Boots on the Ground

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Running through June 11 at the Mid-City Art House, Boots on the Ground is one eclectic, mesmerizing show. If you missed the opening May 21, there will be an artist’s talk this Saturday the 4th, an open panel discussion in collaboration with Betty Brown’s Art World Conversations series, from 2-4 p.m.

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Mid-City Art House is a great space for an exhibition, a front gallery connected to a rear space via an open air patio that served up drinks and snacks plus d.j. at the opening. This is a space to watch, and as curated by Dulce Stein and Tricia Banh, a great home for a show that introduces new artists, promotes mid-career artists, and is all about the forward march of art as experience.

Featured artists include:

Nancy Armitage
Tina Dille
Lorraine Bubar
Eva Polonkai
Jason Bud
Kayla Tange
Loren Philip
Jose Angel Hernandez
Francisco Alvarado
June Edmonds
Christine Rasmussen
Nancy Spiller
Robert Rosemblum
Javier Benitez
Jodi Bonassi
Stephanie Sherwood
Lana Chromium
John Hogan
Kira Vollman
Vanessa Contreras
Rouzanna Berberian
Kenn Raaff
Tamara Tolkin
Carl Shubs
Amber Goldhammer
Mela M
Nicole Fournier
Shizuko Greenblat
Francesca Quintano
Eva Perez

Francisco Alvarado with an image that evokes the work of Matisse. “I’m a prolific painter. I don’t work on a single piece, I create a series based on custom color mixes, doing multiple paintings at a time,” he says.

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Below, Art House owners and artists Jake Harwell and Selma Morales Harwell with some of their works. Jake Harwell’s found art sculptures include rawhide wraps.  Each piece has a song of motion in it.

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Above, Selma Morales Harwell creatures voluptuously shaped sculptures that evoke the Southwest.

Artist Loren Philip, below, has created work that is, according to the artist, a “witness to the mythology of youth, the final piece in a topographical witness series of creating topographical maps from memory.” As vivid as the sea and sky conjoined, this piece.

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Below, Robert Rosemblum, well known for creating visually arresting photo montages, abstract, and fine art photography. Here is abstract piece plunges viewers into the sea inside water droplets, each a tiny opal radiating color.

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Jodi Bonassi, below, has created another evocative, personal image, a work that allows the viewer to enter into the intimate life of another person in “Girl, Crosslegged.”

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Below, Kira Vollman creates an abstract, multi-media sculptural piece, a ladder that leads to intriguing “Ascending Intervals.”

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Artist Kenn Raaf, below, says that he works in a constructive and deconstructive fashion. “I build up multiple layers into each piece, then tear them down to abstract the imagery that captures the movement and essence of my subject.”

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Mid-City Art House is located at 5555 W. Washington Blvd., in of course, mid-city LA.

Check it out – at DiversionsLA, we and our Baby Art Critic (coming soon to an Instagram near you) agree.

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Above, artist Loren Philip with author and Baby Art Critic.

  • Genie Davis;  Photos: Jack Burke, (photo directly above via Loren Philip)

Connect with Gabba Gallery

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Another great show runs at Gabba Gallery through June 18th – Connect, featuring four very different – yet connected in terms of their visual intensity – artists. The four solo shows also connect with their audience: these are immediate, exciting, stimulating works that grab the eye and poke at the heart.

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Jeff Kravitz’s Photography for the Soul is this fine arts photographer’s first solo show. “It’s a labor of love, it’s what I do for a living. I put everything through Photoshop. I want my work to be colorful. I see everything in bright color and I really like to accentuate that.”

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Originally shooting on film, he’s gone digital, using Nikon gear, for the last fourteen years. He’s captured historical moments of all kinds, noting self-deprecatingly that he’s “witnessed incredible iconic moments.” And captured them perfectly.

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“I’ve been working on this a long time. I have photos I shot in high school. I’ve been working on building a body of work I felt comfortable enough to show the world.”

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Jules Muck’s Available made the artist herself feel edgy.

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“I usually do street art. Having a gallery show is a little uncomfortable, so I wanted to do something fun with it.”

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Her idea, fully realized: to set herself up in the center of her exhibition room with a tattoo gun and many willing participants. “I do tattooing every now and then. This is something I felt could really reach people.”

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Along with tattoo art, Muck’s exhibition features large scale, hyper-realistic pieces painted in oil.

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Stormie Mills’ A Fish Tale exhibition is both witty and dark, a Tim Burton-esque take on life created in mixed acrylic, including spray paint.

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“Ultimately the work is about connection, it’s a tool for communication, an outlet that facilitates communication which leads to connection,” he says.

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The Australian artist has created an insightful body of work that tells a riveting story about a man and his friendship with a fish. The story is based on the writings of filmmaker Mark Strong who was himself inspired by Stormie’s work “I miss my friend, I want him back.” In short, the subject of this show is also its purpose – inspiration and connection. Overall, the show has the look of a lushly detailed dreamscape.

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Across the street from the gallery, Mills has created a gorgeous wall-size piece of street art. It’s not a permanent mural installation – “it’s like a bunch of flowers, it will only last so long,” Mills attests. More reason to hurry to the gallery and see the show as well as the art visible through it’s windows.

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Noah Emhurt’s The Doheny Challenge is a body of intimate, poetic work created on acrylic. The artist sourced much of his material from 1960s era magazines and fashion magazines, creating a template for figurative work and images transfers in a chaotic yet delicate atmosphere.

