Hostel Stays in LA: Tips for a Good Night’s Sleep

Posted on by Diversions LA

hostel 2As we approach holiday season, out of town guests may be heading our way and looking for accommodations. When hotel rates are simply too high and there’s no room at home for visitors, hostels can make a great option for a stay. 

Of course, some travelers will complain about the difficulty of getting a good night’s rest at a hostel in a city as busy as Los Angeles, but sleeping soundly at a hostel is hardly impossible. In fact, getting the right amount of shut-eye is perfectly doable if visitors follow a few simple tips.

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Avoid Staying at a Party Hostel

All it takes is a little research to avoid party spots. Checking online reviews goes a long way toward determining whether a hostel is a quiet spot or a great hangout for partygoers.  USA Hostels Hollywood, Surf City Hostel, and Banana Bungalow West Hollywood are all known as lively, fun spots; but a quieter option is the Orange Drive Manor Hostel, described by Trip Savvy as a 1910 manor home with a serene vibe, yet located in walking distance of Hollywood attractions from the Capitol Records Building to the TCL Chinese Theater.

Tire Yourself Out

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Yes, one sure way to get a good night’s sleep is to be tired enough to sleep as soon as you hit your hostel’s pillow, according to travel blogger RachelRTW. With so much to see and do in LA from cutting edge art galleries and museums to taking a surf lesson at the beach, hiking the trails of Griffith Park, or visiting all the area theme parks, it shouldn’t be a problem to get ready to drift off into dreamland.

Bring a Sleeping Kit Wherever You Go

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Veteran travelers in the know keep this travel essential handy wherever they go. A sleeping mask keeps light away and comfortable earplugs mean unwonted noise can be easily kept at bay. Can’t sleep without music? Then ear plugs save the day. Keep an extra pair to listen to your favorite tunes, or perhaps white noise relaxation, such as recorded sounds of rain or ocean waves.  If you’re sharing your hostel space with other guests, this should take care of extraneous light and sound.

Avoid Alcohol

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Sure, Los Angeles is known for its craft brews from Angel City Brewery’s eclectic scene downtown to the wide array of tasty IPAs and ales in Torrance breweries like Smog City and Absolution. We even have our own whiskey distillery downtown. Not to mention the altogether awesome club scene from trendy speakeasies to revolving rooftop hotel bars. All the same, to get a good night’s sleep you might want to try an organic soda or sparkling water instead of these tempting alcoholic treats, at least close to bedtime, for a more solid night’s sleep.

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According to sleep expert Lisa Scotti in her better sleep guide, it’s wise to avoid drinking alcohol within four hours of your bedtime. It might be tempting to consume alcohol, but to get a good night’s sleep it might be worth considering avoiding it especially if you’re staying in a hostel. While drinking can help you doze off initially, the effect is only temporary, and you’ll end up restless, possibly waking several times for toilet breaks.

Turn Off the Lights

Sleep studies have shown that lights can make it hard for people to fall asleep. And this doesn’t just mean turning off that overhead light or your bedside lamp. Digital devices include light, too, and they can also be overly stimulating. Put the iPhone or Android away, turn off that laptop, and save Netflix for another time. And if there are others staying in your hostel dorm room and you get to the room first, follow this slightly sneaky but sweet tip from Indefinite Adventure –  turn off the main light but leave a side light turned on. Having a dim light burning encourages later arrivals from switching on the overhead light. They can still see their way around, and get the message that someone else is already resting in the room.

In short, whether you’re seeking a good night’s sleep and economical accommodations – or you have guests in town staying at a hostel, it’s entirely possible to get a great night’s sleep. And because hostel guests spend less money that those who stay in a hotel, there will be more to spend adventuring in Los Angeles.

  • Guest post, curated by Genie Davis; Photos: Genie Davis, Flickr, Pixabay)

 

WeHo Artes Starts “In West Hollywood”

Posted on by Diversions LA

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The City of West Hollywood is celebrating the Getty Foundation initiative Pacific Standard Time: LA/LA with WeHo Artes.  This special program encompasses exhibitions funded by The Getty, and additional original projects featuring Latin American and Latino art presented by the city of West Hollywood. Celebrated throughout West Hollywood, WeHo Artes events are about to start soaring. With an exciting exhibition of works by Ramiro Gomez and David Feldman, presented in association with the Charlie James Gallery, and an interactive, site-specific theater piece, Señor Plummer’s Final Fiesta, as centerpieces, there’s no lack of fantastic arts events in the program, which is presented with the support of the City of West Hollywood’s  WeHo Arts  program.

On Wednesday the 23rd, WeHo Artes events kick off with the opening reception for In West Hollywood, the work of Gomez and Feldman.

