What a Place: Art in Place at the Newberry Lofts Long Beach

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A dazzling array of artists are hanging out at the Newberry Lofts in Long Beach. Or rather, hanging at.  A stellar, museum quality show presented by
ViCA in association with Engels & Volkers – representing the Newberry Lofts Long Beach, Art in Place offers over 80 works by 55 artists. Curated by Juri Koll in 7000-square-feet of exhibition space, the wide variety of Southern California-based contemporary artists represented is really quite extraordinary.
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Using individual lofts on two separate floors as galleries,  the artwork both compliments and creates an intimate setting. Artists are well-paired in the lofts,  in a thoughtful merging of styles, colors, and contrasts. Open by appointment through the end of January, the exhibition will have a closing open to the public on January 27th, and will be issuing a catalog for this extensive show with signed copies available at the closing.

Presenting artists include: John Baldessari, Sandy Bleifer, MB Boissonault, Jodi Bonassi, Bob Branaman, Cosimo Cavallaro, John Eden, Sam Francis, Gloriane Harris, Joel King, Barbara Kolo, KuBO, Maria Larsson, Lawrie Margrave, Stefanie Nafe, Hung Viet Nguyen, Terry O’Shea, Max Presneill, Osceola Refetoff, Phil Santos, Sonja Schenk, Theodore Svenningsen, Reginald Van Langenhove, J. Renee Tanner, Edmund Teske, Ron Therrio, Jae Hwa Yoo, Ginny Barrett, Chenhung Chen, David Clark, Denise DeGrazia, Jeanne Dunn, Matt Ehrmann, Lewis Francis, Stephanie Han, Courtney Heather, Elena Kulikova, Cody Lusby, Emily Maddigan, Kim Marra, Bruce McAllister, Lauren Mendelsohn-Bass, Lena Moross, Cat Phillips, Linda Sue Price, Caryl St. Ama, Mark Rebennack, Georgina Reskala, Frederika Roeder, John Rosewall, Karrie Ross, Christine Sawicky, Linda Stelling, Katie Stubblefield, Stephanie Sydney, Scott Trimble, and Tracey Weiss.
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Above, the work of Cat Chiu Phillips – the medium here is unspooled video tape.
 
According to Koll, who often curates in alternative spaces as well as museums and galleries, artist and former public art project manager Renee Tanner spoke with Koll during a recent exhibition he co-curated at Muzeumm, Gimme 5. Tanner asked if Koll would like to show in Long Beach, and the extensive project was born.
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Above, the work of Barbara Kolo 
 
