Linda Stelling Paints Nature’s Portraits

Posted on by Diversions LA

Linda Stelling doesn’t paint what she sees: instead she paints what she knows, “from my childhood, from my life. Nature first; the garden, the weather, water, atmosphere, seasonal change, environmental shifts…I absorb it from experiencing it and noticing.”

She describes color as a “physical necessity for me: color is my food.” And she washes that down with a deep perception, she says.
“I’m fascinated by how differently we each see and experience the same thing.”

Stelling’s work is also steeped in memory, dreams, and the subconscious, and she lets her work lead her brush. “I respond to how the painting wants me to go. Inspiration for me can come from anywhere. I think I’m constantly collecting things without realizing I’m doing it at all.”

While the artist began making art at a young age, supported by a family that included those who were artists herself, her art creation has shifted and grown over the years. “Style has alway been difficult to identify from the inside. I’m highly responsive to my surroundings and experiences and these leaves residues which stick to my emotional cavity, affecting my choices…but I don’t think I am always aware of that.”

She notes that change is ineveitable for her, because she is always absorbing her art work. “I can’t remain the same. For me it would be horribly boring.”

Her art has an alchemic energy, whether she is creating landscapes with full moons or blazing suns, calming ocean waves, or bouquets of clouds. She creates abstract, hot pink and orange striations as seemingly effortlessly as she shapes figurative cloud and seascapes and flowers and a wide range of landscapes and emotional scales between the two.

“Place was a big change for me,” she says. Originally living in Wisconsin, coming to Los Angeles was exciting and challenging for her, she notes.  “Sensitivity and experience gave me a different way of seeing. What changed in me is what changed the work. I think what has changed most is not necessarily how I create but how much more life I bring with me when I go to the studio.”

She adds that becoming a mother changed her “internal compass. Time became more real. Time eventually asks us to choose. Wandering has given me material. I’ve taken detours, changed environments, taught, and kept making work. Time is funny thing.”

Stelling works in a wide range of mediums from painting, weaving, and wearable art, to ceramic sculpture, stained glass, and the creations of large scale installations. Her undergraduate degere in ceramic sculpture helped give her “form and dimensionality,” but painting has become her “most immediate language.”

Currently, the artist has a solo exhibition at Diversions Fine Arts in Manhattan Beach,  and a near-future goal in mind, to “develop a two or multi- women show at a large space.”

In the meantime, nature is her manifestor. “[It] is sensory for me. The changing light, a sudden warm current of air that can change all movement. I notice everything…Sound, smell , vibrations, all produce a reaction and a resonance.”

Color is a big component of that manifestation. ” It’s what drives me, excites me, feeds me on so many levels. My emotional brain goes on overload. Color is how nature reaches me. The studio which is like a giant tree house that provides me with a bird’s eye view of blue water, green trees, pink and red flowers, the bluejays flying by ( stopping for the peanuts I feed them). Color is sustenance for me.”  She attests that “Painting is mark making but color says what marks cannot.”

It is also an invitation from Stelling. “It pulls the viewer toward the painting and then asks them to enter it. Once inside, I’m not asking them to understand anything, just allow a memory or recognition. If I’m lucky, the viewer might leave with a sensation or a pleasure.

Diversions Fine Arts is located at 1069 N. Aviation Blvd. in Manhattan Beach. The exhibition runs through October 4th; there will be a curatorial walk through at 3 p.m. on October 3rd; on October 4th, an artist talk and closing reception will run from 1-3 p.m.

  • Genie Davis; photos provided by the artist and by Diversions Fine Arts

First Foot: Landscapes for a New Year

Posted on by Diversions LA

While this new year has certainly been fraught as far as the current national and global news goes, individually and collectively we still have the chance to put our “first foot forward.”

With First Foot: Landscapes for a New Year, opening this Saturday, January 17th from 4-7 p.m. at Garel Gallery in Manhattan Beach, five artists are doing exactly that with vivid and exciting looks forward at scenes both beautiful and edgy, ranging from the representative to the abstract.

In Scottish, Northern English, and Manx folklore, the first foot refers to the first person to enter a home on New Year’s Day, with that person thought to be a bringer of good fortune for the coming year.  Attending the exhibition might just bring good luck to all viewers, and it will certainly bring five unique visions to start the year right.

