Paved New World Offers Brave New Role for Actor Daniel Pinder

 

daniel 4

 

Daniel Pinder, well known for his role as Michael on Chicago PD – and for his love of skate boarding – is about to start in a new film project, Paved New World . With a powerful role inspiring his craft, he found the transition to a big-screen project inspiring.

Pinder 3

“We start filming in October in Los Angeles and I can’t wait. The movie is set in the 90s and follows two teens, Slim and Kilgore on their last day of summer as they travel across town to watch their skate boarding idol attempt a suicidal skate trick,” Pinder explains. “It’s really a coming of age story about these best friends on a journey of finding themselves.”

Pinder terms the story eminently relatable, and he feels he’s fortunate to be able to help tell it. “My character Slim is really spectacular. He’s very artistic; he’s a rebel at times with a sensitive side. He’s the kind of friend that everyone wants in their group of friends, the friend that will take a bullet for you.”

The film, written by Bio-Dome creators Scott Marcano and two time Emmy nominated and Golden Globe winner Kip Koenig of Greys Anatomy is directed by Skate God director Alexander Garcia. Pinder will be sharing the screen with actors such as Nash Grier from The Outfield and You Get Me, and as his love-interest, Claudia Lee of Kick-Ass 2 and Hart of Dixie.

Pinder 2

Pinder has loved acting since his childhood. “I get to entertain whoever the audience is and hopefully make an impact on their lives.” He says that he always knew that he wanted to impact other people’s lives, but wasn’t always sure how.

“Through watching movies or television shows that I liked, I started to see that the characters in these shows go through things I might have been going through at that time or things I might go through in the future, and it’s like the characters were teaching me or showing me ways to deal with the things in my life.” Calling this a moment of discovery, Pinder says this was when he knew that “acting was the thing for me, and the way I wanted to help other people.”

Pinder was raised in Fargo, North Dakota, far from the Los Angeles and New York acting scene. His friends and family have been supportive. “We all push each other to work hard to succeed at whatever we want to do,” he relates.

Pinder 1

Pinder’s first role on Chicago PD made him fall in love with acting. “Michael was my first role. I got the part two months after dropping out of culinary school,” he laughs. “I was living in Minneapolis at the time and I actually self-taped my audition in my basement. I got called back again the night after my tape was submitted asking for more video of me, and I was told it was down between me and about 8 other guys.” He got the call every actor wants to hear – you got the role – the night of his father’s birthday party.

Pinder says he relates well to the character, and was able to bring his favorite hobby – skateboarding – to the character, too.

Along with Paved New World, the actor just finished working on Alexander Garcia’s film Skate God. The skateboarding hobby Pinder has long enjoyed is useful for this role, as well.

The just-released film, which also involves actor Peter Fonda, deals with the descendent of Greek gods in a dystopian future. Pinder plays the role of Clash. Director Garcia is also working with Pinder on an upcoming mystery, Gallatin 6.

But it’s Paved New World which is most on Pinder’s mind right now. Having a lead role is an exciting first.

t 14

“I really did fight for this part. I actually flew down from Fargo to Los Angeles to meet with Scott Marcano and Kip Koenig who wrote the film. They told me their vision, and I told them what I wanted to bring to the project and we really clicked. I think what makes me right for this part is that I understand Slim and in a weird way I feel like I’ve been very close to this character most of life,” Pinder asserts.  “What I most identify with in him is his passion. I’m very excited for everyone to meet Slim.”

Pinder adds “Besides the amazing team behind the movie, what really drew me to Slim was that he makes choices that I didn’t have the courage to do in my real life.”

Of course, pursuing acting itself was a courageous choice, and Pinder does have a few salient words of advice for anyone who wishes to follow in his footsteps. “Always stay unique because that’s what people are looking for. Work hard, stay true to yourself, and don’t change just to fit into the L.A. scene. You can do it no matter where you live as long you’re willing to put in the work,” he smiles. “If I can do it while I was living in Fargo, you can do it too.”

  • Genie Davis; photos provided by Daniel Pinder

Paved New World is set to release June 21, 2018.

