Zero Down Equals 1000% Art

EVITE (1)

It’s time to get down with Zero Down. Coming up this Saturday, June 4th from 5-9 p.m., it’s a multi-media art experience at  the 1019WEST Art Studios in Inglewood, a cool, re-purposed workspace where over 30 artists have their studios in what was once a former Volkswagon dealership.

Stuart Marcus

The third year for this multi-media art exhibit, the evening promises a combination party and art experience, with open studios, a group show, and performance art. This single night event is a festive occasion featuring a variety of artists’ work from the 1019 Artists Studio Complex and the nearby Beacon Arts Building. Live music, installations, and stellar group exhibitions join over 20 open artist studios. Installations and group presentations will take place in hallways and common space around the site. Food and drink will be available, too – we hear there will be tacos.

Participating artists from 1019WEST are: Mira Alibek, Susan Amorde, Michee Asselin, Nina Chin, Clerio Demoraes, Jeanne Dunn, Claire Jackel, Rachel Kaster, Henry Kitchen, Stuart Marcus, Jesus Max, David Newcombe, Melanie Newcombe, David Peters, Tony de los Reyes, David Spanbock, Ernie Steiner, Lacey Stoffer, Liza Vosbigian, Pontus Wilfors, Ashley Wilson.

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Artist David Spanbock, work shown above,  is the co-founder of BLAM, a new Brooklyn/Los Angeles arts collective. Spanbock uses prismatic shapes to refract both light and color. All of my work is about the politics of transformation, the politics of human physics. I had the insight that a city is a collection of events and figures, creating a larger structure, and that’s what I’m working with.”

Installation photos by SDK Photo & Design
Installation photos by SDK Photo & Design

Above, Susan Amorde explores the human form and emotions navigating the challenges of life. Her expressionistic works are created in clay, wax, plaster, and bronze, as well as mixed media. Her recent series “Baggage” engages a highly personal theme of how the literal and figurative baggage we carry with us becomes an emblem of our lives in the emotional and metaphysical sense.  

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Above, Jesus Max creates light filled still-lifes that vibrate with meaning, poetic settings that translate into beautifully hyper realistic pieces created in often-pastel colors with rigorous attention to detail in a fantastic world.

Participating artists from Beacon Arts Building are: Brian Biedul, Darel Carey, Matthew Carey, Dosshaus, Bibi Davidson, Sue Francis, Nancy Jo Haselbacher, Shelley Heffler, Deborah Lambert, Tahnee Lonsdale, Michael Massenburg, Jen Meyer, Alexis Murray, Calida Garcia Rawles, Dawn Rosenquist, Katie Sinnott, Ginger Van Hook.

Bibi Davidson

Bibi Davidson says she wants her viewers to see the humor in life, humor necessary to existence, or “we would all die of sorrow.” Her paintings provide intense, amusing, and delightfully whimsical views of the world, as if seen through the eyes of a wise child, as sensitive as she is brilliant. Often utilizing her self-proclaimed favorite color, red, her works are different than anything you’ve ever seen, and entirely engaging.

ShellyHeffler

Artist Shelly Heffler describes her art as a “roadmap. I paint a topography that doesn’t always represent an actual location.” Heffler also works extensively in ceramics but her acrylic on canvas pieces are her primary medium at the moment, each with a 3D depth that creates a path beyond maps, grids and lines. “It goes into and beyond surface, layers, strata, land forms, time, and age. But at its core, at its inception, it evokes a sense of place,” she attests.

LA Mudpeople

Performance art by Kayla Tange, L.A. Mudpeople, Vittoria Colonna, and Elizabeth Tobias will also be a part of the evening.

The founder of L.A. Mudpeople is artist Mike Mollet, who sculpts large scale pieces created from found art, shaped into balls and bundles. Mollet’s work offers a look into a different reality, one in which what look like clay statues live and breathe, and bundles of wires move in the wind and become animated themselves.  Mollet considers his troupe of L.A. Mudpeople to function as “essentially living sculptures.” Mudpeople don’t speak, and move slowly and deliberately, as if lumps of clay had shaped themselves into human beings and literally come to life.

Kayla Tange terms her passion “in meaningful dialog, creative problem solving, collaborative projects and facilitating a unique relationship between art and audience.” To experience her vibrant yet darkly intense performance art is to become immersed in her own inner vision.

