What I Want for the Holidays: Wish List at Gabba Gallery

Wish List 3.0 is an annual must-go for art lovers and those buying presents for the art-centric on their holiday list. Cash and carry, first come, first served, there’s an ever changing menu of art on the walls at Gabba Gallery in the Westlake district.

Paintings were literally flying off the walls at the opening last Saturday, but with the show running until December 20th and fresh art hung daily, there’s still plenty to purchase and plenty to see.

This is another of those “only at Gabba” exhibitions: unique, cutting edge art with an emphasis on street art; amazing prices, something for everyone in terms of style, and the buzz of discovered, uncovered, and coveted art.

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Above, gallery owner and curator Jason Ostro (l), co-curator for Wish List, Phil Santos (r) as they point to a work that also describes their ethos. The piece was created by artist Amy Smith, a mixed media collage created in part with recycled magazines.

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Chuck Self, a.k.a. NVRAlone, has a simple message in all his art, whether it’s a heart shaped globe or text over vibrant color. “My pieces are very simple, clean and direct. ‘Just be kind,’ that’s my message. I’m typically a street photographer and I’ve experienced so much great art that I’ve joined the club, and began to create myself.”

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Alex Schaefer describes his work as plein air painting. “It’s all about a desire to go places. I create unique impressions, whether it is from the top floor of City Hall in downtown LA, or a distant location. I’ve painted all over the world. I love taking road trips, that’s one if the things I love to do. I capture what I see in my work,” he notes. “It’s my bread,and butter. I have good affordable price points, people love  well-done cityscapes. I get the opportunity to walk outdoors and paint the changing landscape of LA right now. I love what I paint.” There’s an ethereal quality to Schaefer’s work that casts his beautifully realistic street scenes in a dreamy light.

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Above: a piece by Wish List co-curator Phil Santos, one of the sexiest and most dimensional tooth brushes in town.

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Essi Zimm (r) and James Johnson (l)

Their art had already sped off Gabba’s walls when we caught up to them. Essi  Zimm says “My art is folk lore collage. It reveals the truth behind folk lore, the moralistic and revealing truth.” She’s been a part of Gabba’s Wish List show for three years.

James Johnson also works in collage. “I use found newsprint as the underlayment for pieces that feature political and social commentary. It’s kind of like a bill board with different layers exposed. I used Exacto knives to superimpose and peel back old layers. My work is based on the interpretation of images.”

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For Gabba’s Wish List, Jodi Bonassi  displayed small, beautifully wrought pieces of social realism. “The backgrounds are floaty and expressive of children in our society. I have elements of the satirical in my pieces. My work has been seen as expressionism, a more sophisticated form of street art, social realism and figurative.” Or all of the above.  Don’t miss this artist’s collage-like style and fine art execution.

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Pasteur White’s bold mix of paint and marker creates vivid appeal, above.

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Jaime Becker’s mixed media, “Metro” pulls viewers into its urban landscape/dreamscape.

 

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Acrylic and mixed media: Can’tStopGoodBoy’s “Crooked Mouse.” Street art is visually stimulating wall art.

In short: Go to Gabba. Buy and gift great art that’s reasonably priced. Rinse and repeat.

The show runs through December 20th, giving plenty of time for repeat visits to find the art pieces you love best. Gabba is located in the Westlake District at 3126 Beverly Blvd.

CB1 Gallery: Lorenzo Hurtado Segovia – Plegarias

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The Spanish title of Lorenzo Hurtado Segovia’s solo show at CB1 refers to the vernacular for prayer. A devout Christian, Segovia seeks to present truly Christian based contemporary art distanced from right wing politics and secularization.

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“Being a liberal, young, contemporary Christian, it seemed to me that there was a window in which to revitalize the conversation about Christianity. There are so many traditions and theologies to draw from,” he notes.

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“The setting of this sculpture, Eye of God, references prayer banners set up in chapel settings,” the Juarez-born artist relates.

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It’s unusual to see modern art infused with religious vitality. There’s nothing old school or conservative in Segovia’s message or his work. Fusing the vibrant colors of Mexico with golden tones that draw comparison to images of religious icons and traces of Aztec culture, Segovia freshens the genre of religious art with sweeping complexity.

CB1 is located 1923 S. Santa Fe Ave., Los Angeles, CA 90021; the exhibition runs through December 19th.

