Director Alexander Garcia: On Skateboards and Film

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You might say that film director Alexander Garcia is skating to the top. His upcoming project, Paved New World is his second film relating to the world of skateboarding along with his recently completed Skate God.

While the two are very different films, both have a shared passion for the sport.

“What attracted me to Paved New World was that when I first read the script, I felt each character had such a strong humanity and they were much different from other archetypes; they were characters we seldom see in other films,” he explains. Another attraction: “The script comes from the amazing writing duo Scott Marcano and Kip Koneig, who wrote Bio Dome,” Garcia explains. “The whole coming of age story is something that I feel will never go out of style. If I were to go back to films such as Stand By Me and films out of John Hughes’ library like Sixteen Candles, or Pretty in Pink, all those films have one thing in common – they’ve become a part of a timeless pop-culture.  Films of today do not have that elasticity.” At least until now. According to the director, Paved New World has all the makings to become a classic.

Garcia feels that the audience for the project is both general and niche. “It caters to the skateboarding subculture and will evoke what Lords of Dogtown did for the 40-something crowd, especially since the story takes place during the 90s,” he says, but notes that the project will appeal to a broad cross-section of mainstream viewers.

Garcia is working with star Daniel Pinder who plays Slim in the movie, an actor he worked with before in Skate God.  Pinder, well known for his role as Michael on Chicago PD – and for his love of skate boarding, seemed a perfect fit. Garcia was drawn to the actor for the pivotal role.

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“It would be disingenuous for me to say that Daniel is the embodiment of the Slim character.  That would be selling his acting ability short. Daniel is innately one of the most gifted performers out there today,” Garcia asserts. “He has the range to delve into any character by injecting himself into any role he takes on, which helps keep the realism intact. Your best actors are the ones that tap into their own inner being, becoming one with the character and playing off of their own idiosyncrasies.”

The chemistry between Pinder and actress Claudia Lee (Kick Ass 2) who plays his love interest, Jayce, in the film, was another part of the appeal, Garcia says. “Viewers will love his relationship with her.”

With Paved New World being the second project for Garcia involving skateboarding, the question had to be asked: what role did skateboarding play in his decision to make the film?

“I started skateboarding in the 80s when skateboarding hadn’t quiet found its footing yet. I continuously skated into the 90s…I turned professional in ’93, when skateboarding was on a downward slide because there were no monies to be doled out. It really came down to the artistry back then more than anything, which I feel is missing from today’s skating.”

Of course that changed again in the late 90s with a new incarnation of skateboarding including skateboard star Tony Hawk’s entrance into video gaming. “That’s when skateboarding really became a permanent mainstay in the extreme sports family,” Garcia says. He continued to skate professionally until 2007, and still uses his pro-model skateboard. While he no longer participates in contests, he carves out the time to skate at least once a week. Garcia was inducted into the freestyle skateboarding Hall of Fame in 2008.

He feels strongly that skateboarding exemplifies the idea of being an original and going against the grain, which he says has always been his personal mantra. “That’s why skateboarding was so attractive to me. When I started skating, there were no skateparks in existence so you had to skate in parking lots, underground parking structures, and you had to try to find your own safe haven. Mine happened to be my garage,” he laughs.

Gracia made the transition from pro skateboarder into filmmaker due to his long-standing love for cinema.

“That stems from when I was 6-years-old, going to the movies with my Mom in my hometown of Lakewood, Calif.,” he says.  “I would see films in every genre ranging from romantic comedies to thrillers to action, which in the end made me into a multi-genre storyteller. Horror films have always been my passion,” he adds.

His love of filmmaking took a back seat to professional skateboarding after high school, and he never attended film school. As a self-taught filmmaker, he says  “I have always leaned more toward being self-taught and less reliant on schooling and that comes directly from skateboarding.  I created my own personal style, I didn’t emulate anyone else, and it didn’t come from any book.”

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Currently, Garcia is working on a wide array of film projects in multiple genres along with his producing partners Anne Stimac and Stuart Arbury.

“One of the projects was derived from a children’s short story that I penned when I was 12 years old titled Libby’s Dreams. It deals with a detached, over-imaginative little girl with the ability to enter different worlds through her dreams. That helps her to fit into the world she comes from.  The Florida Project’s Valeria Cotto is set to star in the film as Libby. I’m also working on a mystery thriller, Gallatin 6, staring Tilky Jones and Daniela Bobadilla, and Apparency, which I like to describe as a supernatural love story centered on reincarnation — with consequences. And of course, there’s Skate God which is going to be a game changer in the sci-fi/dystopian genre.”

With projects like this in Garcia’s quiver, Paved New World is just the start of a brave new career.

