Graceful Watercolors: The Art of Claudia Kazachinsky

Claudia Kazachinsky primarily works in watercolor, painting delicately nuanced beauty inspired by everyday life. Everything this prolific and passionate artist sees becomes an image she cherishes and often paints.

She says “from a flower I photograph on one of my walks to an interesting face or scene I happen to notice in a restaurant, museum, or while traveling… I think artists are always observing the world around them, and I’m no exception. I am an avid urban sketcher and almost always carry a sketchbook, a pen, and a small watercolor palette with me because I never know when I’ll come across something I want to capture. I consider myself primarily an observational artist, painting what I see, but I also love to let my imagination take over. ”

According to Kazachinsky, she often adds “whimsical elements, rich textures, expressive backgrounds, and handmade printed paper collages that bring another layer of interest and storytelling to my work. While my paintings begin with real-life observations, they often evolve into something that reflects not just what I saw, but how I experienced the moment.”

She began painting when she was a small child and never stopped. “Art has always been a part of my life,” she attests. “I can honestly say that my style has continually involved.”

When she began to paint regularly ten years ago, she relates that she worked “almost entirely from observation,” describing herself as more timid with her art. While today she still begins her work by painting what she sees, now she is more willing to “let my imagination take over” and introduce “unexpected elements, textures, and patterns that make each painting uniquely my own.”

The artist describes herself as a “fast, loose painter” and notes that her current challenge is learning to “slow down and pay closer attention to detail. I especially love painting portraits and the human figure, although it took me a long time to become confident with them. As the saying goes, it’s ‘all about the miles on the brush. Every painting has taught me something.”

While she says that her first love is and always will be watercolor, she also enjoys working in mixed media. In regard to watercolor, she explains that “Most people don’t realize that it’s actually one of the most difficult mediums to master. I love its
spontaneity, its fluidity, and the luminosity of its colors. There is something magical about watching the paint move across the paper, creating effects that can’t be completely controlled.”

When it comes to mixed media she says that she jokes about throwing “everything at the canvas but the kitchen sink. I enjoy experimenting with texture, collage, handmade printed papers, and anything else that adds depth and interest to the work.”

Kazachinsky has even returned to a past love of oil painting, rediscovering her enjoyment of the medium. ” Unlike watercolor, oil forces me to slow down. The longer drying time gives me the opportunity to step back, rethink, and refine my paintings,
something that has been an important part of my growth as an artist.”

Over the years, her work has changed most dramatically in terms of thematic focus, having initially spent many years painting portraits. “In 2019, while visiting Washington, D.C., we happened to stumble upon the Outwin Boochever Portrait Competition exhibition at the Smithsonian National Portrait Gallery. Standing in those galleries, I made a promise to myself that one day I would submit my own work to the competition…it has motivated me to keep learning, growing, and becoming a better portrait painter with every brushstroke.”

That said, Kazachinsky creates dynamic floral works and delightful images of animals as well.  And while she describes portraiture as her “greatest passion” she also enjoys plein air painting that allows her to “observe light, atmosphere, and color in a way that continues to influence all of my work.”

Her current exhibition at Diversions Fine Arts Gallery in Manhattan Beach represents “the largest body of work I have had
the opportunity to showcase,” but the artist continues to be an integral part of multiple group exhibitions around greater Los Angeles.

Kazachinksy spent nearly 35 years as an interior designer while continuing to paint throughout her career. That experience gave her “a unique perspective on how art transforms a space and how the right piece can completely change the feeling of a home.”

She loves to assist collectors and designers in sourcing artwork and placing it. “Choosing art isn’t simply about finding something that matches the sofa—it’s about selecting pieces that speak to you emotionally while also considering scale, proportion, placement, and how the artwork interacts with the architecture and furnishings around it.”

She feels that some people are intimated by the act of buying original art simply because they don’t know enough about it. “My goal is to make that process enjoyable and approachable. Art should move you first and foremost, but when it is thoughtfully
chosen and beautifully displayed, it has the power to elevate not only a room but the way you experience your home every day.”