  • Genie Davis; all photos: Jack Burke

 

CB1: Timothy Nolan – The Constant Speed of Light

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Running through December 19th, Timothy Nolan’s vibrant solo show at CB1 Gallery in DTLA fuses photography and collage to make a painting of depth and vibrancy.

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“My works basically start with collage. I made a whole series last year and printed out a few like these. Once I figured out the possibilities, I spent more time scanning and manipulating the images than on the collage itself,” Nolan states.

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“In the end, it’s a printed collage-based image painting,” Nolan says. “The pieces are about the language of painting. I have a connection with minimal abstract art, and I’m really interested in mixing different visual languages.” Nolan has been working with patterns for 30 years.

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Originally from New York, the California-based artist uses landscape terrain photos that he shot as well as photos from old books.

His pieces are visually stimulating, kaleidoscopic, and startling in their juxtapositions. Stop in and have a look – CB1 is in the newly burgeoning South Santa Fe Ave. arts district just south of DTLA, at  1923 S. Santa Fe Ave., Los Angeles, CA 90021

 

 

Durden and Ray – Remains

 

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Just in time for Thanksgiving, running through November 28th is the perfect exhibition to be thankful for – Remains. This group show offers abstract painting “against the tide of mortality,” according to exhibition notes. Artists showing include: Ingrid Calame, Tomory Dodge, Scott Everingham, Jenny Hager, Alex Kroll, Susan Lizotte, Clive McCarthy, Max Presneill, Bryan Ricci, Kimberly Rowe, David Spanbock, Britton Tolliver, Steven Wolkoff.

The exhibition deals with mortality, what exists, what is, what is mortal, what – like art – lives on beyond our own plane of existence. Pretty weighty stuff, with no easy answers, and a bountiful visual feast as well.  We were able to discuss a number of the provocative pieces with their creators.

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Artist Scott Everingham says “I see myself as part painter, part architect.  I build spaces in which nothing is planned beforehand. I try to reveal elements that build a constructive space.” Here his works have an ethereal floating quality in which nothing is quite grounded. Everingham explains “There’s a deconstructed life guard tower floating, and it feels like the beach, but it’s all color palette, and I built on that.” In short: a vision that could be memory, could be Heaven, could be fragments of a forgotten past.

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Steven Wolkoff literally created a thousand “names” out of solid paint, as an homage to Anish Kapoor. Vibrant, filled with motion, what’s in a name, anyway? The substance we give it.

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Bryan Ricci’s created his Fringe through a layering process that ties in with the many layers of perception the exhibition itself seeks to express. “For me, the layering of stains and paint and the application is more important than even the image the work creates,” Ricci says.

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Jenny Hager’s Forked Tongues refers to the techno music she listens to when she works. “When I struggle on a title, I’ll pick up on something repetitious that I heard in a song. When I heard this phrase, I felt it dealt with the binary nature of beauty and darkness, so I used paints that glow like the sunset and warning signs.” Hager says she was interested in moving into something that “talked about the darkness or things we keep hidden, but the color palette and singularity is pretty consistent with all my current work.”

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Kimberly Rowe’s Happiness Calls for a Party gets its name from the effect that the black, velvety oil paint center has on the periphery of this otherwise acrylic painting.  “It allows the rhythm, and the music, and the cheer of the flourishes, and brush marks, and bold color that surround it, to shine.  The result is an embodiment of one of the tenets of my life: to increase happiness, decrease unhappiness,” she says. “That isn’t to say I believe in burying my problems.  But if I focus on joy, I see more of it.  In other words, if I want it, I set out to create it.  What better way to drum up at least a handful of happiness is there than to throw a party and dance?!  Just thinking of it brings a smile to my face.” Her painting will bring a smile to viewers, too. 

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Max Presneill, who curated this exhibition and has a work in it, describes the show as a lead-in to a bigger exhibition planned for the Torrance Museum of Art next June. Presneill is TAM’s director, and the upcoming show will be titled Grafferists. Presneill notes “In the context of this exhibition, my piece is concerned with the act of art making itself.”

So if you’re looking for something to put a little profundity in your Thanksgiving weekend, hit Durden and Ray’s Project Space at 1950 S. Sante Fe, unit # 207, Los Angeles, CA 90021

Hours: Saturdays 11:30-5:30, or by appointment.
dandrart@gmail.com

  • Genie Davis; all photos: Jack Burke