Working in oil, Eileen Oda brings lush and dreamy magical realism in her vividly colored, richly dimensional seascapes and desert vistas that sing with light. There are fields of pale purple flowers with a sky lucid and pink behind them, royal blue mountains, and dimensional, exsculpainted flowers blossoming on a sweeping coastal cliff.

Linda Stelling’s hypnotically blissful, motion-filled images of nature’s beauty invest her mix of the impressionistic and the abstract with wonder. Here are opalescent ocean tides and delicate, moody sunset skies that shimmer dreamily.  Her acrylic on canvas works are immersive and wondrous.

Lynette K. Henderson’s startling urban realism juxtaposes familiar Los Angeles landscapes with the hauntingly visceral animals whose habitats our lives have upended. From a startled bat outside the Odeon Theater marquee to a vigilant coyote by the Santa Monica pier,  and voluptuous flightless cassowaries luxuriating in island palms. these are stunning images pull the viewer

Valerie Wilcox focuses on the landscape of the architectural, reinventing the world around her with mixed media wall sculptures that lead the viewer into a bold, riveting new world. Abstract and utterly involving, these wall sculptures are as compelling as they are contemplative.

Also exhibiting is gallerist and artist Joanna Garel, whose cool, clean, beach-centric landscapes feature iconic images such as lifeguard towers and sky-brushing palms in a rainbow of colors.

Above: Gallerist and artist Joanna Garel, left; myself, right

Self-involvement noted: I had the pleasure of curating these beautiful works, and with a nod to the (near) future, I will soon be taking over this gallery space with a new name, Diversions Fine Arts Gallery, and many amazing artists. So come get a taste this weekend – after all, we have to step into this new year first foot and all!

Garel Fine Arts is located at 1069 N. Aviation in Manhattan Beach. Tons of free side street parking.

Opening reception: Saturday, January 17th 4-7 p.m.
Artist talk and closing: Saturday, February 7th 3-5 p.m.

 

Linda Stelling Explodes with Color

Posted on by Diversions LA

According to artist Linda Stelling, her work is inspired by color, sound, texture, scent — and the “raw, visceral experience of feeling the world deeply through all of my senses.”

Pulsating with color and form, Stelling turns her sensations into what she describes as a visual language, a way to translate her intensity of feeling and explore the inchoate, a world of exploring “the ways we experience and perceive beyond what is immediately visible. It’s about creating a space for viewers to ‘see’ with more than just their eyes, to feel the complexity of existence in a single, suspended moment.”

Indeed, Stelling’s work literally and figuratively flows with meaning, as she creates a dialog with the natural world. She explains that “My work…is a dialogue mostly about the natural world. I am very close to the earth, the people and the animals that live here.”

While sometimes taking on figurative or impressionistic form, Stelling’s work primarily focuses on the abstract, and the freedom abstraction provides for her. She relates that she is “fascinated by curvilinear forms and how I can use them to evoke a response.”

She also utilizes dream work, touching on dream symbolism in order to “develop a choice for initial creation [and] involve color, imagery, emotional attachments, and abstraction as the projected expression of connecting the inner world to the outer world in the form of a painting or sculpture.”

Connecting inner and outer worlds is the heart of Steling’s work, as she converts a personal dialog with color and shape into meaning through her, and the viewer’s, perception.

“Perception is the subjective roulette wheel and can be altered by position, mood, size, and relationship to social climate, as well as how I was raised,” she says, with her upbringing including early exposure to familial artisans and her mother’s profound love for the garden.

According to Stelling, her favorite medium for painted work is oil, whose qualities she asserts is “the most seductive, and gives me the color I crave.” However, she also loves working in clay, and the tactile nature of doing so.

Shaping multi-layered work in whatever medium she selects, Stelling’s goal is to allow viewers to find their own entry point and response to her images. “I am making beauty for all,” she says, noting that “Many of my paintings and installations are about women’s issues, the environment and our responses to the world.”

For Stelling, regardless of subject, her paintings are both conceived and created as journeys, layered materials that she carefully builds up over time with each element ultimately contributing to a finished piece. Simply put, she explains that “I try to make what I like and what gives me joy,” which she then shares with her viewers.

Having shown both internationally and throughout the U.S., Stelling is especially excited about a recent 20-work purchase by UCLA Stein Eye, and by her inclusion in the “Open Show LA” at LAAA’s Gallery 825 through January 10th.  Gallery 825 is located at 825 La Cienega Blvd. in West Hollywood, and is open by appointment.

  • Genie Davis; images provided by the artist