  • Genie Davis

Paved New World: William Brent added to Daniel Pinder Upcoming Starrer

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Above, William Brent

Daniel Pinder’s new film project, Paved New World Paved has added more talent to a project that’s a major project for the actor. Pinder is well-known for his role as Michael on Chicago PD, and the upcoming film Skate God. He’ll now be joined in the Paved New World project by another talented actor, William Brent – also known as Billy Unger. Brent, above, starred in the long-running Disney hit Lab Rats, as well as appearing with stars Kristen Bell and Jamie Lee Curtis in the recent films You Again and The Descendants 2.

In Paved New World, Brent will play the part of Funch, a “bad guy” role that the actor is excited to portray. The film focuses on the challenge between two skaters who race against the clock to see their hometown skater hero, Gibby (Andy Schrock) as he completes a suicidal gap jump on his skateboard. One of the two avid skateboard fans, Slim, will be played by Pinder; the other fan role is yet to be announced. Claudia Lee ( Kick-Ass2 and Hart of Dixie) will play a biker who is also the love interest for Slim (Pinder). Ava Allan, Olivia Rodrigo, Connor Weil, Kamil McFadden, Tilky Jones and social media stars Josh Paler Lin and Chad Tepper are also in the cast. With the addition of Brent, excitement is building, as the stellar cast continues to grow.

The film already has an extensive behind the lines pedigree. The film, written by Bio-Dome creators Scott Marcano and two time Emmy nominated and Golden Globe winner Kip Koenig of Greys Anatomy is directed by Skate God director Alexander Garcia.  It’s being produced by Brad Krevoy (Dumb and Dumber) along with Marcano and Garcia.

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Above, Daniel Pinder

“Paved New World is set in the 90s and follows two teens, Slim and Kilgore, on their last day of summer as they travel across town to watch their skate boarding idol attempt a suicidal skate trick,” Pinder explains. “It’s really a coming of age story about these best friends on a journey of finding themselves.”

Pinder calls the film’s story vividly relatable, and says he relates well to the character, and was able to bring his favorite hobby – skateboarding – to the character, as well. Having the lead role in a film supported by such strong and skilled acting talent like Brent is beyond exciting for the young actor.

“I understand Slim and…I feel like I’ve been very close to this character most of life,” Pinder asserts.  “What I most identify with in him is his passion. I’m very excited for everyone to meet Slim.”

Paved New World is set to release June 21, 2018.

Pestered About What to Do on Halloween?

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Pattern vector created by Veraholera

Here’s a bug in your ear – if you’re wondering just what to do to celebrate the season – check out the Halloween Film Pestival,  this Saturday October 21st at the Los Feliz 3 Cinemas from 10:30 a.m. to 6 p.m.

What’s that you ask? Well, it’s an event sponsored by the Western Exterminator Company that presents a variety of bug-themed films, popcorn that can optionally be topped with flavored crickets, and insect infused lollipops as treats.  Yes, there will be traditional movie candy and soda provided gratis, too.  And attendees can dress up in costume.

What’s screening? Bee Movie, The Ant Bully, Epic, The Birds (wait – birds eat bugs, don’t they?), The Fly, Big Ass Spider, and Eight Legged Freaks. 

Between flicks you can participate in a cricket eating contest and explore an exhibit on entomology – that’s the study of bugs, naturally.

Pesty parking worries? Like the film fest itself, it’s sponsored and free. Los Feliz Movie Theatre is located at 1822 N. Vermont Ave, Los Angeles, CA 90027; parking is around the corner at 4640 Melbourne Ave.

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To screen a film, RSVP to your movie showing of choice (up to 4 tickets). Seat availability is first come, first served. To RSVP buzz over HERE.

  • Genie Davis; bug photo (top) Pattern vector created by Veraholera – Freepik.com

Alice Esposito: Film Festival Winner for The Mockingbird That Fell from The Highest Branch

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Italian-born and Los Angeles-based, Alice Esposito is an award winning photographer and filmmaker,  with several film festival success stories in her quiver. Now she’s celebrating a recent win for her short The Mockingbird That Fell from The Highest Branch, which just won Best Comedy at The Prince of Prestige Academy Awards.

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The film is a black and white silent comedy inspired by cinema classics such as Fellini’s La Strada, and the comedy of Charlie Chaplin and Buster Keaton. The story: “A cynical, socially inept Mime lives a life of tiny distractions. Yet, even indulging in his smallest fantasies drives him to fits of rage and despair. A chance encounter with the woman of his dreams compels him into a series of humorously tragic attempts at wooing her.”