In West Hollywood is not Gomez’ first project with the city of West Hollywood. In 2012, the artist worked on Install: WeHo, an LGBTQ pop-up art village that included the artist’s creation of large cardboard cut-outs that included movers, a couch, and a valet. Even before his official collaboration with the city, Gomez had made visual waves placing cardboard cut-out figures around West Hollywood, art focusing on the “invisible” workers such as gardeners. After installation, Gomez left the pieces where they were placed, symbols of the forgotten work of domestic laborers. A West Hollywood resident, the artist is well known for addressing immigration issues, and illuminating the domestic labor forces around Los Angeles. Photographic artist and filmmaker Feldman, his collaborator on the upcoming In West Hollywood, documented the cutouts, and these unique photos are a part of the new exhibition.  Feldman’s  short film Los Olvidades covered Ramiro Gomez’s creation and installation of a work in Arizona’s Sonoran desert, and was the winner of the Oxford Film Festival in 2015.

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Above: (c) 2015 Ramiro Gomez, “Mulholland Drive: On the Road to David’s Studio (after David Hockney’s Mullholland Drive: The Road to the Studio, 1980)

With Gomez and Feldman’s work presented together in this new exhibition, the installation serves as a powerful and impactful statement on the influence of Latin America in the culture and art of Los Angeles. Included in the exhibition will be a never-before-seen commissioned painting from Gomez. Adding to the reception celebration is the live music of Mariachi Arcoiris de Los Angeles, the world’s first LGBTQ mariachi group. The reception and exhibition will be held at the West Hollywood Library.

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Photo credit: Otis Woods

Another WeHo Artes highlight is the commissioned performance of the Rogue Artists Ensemble’s interactive, site-specific theater performance, Señor Plummer’s Final Fiesta.  Using a heady mix of tall-tales, puppets, masks, and music, the play celebrates the 75th anniversary of the 1942 book Señor Plummer: The Life and Laughter of an Old-Californian.  Written by former Los Angeles Times writer John Preston Buschlen, the book documents interviews with Eugene Plummer, or Don Eugenio, a Spanish-American pioneer whose family once owned 942 acres of land in the area. Considered West Hollywood’s first resident, Don Eugenio is a fascinating, larger than life figure. Rogue Artists will workshop the play with an open rehearsal on August 19,  and offer performances with full readings, sets and costumes August 24-26th in Plummer Park,  the site of Don Eugenio’s last residence.

Of course, WeHo Artes offers other stellar programming as well, with PST LA/LA Getty Foundation-Funded Projects sited in West Hollywood presented by LAND, LAXART, ONE National Gay and Lesbian Archives, and MAK Center for Art and Architecture.

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Photo credit: Sense of Place Artist Render, Estudio Jose Dávila, 2017

Jose Dávila’s Sense of Place presented by LAND, the Los Angeles Nomadic Division, is a commissioned work by the Guadalajara-based artist, a multi-site, large-scale, public sculpture exhibition which invites viewers into an experiential view of LA’s diverse urban landscape. The work paints a portrait of the city’s experiences, geographies, and histories.  A nine-foot square interactive sculpture made up of 40 unique modular forms will be installed in West Hollywood Park, with an opening on September 16th. The sculptural work will be disassembled and reconfigured at three different public sites during the exhibition, which runs through May 2018.  With each reimagining, scheduled for November, January, and March,  the piece will take on a changed functional shape. It will return to both its original whole cube shape and the West Hollywood Park location in April 2018. The piece is Dávila’s largest public work, and his first major exhibition in Los Angeles.

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Pável Aguilar, Retransmisión (Retransmission), 2011. Color video. Courtesy Pável Aguilar

LAXART presents Video Art in Latin America, the first substantive U.S. survey on this subject, moving from the late 1960s to the present. The exhibition will be held at LAXART’s Santa Monica Blvd. location. The show moves from early video experiments in South America expressing dissent in an era of repressive military regimes, to the ways in which contemporary video artists discuss subjects such as labor, ecology, migration, and issues of identity and the consequences of social inequality. These single-channel video programs will be accompanied by a selection of dimensional environmental video installations.

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Photo credit: ONE National Gay and Lesbian Archives Gallery

Also on tap for WeHo Artes will be Axis Mundo: Queer Networks in Chicano LA, presented by ONE National Gay and Lesbian Archives Gallery at the USC Libraries and exhibited at the ONE Gallery, West Hollywood and the Museum of Contemporary Art Los Angeles’ Pacific Design Center September 9 to December 31, 2017. Co-curated by C. Ondine Chavoya, professor of art and Latina/o studies at Williams College, and David Evans Frantz, curator at ONE Archives, the exhibition features over 40 LGBTQ and Chicano artists with experimental works in a variety of mediums. Pieces created between the 1960s and early 1990s include works by LGBTQ and Chicano artists, many of whom passed away due to the AIDS crisis. Artist Edmundo “Mundo” Meza (1955-1985), who collaborated with many of the featured artists, will be a focal point of the exhibition.