Jeanne Dunn Come Up and See Mee Sometime Michael Massenburg

To learn more and experience the work of these and other artists, visit this single night’s artistic adventure. The event is sponsored by 1019WEST/Beacon Arts Building management, Shoebox PR and Kristine Schomaker, and 1019WEST/Beacon Arts Building artists, including: Susan Amorde, Jeanne Dunn, and Deborah Lambert.

1019WEST is a dynamic complex of creative workspaces where 30 multi-disciplinary artists maintain studios.

Zero Down is located at 1019 west Manchester Blvd. in Inglewood. Walk-in entrance only on West Manchester and Hindry Avenue. Get on down.

  • Genie Davis; Photos: Shoebox PR

 

Valerie Green Devises “Devices”

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Valerie Green’s “Left to My Own Devices” now at Moskowitz Bayse utilizes digital processing to create a unique and translucently layered series of dimensions based on photographs of photographs on computer screens, tablets, and smart phones.

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Using a liquid lens cleaner, Green devices prismatic rainbows; re-photographing her own printed images, slicing and chopping them, she makes surreal and shredded images that appear fragmented and dreamlike.

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Green uses a grey computer screen, Photoshop editing processes, photographs of photographs, and tiny pieces of photographs to create her images, which are all about the layers.  Both surreal and abstract, these rainbow droplets and opaque and translucent surfaces reflect the technology of today in the soul eternal.

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“My pieces are about the translation from virtual space to 3D. I’ve made lots of different projects that led to this, but in this exhibition, the inspiration was with our hands and our devices, how interconnected they are, and how interconnected what we see in real life and what we see on a screen could be,” the artist relates.

  • Genie Davis, all photos: Jack Burke

Garage Art:  West Hollywood Premieres Automated Garage and Community Plaza Artwork

Auto garage exterior

On Tuesday the 24th,  the city of West Hollywood held a Grand Opening celebration commemorating the completion of a new form of public art: a beautiful community plaza and an automated parking garage, both showcasing not only stellar space but site-specific art. Sleek, modern, and airy, the Automated Garage and Community Plaza represent the first municipal project of its kind on the west coast. The structure offers a 200-space parking garage and a 7,000-square-foot plaza – with stunning hand-painted murals located at four parking bays.

The murals were created by artists Art of Chase, MONCHO1929, Bronwyn Lundberg, and Kim West. Each piece is unique and vibrant. 

auto garage Moncho 1929 flight plan

In Parking Bay 1, Moncho 1929’s “Flight Plan” features soaring birds that are meant to represent the innovative tech and wonder of the automated garage itself;  his poetic murals have previously been archived with the Los Angeles Mural Conservancy.

auto garage Kim West untitled

Parking Bay 2 features Kim West’s pastel “Untitled,” exquisitely floral, evoking butterlies, translucent sunsets, and abstract trees. Other works by west include a four story artwork graces the exterior of the new Huaster, Wirth, & Schimmel Gallery in DTLA.

auto garage The Art of Chase

Parking Bay 3 features the witty work of The Art of Chase, “We Are All One,” a pop art cluster of eyeballs meant to represent diverse energies moving together. On the opposing wall is a merged symbol that represents the peace and love in West Hollywood’s inclusive history.

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And in Parking Bay 4, Bron’s “Business Park” visualizes colorful pop raptors wearing wigs and talking on cell phones, a delightful riff on business and culture. Adjoining is a Pterodactyl nicknamed Lizadactyl after Liza Minnelli. Both pieces reflect the roots of LA artist Bron, who is the co-founder of the pop art studio YoMeryl.

West Hollywood mayor Lauren Meister is justifiably excited by the art and the technology of the parking structure, located in an area that has long needed additional parking resources. “The technology is amazing,” she notes.

Councilman John D’Amico adds “It’s a clean, green, parking machine.”

The Automated Garage was designed by sustainable design architecture firm  LPA; the mechanical vehicle storage and retrieval system by Unitronics, and actual construction undertaken by T.B. Penick & Sons, Inc.

auto garage interior

Automated parking is an innovative solution to parking challenges, requiring a smaller physical footprint than a conventional parking structure with the same capacity. That space savings resulted in the ability to create the community plaza, and helps to support reduced CO2 emissions with less time idling or circling for parking spots – the equivalent of taking 92 cars off the road every year.  On the garage roof are photovoltaic solar panels that utilize sustainable material crafted from recycled grocery bags.

