Loft at Liz’s: Divergent Voices

What a show and what a great space. If you haven’t been to the warm, well lit, Loft at Liz’s, the gallery’s salon-type vibe will win you over. Divergent Voices ran only a single week with an opening November 7th, but all of the artists’ works were profoundly affecting, and art lovers – or just simply anyone in search of a visually stimulating good time, would do well to seek them out individually.

Hosted by artist Susan Melly, who found the venue for her art critique group, and featuring the work of twelve artists including Stefanie Bauer, Melanie Newcombe, Cameron McIntyre, Andree B. CarterRin ColabucciGill MillerMargaret OuchidaPeter WalkerGina Yu, Shula Singer Arbel, and Lucie Hinden, as well as Melly’s own, the idea for the show originated with the idea to compile a show featuring high-end, quality art work.

Andre Carter’s delicate work featured beading and stitching that seemed linked to Native American crafts woven by a lost tribe.

Peter Walker’s graphite on paper drawings were beautifully realized, stunningly  hyper-realistic fine art.

Margaret Ouchida’s shadow boxes, below, danced with energy, miniaturized, perfect scenes that pulled viewers into their tiny, detailed framework. Each piece contains a minute, almost hidden toad. Find the talisman.

F23C3001

Below, Melanie Newcombe’s astonishing mesh sculptures are graceful, floating, dancers in the sea, mermaids on land, nymphs whose flesh has silvered. Based on clay figures that she creates, she uses a rudimentary wooden armature on which to build her ethereal mesh figures.

F23C5469

Susan Melly’s own work is equally charged. Melly’s work is all about the feminine, and female objectification. Offering up images about identity, sexuality, power, and industrial machines. The artist was inspired by a discovery of dress patterns and industrial-age sewing machines that were a part of her mother’s estate.

F23C5471

“She represents the nurturing aspect of woman,” Melly says of her figure below, part of a new body of work.

F23C5475

Below, Lucie Hinden’s Best Laid Plans series riffs on the idea of architectural blue prints, and creates images that feel like a patchwork quilt, or a landscape viewed from a seat on an airplane.

F23C5464

F23C5465

F23C5466

Below,  Shuler Singer Arbel creates a world of color prisms,  painted images that resemble mosaics, or pebbles from a rainbow.  Geometric landscapes, patterns of water droplets…

F23C5479

The show was packed with brilliant, unique, stand-out pieces, a full-house crowd, and a delicious buffet, too, with food as diverse as the art, from quinoa salad to lemon bars. What better party than a celebration of art? In short: a great night whose “Divergent Voices” rang out loud and clear – follow these artists, visit their unique perspectives now, and in years to come.

Author with Susan Melly, right
Author with Susan Melly, right
  • Genie Davis; Photos: Jack Burke

Nothing Scary Here: Great Art at MASque Attack

Great art at MASque Attack - All Photos: Jack Burke
Great art at MASque Attack – All Photos: Jack Burke

What happened on October 31st in Los Angeles? Well, okay, sure, Halloween.

But also on the calendar was MASque Attack, held at Temporary Space at 5522 Wilshire across from the El Rey. Part costume party – artists came in costume, part art-for-artists event – artists could display but not sell works, part fantastic visual scene, the Halloween edition of a MAS Attack event was curated and hosted by Colton Stenke, Kio Griffith, and Max Presneill. It was the ninth such event in two years.

MASque Attack hosts
MASque Attack hosts

According to Presneill, “This is a community building event, and we hold one every three months. There are three basic rules: no sales allowed; if you’re in the show you have to attend it; and the art must be hung salon style. Whether you’ve come from a large gallery or never have shown before, you need to hang your pieces yourself.”

F23C5209

Costumed artist, vibrant creation – “A Young Girl’s Vanity” – layered with meaning, color, texture

Kristine Schomaker - artist with her work
Kristine Schomaker – artist with her work

The idea behind these art shows is to create an “informal fun mixer, and make artists know they’re part of a big circle. Make friends and connections in a chill atmosphere,” Presneill noted. “We do international artists as well as local artists, but we do not work commercial galleries at all.”

