeles Art Association’s Gallery 825 opening June 9th from 6 to 9 p.m. The exhibition will run through June 18th, with the gallery open from 10 a.m. to 5 p.m. daily except Monday. The gallery is located at 825 N. La Cienega Blvd., Los Angeles, 90069.

Also on the 9th, from 6 to 10 p.m., the Annual Dyke March begins with a protest sign making workshop conducted by Sparkleblob’s Julianna Parr, followed by a march down Santa Monica Blvd. at 8 p.m. Confirmed speakers include Patrisse Cullors of #blacklivesmatter, and Supervisor Sheila Kuehl.  the The workshop takes place and march begins at Sal Guariello Veterans’ Memorial, 8447 Santa Monica Blvd., West Hollywood, 90069.

From 7 to 9 p.m. on the 9th, Yozmit’s Migration of the Monarchs and WALK will take place. Based on the idea that everything in life transforms, the trans artist will perform WALK as live ambient art along Santa Monica Blvd. between Robertson Blvd. and San Vicente Blvd.

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June 11th from 8 a.m. to 1 p.m., LA Pride hosts a human rights march in lieu of a parade. The march starts at Hollywood and Highland in Los Angeles, and concludes near West Hollywood Park. 

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And June 29th, at 7:30 p.m., there will be a world premiere film screening of Jeanne Cordova: Butches, Lies, and Feminism, a new documentary on the life and accomplishments of late activist and author Jeanne Cordova. Film director Gregoria Davila and Cordova’s partner Lynn Harris Ballen participate in a post-screening discussion. The screening takes place at West Hollywood City Council Chambers, 625 N. San Vicente Blvd., 90069.

For a full calendar of One City One Pride events through June 30th, visit    www.weho.org/pride

One City One Pride is organized by the City of West Hollywood through WeHo Arts, the City’s Arts & Cultural Affairs Commission and Arts Division, with input from the City’s Lesbian & Gay Advisory Board, Transgender Advisory Board, and other community partners. 

 

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  • Genie Davis; Photos: Weho.org

Mammoth Lakes Film Festival Award Winners

With the screenings complete, Sunday evening brought the Mammoth Lakes Film Festival Award ceremony and after party.  With so many worthy contenders, choosing winners was difficult for jury members, but choose they did.

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Shorts:

Documentary winner: 52 Trolley depicts colorful riders on a trolley bus in the Ukraine, an insightful look at the region and its people, directed by David Auerbach.

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Narrative winner: Flowereyes – director Chris Brady created a touching piece about a man haunted by love who sells white noise machines door to door.

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Animated winner: Laura Harrison’s Little Red Giant, the Monster That I Was is the hilarious story of an unhinged artist who loses it an an academic’s barbecue.

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Feature length winners:

Documentary Audience Award: The lustrous Strad Style,  director Stefan Avalos involving and emotionally satisfying portrait of isolated Ohio violin maker Daniel Houck.

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Documentary Jury Award: a second deserved nod for Strad Style. Director Avalos said “It keeps getting better.”

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The film’s subject, violin maker Daniel Houck added “It’s been nice to share my life with so many people, when I’ve been in seclusion for so many years. It means a lot to share my life with everyone.”

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Other documentary awards:

Bravery Award: Abducted in Plain Sight, with director Skye Borgman tackling the difficult subject of a pedophile’s attack on a family.

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Narrative Audience Award: Withdrawn, the smart and funny story of a slacker/grifter drifting after his college graduation.

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On the right, above, is presenter Vincent Spano.

Narrative Foreign Language Jury award: Cold Breath from Iranian director Abbas Raziji, the story of a transsexual single parent forced to keep her secret.

Narrative Jury Award: Space Detective the inventively filmed creation of director Antonio Llapur and writer/producer/lead actor Matt Sjafiroeddin, was according to Sjafiroeddin,  “A decade in the making. What a great weekend. Thank you guys so much. I hope to be back. And I hope you all come back too.”

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Along with the filmmakers awards, well-deserved thanks were given to festival director Shira Dubrovner, who did a masterful job of creating and running the MLFF’s third year, and programmer Paul Sbrizzi, who combed through over 1100 entries this year, four times as many as last year.

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As festival gold sponsors Paul & Kathleen Rudder remarked, the festival makes a real difference to the town of Mammoth Lakes. “It’s the difference between Mammoth Lakes being a bus stop to the ski slopes and a center for the arts,” Paul Rudder said.