“I said depending on the circumstances, of course I would,” Koll reports. “She brought me down, introduced me to the folks at Engel & Volker who run Newberry Lofts, and we decided to partner up. Renee referred new artists to me, handled parts of the organization, and did a great job helping with the show. Her work is featured prominently in the show.” Below, Tanner presents a meditative installation “Show of Hands,” shaped from canvas, gloves, and pins, in colors as soft as a spring sky.
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Seeking to avoid predicability in shaping the exhibition, Koll says “I believe people deserve something new every time, something they haven’t seen before. In short, a real show. A real exhibition. I work very hard to make that happen. I believe in these artists and what they represent. I do a lot of research. All too often in the art or entertainment world things remain hidden in artists’ studios, never to see light of day. I love discovering them.For example, Gloriane Harris’s monumental quadriptych was painted in the early 1980s and has only been seen once in public in the mid-90s…so I got her to agree to show them. In the same room, the work by Terry O’Shea has never been seen since it was made by the artist in the early 70s.”
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“The large wooden sculpture by Ron Therrio was commissioned especially for this exhibition. He worked night and day for months to make it happen, and it’s a show-stopper.”
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Indeed, this room is gorgeous. Therrio’s plywood work, “Title Unknown,” is both alien and intensely familiar, smooth and supple, a work in which one feels immediately connected to the being he’s created, something from another dimension that the viewer feels privileged to enter.” Therrio’s work is super solid with a strong dose of sly humor,” Koll says.
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Harris’ lush, large scale oil paintings are born of the sea and buoyed by light, her “Vermillion Morning,” “Breaking Bright,” “Late Afternoon Break,” and “Azure Early Evening,” are indeed magnificent. “She uses classical glazing technique, along with a nod to Monet’s ‘Haystacks’ in their use of differing light and times of day, and a unique Southern California aesthetic. She’s always been near water, and it shows,” Koll notes.
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“I started with an overall concept of picking only the best works I could find, and that they had to have some connection to something else I’d selected. I started with the title, Art in Place because it seem general enough. Then, work I was attracted to often had a sense of place built in. That’s a major and unique trait of work made here in Southern California, I believe,” Koll says. Above, Koll stands next to a work by Jae Hwa Yoo.
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Eden’s large scale dimensional works here are an homage to Jay DeFeo; O’Shea’s rich resin “The Milky Way” and “Tar Pit Triangle” are deep and mysterious.
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Koll describes hanging Max Presneill’s vibrant abstract “Redact 091” and KuBO’s intense pieces which “dance around the surreal” with his “WH81” and “WH82,” both artists’ works shown above, across from each other in a juxtaposition of color and shapes.
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Some of Koll’s favorite pieces, along with those mentioned above are works by Sonja Schenk, whose floor sculpture/painting is a wonderful reflection back to her wall-mounted oil painting that suspends a mountainous rock formation in the sky.  Both pieces, “Me Falta” and “Two Skies” are riveting and original looks at the natural landscape.
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Theodore Svenningsen is another stand-out. “These pre-Google Earth/internet map paintings – all over the show – are prescient, painterly, magnificent, and have never been seen in a gallery setting – they come direct from his studio where he painted them in the early 80s.”  Acrylic on canvas, Svenningsen’s evocative, almost ethereal works map the human spirit as much as the locales he depicts, such as “The Road to Mandalay.” Maria Larsson with lustrous archival pigment prints “Levitate I, II, III, IV, V;”  Reginald Van Langenhoven, and Jae Hwa Yoo, are all artists whose work Koll feels passionately about. Of course, there are many more wonderful pieces here as well.
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Above, in a collection of multiple works from his astonishing “Sacred Landscapes” series, above, Hung Viet Nguyen’s water, earth, and sky, undulate both in texture and subject, transfixing viewers with their beauty and sense of harmony.

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Caryl St. Ama’s “Combined Forces,” created in encaustic monoprint and silkscreen on wood panel is a mystical, involving work.

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Karrie Ross’ abstract work, “Reaching,” glows both from her use of material – acrylic, metal leaf on panel, and from a sense of something arising within.

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Chenhung Chen’s “Aerial #2” and #3 are delicate, web-like abstracts that startle with bursts of green and blue color.

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Several dark-toned visceral pieces by John Rosewell, “Drive” and “Push,” above, are also standouts. 

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Lauren Mendelsohn-Bass’ “The Emperor’s New Clothes,” is an electrically striking piece as well.

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And the moody, figurative abstract of Scott Trimble’s “Worry Not, for Perfection is Merely A Notion that Does Not Exist” is both haunting and delicate. 

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Photographic artist Osceola Refetoff offers two pieces that capture a fresh view of the world beyond SoCal, the archival pigment prints “Julie & Mita – Arena Blanca Bioko, Equatorial Guinea” and “Wildebeasts Running With Tree – Masai Mara National Park, Kenya.” The former work is vivid with color, as alive as the two women it depicts, the latter a moodier long shot of fragile-looking wildlife.

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Works by Barbara Kolo are spread throughout the exhibition. The artist’s amazingly detailed impressionistic abstracts are truly special, reminiscent at times of Seraut; colors seeming to glow.

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Phil Santos exhibits two incredibly lovely tributes to DTLA architecture, “Eastern Building” and “Million Dollar Theater.” Acrylic on panel, these are memorably vibrant, richly detailed realistic works.

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At the November 4th opening, Santos live-painted.

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Tracey Weiss has created two mixed media installations, one hangs in the courtyard of the 4th floor of the exhibition, the hanging sculpture “Polyethylene Sepentes” crafted from PET plastic bottles and monofilament; and the walk-in-closet sized “Carousel,” a sculptural installation that uses 35mm slides, slide carousels and boxes, rendering even the unseen images magical.

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And don’t overlook the lush work of Mb Boissonault with her oil work, “The Hoax,” or the somehow quintessentially Californian lustrous modern neon of Linda Sue Price’s glowing beaded orange “Consistency is Not a Virtue.”

