It’s Elemental: See Elements at the Loft at Liz’s

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Fire, air, water, earth. At Loft at Liz’s “Elements,” the gallery’s annual nature themed exhibition, six potent artists create this year’s entry in an annual show that focuses on nature. Six artists, Doron Gazit, Michael Giancristiano, Moses Hacmon, Luigia Martelloni, Jeff Frost and Joan Wulf re-create these natural elements as something profound and poetic.

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Environmental artist Doron Gazit has worked with inflatables for thirty years, and his kinetic wind sculptures here potently visualize the unseen. Using nature as his canvas, he has worked with plastic tubes that are hundreds of feet long.

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Writ on a smaller scale here, “Frozen Flow,” take up substantially less space, white and illuminated from within, they channel air currents and pull viewers into a world both haunting and beautiful. It’s not hard to visualize Gazit working on his next upcoming projects in Iceland and in the Amazon forest.

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Artist Luigia Martelloni takes on the element of earth in an installation that fills the smaller exhibition room at the Loft. Luigia’s work involves crystals, earth, organic materials, and paper prints.

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“It’s a very personal journey, that goes back to the vastness of the land that I explored in 1986. I’m translating to the audience not information about finished objects, but about recovering and salvaging materials and translating ideas. The crystals are about a trip I took from the Colorado mines to Utah. There is salt from Salt lake City, dirt from Monument Valley. I prepare my paper in an organic way, and I use papers that are a collection of years and years.”

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Joan Wulf “fell into” her own burning ring of fire – she was painting on wood panels, and found a particularly beautiful wood grain that she did not want to gesso, instead using the panel to burn rather than paint her work.

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Now this pyrographic artist is creating art painted with flame rather than brushes, burning canvasses, crafting images that resemble ancient cave paintings or conversely, modern patterns that just happen to be burned into shape rather than conventionally painted.

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Moses Hacmon uses a liquid film technique to render images of water on aluminum. His eco-friendly project creates images that evoke both the depths of the ocean and the earth from space, watery images that shine over aluminum that could merely be representing the crystal clear waters of a distant cove.

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Michael Giancristiano says his art in this show, featuring air plants, was “inspired by melting ice caps and what’s under them. Scientists have reanimated organisms, a rebirth,” he notes. He wanted to use “organic materials that are alive and growing. The air plants are held onto functional handbags and panels by fasteners. They can be interchanged, removed, and watered.” The air plants he uses here come from the pineapple species.

 

We did not have the opportunity to talk to Jeff Frost, whose images of fire are seductively palpable in his photographic and video art works.

Find the element that moves your spirit through June 20th at the Loft at Liz’s, 453 S. La Brea Ave.

  • Genie Davis; Photos: Jack Burke

Delving into the Abstract

F23C1777At Lora Schlesinger Gallery through June 4th, “Abstraction” features the immersive abstract works of Miya Ando, Richard Bruland, Sophia Dizon Dillo, Mark Steven Greenfield, and Maxwell Hender. Acrylics, oils, and mixed media comprise a show that pulls you into a world beyond this one, and that invites viewers to plunge visually into the images depicted.

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Miya Ando’s “Forest Green Meditation Mandala,” is both primitive and delicate, using dyed bodhi skeleton leaves and microfilament mounted on archival ragboard to create an almost tribal image. Her dye printed “Clouds” are infused with light, reflecting and refracting their aluminum surface.

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Sophia Dizon Dillo’s creates ethereally translucent works that play with light and shadow; Richard Bruland, below, uses more opaque techniques.

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Richard Bruland says his work is all about putting on texture, sanding it off, and then painting on top of this already layered and nuanced surface.

“I take a trowel and evenly spread out the paint, then I take a flat stick and push it into the acrylic gel, lift it into peaks and valleys, drag one color out. I create entire detailed surfaces first, but I want them to have depth. So then I sand it, then I go over it with a brush and paint.” The artist digs deep, and so does the viewer, absorbing this work.

Also on exhibit: minimalist pieces crafted in resin from Maxwell Hender; delicate patterned pen and ink works from Mark Steven Greenfield.

Abstraction offers a very concrete look at some beautiful, non-figuarative works.

  • Genie Davis, All Photos: Jack Burke

 

Burning Down the House

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We’ve written about the stunning pyrographic techniques of Zachary Aronson before.  With an artist’s reception of his work upcoming at DBA256 Gallery in Pomona, here’s a piece on Aronson from the team at Shoebox PR.

It is said that scars create character and in the case of Zachary Aronson who scars wood panels with fire to create intimate and revealing portraits, it’s the unseen experience that speaks the loudest.

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Currently on view at DBA256 in Pomona, “Portraits” draws the viewer into contemplation of humanity and our collective struggle to be individual. Zachary, a recent Cal Arts Grad, uses flame rather than traditional tools to sear images onto wood planks giving his portraits a primal connection between wood and flame that we intuitively understand.

“Portraits” is not what we come to expect from the genre. The larger than life faces are exposed and vulnerable, visceral and raw, created using fire, a traditionally destructive element that confronts the viewer with windows into encounters that demand their attention.