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Photo credit: MAK Center for Art and Architecture

And at the Mak Center for Art and Architecture’s Schindler House,  How to Read El Pato Pascual: Disney’s Latin America and Latin America’s Disney will be presented by MAK Center for Art and Architecture and Luckman Gallery at Cal State L.A. Over 150 works by 48 Latin American artists challenge nearly 100 years of cultural influence between Latin America and Disney. The exhibition, curated by writer and filmmaker Jesse Lerner and artist Rubén Ortiz-Torres explores the idea that there are no clean boundaries between art, culture, and geography. The large scale exhibition will have its reception at Schindler House September 9th, and will be split between that location and the Luckman Gallery on the Cal State LA campus.

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Photo credit: MAK Center for Art and Architecture

The Chase, a large-scale multi-piece sculpture is created by Los Angeles-based artist HACER, and will be installed on Santa Monica Boulevard east of Doheny Drive; and later in the year, Queer Califas: LA Latinx Art, will open in November at Plummer Park’s Long Hall.  Both projects are part of the City’s Art of the Outside public art program. 

For more information on WeHo Artes: http://weho.org/residents/weho-arts-and-culture/west-hollywood-celebrates-pacific-standard-time-2017

For more information on PST LA/LA, an inclusive and wide-ranging exploration of Latin American and Latino art in Los Angeles held throughout Southern California, and supported by the Getty Foundation, visit: http://www.pacificstandardtime.org/ 

In West Hollywood, an exhibition of works by West Hollywood-based artists Ramiro Gomez and David Feldman will be shown at the West Hollywood Library (625 N. San Vicente Blvd., 90069) The opening reception will be August 23 from 7-9PM; the event is free and open to the public, but RSVPs are required; to RSVP, contact: nschonwetter@weho.org.

Señor Plummer’s Final Fiesta will be performed at an open rehearsal August 19,  (drop in anytime between 1-4PM), and performances with full readings, sets and costumes on August 24, 25 and 26 at 7PM in Plummer Park(7377 Santa Monica Blvd., 90046) – the site of Don Eugenio’s last residence.  Seating is limited; to reserve tickets RSVP at https://www.rogueartists.org/senor-plummers-final-fiesta – guests are asked to pay what they can to join the fiesta, with a suggested minimum donation of $5.00.

  • Genie Davis; photos courtesy of the city of West Hollywood

Val Kilmer: His Latest Role as an Artist in Gabba Gallery Pop-Up

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Most people know Val Kilmer for his film and theater roles, but there’s a new part in Kilmer’s dramatic quiver that is less familiar to his fans – that of artist.

“I’ve developed strong and nuanced themes in my art from acting and performance that relate to iconic images or ideas – so there’s a thread of the icon and the Iconographic throughout the exhibition,” Kilmer said of his four day pop-up at Gabba Gallery in late July.

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While the artist’s renown certainly piqued interest in the exhibition, the power of his work more than stood for itself. In Icon Go On, I’ll Go On, Kilmer creates a series of icons – iconic characters he portrayed; icon-like abstract images with a strong spiritual bent, and words representing and directed at the icon that is “GOD.”

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The exhibition title itself refers to lines in Samuel Beckett’s 1953 novel, Unnamable — “I can’t go on. I’ll go on.” Kilmer, who resides and has a studio in New Mexico, is making his own existential declaration, having survived and healed from a run in with oral cancer. While healing, he created art.

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Divided into three main sections, the work was highly spiritual in nature. Using metal panels as canvas for his acrylics and laser cut works, some images are representational, some abstract. All in all, there were over 100 works on display, including sculptural pieces.

According to gallery owner Jason Ostro, “There is a lot of meaning to his work. Val is a very deep guy.  Super kind and extremely creative, it’s been a pleasure to work with him,” he notes.

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First up were a series of representational works with himself as a character  – Doc Holliday, Batman. Using stencils, he depicts these mythic images in an easily recognizable way, yet somehow the images are deeper than what we see on the surface. There is something otherworldly about them, as if the person who was portraying these figures were hovering just beyond the visual frame.

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Kilmer’s abstract works were beautifully colored, evoking images of the universe seen through a telescope, the stuff of ethereal, vivid dreams. Painted on metal with a black background, the shiny base of these layered, richly colored works pulls the eye deeper into the painting. Described as having a “blackhole” quality by Kilmer, there is the sense of seeing into another dimension. If the artist’s depiction of his character personas felt as if another being was hovering “off camera,” here, the viewer feels as if a different spiritual plane was floating just out of reach.