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Jeanne Dunn’s oil on canvas, “Entwined II,” depicts the miraculousness of nature in a way that only Dunn can, with a grace and purpose that immortalizes the fragility of that world. 

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Emily Madigan’s marvelous, mythic sculptures – three in this show, including the life-size figure “Anima,” above, encompasses materials such as foam, antlers, sequins, pins, and beads creating blinged, surreal creatures.jodi mine

Jodi Bonassi’s work often seems the visual equivalent of “magical realism” in fiction, and here in an untitled work, offers more of her deeply, wonderfully detailed visionary takes on humanity.

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Lena Moross, working in watercolor and ink, makes a still life of a soft blue sofa into something utterly alive in “Couch #11.”

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Along with other works, Koll has displayed some classics from his own private collection, including pieces by Sam Francis, Bob Branaman, photographer Lawrie Margrave, John Baldessari, and one of Koll’s mentors, Edmund Teske, whose works were acquired in the mid-70s.

Put the January 27th closing on your calendars, and prepare to fete an outstanding collection of artworks.

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Above, sculpture by Ginny Barrett
Genie Davis; photos Genie Davis, additional exhibition opening photos provided by VICA.

Crystal Clear: Catalina Glows with Chihuly Glass Exhibition and Zip Line Sunshine

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Above, Chihuly at the Catalina Island Museum

The winter months are the off-season in Catalina, home to to the iconic Casino building, kitschy shops, and beautiful, once-made-in-Catalina pottery and tile work. But off-season or not, there are some very wonderful reasons to check out the island before the holidays.

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The glow begins early with sunlight dazzling over ocean views heading from the mainland to the island. Catalina Express offers multiple, less-busy-than-summer crossings in high speed boats from Long Beach, San Pedro, and Dana Point. The fleet of high-speed ferries makes traveling the 22 miles across the sea effortless and smooth; we had beautiful crossings early in the morning and by moonlight and sunset.

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Outdoor seating is surprisingly comfortable, no hard plastic benches here; indoors the lounge area offers a bar, tables, and padded seats.  If you’re looking for even more luxury, you can upgrade to the Commodore Lounge, with a complimentary beverage, packaged snack, and reclining seats.

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Once on the island,  the adventurous in our group of four took a thrilling ride on one of the island’s newest attractions, the Catalina Zip Line Eco Tour, (above and below.) Grand vistas of the crystal clear harbor water spread out before the intrepid duo who were thrilled with propelling down 5 separate zip lines, and dropping from 600 feet above sea level. One run traversed 1,100 lineal feet. In total, participants travel approximately 3/4 of a mile at a whistling speed of up to 30 miles per hour.

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Our pair was shuttled to the top of the zip line course from Descanso Beach. Their return to home base included pauses at several eco-stations where zip line operators discussed the flora and fauna of Catalina Island. The adventure lasts close to 2 hours, and both zippers were exhilerated by the experience.

Below, The Catalina Island Museum.

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Until December 12th, there’s another way to experience the crystalline glow and excitement of the island. The Chihuly glass exhibit at the Catalina Island Museum is a stunning array of work by glass artist Dale Chihuly.  The museum itself is a sparkling gem; opened just over a year ago in 2016, it makes the most of both natural light inside and some outdoor exhibit space which was perfect to create a garden glass for some of Chihuly’s ephemeral works.
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The glass sculptor’s works here are a true fit for the island, the delicate translucent pieces mimic water and sea creatures, mysterious flowers, sea weed and seashells.
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Dazzling works seem to be a part of the island’s clear waters themselves. From well-known Chihuly works such as Seaforms, Red Reeds, and the towering chandelier Sea Blue and Green Tower to those less familiar, such as Mille Fiori, these are brilliant, inwardly illuminated artworks, the stuff dreams are made of.
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The museum is currently fundraising to keep one of these pieces as a part of its permanent collection, Aureolin Yellow Spire Chandelier, a hot yellow sun, below, which vibrates with light and color.
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There is something entirely magical about Chihuly’s work, his vast range of color, the soaring spirit of each piece, the voluptuous sea forms, and his flower-petal-like baskets, inspired by Native American basket art. The museum itself offers a series of insightful permanent exhibits; a film documents the history of the island, old newsreel footage, and a segment on Chihuly; exhibits include island-made pottery, island history, and island folklore.
The Museum is located at 217 Metropole Ave. in the heart of Avalon, and is open 10 to 5 daily.
The island, open year ’round, is waiting.
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So, doff that sailor’s cap, hop on a ferry, and follow the glow, whether you’re taking a zip, a sea-dip, or a dive into celebrated art work.