Artist Dani Dodge offers video Moving Perspective: eye glass lenses wash into the ocean, people drop lenses - what we see, we see in the motion of time.
Artist Dani Dodge offers the video Moving Perspective: eye glass lenses wash into the ocean, people drop lenses – what we see, we see in the motion of time.

F23C5233

If you’re an artist or art lover, note the next scheduled locations for these MAS Attack events: San Diego Art Institute, Riverside, and Torrance Museum of Art by next fall.

F23C5254

Chenhung Chen with her delicate, profound line drawing
Chenhung Chen with her delicate, shimmering work

And in the meantime, enjoy some of the great art that made Halloween a lot less of a fright fest in LA.

Gay Summer Sadow Rick is a black cat with a "purr-fect" sunset skyline
Gay Summer Sadow Rick is a black cat with a “purr-fect” sunset skyline

F23C5241

F23C5224

F23C5219

F23C5217

F23C5214

F23C5201

F23C5206

 

F23C5232

Pat Gainor’s “Memories,” pulse vibrantly red.

F23C5198

F23C5194

F23C5193

F23C5192

F23C5189

F23C5188

F23C5184

F23C5182

Awake and Sing: Clifford Odets’ Relevancy Assured

Awake  & Sing logo

At the Odyssey Theater in West Los Angeles through the end of this month is a terrific staging of the Clifford Odets’ classic, Awake & Sing. A three act play about three generations of a Jewish family in New York during the Depression, the story is about repression and overcoming it, about poverty and the attempt to rise above it, about the rich getting richer and the divide between rich and poor getting wider.

In broad terms, these subjects are all exceedingly relevant today. In personal terms as well, some things never change. If a pregnant girl is not immediately married off today, if old men no longer listen to Enrico Caruso for inspiration, there is still a desire for adventure, for freedom; there are still taboo relationships disapproved of among families; there are still mothers who cling to their grown children – we have a term for that now, helicopter parents. There are still the conflicts that beset a family over money or the lack there of, there are still the conflicts that represent dreams of a better life and the necessity for someone to buck up and shoulder the burden of keeping the family unit together.

Awake&Sing6

But Odets asks, all of this at what cost? At what cost the quest for freedom? At what cost the persistence in keeping the family unit intact when maybe, just maybe, it would be better to let it fragment? At what cost to society when the rich get richer, the poor get poorer, and there is no way out but revolution?

This all sounds terribly weighty, and certainly the content is fraught with intensity. But what is the most pleasurable about this production, and the gift of Odets love for language and character through dialog, is the acting.

A showcase for every actor on stage, the emotional range that leads to a third act climax guaranteed to have you swiping at your eyes – this play depends upon stellar casting, and achieves it.

Awake 2

The matinee performance we saw had an alternate in the key role of domineering mama Bessie Berger; but Melissa Weber Bales more than aced the part. Every actor seethed with vitality, from Richard Fancy as un-self-examined rich Uncle Morty to Robert Lesser as sad father Myron Berger, Melissa Paladino riveting as Hennie who resents her arranged marriage to nebbish Sam Feinschreiber ( a touching Gary Patent), David Agranov as tough war vet turned petty criminal Moe Axelrod, James Morosini as Ralph, Hennie’s slightly wet-behind-the-years brother ( a difficult role in a part that seems dated in his unrequited love for an “orphan girl”), and a powerful Alan Miller as the pivotal grandfather, Jacob.

awake 3

Director Elina De Santos gets emotions to a boil and lets them bubble over artfully; Odets fast and layered dialog does not disappoint.  The Odyssey’s intimate seating plunges the audience directly into the well-designed Berger’s period living and dining area.

For a fine drama, something in and of itself to be thankful for this Thanksgiving; for a timeless approach to personal and political choices – Awake &Sing! Or awake and snag some tickets.

The Odyssey Theater is located at 2055 S. Sepulveda; check website at www.odysseytheatre.com for ticket availability.