Linda Sue Price and Michael Flechtner – Neon’s Dream Duo Pair Up at the Fine Arts Building

Neon carries an inherent sense of glowy magic. But in the hands of master neon artists, the magic transcends the medium and takes shape.

Now at the Fine Arts Building through the month of May, Linda Sue Price and Michael Flechtner each offer distinct and different visions of neon as a medium and as art in their latest iteration of Art + Science + Craft.

The two artists have exhibited paired solo shows in the same space multiple times: the alcoves and shadows of the building offer a well positioned and ornate space for honoring and displaying neon in all its lustrous glory.

This time around, the artists present some entirely new elements in their works.  Price, whose work is abstract, geometric, and sinuous all at once, has added natural wood to one piece, “Onyit,”  which includes compelling neon beading added to that wood amid a vibrant orange and red palette. She describes the work as one that “celebrates determined and consistent focus.”

Her “Mandis” is something entirely different, described as a work that”helps to eliminate distractions.” However, this playful piece is plenty distracting. Amid its tangled yellow neon coils, a small black computer tablet repeats a simlar coiled and moving pattern with animated beading on its screen.

Other works here by Price include alchemic looking green, blue, and yellow plant-like neon wall sculptures. A 3-D sculpture, “Montessence,” revealed as supporting connectivity and healing” in its desciption, is both plant and sensuous, growing and burgeoning life-form, reaching toward a sun possibly as bright as its own red, yellow and orange.

Flechtner’s often playful, smart, and amusing works are the literal yin to Price’s abstract yang. Where Price is exploring shape and pattern, Flechtner’s focus is on language, both literal and figurative, as he often uses words within his work. In this exhibition, he employs mechanicals in more than one piece. Gold, black, and white Japanese cats take a mechanized spin around a glowing red neon platform in one piece; in another, three of these cats wave, representing, with dark glasses, cotton stuffed in ears, and a mouth gag, respectively, the see no evil/hear no evil/speak no evil monkeys. Glowing with bright green, the scripted word “hell” pops out from a chroma-blue neon base; on top of this sculptural piece are yen, a collar sign, and black and red darts.  In another work, a pure neon piece, a cat with an open can of fish,waves within a neon circle. Combining mediums again, a golden neon bolt emanates between the eyes of two pink-faced Japanese cats.

In short, both artists create fun and fabulous neon worlds, abstract and mystical in Price’s work; profoundly clever in Flechtner’s. And both are adding new touches and mediums, new forms within their shining neon mastery of their art.

Go see these artists light up a (large) room.  And if you need a little brightness in your life, these gems are the kind to collect.

The Fine Arts building is open daily except weekends, noon to 5 p.m.

  • Genie Davis; photos by Genie Davis

 

A Bright New Light from Linda Sue Price with Safe in the Light

What could be better than a drive-up or walk-by art exhibition of lustrous abstract neon? Linda Sue Price offers a lush, vibrant, and yes, lit-up experience in her new show, Safe in the Light, opening today, Saturday March 6th, at Loiter Galleries in Long Beach.

The gallery notes that after months of storefront closures and darkness due to the pandemic, gallerists felt it was “now time” to make the city’s 4th Street promenade shine with this pop-up exhibition located at The Streets shopping center.

Price’s new exhibition opens at 6:30 p.m. tonight, with an outdoor look at the art; it will be on display and clearly visible from the windows of the gallery until April 17th.

The exhibition marks a grand reopening of the galleries’ space. Price was chosen for the reopening because, “her work’s dual focus on light and positivity felt right for the moment,” the gallery states. It’s neon nature also lends itself to outside viewing by passersby, making it perfectly COVID-19 safe, as well as uplifting.

Jesse

Price says “The work in this show trends toward bright light because it is exhibiting in daylight,” she notes, when describing what makes this particular body of work different from others of her highly textural, sinuously-shaped neon art.

Rose

“I was invited to this show because the curators wanted to focus on light and positivity. Two pieces Rose, and Jesse, honor people who encouraged me to be me and also celebrated the energy of abstract art,” she explains.

Energy is certainly a quality that her work is infused with. It is the transcendent quality of her medium itself, her choice of color, her use of curves and shadows. The supple quality of her bending evokes movement and fluidity, providing the viewer with a synthesis of light, color, and captured motion. Her ability to exude light as a kind of life-force permeates the consciousness, inspiring an inward energy and awakening in the viewer.

Seeds

Echoing the passion and connectivity of all great abstract art, Price paints with her tubing in intense and visceral strokes.

Turn Left

Like many artists during pandemic times, she relates that the pandemic itself has of course influenced her work and impacted her personally. “I changed my focus from art making to gardening. While I continued to practice my bending skills, my creativity was channeled into figuring out how to successfully grow healthy vegetable plants. I recently grew my first winter garden. The journey continues. I am now using seeds to grow some of my plants rather than purchase them from a nursery.”

Unsurprisingly, her interest in gardening has also influenced the literal and figurative growth of her artwork. “My current project is to create invented herbs that will encourage the appreciation of women with opinions, and the sipping of two other invented herbs that will encourage support democracy…and the list goes on.”

Curves Ahead

In short, her neon continues to bloom and grow, just like her garden. And viewers can experience it live in Long Beach, starting tonight.

Loiter Galleries is located at 180 E. 4th Street windows in Long Beach; opening outdoors, live Saturday March 6th and on Instagram Live at Loiter Galleries.