What a Joy: Wellness Weekend at Tenaya Lodge

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Tenaya Lodge at Yosemite is a flat-out beautiful resort in a wonderful setting. Offering the feel of a grand traditional lodge with chic, updated modern comfort, the space is welcoming for families, couples, and anyone who just wants a respite from the vicissitudes of modern life.

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In short, it’s a special place – indoor and outdoor pools and hot tubs, views of the vast and piney woods, a location just two miles outside the Southern entrance to one of our most popular national parks.

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There are a variety of dining options, from the romantic, upscale Embers to Jackalope’s Bar and Grille, the cozy/cool bar with a surprisingly full menu, and the main dining spot,  the Sierra Restaurant, above. There’s also the Harvest and Grounds deli. Seasonally, there are BBQ, pizza, and outdoor bar areas to enjoy as well.

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There is no lack of activities in and around the hotel, from indoor and outdoor pools to a night walk led by flashlight to the fully appointed spa with sauna, steam room, and treatment rooms. Highly skilled massages, facials, skin treatments – it’s all there, and offered in crisp, modern facilities.

Which brings me to one way to experience this stellar property – through their Wellness Weekend programs which are offered through the spa.  There are several on the hotel’s schedule, one coming right up in November should make the perfect way to take an “ahh” break before the holidays; another in January.

Don’t groan at the idea of “wellness.” This is not your typical diet and exercise package; nor is it an insular stay in the lodge. Combining wonderful meals from bountiful, healthy ingredients with yoga, meditation, massage, and a guided hike, there’s nothing quite like this program out there. We’ve been to spas, to resorts, to retreats, and on backpacking expeditions – this program combines elements of each into one weekend. Its filled but not overfull with activities, and creates a splendidly intimate environment for participants. There’s time for both conversation and contemplation. And perhaps best of all, the program offers a new way to experience the Yosemite Valley, without the hassles of large tourist crowds, parking, or figuring out where and when to take a hike.  Everything is there for you, in a serene, well-packaged event, wrapped up with a bow of pleasure.

 

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Let’s take a look. We arrived on a Friday afternoon, in time to take a tour of the hotel, including it’s view rooms and suites. The great fireplace in the lobby, the seasonal decor around the edges of the main entrance, and the well-landscaped pool have great appeal in and of themselves.

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Afterwards, I headed to the spa, Ascent. My treatment was a hot stone massage. It was a different experience than other hot stone massages I’ve had. There was real focus on problem areas, yet it was a thoughtful, gentle approach that had lasting curative effects. Impressive and intuitive, in short. As mentioned, the spa facility itself is modern and aesthetic, spare and well laid-out,  with all the bells and whistles such as a peaceful relaxation area, hot tea, fruit, and infused water.

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After my massage, a wine and hors d’oeuvres gathering offered a laid-back opportunity to get to know other participants in the weekend; we had expected cheese/crackers/crudites, but instead we were served a variety of stylish mini salads, skewered prawns, scallops, sushi, fruit, fine cheeses, and mini-desserts such as a perfect creme brulee and chocolate mousse. Wines were excellent as well.

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After this event, guests had free time for activities such as that night hike, a hot toddy at the bar, or, our choice, a visit to one of the dining rooms. We went to Embers, which is a standout for presentation, and we were told, a room in which engagements and anniversaries frequently take place.

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Cozy in rich reds, with a fireplace in the middle of the room, the ambiance is perfect for both such occasions, but also simply for a high-end dining experience.

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We shared as astonishing mushroom goulash, an inventive dish packed with flavor, both earthy and somehow delicate.

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We also shared the restaurant’s signature dessert, Bananas Diablo, a take on Bananas Foster, theatrically prepared table-side. A nice balance of flavors, once the sugar and alcohol are caramelized, not too heavy or overtly sweet.

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We rose early for a breakfast buffet in the spa area Waterfall room – aptly named for a lovely, sleek waterfall fountain.