Viewers can let Kazachinsky’s art elevate their lives at Diversions Fine Arts Gallery through August 30th. The gallery is located at 1069 N. Aviation Blvd. in Manhattan Beach. A gallery hop with other area galleries will take place August 22nd 12-3; the exhibition will have a closing reception and artist talk on the 30th from 1-3 p.m. along with fellow exhibiting artists Jeffrey Sklan and Angelica Sotiriou.

  • Genie Davis; photos provided by the artist and by Davis 

Angelica Sotiriou Creates Spiritual Wonder in Deeply Layered Art

Deeply wondrous, luminous with light, and shimmering with meaning, Angelica Sotiriou’s art touches the eye, heart, and soul of the viewer. Her work embodies a sense of spiritual presence, generating a collective awe in those witnessing her paintings, drawings, and mixed media pieces.
According to Sotiriou, “My work has always come from the deepest place of my prayer life. Be it finding beauty in the world or the darkness that invades our good intentions, my works take the sacred and secular and use them to create my abstract narratives.”
Her sense of purpose and meaning has not changed over the years, even as her techniques or mediums shift. “My works have not deviated from my internal focus of one’s life journey. I started out painting, using other-worldly, intensely brilliant color transparencies on canvas. I continued with creating bigger than life handmade paper bas-reliefs, dealing with the  plight of young womanhood and the spiritual journey of transfiguration,” she says. And in the meantime, she notes that she’s “always loved [the] energetic movement of soft graphite on large sheets of rag paper. Early in my career, they were autobiographical abstracts. These works eventually evolved into spiritual landscapes with the focus on the visceral search for Light.”
Today,  the artist has combined these techniques and mediums, shaping thematically imagined landscapes. She relates that she is “still searching for Light…still energetic…still [creating] larger than life narratives.  Thematically, I have attempted to meld the secular and the sacred in each new work using mixed media.”
Asked which mediums she prefers, Sotiriou says that she loves “the energetic line work of soft graphite, acrylic brushwork, interference pigments, transparencies and I have incorporated the line work into my subtle mixed media painterly abstract narratives.” She wants viewers to “look long enough to see the multiple layers of dark to light pigment, water soluble graphite, and interference pigments” that make up individual works.
Sotiriou’s newest works “deal with the notion of longing for home and the familiar, our earth as home, stewardship, the sacred, the secular and the ache that comes from wanting to go home to a place that may not have ever existed.”
As profound as it is beautiful and involving, Sotiriou’s stunning art will be on view at Diversions Fine Arts Gallery in Manhattan Beach,  August 1st. In September, she will be sharing another large body of her work at Kipos Gallery/Trinity San Pedro, as well as several works at the Pacific Unitarian Gallery in Palos Verdes. In November, she’ll be showing some work at “Art At Dark”,  St. Katherine GOC, Redondo Beach.
The artist has been creating her powerful work for 56 years, and for each of those years, she says that her images have asked “my viewer to sit with them for more than a few moments and to explore the layers of marks and pigments, to tap into the energy of the compositions and to explore where their own sensibilities reside in each work.” She adds that “There is a narrative in each work; if you listen close enough you will find your answer.”
For all those seeking answers, or simply the beauty of life itself, visit the artist’s exhibition of both large scale and small works at Diversions Fine Arts Gallery, 1069 N. Aviation Blvd. in Manhattan Beach. Opening reception is 4-7, August 1st; regular gallery hours are 12-4, Thursday-Sunday.
– Genie Davis; photos provided by the artist

First Foot: Landscapes for a New Year

While this new year has certainly been fraught as far as the current national and global news goes, individually and collectively we still have the chance to put our “first foot forward.”

With First Foot: Landscapes for a New Year, opening this Saturday, January 17th from 4-7 p.m. at Garel Gallery in Manhattan Beach, five artists are doing exactly that with vivid and exciting looks forward at scenes both beautiful and edgy, ranging from the representative to the abstract.

In Scottish, Northern English, and Manx folklore, the first foot refers to the first person to enter a home on New Year’s Day, with that person thought to be a bringer of good fortune for the coming year.  Attending the exhibition might just bring good luck to all viewers, and it will certainly bring five unique visions to start the year right.

Working in oil, Eileen Oda brings lush and dreamy magical realism in her vividly colored, richly dimensional seascapes and desert vistas that sing with light. There are fields of pale purple flowers with a sky lucid and pink behind them, royal blue mountains, and dimensional, exsculpainted flowers blossoming on a sweeping coastal cliff.