Esposito says her choice of creating a silent film project was a highly personal one. 

“Recently I became hard of hearing, and I had to adapt my way of communicating and understanding other people. Not only did I start to learn sign language but I had to rely more and more on my other senses. In doing so, I started to pay attention more to the expressions and gestures of the people that I was talking to, the little ticks, peculiar traits, and the body language of a person became some of the most important elements of communication for me, more than the spoken language. This movie was born from a need to represent my personal process, an extreme exaggeration of my experience, a way to go back to basic communication,” she reports.

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Esposito is also a huge fan of Fellini, Chaplin, and Keaton.

​ “Being Italian, my roots reside in the classics of Italian Cinema. I remember watching “La Strada” with my family when I was very young so my understanding of it wasn’t as accurate and full as now. Re-watching it after so many years, I got different aspects and layers of the movie that escaped me during my childhood. Chaplin and Keaton were amazing, complete artists. I feel like they had a magical way to show you the tragic pain that is love and life, leaving you almost longing for these conflicting feelings.” She adds “I think my love for them comes from their approach to life and art and how they were able to pass it to the audience. Their works have different layers, and especially Chaplin, has a way to sneak behind you after a big laugh and show you the truth of life. I think the best comedy is a sad comedy – something that both makes you laugh and think at the same time.”

The evocative title was one of the most difficult aspects of completing the production, she relates. ​”I remember I was in the car with the main actor, Phil Ristaino, and we started to throw titles around… I recalled that in Italian the mockingbird is also called ‘the mime’ and this bird is known for mimicking the songs of other birds and the sounds of insects. This is how it started to come together. Also, for me, being in love is like being above every physical experience I know, but at the same time when you heart gets broken the impact to the ground is hard. You could say the title serves to represent this feeling with a tragic romanticism and a pinch of irony in it.”

Esposito notes that this film was for her a passage, moving her on to the next step in her storytelling and style. “It was something that I needed to say and see. All my projects change drastically from one to another; I’m very eclectic about my style and my stories. I think my work is in constant change; for me, each story, each project requires a different visual, a different approach.”

In regard to her approach, the director explains that she’s is fascinated by the Japanese term for the awareness of impermanence, mono no aware.

“One director that was able to visualize this concept was Yasujirō Ozu. I love his appreciation and understanding of simplicity. We tend as humans to make a big deal of everything, but I feel like the answer is in the purity of things…You can see this especially in how I move the camera; I tend to keep everything simple almost static. Sometimes the moving camera deteriorates the composition. Coming from a background in painting and photography that is something very important to me.”

Esposito loves working in the short form, and playing with a sense of time. With The Mockingbird That Fell From The Highest Branch she says “There is not much evidence, especially in the beginning, to where and when we are, and there’s not much technology used in this movie. Only with the last few frames do you get an idea of when and where you are.” That said, she plans to work on a feature soon.

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This film is very much a tour de force for her lead actor, who she met in a San Francisco coffee shop six years ago. “We discovered we’d moved to LA at the same time. I always loved his work. I’m so honored and grateful for his continuous artistic collaboration. He is an outstanding actor and incredible comedian. We really understand each other. I think to find, not only an actor, but a person who understands you on so many levels, is a rare kind of magic.”

The tragi-comedy nature of the film is a delicate balance, one that starts with a personal perception of the world. She believes her long term collaboration with Ristaino made this easier to obtain in Mockingbird.

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“We have a similar way of looking at the world and people around us, so to transmit this idea on screen was very natural. Nothing you see was forced or pushed; I wanted this balance to feel organic. Personally I think this perception that I have of the world came from my family and was heightened by events that happened to me this last year. My mother passed away and this completely changed my vision of the world.” According to Esposito, both of her parents taught her every aspect of life and “that everything has layers. Not all that is sad is sad and all that is happy is happy; it’s a subtle balance, that either you have or you don’t. Luckily I was able to show this on screen with actors that could understand this process.”

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The project, for all its delicate thematic and visual beauty was shot in a compact three days across Los Angeles, from Eagle Rock to Malibu.

“I shot it with a Canon 5D Mark III with a 50mm lens and I adapted an old 35mm lens from the 60’s that my father gave me. It really gave the movie a classic feeling.”

While product was swift, post-production took substantially longer, almost a year. “I had amazing people on my team both from Italy and the USA. The composers Davide Alberto Centolani and Simone Anichini were phenomenal. We worked with an ocean between us, and they pulled off a soundtrack that gave the movie the mood and texture that you can’t miss. Sometimes I just put the music on repeat – it’s just magical!”

Readers can view this magic here 

  • Genie Davis; Photos provided by Alice Esposito