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Once again, expectations were exceeded. Here were overnight cold oats with a wide range of toppings from pepitas to dates and honey; baked avocado halves with a egg inside; fresh juices; a vegetable-rich hash. To take on our upcoming hike, the centerpiece of the weekend, we were given awesome backpacks, a lunch box with our choice of lunch entree, water – and an expandable, reusable water bottle, plus a selection of protein/breakfast bars.

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Then, off we went to meet the driver of the hotel’s tour bus to end all tour busses – a Mercedes model with a retractable roof, cushioned, expandable seats, and a smooth ride.

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Buckled in, we drove 40 minutes into the park and up to the trail head for Sentinel Dome in the Glacier Point area of the park. Along the way, the driver pointed out landmarks along with various flora and fauna. When we arrived at the trailhead, we disembarked for a hike, yoga, and meditation.

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Led by Balanced Rock, a Yosemite-based non-profit, and an extremely zen outfitter, we had three guides who helped us stretch before our hike, guided us on our trail, and once at the top, allowed us plenty of time to simply take in the astonishing view before leading us in yoga and meditation classes.

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The trail itself offers a great introduction to the park. At 2.2 miles round trip and a 400 foot elevation gain, its enough of a challenge over some rocky terrain to make participants feel as if they have accomplished something. This is not a paved loop to Bridal Veil Falls.

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Yet it’s not too difficult to achieve, and the mix of pine shaded trail with granite “steps” is a pleasure to undertake.

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If we were a little winded from the final ascent, that was okay – we could catch our breath while taking in views of Nevada Falls, Half Dome, Yosemite Falls, and El Capitan, all at a level that put us visually equidistant from their summits – but with none of the fearsome effort that climbing Half Dome entails.

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While there were other groups of trekkers at the top and along the trail, this was not a crowded destination or path; we were able to take in the awe-inspiring vistas without being a part of the horde which so often clouds and crowds the views in the Valley floor.

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After time for photographs and contemplation, the stretching and exercise of a half hour yoga class was just about perfect for loosening tight calves.

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If you’ve never done a down-dog on a granite rock face or made a sun salutation to sunlight emanating near the crest of El Capitan, then you’re missing out.

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Lunch proved equally special – what a view for an al fresco meal. And we were provided with truly a perfect presentation of quinoa and kale salad, a crisp veggie wrap with Thai peanut dipping sauce,  hummus and house-made chips, and a delicious, chocolatey trail mix. Thoughtful cold packs kept everything in great shape.

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Post picnic, a lovely meditation and reading, accompanied by participants picking a word from a series of “angel cards” and describing how that word resonated, made a lovely transition from the more prosaic pleasure of dining to the spiritual.

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Our meditation leader, Sarin, had also packed a singing bowl, and she sounded it and let us try our hand at making it ring, too. The compact sound bath continued off and on as we descended again, heading back to our bus.

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On the ride home, the roof was opened – a convertible bus in the mountain air, on a sunny fall afternoon – pretty much bliss.

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Back at the lodge, we had a bit of downtime – so we enjoyed a Tenaya Red IPA in the bar, a beer created by a craft brewer in nearby Oakhurst especially for the hotel, with a refreshing, crisp hoppy taste and a slightly citrus notes.

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Next, it was time for a cooking demonstration by the hotel’s executive chef, Fred Clabaugh, and dinner.

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Set up in an airy ballroom, windows open to the woods and hills, diners feasted on fennel soup encased in a light, almost souffle-like bread shell, a silky, splendid hamachi crudo, and a choice of entrees: an exceptionally tender beef prepared inside a baked egg crust or jackfruit in coconut curry, each course served with wine pairings.

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After a short break, it was time for a very relaxing yin yoga class and then – s’mores.

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A fire pit was set up on a patio just outside our yoga classroom; the night was chilly, so we gathered around it, silver stars above us.

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Between hiking, yoga, meditation, and chocolate – we were ready for a great night’s sleep.

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In the morning, we woke up to another, more vigorous yoga class, followed by a second terrific breakfast in the waterfall room. Fruit smoothies such as basil/pineapple, mixed berry, and ginger were incredible; a vegetable egg scramble was perfect.

The only downside to the weekend was leaving the property, although we did cap our trip with a drive into Yosemite Valley where we took in some of the classic lookout points, such as Tunnel View and Bridal Veil Falls – looking up at Sentinel Dome and feeling the thrill of accomplishment for having seen, and spent time drinking in, the park’s beauty from that vantage point.