Linda Stelling’s hypnotically blissful, motion-filled images of nature’s beauty invest her mix of the impressionistic and the abstract with wonder. Here are opalescent ocean tides and delicate, moody sunset skies that shimmer dreamily.  Her acrylic on canvas works are immersive and wondrous.

Lynette K. Henderson’s startling urban realism juxtaposes familiar Los Angeles landscapes with the hauntingly visceral animals whose habitats our lives have upended. From a startled bat outside the Odeon Theater marquee to a vigilant coyote by the Santa Monica pier,  and voluptuous flightless cassowaries luxuriating in island palms. these are stunning images pull the viewer

Valerie Wilcox focuses on the landscape of the architectural, reinventing the world around her with mixed media wall sculptures that lead the viewer into a bold, riveting new world. Abstract and utterly involving, these wall sculptures are as compelling as they are contemplative.

Also exhibiting is gallerist and artist Joanna Garel, whose cool, clean, beach-centric landscapes feature iconic images such as lifeguard towers and sky-brushing palms in a rainbow of colors.

Above: Gallerist and artist Joanna Garel, left; myself, right

Self-involvement noted: I had the pleasure of curating these beautiful works, and with a nod to the (near) future, I will soon be taking over this gallery space with a new name, Diversions Fine Arts Gallery, and many amazing artists. So come get a taste this weekend – after all, we have to step into this new year first foot and all!

Garel Fine Arts is located at 1069 N. Aviation in Manhattan Beach. Tons of free side street parking.

Opening reception: Saturday, January 17th 4-7 p.m.
Artist talk and closing: Saturday, February 7th 3-5 p.m.

 

Bluerider ART Sails a Big Wave of Art into Los Angeles

Can a new international art space be as beautiful as the art it contains? In the case of Bluerider ART, which has located its new flagship in Manhattan Beach, the answer is a resounding yes

Occupying an octagon shaped building in the South Bay, Bluerider ART is an architectural gem.

The innaugural exhibition, From Sea to Sky – The Blue Axis, is also a jewel, a profoundly lovely collection of artworks that include stunning works on canvas, breathtaking video art, sculptural works, and holographic images.

Los Angeles-based artist Bryan Ida has several stunning works in the gallery, joining a wide range of artists with truly lucious works on display, above.

From Chicago, Rine Boyer, exhibited jubilant and unique portraiture, above.

Too many artworks to mention individually, the innaugural exhibiting artists come from a wide range of locations, each united by their profound talent. Artists include:

Willi Siber (Germany)
Yang Mao Lin(Taiwan)
Josep Riera i Aragó(Spain)
Cao Jigang(China)
Carol Prusa (USA)
Nick Veasey(UK)
Bryan Ida(USA)
Marck(Switzerland)
Pascal Dombis(France)
Thierry Feuz(Switzerland)
Sven Drühl(Germany)
Susanne Kühn(Germany)
Ruprecht von Kaufmann (Germany)
Chang Ling(Taiwan)
Jan Kaláb(Czech Republic)
Ramiro Smith Estrada(Argentina)

Anchoring the exhibition of artists are a variety of lovely short statements from many, displayed alongside their artworks. The result is a cohesive, immersive exhibit, its feel enhanced by the gallery’s excellent decision to cover its massive windows with light blue film. That muting of natural light not only takes the viewer outside the existing suburban world surrounding the gallery, but shapes a sense of being within the sea and sky described in the exhibition title.

Wandering from room to room, the spaciously laid out gallery invites the viewer to take the time to contemplate and absorb the art. It is a meditative space well suited for an exhibition that primarily focuses on what we may find on our earth and in our oceans; whales and owls, humans swimming, humans laughing, great mountains and shimmering gemstones, flowered orbs and super heroes.

 

Bringing a sense of the sublime, the profound, and the whimsical all at once, this is not just a strong exhibition of fine work, but an apt introduction to a gallery that appears committed to expressing the voice of each artist in a luminous space.

artists Bryan Ida and Rine Boyer with gallerist Elsa Wang

Welcome to the neighborhood.

The exhibition runs through November the 23rd. Don’t miss.

  • Genie Davis, photos by Genie Davis; exterior signage provided by Blue Rider