“Anonymity is very important in my work,” says Zachary. “I want to catch the viewer’s eye and draw them in without presenting them with all the information about the image. I don’t want to give the viewer everything, what I choose to omit is significant.”

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“My practice is very immediate, constantly altering at my fingertips,” says Zachary. “When standing in front of a wooden plank, I visualize images I want to reveal among naturally occurring knots, grains and textures.”

“Portraits” confronts us with faces in various states of emotion that show us how we are scarred by experience and how those scars reveal a nature that is beautiful in its unique way.

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Aronson uses torches to effectively draw with fire creating what he refers to as pyrographs. Implementing this drawing technique has brought Aronson in closer contact with his medium, creating a connection between nature and human hand by utilizing all of the earthly properties involved; the natural texture and color of wood, fire, and ash.

Zachary Aronson | Portraits
Artist’s Reception
Saturday, May 14th 6-11 PM
During Pomona Second Saturday
dba256
256 S. Main Street
Pomona Ca 91766
– Shoebox PR; Photos: Jack Burke and courtesy of artist

 

Wake Up Call – AWAKEN: the female voice at Plummer Park

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Curated by fine art photographer Brooke Mason, “AWAKEN: the female voice,” an exhibition of multimedia work created by female artists, opened April 21 and runs through June 27th at the Plummer Park Community Center in West Hollywood.

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The show features nine artists’ take on the transformation of a young woman over the first half of her life. Artists include Fatemeh Burnes, Lola Del Fresno, Diane Holland, Julienne Johnson, Camella DaEun Kim, Nicole Landau, Feng Ling, Brooke Mason, and Mei Xian Qiu.

A passionate feminist, Australian-born curator Mason explains the theme of the show. “When a girl is young, she doesn’t understand boundaries or social parameters … somewhere between the ages of 10 and 15 she starts to sense these restrictions; she questions her role in her environment. She chooses either to fight them and deal continuously with conflict or to conform to them… until she is old enough to rebel against them seriously. As artists we strive to highlight these struggles.”

Below, Mason’s “Soar” – a leashed ballerina struggles to rise above the limitations prescribed to her.

Soar by Brooke Mason

Each of the artists has a unique approach to this transformative time. Some works highlight a child’s freedom of expression, innocence, and liberty; others depict the challenges of societal rules and the restrictions of adulthood. The goal of each participating artist is to inspire through their work.

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Participating artist Fatemeh Burnes describes her haunting works as offering “complex levels of comprehension” which “provoke a multiplicity of responses. I resist at every turn our tendency to simplify the world by categorizing it into kinds of things, or kinds of art. There are no categories for me, only experiences.” Burnes’s work is focused on nature around and within us, and the history each individual makes that is “defined not by time but by energy.”

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Lola Del Fresno, originally from Madrid, Spain, works with abstract realism, focusing on the human figure. “I like to work on life size paintings or larger. Usually I choose nakedness to avoid any social reference. These are confrontational pieces that face the viewer with the experience of the inner self.”

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Above, Diane Holland, right, next to the work of Feng Ling. Below, Holland stands in front of her own works.

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Diane Holland uses electro transfer and Cibachrome photography in her artwork, which examines the affects of cultural imprinting on herself and on others. “I hope to serve as a catalyst, signalling creative interplay between myself and others… I am interested primarily in exploring how we can create, broaden and experience ourselves as human beings at a deeper level, and affect wider social change.”

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Painter Mei Xian Qiu creates astonishingly delicate images with a deep message. “My art is ultimately about individualism and cultural identity in an increasingly global society,” she relates.  Awash in rosy pink, her “Leda” is blindfolded with a swan looking on. The piece is rendered with a timeless attention to detail and has the quality of a sensual fairy tale.

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Julienne Johnson, whose mixed media work “Chandler” includes acrylic, charcoal, crayon, graphite and pigment transfers on paper and fabric, works entirely with her hands, eschewing brushes. “I make art to communicate what I cannot communicate with words… It takes a whole lot of passion and persistence when you are trying so desperately to trade ashes for beauty.”

Camella DaEun Kim, Nicole Landau, Feng Ling, and curator Mason are also a part of this exhibition.

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Above, Mason’s provocative piece “Glass Ceiling” depicts a naked woman and a naked man positioned over and under a glass panel.

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Above, Mason with her work, “Soar.”

“The exhibit is all local female artists. I chose work that is not only beautiful but conveys strength comparative to the artist,” Mason notes. A former international model, Mason recently curated another exhibit in West Hollywood, “Women Manifest: At The Core,” now on display at the WeHo Arts Exhibition Space at the West Hollywood Library. She knows quite well the constraints put on women, and is bold in her presentation of female images. “People see what they want to see in my work, it’s up to interpretation… any reaction is a good one for me.”

Presented with support from the City of West Hollywood through WeHo Arts, the show will run from Thursday, April 21 through Monday, June 27 at the Plummer Park Community Center, located at 7377 Santa Monica Boulevard in the Art Room. It can be viewed during regular Community Center hours, from 9 a.m. to 9:30 p.m., seven days a week.

To learn more about the City of West Hollywood and its arts projects, visit www.weho.org/arts

  • Genie Davis; Photos from weho.org/arts and Joshua Barash