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“When I was younger, I would write a lot of poetry, I would write my ideas. A lot of my work is translating words into sketches into painting to get that look of writing ideas into a painting. I want people to look at each piece and find something new all the time,” Emhurt says.

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His love of travel and other cultures is also on view. Having spent time living in Japan and New York, the influence of these locales is very evident in his work. “I stole a wine list from a French restaurant,” he notes. “I’ve incorporated that menu into my work, too.”

Emhurt’s work absorbs his surroundings and experiences, and the viewer absorbs his experiences through his work, connection as cultural zeitgeist.

Go ahead and plug in: this solo show runs through June 18th, and the Gabba Gallery is located at

3126 Beverly Blvd
Los Angeles, CA 90057
(310) 498-2697

Gallery Hours are Wed-Saturday 12- 3 or by appointment.

 

A Feminist Perspective: a fun and fabulous feminist perspective at Muzeumm

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A beautiful array of art by men and women who share their feminist perspectives fills Muzeumm through this Sunday. A Feminist Perspective offers sculpture, mixed media, paintings, and most of all a witty, transcendent series of artworks.

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Curator’s Kristine Schomaker and Baha Danesh present a vibrant feminist dialogue stressing equality for all. Featured artists present works that deal with concepts of race, class, culture, politics, social commentary and representation of women.

Participating artists include:

Austin Young
Baha Danesh
Bibi Davidson
Bill Pacak
Cathi Milligan
Chenhung Chen
Ching Ching Cheng
Daena Title
Deidre Sullivan-Beema
Diane Williams
Emilie Carroll
Gianni Arone
Irma Barbosa
Jenifer Yeuroukis
Keenan Chapan
Kelly Thompson
Kimberly Morris
Kristine Schomaker
Lena Moross
Morgan Green
Poline Shooshani
Sheli Silverio
Shula Singer Arbel
Victoria Sebanz
Virginia Broersma

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We were especially taken by the gorgeous coiled metal wires of Chenhung Chen’s cocoon-like sculpture…

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Bibi Davidson’s vibrant paintings, with their clean, glowing style and succinct message – It’s None of Your Business indeed…

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Lena Moross’ lush and imperssionistic painting of Ms. Davidson, glowing with color.

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The video installation by co-curator and artist Schomaker, “The Paper Doll Test,” offers a compelling, compassionate take on body image.

According to Schomaker, “The is the 2nd year in a row that Baha Danesh and I have curated A Feminist Perspective. It initially started with a space and a vision,” she notes.

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“We were very lucky last year to be able to use a wonderful large space at the Montalban Theatre and this year, even luckier to have Muzeumm host the event. We created the exhibition because we wanted to be part of the conversation on Feminism today,” she explains. “We wanted to show that there is not just one single idea of Feminism, but many perspectives from men, women and the LGBT community. While Feminism focuses on women, it carries a much broader idea of equality for all.”

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Above, the work of Diane Williams, below, Shula Singer Arbel.

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Missed the opening?

Shoebox PR and We Choose Art host the closing reception this Sunday, June 5th at MUZEUMM and add in a Feminist pizza party and poetry readings by the WOMEN group. Tasty.

Muzeumm is located at 4817 W Adams Blvd, Los Angeles, CA 90016. Closing reception runs 4 to 6 p.m.

  • Genie Davis; Photos: Genie Davis, Shoebox PR

 

 

 

 

Jodi Bonassi: LA Art Scene Mural-on-Canvas

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Self-taught LA artist Jodi Bonassi may just have created a master work with her “Chungking Alley” – a mural on canvas that depicts the LA Art Scene.

Now on display in the heart of Chung King Alley itself, in the backroom at Coagula Curatorial, artists, curators, regular gallery goers – they’re all here in a truly awesome piece that has elements that are reminiscent of Henri Rosseau in its cavalcade of art.

Described as an upbeat artist who creates sweetly detailed, slightly surreal drawings of iconic LA locations, children, and other human beings, Bonassi is considered an outsider artist, but one whose sophistication and warmth grows with each piece.

Bonassi notes “Chungking Alley”  represents “the path we have all chosen. The painting did not come out of an idea but more as a reflection of the LA art scene and the people who chose to be a part of it. The painting was begun in December 2015.”

Oil on canvas, the piece would be a perfect adjunct to a museum collection or for a private buyer.  Just about everyone who “is” anyone in the LA art scene is a part of this painting, whose richness requires repeated viewings to truly appreciate its complexity, detail, and profoundly inclusive sweetness.

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“The composition is created right onto the canvas. People who have touched my life in some way, who hung out, and were in the art scene ended up in the painting. This is a painting about the art community, and how we all play together. The basketballs on the floor in the foreground represent the striving to be a part of this team. I am self taught and have exhibited in galleries and I have been published in different publications since 1991. I’ve always drawn and painted, and this is the only way that I can relate to the world.  My work stems from a desire to understand people and document my experiences through drawing and painting,”  the artist explains.

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Mat Gleason, curator of Coagula Curatorial, says “My impressions of the piece are that it asserts its own art historical narrative instead of submitting to academic structures and choices.”  He describes the painting as an “amazing dreamscape narrative with painterly precision.  Jodi has been around forever as have I.”
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Does the piece immortalize Gleason and the current body of art in LA? “Immortalized in art would still require the Louvre Museum to acquire the picture,” Gleason notes.
We believe that it would be a most auspicious addition to the Louvre’s collection. In the meantime, view it at Coagula, open Wenesday through Saturday form 1-6 p.m. and on Sunday, 1 to 4 p.m. The gallery is located at 974 Chung King Road in Chinatown.