Each Wellness Weekend is a little different, including outdoor time with yoga, a spa treatment, and other activities. In November, there will be a paint and sip class.

Our take: if you want to actually experience Yosemite, without the crowds, without navigating a trail on your own, and have a weekend that renews you both physically and spiritually, then – look no further.  Wellness Weekend is about mental, spiritual, and physical health, relaxation and invigoration.

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And even without participating in the weekend, Tenaya Lodge is a special place to be.  The hotel’s motto is “roughing it without the rough part” and that pretty much sums it up. From responsibly sourced food to a double silver Leeds certification that marks the hotel as incredibly environmentally conscious, the property truly works hard to offer a superior experience. The rooms are first class, of course, from the beds and linens to the warm red and gold color scheme, leather arm chair, and spacious baths.

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There are 102 rooms in the lodge along with 54 cottage duplex or triplex units and coming soon, there will be 50 stand-alone luxury cabins with their own club house.

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We’ll be back again, perhaps to experience the holidays at the lodge when we understand a wild-harvested 35 foot topped Douglas fir is lit in the lobby. The fall theme during our stay was itself an epic taste of seasonal decor.

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Honestly, from our experience, any season would be the right season to visit Tenaya –  and take in a Wellness Weekend.

Don’t miss the upcoming November 3-5 Wellness Weekend Event.  On the calendar now for 2018:  January 12-14, with more dates currently being planned.

  • Genie Davis; Photos: Jack Burke

Channeling Your Inner Art

 

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Feeling artistic, but don’t have a brush or a canvas to your name? Then it’s time to let an artist help YOU be an artist for the day. Channel your inner Monet or Picasso with a paint party that’s good for the soul.

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Above: Wine & Design 

Paint and sip classes have been around for awhile, but today there are some wonderfully unique places for you to choose when it comes to getting your art on.

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Wine & Design

Lisa Flette is the studio owner at the bright and cheerful Wine & Design in Burbank. Offering painting classes for all ages and experience levels, budding artists are led through the process of painting an original creation based as loosely or accurately on a sample work as each  attendee desires. Each class focuses on a different topic or style – whether it’s a scenic look at palm trees, a super hero, or a live model class. Pure pleasure, Flette’s enthusiasm and professionalism make this studio one of the best takes on self-made art around. There’s a fine selection of wines and Firestone Walker beer to enjoy while painting, too.

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Sure, other spots offer painting instruction and a glass of vino, but few reach the pro level of Flette’s spot, where training is concise, innovation is welcomed, and the comfortable, spacious studio is both welcoming and intelligently run. Whether you’ve never held a brush before or you’re an artist in your own right just looking for a little group fun, every participant is treated with respect, and the atmosphere is as relaxed as it is lively.

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Dank Canvas

Dank Canvas fuses cannabis with an art experience in the heart of Los Angeles, combining talented artist instructors, quality cannabis brands, and a relaxed environment in which to create.

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Owner and instructor Jennifer Korsen is also a muralist and professional artist, her skill and gift for sharing it is a high in and of itself. From classes to private events, the goal here is an immersive experience that draws participants into their own natural creativity. There’s even an arts and crafts bar for smaller projects.  The “puff and paint” experience provides fledgling painters with a cannabis product gift bag to take home along with their finished art on canvas.

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Above: Dank Canvas, Below: Paint Lab

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Paint: Lab

In Santa Monica, there’s Paint: Lab, a walk-in art studio. The sleek studio space holds two hour workshops as well as allowing clients to simply come in and paint with the guidance and encouragement of their professional artist staff. Lab fees include paint supplies, easels, brushes, workspace, and clean-up; canvasses are also available for an additional fee. Once a month, models for figure drawing are available. The goal: a welcoming space for practicing artists and folks who simply want to pick up a brush and give painting a try. Wine and Cheese nights are also offered.

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The Blending Lab

 

In West Hollywood, The Blending Lab puts the emphasis on wine with painting classes themselves just one of the options for a fun night out. Featuring local regional wines, this chic modern-industrial spot combines a flight of wine with canvas/brush/paints and the skilled instructors of Let’s Paint LA, for a true taste of art and vino.

 

So get ready to “brush up” on your artistic side – you won’t have to “canvas” the town to find the right easel for you.

  • Genie Davis; photos courtesy of art studios