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  • Genie Davis; Photos: Jack Burke

 

Day 5: Grand Finale at Mammoth Lakes Film Festival

Lots of laughs today as the Mammoth Lakes Film Festival drew to a close.

The short Horseshoe Theory hilariously proves that politics makes strange bedfellows indeed.  A weapons deal between a white supremacist and a member of the Islamic State becomes, well, a romantic comedy. Director and writer Johnathan Daniel Brown perfectly cast Jackson Rathbone and Amir Malaklou as the pair in a film that was “inspired” in part by The Notebook and You Got Mail.  The 3 day shoot included a scene with a $50 jerry-rigged rain machine. Brown attests that he’s currently working on a feature adaptation of the project. “We want to place it in a bigger world – and we’re pitching it as Brokeback Mountain with more killing. We’re also working on another short – we like to make gross stories about silly vulgar things that terrify people.” And make them laugh.

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The international premiere of narrative feature The Great Unwashed was also brilliantly hilarious. Set in London and Wales with an absolutely spot-on cast of British comedy and sketch performers and writers, the story of a millennial (Jon Pointing) on the run from killer hairdressers is zany and inventive. Joining his hippie older brother (and co-writer Nick Horseman) and his wife in the Welsh woods – plus random loony neighbors –  the film mixes comic mobsters with the affect of a murderous A Midsummer Night’s Dream. Director and co-writer Louis Fonseca, a former stand-up comic himself,  culled his stellar cast perfectly. Shot in two weeks “in less than a square mile of the forest” he notes that the “hippie story line came first, and then we came up on what is the opposite of that – hairdressers. We felt like we were at holiday camp, we had such fun and we didn’t sleep much.” The film includes attack geese and the presence of the Welch “Spirit of the Forest.”  Fonseca says his father was the official “goose wrangler – geese are nasty creatures ready to attack visitors. We did our goose shot in one take.” Fonseca and Horseman are currently writing another film set in Wales -about a war between ice cream vendors.

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Withdrawn, the story of a slacker/small time grifter/aimless college graduate stars Aaron Keogh – “I’ve been training for this role for 25 years or so,” he jokes – as Aaron, with writer/director Adrian Murray as his put-upon roommate.  From trying to solve his Rubik’s cube to trying to hack into another’s credit card account, Aaron is a character for our time: lost, adrift, addicted to video games and Internet news.  Played out in many long takes, Murray says his cinematic approach was in part imagined due to “watching the menu background on Lost DVDs, where characters move in and out of frame. I was watching the show while sick, and I wondered if I could do that as a film. ” Most of the dialog was improv, with a cast of friends who knew who was going to bring what to the game. Of the protagonist’s news viewing habits, Murray remarks “I wanted to put his struggle in perspective. In another part of the world he’d be building a bomb. I was also commenting on the cycle of news and the information and knowledge degradation and loss.” The short Pet Monkey preceded the film, a wild and quirky piece about a man who wants to buy his girlfriend a pet monkey while secretly harboring a shed full of stuffed and plastic monkeys. Actor Sky Elobar spoke about the single day shoot in Rochester, N.Y., in which he was promised one of the art director’s purchased monkeys as a souvenir but groused that he “never got one.” Elobar was found by director Eric Maira off his titular role in late night cult favorite Greasy Strangler.

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Last but not least, the festival presented the amusing and touching documentary Dina,  which focuses on a woman with autism and other mental health issues. She survived a vicious  knife attack by an ex-boyfriend to marry kindly but more severely autistic Scott. Winner of the Grand Jury award at this year’s Sundance fest, the story offers an intimate portrait of a relationship as thoroughly relatable as it is special.

MLFF’s delightful fest trailer, featuring stop motion animation, was discussed preceding the film by co-director/creator Emily Hoffman. She’d attended the festival last year and was thrilled to be invited to make the trailer. “We had such an amazing time last year when we went to the hot springs at midnight, we knew we had to make the trailer about the springs outside town. We made stop motion puppets and placed them in goo made from borax, glue, and paint.” Hoffman’s roommate Dan Dietrich created the music which involves manipulated notes made from a recording of his own voice.  “It’s an awesome, ephemeral thing,” Hoffman says. “We wanted to make it nice because you have to listen to the trailer so many times,” she says. Hoffman crafted the trailer with partner Ariel Noltimier Strauss.

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We only wish we could listen to it longer – but these were the last screenings of MLFF 2017.

  • Genie Davis; Photos: Jack Burke