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But environmental friendliness isn’t the only cool thing about this garage. It features a large glass wall on the east side that allows those on the street below to watch the mechanical shuttles ferry vehicles in and out of parking bays. There’s also a fixed-art installation here created by artist Ned Kahn.  Kahn’s work, the beautiful “Net of Indra” is a grid of crystal spheres which reflect the moving mechanisms in the garage. It’s a perfect fusion of art and technology, and while a completely different piece, shares a common subject with Chris Burden’s mechanical car sculpture Metropolis II at LACMA in its reference to automotive culture and mechanical manipulation.

auto garage plaza

The Community Plaza has a park-like feel with trees and benches. A stage provides a setting for community events and concerts. The plaza is home to a beautiful triptych art banner which is a collaboration by street artist MONCHO1929 and West Hollywood’s current City Poet, Steven Reigns. The project consists of three vinyl banners that are designed to express freedom and motion, both captured in a single moment in time. The fluid nature of the artwork includes the incorporation of Reigns’ poem “Morning, West Hollywood” in the background of the piece, with the poems’ lines “Everyday we wake up, a brilliant and creative people in a beautiful city, our past and present intersecting, illuminated, full of promise and possibility.” Images include vibrant birds symbolizing hope and freedom – hummingbird, parakeet, sparrow – each expressing the diversity of people and the freedom of choice in the community’s culture.

Both garage and plaza make wonderful showcases for West Hollywood’s commitment to sustainable living and their ongoing community-focused cultural planning. They’ll be on display at the plaza’s first concert event on June 26th, a performance by jazz musician Jennifer Leitham – not to be missed.

No Bridge Too Far: Jason Vass Gallery

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“Before the Bridge” at the Jason Vass Gallery succinctly and beautifully sums up images of change – perfect for the gallery’s location in the shadow of the soon-to-be-no-more 6th Street Bridge.  This is only the third exhibition at the gallery space, which opened January 30th, but it’s not to be missed.

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Featuring the work of six artists, Deborah Brown, Dan Callis, Mark Dutcher, Cynthia MacAdams, Douglas Tausik and Gene Vass, paintings, sculpture, and mixed media are the mediums for some dazzling art works about transition.

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Above, Douglas Tausik with the two creations his wife’s pregnancy inspired.

Douglas Tausik’s “Venus” is the artist’s tribute to his wife’s pregnancy. “I changed my approach to the work in this piece,” Tausik says. “While the idea of traditional sculpture being exhausted is premature, this piece came out a little differently, a personal narrative, thought and emotion united,” he says. The flowing curves of this piece seduces, the feeling of birth is present in every soft line, even had we not heard the story of the work’s inspiration.

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Dan Callis say his multi-layered paintings reflect light beneath darkness. “I wanted to build up these very dense layers to create intentional space, then subvert it, and build it again. That may be emblematic of my own aging,” he laughs. “I want my paintings to be beautiful but not in a traditional way, rather in a way that comes out of going down some difficult roads.” Delicate and translucent colors create a translucent effect; there’s a sense of reflection, light, water, glass in each of his pieces that pull viewers in as if floating in a wave of color.

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Mark Dutcher’s abstract paintings include stark but sensuous lines weaving through flows of color.  His “I am Hart Crane,” is blue with black graphite lines. It could be a river or a highway, something that courses on, as mutable as time.

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Deborah Brown’s “I Thought I Could Handle It” is hilarious, sexual, and simply captivating, an interweaving of female legs and bodies with a mushroom head with which Freud would have a field day. This too is a piece about transformation, as desire, as feminism, as identity. Both surreal and whimsical, her work dovetails nicely with photographer Cynthia Macadams, who presents iconic photographs of men and women that delve beneath the surface of the skin. Also beneath the surface: the swimmingly dark monolithic forms of Gene Vass that offer fine cracks of light breaking through these seemingly immovable shapes.

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Yes, it’s all about change. Check out this exhibit which will change after June 12th.  The gallery is located 1452 E. Sixth Street in DTLA.

  • Genie Davis; All Photos: Jack Burke