I Spy: Espionage Tonight DWF20 Filmmaker Profile

3R1A5181
I spy…a lot of laughs and action in Rob Bralver’s Espionage Tonight, a wild, zany, dark, funny film that casts a spy thriller as a reality series. Bralver started out as an editor, transitioned to a writer/director and he’s now directed more films than he’s edited, but his sense of story is honed in the editing room, taut and well-paced.
“I always wanted to make a spy movie. My career prior to this film was in documentaries, and I became very familiar with the crafting of narratives and the business of entertainment. I noticed a lot of similarities between that world and the D.C. world of politics and espionage, which I’m equally fascinated by. There’s a lot of overlap between the two in terms of tradecraft. Sleight of hand, disguise, misdirection, PR, all kinds of tools where the only difference is the final product – entertainment or news. This movie was my way of exploring those parallels in hopefully a new and fun way, as we now live in a time where all the barriers and distinctions are gone. Facts, stories, recreations, policies – it’s a free for all, no matter your political orientation. While maybe that’s concerning in terms of possible real world repercussions, it’s also ripe for comedy,” Bralver says.
3R1A5119
Bralver’s previous work includes Cure For Pain: The Mark Sandman Story. “It’s a story about ambition, family, and loss. I learned a lot on that one, lessons that I expect served me well on everything going forward in work or life. There were very similar themes in Our Vinyl Weighs A Ton and Gore Vidal: The United States of Amnesia,” he relates. “It was not by design, but these very different stories and different people were all in their own way about outsider figures dealing with extreme loss and finding ways to overcome, and building new families and works to value to sort of reformat and re-strengthen their lives. Espionage Tonight was a departure from that kind of story on the surface, but I think at it’s core it’s the same thing on a different scale. The whole national landscape kind of needs to dust off the past and get a clean slate.”
That may sound heavy, but the film itself is pure fun. “Don’t worry too much about the details. Sit back and enjoy being lost for the ride. It’s meant as an impression of our new reality, where distinctions and exposition really don’t matter, lots of things never get resolved or never mattered to begin with, and the only resolution is probably getting on a boat and sailing away. I also hadn’t seen a movie like Airplane or Hot Shots in a while, and wanted us to have a new one. Don’t take it too seriously…but then think about it a week later.”
Put it this way – the lively, scathing, funny film is a lot more Survivor than Survivor could ever dream of being.
– Genie Davis; Photos: Jack Burke
 
 

 

Let’s Go to the Movies Again

Dances with Films offered an incredibly strong slate of films Thursday through Sunday, the closing weekend of the festival. And our only regret is that the fest is over. Time to hang up our dancing shoes until next year.

3R1A5181

Thursday’s Espionage Tonight was a brilliantly structured dark comedy in which a reality TV show about spies is created to win back the faith of the American public. Audiences go undercover on missions around the globe. Real spy and reality tour guide “Swamp Fox” is alternately deadly and hilarious.

3R1A5204

Director Rob Gordon Bralver says the choice to create a reality style was done to save money, but budget doesn’t show on screen.  “We had tons of locations thanks to producer Amy Child, who made little miracles happen. Music is just me listening to iTunes so I could find what fits, and keep the film in its wierd comedy pocket,” he relates.  Lead actor Joe Hursley says for him, the filmmaking process and the point of the movie itself is “Trust your inner psychopath.”

3R1A5351

The festival’s Grand Jury Winner, One Less God was a harrowing take on the 2008 Mumbai terrorist attack on a tourist hotel. Deeply involving, moving, and packed with suspense, the large cast and humanitarian soul of the movie painted a picture of pain, beauty, and love.  Thoroughly engrossing.

3R1A5329

3R1A5310

Writer/director/producer Lliam Worthington says “We knew people killed in the attacks, we just wanted to understand what was going on, the loss and the pain, and the people. I wanted to see the people. We have to continue to see people as a global society.” Worthington used some of the actual cell phone communication transcripts between handlers and operatives word for word during dialog for the terrorists; the 63-day shoot which took place off and on for a year never lacks in verisimilitude.

tater tot

The strong ensemble cast and sweeping, lush cinematography of Tater Tot & Patton add to a compelling tale of a millennial who escapes her own life at her uncle’s South Dakota ranch, forcing him from his placid, if liquor-drenched, existence. A well-balanced drama that pulses with life.

3R1A5431

Jimmy the Saint is a fresh, Los Angeles-based take on the Russian mob, true love, gambling addiction, and a street scene as authentic and involving as the film’s throbbing, vibrant heart. It’s a film that’s both violent and feel-good, a difficult feat to pull off – but it absolutely does.

3R1A5421

Director Branden Morgan shot “really cheap” in just 13 days, averaging 9 script pages each day. The thriller deals with “identity and liberation. Everyone wants that.” The pitch-perfect cast says the fact that Morgan began his career as an actor paid off. “He constantly guided me through,” lead Zach Hursh attests. And guidance was key, through strong physical action, and the learning of Russian dialog by lead actors.  What’s next for Morgan? “My partner and I sold another weird adult drama to Sony Crackle.”