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The third section of the exhibition featured large laser-cut metal panels of the word “GOD.” Individual panels were grouped together, inviting viewers to viscerally see and connect with the word and the meaning of God. Groupings of some sixteen of these panels were paired with individual panels; others featured personal, handwritten thoughts, meditative exercises.
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There was even a neon piece created by Kilmer, a kindly commandment.
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Ostro relates that the show came about when a patron of the gallery who loved the energetic vibe of the space brought the gallery to the attention of Kilmer’s staff. “One of Val’s ‘people’ came to initially see the gallery, and after a few hours of talking and laughing, they loved it. I was told if Val was interested, he would be at the gallery sometime the next day.  I opened the doors at noon, and he was standing there eager to check out the space.  After talking for a few hours he said he’d get back to me, and a couple days later, we were planing his art show for July.”
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Above, gallerist Jason Ostro.

Kilmer fans and art lovers take note: the new exhibition opening Saturday August 12th at Gabba, Cratedigger 2, features several works by Kilmer in the second iteration of a terrific show that pays homage to the art of the record sleeve. Over a hundred international and local artists will be exhibiting.

Ostro adds that a smaller, solo show of Kilmer’s is already being planned for 2018.

  • Genie Davis; photos: courtesy of Gabba Gallery and by Genie Davis

 

Manhattan House Redux: The Sweet Summer Menu to Savor

Posted on by Diversions LA

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Chef Juan Torres, right,  restauranteur Brett Schwartz, left

What can we say about Manhattan House? Located in Manhattan Beach, this is a restaurant that as we’ve said before, could hold its own in DTLA, or the heart of the “other” Manhattan. Sophisticated, fresh, farm to table cuisine; a buzzing atmosphere; and a terrific, supportive staff combine to make a stellar dining experience.

We were delighted to meet the restaurant’s new chef, Juan Torres. His take on the restaurant’s cuisine will veer into the Italian-inspired, while keeping the focus on seasonal ingredients.

“We are going to be introducing six fresh pastas made in-house every day. We’ll also be including whole animal butchery twice a week. I’ve been training our staff on the pasta as we speak, eight hours a day we’ve been working on it,” Torres attests.

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We began our meal with cocktails: the gorgeous La La Land and the spicy The Thriller.  The latter features a heady mix of Karma tequila blanco, Cointreau, fresh kumquat and serrano chili, and lime juice, served on the rocks. I thought La La Land was something special, a smoky flavor permeating the Grey Goose La Poire, with lemon, vanilla, Chartreuse, and dill, served up.

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Each made a great companion to our first courses:  a lush heirloom tomato burrata salad, with balsamic and EVOO;  and a crisp, deliciously spiced yellow tail crudo, which thin shavings of fresh zucchini, onion, and red pepper.

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Both were beautifully presented.

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Gluten free and vegan never tasted as good as with the roasted cauliflower, a heady mix of the cauliflower with crispy buckwheat, celery, pomegranate, pine nuts, and a lemon caper vinaigrette. Light yet entirely fulfilling, it’s a perfect summer dish.

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The house take on beet salad is no slouch, either. A variety of golden and red beets accompanies pistachios, mixed greens, armidda, and a light balsamic dressing.

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But perhaps the most sublime dish is the saffron risotto with sweet corn and basil. Golden, delectable, and rich, it is not heavy, suffused in flavor, and wonderfully aromatic.  Truly something to savor – and I don’t say that lightly.

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Squid ink pasta with was an intense dish, earthy, hearty, and seemingly infused into the house-made spaghetti noodles. With it, we tried the La Vida Pura, another perfectly suited on-the-rocks craft-cocktail, this made with Del Maguey ‘Vida’ mezcal, grapefruit juice, passion fruit, mint, and Peychaud bitters.

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We finished with a whole branzino special. A perfect fish, rubbed with garlic salt and pepper, grilled over zucchini and a lettuce and tomato salad, it was flavorful, tender, simple, and utterly beautiful.

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But let’s not forget dessert: two very different dishes here. We had the restaurant’s signature Panna Cotta, creamy and smooth, a blend of vanilla, raspberries, and basil.

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And we were able to try a brand new desert, a light, fragrant granita, with rose’ jelly. Slightly astringent, it was both refreshing and unique, the rough texture of ice contrasting just about perfectly with the smooth jelly beneath it; the flavor sophisticated and edgy.

Be aware that because specials, fresh ingredients, and seasonal favorites come and go, you may not find the same dishes daily.  But rest assured, what you do find will be delicious.

There is only one more thing to say: no matter where in LA you live, you should spend an evening at Manhattan House. There’s plentiful, free lot-parking, too. Dinner nightly; brunch on Sunday.

Manhattan House is located at 1019 Manhattan Beach Boulevard, just off Sepulveda Blvd.

  • Genie Davis; photos by Jack Burke