  • Genie Davis; images courtesy of the artist

Lyme Away 4: Heading to Germany for Treatment

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Featured image, Nurit Avesar; image above, by artist Dani Dodge

We are sponsoring this event along with fabulous folks at TAG Gallery with the help of artist and gallerist Rakeem Cunningham and neon artist Linda Sue Price – whose exhibition will be reviewed here next week – and will be on display during this event!

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Above, artist L. Aviva Diamond

And what is the event?
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Above, from artist Dwora Fried
At TAG Gallery in mid-city, Sunday, July 21, 3-6 p.m., enjoy an afternoon of food, drink, and of course, ART at Lyme Away 4: Heading to Germany for Treatment – Help Nicole Saari Win the Fight Against Late Stage and Congenital Lyme Disease. It includes a silent auction and raffle featuring dozens of AMAZING art works donated by prominent Los Angeles area artists to raise funds for Nicole‘s medical care for chronic tick-borne disease.
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Above by artist Francisco Alvarado
Live music by Adam Even and enough great art and other auction goodies to help you knock off your entire holiday shopping list – in July.
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Above, artist Glenn Waggner
There will be over 80 pieces of art, plus gift certificates for everything from massage to beautiful home decor components from Liz’s Hardware.
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Above, artist Cynthia Friedlob
Despite an ongoing epidemic in the U.S., late stage Lyme disease is not recognized as a condition by the Center for Disease Control (CDC), so little to none of the complex treatments – which can cost $1,000 a week – is covered by insurance; with Nicole unable to work, this family still NEEDS HELP. The St. Georg Klinik in Germany, which her doctors find promising, alone is a whopping $35,000 for the three-week program.
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Above, artist Diane Cockerill
Fundraiser event
Sunday, July 21st, 2019 at TAG Gallery from 3 p.m. to 6 p.m. located at 5458 Wilshire near LACMA. Street and lot parking!
Don’t miss it!
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Above, Jodi Bonassi

Sway Moves Us: Exciting Exhibition from Seven Artists at the Brand

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Curated by Chenhung Chen with project management from Linda Sue Price, Sway, at the Brand Library and Art Center, is an exciting exhibition that is both perfectly curated and filled with stunningly original art work in a variety of mediums.

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One of the most beautiful aspects of the exhibition is Chen’s astonishing ability to create a show in which the works seem to truly speak to each other; they are linked and separate at the same time, a cohesive presentation that pulls viewers into the experience of the exhibition.

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Each of the seven participating artists use a variety of materials including wire, cords, neon, plastic, found materials, graphite works, and acrylic and pencil. Primarily sculptural, the dimensionality of the works adds the to sense that the exhibition is a living, mutating form that swims with motion – or shall we say, sways with it. If this is a world of art – and it is – it’s a new world, composed of lines and light, intense color, grand patterns, and highly tactile images.

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Chen’s flowing,  often delicate wire copper wire crochet work constrasts and compliments her thicker wire abstract sculputures. Both styles of her work undulate, as if they were strange sea creatures, or alien life forms.

That sense of the alien and unexpected, of sea life and forest floor, permeates the exhibition and the viewers’ gaze. We are invited to experience something unique, alive, delicate materials made strong and connected.

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Snezana Saraswati Petrovic’s work here includes a room-sized installation that utilizes video images as well as delicate, lace-like plastic to immerse viewers in an a dive deep into a sea of art.

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Other works of Petrovic’s pulse in fierce orange or yellow, and again we seem to be a part of a world of mysterious alien shapes, puzzling and vibrant, highly textured and dream-like.

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She gives us starfish and stars, sea nettles and dimensional snowflakes, webs, fissures, and the illusion of plunging beyond or into our own consciousness.

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Price’s neon works throb with kinetic energy and motion, the colors seem impossibly vibrant, they are as vivid and visceral as light pulled from the center of the earth and straight through the soul.

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Pieces that literally move and those whose colors dance create a sense of nighttime magic, a glorious lit-up world that is both transcendent and emersed in noir.

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Speaking of light, Echo Lew creates drawings based on light and shadow, strange and ethereal, as rhythmic as if they had sound.

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His unusual process in creating these drawings from something as ephemeral as light itself is reminiscent of auras, ghostly presences, a spirit world.

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Both Debbie Carlson and Gina Herrera work with found materials that include articles as diverse as ladders and yarn and bottle caps and latex gloves.

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Herrera in particular creates works that are infused with a sense of humor and wit, fantastical and fairy-tale-like. She creates both creatures and abstract shapes out of what could be artistic detritus in less gifted hands.

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Carlson’s sculptural works link prosaic articles and repurpose them into something sublime, strange, and cooly geometric.

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The eye studies the lines that make the shapes that fuse recognizable objects into something far more interesting and rich.

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Anne Marie Rousseau exhibits a series of painted acrylic images, both sharp, modern, and shiny with color; lines of gold dance and opal-like paint shimmers within the works like the veins of rich minerals found within the earth.

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The large scale works seem to vibrate; located on the outside wall of the main galleries, they serve as a kind of introduction or portal into another realm. Her work is always filled with a sense of motion, here, the pieces are perhaps the most literal and lyrical interpretation of the show’s title.

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It perhaps goes without saying that the works here are each magical, they invoke and call out a sensual beauty, a reworking of line, shape, form, and texture that upends the expected and presents a new and intensely satisfying view of the world.

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Above, curator Chen, attendee Betty Brown, artist Petrovic

Sway is an exhibition to be savored – go take it in. The Brand Library and Art Center is located in Glendale – or perhaps, with this show, in another universe entirely. The exhibition runs through June 14th.

  • Genie Davis; photos: Genie Davis