3R1A5381

Jimmy the Saint above, The Scent of Rain & Lightning below

3R1A5446

The Scent of Rain & Lightning is packed with stunning images in a strongly performed if convoluted story of murder, lust, and revenge set in a fresh Oklahoma setting. Based on a novel, director Blake Robbins deftly visualizes images in an adaptation made by Casey Twente and, Jeff Robinson. Tweetner’s wife heard about the book while listening to NPR and tracked down the author. “I tried to treat visuals like a complicated jigsaw puzzle,” Robbins relates. The film was shot in 21 days and took full and visually stunning advantage of its location. “The 39% tax break rebate from Oklahoma is what made us move the setting of the book from Kansas,” Robbins says. Co-produced with co-star Maggie Grace, the film is moody and noir.

3R1A5513

All I Want is an ensemble piece. A group of friends attend an anniversary party for two of their own, only to find out the couple is quasi-celebrating a divorce. The comedy-drama gives plenty of space to a large cast, exploring relationships with pleasant abandon. Writer/director/producer West Lang says he and star/co-writer Melissa Center wanted to feature a community of great actors. Center notes “We are all buddies in real life, we’re part of a lab of like-minded actors who are all about the craft.”

Until next year – Dances with Films has turned down the music.

  • Genie Davis; Photos: Jack Burke

 

 

Dances With Films 20 – Grand Jury and Industry Choice Award Winner: One Less God

3R1A5315
Above, One Less God director Liam Worthington, DWF’s Leslee Scallon far right
As Dances with Films co-founder Leslee Scallon likes to say, all the films at the festival deserve a “5” – the highest audience rating score on festival ballots. All the same, not every film can win top accolades.
One Less God, an ensemble film inspired by the 2008 terrorist attack on Mumbai, took both Grand Jury Award and Industry Choice Award.  The tense and heartbreaking film includes points of view within a group of hostages and from the terrorists.
3R1A5207
Liam Worthington, writer/director of the project explains what drew him to the subject.
“I have always had a special affinity for India, having travelled there when I was young. Then when the 26/11 attacks took place, co-producer Nelson Lau and I both had friends who lost people close to them, so we felt a very strong personal connection, and the overwhelming tragedy and sheer audacity of the attacks awoke a deep desire to understand. The news cycle was all about the specifics of what had happened, but what I really wanted to know was why. I wanted to get to the heart of the tragedy, and beyond it, to the people on both ends of the gun. And now the questions we began exploring nearly a decade ago, have sadly only deepened and become even more important and relevant than ever. “
Worthington’s initial training was as an actor. He began writing and directing for the theatre and the circus.
“I founded a theatre company with some other actors and began creating shows and workshops around youth suicide prevention working with mental health organizations in Australia, and also touring. I received grants to run circus workshops for street kids and young offender groups before I had my first opportunity to cross over into film,” the Australian director relates.
“Over the course of a year I was commissioned to work with a group of young people suffering from psychosis, and together we made a 40 minute Star Wars fan film.
Since then its been a pretty typical road of lots of study, shorts, music videos, POC’s and I’ve written, directed, DP’d, edited, VFX’d and belatedly produced.”
While he says he had not previously aspired to produce features, after several projects fell by the wayside following years of development, he decided to make sure the next film could live or die based only on his own decision. That film was One Less God.
3R1A5274
“It’s been an enormous amount of work, but I needed to take my dreams out of other peoples hands. So I committed to gathering my resources, cash in on my good will,
and produce One Less God at all costs, and I was very fortunate to also be able to enlist the help of a team of other great producers.”
The suspenseful, harrowing, and beautifully wrought film is packed with meaning. But asked what he most wants audiences to know about it, Williamson says “I wanted to craft a story that would be a genuine movement towards greater humanism and compassion. One that might aspire to promote healthy discussion afterwards, as opposed to the discourse that takes place in the emotionally charged wake of an actual terrorist attack, and rarely achieves anything except to heighten fear and increase the polarization.”
3R1A5256
The director notes that “This film was made by people of many different faiths: Muslim, Hindu, Christian, Jews, Buddhists and those of no faith as well. I think together we have made a deeply humanist film that also shrinks from nothing, and I think that is vital right now in this divisive political climate. On first glance One Less God may appear to be a film about terrorism, but in truth ,that is just the framing we use to explore our shared humanity, the value of life, and what separates us from love.”
3R1A5211
3R1A5219
Genie Davis; Photos: Jack Burke